Texas - More Art

19th Century handcrafted Woolie featuring sailboat bordered by British flags with the motto of the British monarch Dieu et Mon Droit, (God and my rig...

John Leopard (1800-1883) Pottery Rusk County Henderson Texas Pottery (1850-1883) 5 or 6 Gallon Ovoid East Texas Churn 18 inches tall 11 inches at widest point Utilitarian John Leopard (1800-1883) Pottery Rusk County Henderson Texas Pottery (1850-1883) One natural resource found in Rusk County provided an abundance of raw material for the development of industry in the county. When pioneers arrived in Rusk County in the early 1800's, they found a variety of clays suitable for brick making, tiles, statuary and pottery. Pottery making is one of the world's oldest crafts, with examples of pottery traced back as far as the 7th century BC. Amongst the earliest finds are artistic figures, images of people and animals, and household implements including breakers and dishes. Anthropologists often use the techniques and patterns found in ancient burial sites to form an accurate picture of society through the ages. Earthenware (jugs, churns, and vessels of all kinds) made in Rusk County found a ready market. Some of the early potters were Brown, Leopard, Rushton, Prothro and Russell. Many of Henderson's downtown buildings were made from bricks baked in the kiln of the Howard Brothers...

Oil Painting on Canvas. Laura Mendoza

"a" (English translation: "Octopus Queen Urraca I, Empress of All Spain") 24"×18" acrylic on canvas ©2021 Georgia Griffin Queen Urraca I was the first woman ever to reign in a weste...

Contemporary abstract painting by Houston artist Emmanuel Araujo. The work features a geometric black and white pattern with accents of yellow and green. Signed, titled, and dated on...

Contemporary warm toned painting by Houston-based artist Peter Healy. The work features expressive orange, white, and black strokes against a maroon...

Contemporary abstract painting by Houston artist Emmanuel Araujo. The work features swirling bursts of color in blue, yellow, and black. Signed, titled, and dated on the reverse. Cur...

Contemporary colorful abstract painting by local Houston artist Peter Healy. Currently featured in the show "Septet" at Reeves Art + Design in Houston, TX. Signed, titled, and dated ...

Gandin's 'sandwriters' demonstrate the physics of the pendulum as they draw their kaleidoscope-like ribbons in the sand. The sculpture is signed and numbered by the artist on the base of the piece. Artist Biography: Andre’ Gandin...

Technique: Xilography. Framed and Acrylic Plexiglass. P.A. Mexico.

This piece is one of a series of collages that layers images from vintage Sears catalogues from the 1960s with paint and other materials. Fogt used the process of addition and subtraction. He applied paper and paint, let it dry, and sanded off the excesses until the right amount of visual complexity is reached. Brent Fogt...

Ghost Handle. Jalisco, Mexico.

A lavish French Aubbusson style jacquard tapestry depicting an exciting Renaissance era hunting scene. The scene is set in a dense forest of blue, g...

Harding Black San Antonio (1912 - 2004) Huge Heavy Crackle Vase 1985 Height 14'' Across Widest 8" Biography Harding Black San Antonio (1912 - 2004) Harding Black was born on a farm in Nueces County between Ingleside and Aransas Pass and moved with his family to San Antonio in 1916. There he graduated from Brackenridge High School and attended San Antonio Junior College (1929-30). In 1931 Black joined an archaeological expedition to the Big Bend area sponsored by the Witte Memorial Museum. Initially a painter, he was taught by Rudolph Staffel in 1933 to make wheel- thrown pottery and in the same year began to teach children's ceramic classes at the Witte. Between 1937 and 1939, Black directed ceramic installation in a San Antonio reconstruction project sponsored by the National Youth Administration and the Works Progress Administration art program. In 1955 he retired from teaching and devoted his time to ceramics. Black became a well-known ceramist from his research, innovations, and writings in the field. Exhibitions: San Antonio Local Artists Annual Exhibition (1939-42, 1945, 1947); Texas General Exhibition (1940 award, 1942, 1948 honorable mention); National Ceramic Annual Exhibition, Syracuse Museum of Art (1947-54); River Art Group, San Antonio (1948-49); National Collection of Fine Arts, Washington D.C. (1951, 1956); Dallas Museum of Fine Arts (1952 one-man); Martin Museum of Art, Baylor University (1991 one-man); San Antonio Museum of Art (1995 retrospective); National Museum of Art, Washington, D.C. (1995); University of Texas at Dallas, Irving (1998 retrospective). Collections: Dallas Museum of Art; Museum of Fine Arts, Houston; San Angelo Museum of Fine Arts; San Antonio Museum of Art; Martin Museum of Art, Baylor University, Waco; National Museum of American Art, Washington D.C.; New Orleans Museum of Art; Everson Museum of Art, Syracuse, new York; Alfred University (New York). Harding Black resided in San Antonio Texas where he worked as a potter for over 60 years and far as anyone knows he was completely self taught. I find it amazing that anyone could ever accomplish what he did with with no formal training in either ceramics or chemistry. It was a long and prolific journey from the early hand built earthenware pottery to become recognized as a master of glazes. While I feel that his forms often could be better this is more than compensated for by the spectacular glazes he developed. Constant experimentation and his acquired knowledge of chemistry were the foundations for the wonderful glazes that adorn his pottery. The following quote is from an interview with Rudolf Staffel His copper reds are unbelievably beautiful. Harding was a master of glazes and one of the most generous human beings in the ceramic field that I've known. He had literally a room full of beautifully organized test tiles of all his glazes, and he would just throw the room open to anybody who wanted to rummage through his tiles. All the recipes were there and he shared them with anyone who was interested. It was wonderful to go and visit him. Although accurate records of all test firings were kept for reference it I have been told that it would be difficult to reproduce many of these glazes because of the kiln he built and clays he used. This may not be the case because in a recent phone conversation (4/11/2007) with Peter Pinnell he told me that some of his students had success replicating some glazes using Harding's formulas By concentrating on the bowl and vessel forms Harding remained true to the historical traditions of pottery making. The magnificent Harding Black journey began in 1932. At that time he joined the Witte Museum Archaeological Society which provided him with access to their collections of Native American pottery. Harding became fascinated by these pollychromed vessels and he began attempting to create hand built pots. He had very little or no success but a life long of working in clay had begun. It was about this time that he met up with Rudolf Staffel and it was from him that Harding learned wheel throwing and developed ideas of how to operate a studio. Harding was given access to working space at the Witte where he built a wheel and in 1933 he was given a position as ceramic instructor. In this position it was his responsibility to establish a ceramics department. The first kiln Harding built was using plans that were obtained from Newcomb College. He scrounged parts from a junkyard which were used in its construction. This project was not totally successful because of problems reaching required temperatures. As usual this did not deter Harding. He seemed to have a wonderful ability to learn from failure and move on. In the early 1940's Harding began working with formulas for copper red glazes prepared by Arthur Baggs and Edgar Littlefield. This work only added to his interest in Oriental pottery and fostered a desire to rework many old glazes. Being greatly influenced by A Potters Book published in 1940 by Bernard Leach Harding was now on his way seeking to incorporate form, function and surface treatment into a single entity where the whole is greater than the sum of the parts. In the 1950's Harding left the Witte and built his own studio where he spent the rest of his life creating his wonderful art. The body of his work is a living tribute to the Harding Black lifelong love of ceramics. Along with being a researcher he was also a teacher always willing to share his knowledge with others. He spent his life producing pots and occasionally taking time off to do a bit if fishing. According to Harding Black - Harding Black 11/14/90 "I am one of the lucky ones. When I get up in the morning I can hardly wait to get to work." 1912 Born April 15 near Aransas Pass, Texas 1916 Family moved to San Antonio 1929 Graduated from Breckenridge High School 1929-30 Attended San Antonio Junior College 1931 Joined Archaeological Society of the Witte Museum, San Antonio, and participated in excavations of ancient Basket maker Indian mounds and caves in the Big Bend area of Texas 1933 Taught by Rudolf Staffel to make wheel-thrown pottery. Set tip studio in a streetcar behind Witte Museum and began teaching children’s ceramic classes 1937-39 Appointed Superintendent of Ceramic Installation for N Y A /W P A reconstruction project in San Antonio 1943 Moved from streetcar studio to new facilities in the reconstructed Ruiz House on the grounds of the Witte Museum Began firing to stoneware temperatures 1947-54 Exhibited each year in the annual National Ceramic Exhibition, Syracuse Museum of Art 1951 Exhibited at the National Museum of Art, Washington, DC 1952 Toured ceramic centers throughout the United States 1953 “Opening the Door to Copper-Reds” by Harding Black, published in January issue of Ceramics Monthly “Harding Black Profile” published in February issue of Ceramics Monthly 1954 “Iron Spotted Glazes” by Harding Black, published in February issue of Ceramics Monthly 1955 Built present studio at 8212 Broadway, San Antonio Retired from teaching at the Witte Museum 1956 Exhibited at the National Museum of Art, Washington, DC 1961 “Lava Glazes” by Harding Black, published in October issue of Ceramics Monthly 1964 “Harding Black Texas Potter” by Jean R Lange, published in November issue of Ceramics Monthly 1971 The Meyer Family Master Potters of Texas, co-authored by Harding Black and Georgeanna H Greet 1980 Harding Black’s biographical information entered into the archives of the Smithsonian Institution, Washington, D C 1983 Harding Black traveled throughout China 1984 Awarded Glaze Research Grant by Southwest Craft Center, San Antonio 1985 Solo exhibition at the Southwest Crafts Center 1987 Selected as Artist of the Year by the San Antonio Art League 1988 Incarnate Word College, San Antonio, establishes Harding Black Fund to aid ceramics students 1990 “Harding Black Pottery...

Fernando Andriacci Nature and Its Colors

Butterfly Offering. Mexico. Signed and dated 96. Technique: Gouache and ink on paper.

Minimalist black and neon pink organic sculpture by contemporary Houston, TX artist Matthew Reeves. Inspired by buoys commonly found along major waterways, the work features a column...

Harlequins III. 30/100. Technique: Resin. Jalisco, Mexico.

~ Globe Photos Exclusive Offering for Sotheby's and 1stDibs ~ Offered exclusively to our Sotheby's and 1stDibs customers, Globe Photos is proud to announce a new hand-curated collec...

Realist gouache painting of a serene coastal landscape by Texas artist William Hoey. Circa 1970s. Gold Frame. Dimensions of painting without frame: 9 in. H x 12 in. W Artist Biogr...

19th Century British Woolie featuring a curtain border and floral accents Medium is wool and is considered traditional folk art made by British Royal ...

Jaguar

Abstract expressionist oil painting by contemporary Houston artist Benji Stiles. The work features gestural marks and rounded shapes in pastel pink, green, and orange tones set against a light background. Currently unframed, but options are available. Artist Biography: Born in New Orleans, Robert Benjamin Stiles (Benji) is a multidisciplinary artist and educator who lives and works in Houston. He holds a B.A. from the University of St. Thomas, with a major in Art History and a minor in Studio Arts, and is currently an MFA candidate at MICA (Maryland Institute College of Art). His work ranges from non-representational painting focusing on diverse mark-making and color theory to conceptual sculpture and assemblage using historical and found objects. Since 2019, Stiles has established a successful art practice at Hardy and Nance studios while exhibiting work throughout the region including three solo shows (Hardy & Nance Gallery 2020, Lonestar College 2021, G-Contemporary 2022). Recent group shows include Collect it For the Culture 2021 (curated by Robert Hodge) where he showed work alongside more than 30 artists including – Rick Lowe...

Colorful geometric painting organized to cross across the canvas. Canvas is not framed. Artist signed, dated, and named the painting on the back. Artist Biography: Sara Sosnowy was...

Carmie Born 1958 Mesquite Shallow Bowl 5" diameter 1.5" tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a syntheti...

KAWS Along The Way (Set of 3), Black, Brown and Grey versions. New & unopened in its original packaging. Medium: Vinyl & Cast Resin Open unknown edition Unsigned Provenance: Modern...

Lovely oil on canvas titled "Conch on the Beach" by William "Bill" Hoey. Painting has wonderful color and composition and is framed in a gold leaf frame. Artist Biography: Professo...

Gray and tan abstract contemporary concentric circle painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The wor...

KAWS:HOLIDAY KAWS:HOLIDAY INDONESIA - Figure (Black) SPECIFICATION • Material: Vinyl • Dimension: L11.5 inches • Certificated NFC chip of authenticity For this tenth stop on the tou...

Carmie Born 1958 Tippy Messenger Box 7 2.5 x 2 Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a synthetic organic chem...

Gray and yellow abstract contemporary concentric circle painting by Houston, TX artist David Hardaker. Signed, titled, and dated by the artist on the reverse. Artist Statement: The ...

"Sailboat in a Maple Frame" - British Woolie, 1870 Wool Embroidery 12 x 19.5 inches Framed 14 x 22 inches 19th Century British Woolie in Maple Frame fe...

Carmie (1959-) Mesquite Hollow Form Height 2.5'' Diameter 7.5'' Bio Carmie (1959-) Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a synthetic organic chemist specializing in steroid synthesis. His foray into wood turning began in the year 2000 when his father passed away. Growing up, he was surrounded by wood working and the associated wood working tools...

SLICKMAU5 2020 DEADMAU5 X SLICK Black Hole Edition Signed Poster. Edition: 81/100 Size: 24 Inches H x 24 Inches W SOLD OUT - Edition Brand new in perfect condition. Slick’s work ha...

Several Generations - (Varias Generaciones). 2019. (Acrylic Painting on Canvas.) Guatemala City, Guatemala.

Carmie Born 1958 Mesquite Closed Form Bowl with Beads 7" diameter 3.5" Tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he work...

Carmie Born 1958 Mesquite Bowl with Beads 7" diameter 3.25" Tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a synt...

Carmie Born 1958 Natural Edge Mesquite Bowl 8.75" x 7.5" 2" tall Biography Carmie Born 1958 Wood Turner Carmie K. Acosta was born and raised in San Antonio. By day he works as a synt...

Geometric tapestry made of various red, green, purple, and blue fabrics titled "Geometric" by Bill Condon, circa 1970's. Similar to the early geometric designs of Ida Kohlmeyer. Ar...

Modern pastel pink abstract painting by Texas born artist Clark Fox. The work features an intricate geometric pattern of dots against a shaped canvas. Titled...

Contemporary mixed media assemblage by Massachusetts artist Al Souza. Known for using unconventional art materials such as puzzle pieces, in this work Souza combines newspaper and glue to recreate spitballs, reminiscent of his youth. Currently hung in a light wood frame. Signed and dated by artist on reverse. Artist Biography: Al Souza was born in Plymouth, Massachusetts in 1944 and currently resides in Worcester, Massachusetts. He has exhibited extensively both nationally and internationally. His work is part of numerous collections including the Museum of Fine Arts, Houston, Dallas Museum of Art, El Paso Museum of Art, Art Museum of Southeast Texas, Tyler Museum of Art, University of Houston, Houston Airport System, City of Houston, New Orleans Museum of Art, Mississippi Museum of Art, Montgomery Museum of Art, Whitney Museum of American Art, Yale University Art Gallery, Crystal Bridges Museum of American Art, Parrish Art Museum, DeCordova Museum, San Diego Museum of Contemporary Art, and the University of Massachusetts. Souza was awarded an International Association of Art Critics/USA Award in 2007 for Best Show in a Commercial Gallery Nationally, 1st Place, for the exhibition David Ireland...

Large Bowl with Lace Designs. Mata Ortiz, With black background with white and gray design Chihuahua, Mexico. .

Restless Little Cow - (La Vaquita Traviesa). Oaxaca, Mexico.

- "Caballo". Bronze Sculpture. Technique: Bronze Sculpture with Marble Base. With Certificate of Authenticity. Oaxaca, Mexico.

Angeles. Bear #28. Oaxaca, Mexico.

Small assemblage political critique. The work is newsprint cut out of an article titled "The Police of America". There are helicopters and various red splatters around the work. It i...

Lace "Eagle" Vase #3. Chihuahua, Mexico. With gray background with white lace and eagles

Tapestry of a collection of brightly color abstract scenes titled "Unique" by Bill Condon. The piece is made out of various fabric pieces stitched onto light denim fabric. Artist Bi...

A textile Installation titled 'Eye' comprised of 21 wool-wrapped jute elements by fiber artist Jane Knight 1928-2013. Signed with embossed copper ...

Very impressive and monumental textile work by Marco Barberio, Italy. This is a felted wool work that measures 81" x 48.25" mounted in a silver leaf frame.

Monumental 'Sunburst" by renowned Detroit fiber Artist Jane Knight. The Sunburst is comprised of sixty-nine elements of hand twined in multicolored wool fibers and is and was commiss...

"The Great Narrows' by Irwin Whitaker - 1985, enamel on copper plate from the series 'Canyons, Arches & Gorges. Enamel measures 16.25 x 10.25, Frame measures 20.25 x 14.25. Excellent...

Sequential blinking light sculpture by contemporary artist David Szfranski. Blanket Wood Substrate Lights Electronic Blinking mechanism. Box 9"x 6" x 5.5" The sculpture has a hypn...

Temporary End of Summer Sale. This phenomenal wall-mounted mid-century-modern sculpture is titled "Flight" and was created by internationally recognized textile artist Barbara Barr...

This is a large-scale three-dimensional work by Texas Artist Douglas Cartmel. This work is inspired by the artist's swiss cross series. The geometry is a nine square equilateral cros...

Amazing brutalist owl sculpture with felt lined stash box hidden in the base by renowned Iowa abstract artist James Anthony Bearden from his Animal Series.

Stuart Mathews was a prolific sculptor who studied at the Art Institute of Chicago and Cranbrook in the 1950s. His work is characterized by his ability to combine a variety of differ...

Privately commissioned directly from the artist this custom handwoven wool and cotton tapestry is titled Olive Terraces, Zahara, after Barbara Rae's painting by the same name. Woven ...