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Tri-State Area - Landscape Drawings and Watercolors

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Item Ships From: Tri-State Area
"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary
By David Fredenthal
Located in New York, NY
"Tobacco Road" Mid 20th Century Realism 1940 Drawing from the Novel WPA Literary 19 1/4 x 11 1/2 (sight), Signed David Fredenthal lower right. Framed by ...
Category

1930s American Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Ink, Watercolor

Rocks and Lighthouse, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Rocks and Lighthouse (P4.34), Year: 1959, Medium: Watercolor on Paper, Size: 14.5 x 21 in. (36.83 x 53.34 cm), Description: Crashing ...
Category

1950s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Big Red Barn, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Big Red Barn (56), Year: circa 1961, Medium: Watercolor, Size: 15 in. x 22 in. (38.1 cm x 55.88 cm), Description: Eve Nethercott's hazy...
Category

1960s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Two Trees, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Two Trees (P2.38), Year: 1958, Medium: Watercolor on Paper, Image Size: 14 x 21 inches, Size: 15 x 22 in. (38.1 x 55.88 cm), Descript...
Category

1950s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Winter Farm Landscape, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Winter Farm Landscape (P3.30), Year: circa 1960, Medium: Watercolor on Paper, Size: 15 x 22 in. (38.1 x 55.88 cm), Description: Overl...
Category

1960s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Stony Brook, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Stony Brook (P4.15), Year: 1960, Medium: Watercolor on Paper, Size: 14 x 21 in. (35.56 x 53.34 cm), Description: Cutting through the ...
Category

1960s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Hamptons, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Hamptons (P4.19), Year: 1958, Medium: Watercolor on Paper, Size: 12 x 19.5 in. (30.48 x 49.53 cm), Description: Focusing on two blue ...
Category

1950s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Hampton Bays, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Hampton Bays (P6.63), Year: 1958, Medium: Watercolor on Paper, Size: 22 x 15 in. (55.88 x 38.1 cm), Description: Covering almost thre...
Category

1950s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Pines, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Pines (P5.33), Year: 1958, Medium: Watercolor on Paper, Size: 15 x 21.5 in. (38.1 x 54.61 cm), Description: Scattered over the rollin...
Category

1950s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Windy Day, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Windy Day (P6.14), Year: 1950, Medium: Watercolor on Paper, Size: 17.5 x 21.5 in. (44.45 x 54.61 cm), Description: Eve Nethercott's w...
Category

1950s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Winter Trees, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Winter Trees (P2.41), Year: 1958, Medium: Watercolor on Paper, Size: 14 x 20 in. (35.56 x 50.8 cm), Description: Illuminated by the s...
Category

1950s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Yellow House, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Yellow House (P6.44), Year: circa 1948, Medium: Watercolor on Paper, Size: 15 x 20 in. (38.1 x 50.8 cm), Description: Situated on a s...
Category

1940s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

House with Banisters, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - House with Banisters (P1.32), Year: circa 1960, Medium: Watercolor on Paper, Size: 15.5 x 22 in. (39.37 x 55.88 cm), Description: Vie...
Category

1960s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Provincetown, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Provincetown (P5.16), Year: circa 1950, Medium: Watercolor on Paper, Size: 13.5 x 19 in. (34.29 x 48.26 cm), Description: Looking out...
Category

1950s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

Rockport, Impressionist Watercolor by Eve Nethercott
By Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Rockport (P4.5), Year: 1948, Medium: Watercolor on Paper, Size: 12.5 x 15.5 in. (31.75 x 39.37 cm), Description: Lining the beaches o...
Category

1940s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
By Leon Dolice
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Pastel

Birch Mystery, trees, female figure, neutral tones, collage on archival paper
By Audrey Anastasi
Located in Brooklyn, NY
Paper paint charcoal collage Paper charcoal collage These collages were created first in the presence of a live model, working quickly, in charcoal and again, later, alone in the stu...
Category

2010s Surrealist Tri-State Area - Landscape Drawings and Watercolors

Materials

Charcoal, Archival Paper, Acrylic, Mixed Media

Cherry Blossoms 4, A Gray, Black and White Drawing of Cherry Blossoms on Branch
By Mary Reilly
Located in New York, NY
Mary Reilly's "Cherry Blossoms 4" (2025) is a 24 x 18-inch graphite pencil drawing that captures the delicate beauty of cherry blossoms. Reilly's meticulous technique involves layeri...
Category

2010s Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Graphite

Ballet Folklorico Festival, Pastel Drawing by Kamil Kubik
By Kamil Kubik
Located in Long Island City, NY
Ballet Folklorico Festival - San Antonio, TX by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)
Category

Late 20th Century Contemporary Tri-State Area - Landscape Drawings and Watercolors

Materials

Pastel, Paper

"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
By Leon Dolice
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Pastel

"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
By Leon Dolice
Located in New York, NY
Leon Dolice New York Harbor Nocturne, circa 1930-40 Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long inf...
Category

1930s American Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Pastel

"Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism
By Reginald Marsh
Located in New York, NY
Reginald Marsh "Manhattan Bridge" NYC American Scene Modernism Watercolor WPA Urban Realism, 20 x 14 inches. Watercolor and pencil on paper, 1938. Signed...
Category

1930s American Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Pencil

Etude Deux Chenaux sur Quinze, Guillaume Azoulay
By Guillaume Azoulay
Located in Fairfield, CT
Artist: Guillaume Azoulay (1949) Title: Etude Deux Chenaux sur Quinze Year: 2004 Medium: Ink drawing on archival paper Size: 14 x 16.5 inches Condition: Excellent Inscription: Signed...
Category

Early 2000s Pop Art Tri-State Area - Landscape Drawings and Watercolors

Materials

Ink

Flowering Hillside, grayscale photorealist graphite landscape drawing, 2018
By Mary Reilly
Located in New York, NY
In her newest landscape drawing, Flowering Hillside, Mary Reilly explores the full tonal depth of graphite. She finds all of the soft subtleties of gray in her movement from the mome...
Category

2010s Photorealist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Graphite

Bend in the RIver, Black and White
Located in Greenwich, CT
Nothing short of amazing, this is an exceptional DRAWING by an artist that is appreciated for her skill and abilities and pictorial beauty. Her meticulous style of working with charcoal in this case and ink but often with pencil, has garnered her many collectors of her work. She often works in series and this is from 2014. It is under plexiStriking for anSarah Gillespie...
Category

2010s Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Charcoal, Ink, Archival Paper

Field of Flowers 1, photorealist graphite floral drawing, 2016
By Mary Reilly
Located in New York, NY
Reilly uses a toning technique to endow her graphite works with a smooth, seamless quality. Rather than distinct outlines, her flower petals glide gracefully into the surrounding spa...
Category

2010s Photorealist Tri-State Area - Landscape Drawings and Watercolors

Materials

Archival Paper, Graphite

Fragmented in Blue with Windmills print
By Robert Strati
Located in New York, NY
Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...
Category

2010s Tri-State Area - Landscape Drawings and Watercolors

Materials

Porcelain, Ink, Digital

Cherry Blossoms 1, Mary Reilly, Black & White Tree Graphite Drawing
By Mary Reilly
Located in New York, NY
"Since my early childhood, nature has had a profound affect on me in ways that I cherish. The state of mind that is instilled within me when walking through the woods, or on a seclud...
Category

2010s Academic Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Pencil, Graphite

139
By Russ Havard
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flouris...
Category

21st Century and Contemporary American Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"Tree at the Edge of the Field, Springs" Nell Blaine, 1967 Abstracted Landscape
By Nell Blaine
Located in New York, NY
Nell Blaine Tree at the Edge of the Field, Springs, 1967 Signed and dated lower left Watercolor on paper 14 1/2 x 20 inches Nell Blaine was born in Richmond, Virginia in 1922. She ...
Category

1960s Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Waves
By Oscar Bluemner
Located in New York, NY
Waves 1913 Inscribed in ink and pencil, recto; Extensive notes in pencil, verso Watercolor and graphite on cream wove paper 3.5 x 5.5 inches This work is offered by ClampArt in N...
Category

1910s Contemporary Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Graphite

Tropical Landscape, Impressionist Gouache and Graphite on paper by Ian Hornak
By Ian Hornak
Located in Long Island City, NY
Ian Hornak, American (1944 - 2002) - Tropical Landscape, Year: circa 1977, Medium: Gouache and Graphite on paper, mounted to board signed lower left, Size: 29.5 x 22 in. (74.93 x 5...
Category

1970s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Gouache, Graphite

Tayo Heuser, Nomad, 2013, Ink on handburnished paper, Abstraction, Meditative
By Tayo Heuser
Located in Darien, CT
By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...
Category

2010s Abstract Geometric Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Ink, Handmade Paper, Pigment

"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism
By Jo Cain
Located in New York, NY
"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism Jo Cain (1904 – 2003) Good Health Week 10 ½ x 15 1/2 inches Oil on pape...
Category

1940s American Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Oil

Beach Seascape
By Manfred Schwartz
Located in Astoria, NY
Manfred Schwartz (American, b. Poland, 1909-1970), Beach Seascape, Charcoal on Paper, with the artist's signature stamped lower right, unframed. 19.75" H x 25.25" W. Provenance: From...
Category

Mid-20th Century Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Charcoal

VFD 1, watercolor, California, Industrial building, architecture, fire training
By Ferdinanda Florence
Located in Riverdale, NY
VFD #1 is a watercolor painting of a California industrial site where fire training drills take place. It is 11x8 unframed. Ferdinanda Florence was born in Washington, DC, and grew...
Category

2010s Contemporary Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

Winter Night in Canmore, black and white charcoal drawing of trees and sky
Located in New York, NY
Charcoal on paper drawing by Toronto-based artist Katherine Curci. Framed. Katherine Curci began this series of charcoal drawings, premiered in This L...
Category

2010s Contemporary Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Charcoal

161
By Russ Havard
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flouris...
Category

21st Century and Contemporary American Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Caribbean Island [untitled].
By Reynolds Beal
Located in New York, NY
The location of this early oil pastel drawing was identified by other pieces from the same drawing book. The oil pastel was a new invention - just on the market in 1921 and it appea...
Category

Early 20th Century American Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Oil Pastel

Cherry Blossoms 2, black-and-white tree drawing, graphite pencil on paper
By Mary Reilly
Located in New York, NY
This exquisite graphite drawing by Mary Reilly captures the delicate beauty of cherry blossoms with striking realism and atmospheric depth. Known for her masterful pencil work, Reill...
Category

2010s American Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Pencil, Graphite

Scorpion, Surrealist Ink Drawing by Wojtek Kowalczyk
Located in Long Island City, NY
A detailed and hand-drawn work on paper by Polish artist Wojtek Kowalczyk of scorpions in sand dunes. The scorpions, however, are made of twining rope...
Category

2010s Surrealist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Ink

Untitled (Four Horses)
Located in Brooklyn, NY
Cahuilla/Soboba Band of Luiseño Indians/Apache Billy Soza War Soldier was a pioneering Native American artist and activist whose work powerfully reflects the intersections of Indige...
Category

20th Century Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Oil

Boat in Tunisia - Drawing Ink on Paper Unique Post Impressionist, 1920
By Albert Marquet
Located in New York, NY
Albert Marquet Boat in Tunisia, ca. 1920 Ink on paper 7 1/5 × 5 in 18.2 × 12.8 cm Hand-signed by the monogram lower right
Category

1920s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Ink

Cacti, Surrealist Ink Drawing by Wojtek Kowalczyk
Located in Long Island City, NY
In this intricately hand-drafted and drawn piece by Polish artist Wojtek Kowalczyk, a railroad track seems to stretch on into infinity. On the left, t...
Category

2010s Surrealist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Ink

Oregon Landscape
By Millard Sheets
Located in New York, NY
Signed and dated lower right: Millard Sheets / 1976
Category

20th Century Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

"Gondolas at the Dock, Venice, Italy" Louis Wolchonok, Boats in the Harbor Scene
By Louis Wolchonok
Located in New York, NY
Louis Wolchonok (1898 - 1973) Gondolas at the Dock, Venice, Italy, 1928 Watercolor on paper Sight 18 x 23 1/2 inches Signed and dated lower right Louis Wolchonok was an author of ar...
Category

1920s Post-Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

headwind, female figure w beach umbrella beach blue ocean sand
By Stephen Basso
Located in Brooklyn, NY
Oil on canvas
Category

2010s American Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Canvas, Oil

Trees Against Brown Background, Wolf Kahn
By Wolf Kahn
Located in Fairfield, CT
Artist: Wolf Kahn (1927) Title: Trees Against Brown Background Year: 2000 Medium: Pastel on paper Size: 8 x 10 inches (sheet); 16 x 18 inches (frame) Condition: Good Inscription: Sig...
Category

Early 2000s American Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Pastel

"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
By Leon Dolice
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Pastel

Two Men on a Street Early 20th Century w/c Fauvism Social Realism American Scene
By Stuart Davis
Located in New York, NY
Two Men on a Street Early 20th Century w/c Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identi...
Category

Early 1900s American Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Seashells 6, Beach-strewn seashells from Sanibel Island, Graphite on Paper
By Mary Reilly
Located in New York, NY
This drawing reveals the artist's mastery of the medium and her connection to her subjects. In this one, we peek beach-strewn seashells from her travels to Sanibel Island boast bubbl...
Category

2010s American Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Graphite

160
By Russ Havard
Located in Fairfield, CT
Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...
Category

21st Century and Contemporary American Realist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"New York Harbor Nocturne" Leon Dolice, New York Harbor Scene Mid-Century
By Leon Dolice
Located in New York, NY
Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category

1930s American Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Pastel

"New York City Skyline View from the East River, " Lionel Reiss, Jewish Artist
By Lionel Reiss
Located in New York, NY
Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...
Category

1940s American Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

"Train Station, " Max Kuehne, Industrial City Scene, American Impressionism
By Max Kuehne
Located in New York, NY
Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...
Category

1910s American Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Watercolor

7-28-22, Impressionist, abstracted landscape drawing with colored pencil
By Sandy Litchfield
Located in New York, NY
Sandy Litchfield brings her magical abstracted landscapes to a new medium in her recent colored pencil drawings. Loose, delicate lines scramble over one another, bringing a diffuse, ...
Category

2010s Impressionist Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Color Pencil

High Fashion Paris Women, Framed Watercolor Painting by Charles Levier
By Charles Levier
Located in Long Island City, NY
Artist: Charles Levier, French (1920 - 2003) Title: Red Head Year: circa 1965 Medium: Watercolor, signed l.r. Image Size: 19.5 x 15.5 inches Size: 28 x 21.5 inches
Category

1960s Fauvist Tri-State Area - Landscape Drawings and Watercolors

Materials

Watercolor

"New York City Harbor" Leon Dolice, Downtown Skyline, East and Hudson River
By Leon Dolice
Located in New York, NY
Leon Dolice (1892 - 1960) New York Harbor Skyline at Twilight (Searching), circa 1930-40 Pastel on paper 12 x 19 inches Signed lower left Provenance: Spanierman Gallery, New York The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the young man who was someday to be spoken of as showing promise of becoming "one of the greatest etchers of all time". Leon Dolice, born in Vienna on August 14, 1892, even as a young boy, preferred the lure of painting to the scholastic studies which his early years had expected of him. His father was a machinist, which exposed the boy to welding and metal crafts. However, his interest in art led him to abandon a secure future in the family business, and he spent most of his late teens and early twenties traveling through the capital cities of Europe studying the works of the Masters. As with many itinerant artists, he made his way in a variety of fashions metalworker, chef, designer somehow always managing to give vent to his creative instincts. Lured by the adventure of crossing the great Atlantic and by the freedoms of the New World, he came to America in 1920. There he was greeted by the turbulence of New York in the Roaring Twenties. Finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects. With the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan. A decline in popular favor for etchings led him to put aside his plates in the late 1930's and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes and even experiments with Abstract Expressionism at the height of its new found favor in the 1940's punctuated his career. In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit. Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...
Category

1930s American Modern Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Pastel

Church in Prague, Pastel Drawing by Kamil Kubik
By Kamil Kubik
Located in Long Island City, NY
Church in Prague by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)
Category

1990s Contemporary Tri-State Area - Landscape Drawings and Watercolors

Materials

Paper, Pastel

The Fall and Forest Print
By Robert Strati
Located in New York, NY
Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...
Category

2010s Tri-State Area - Landscape Drawings and Watercolors

Materials

Porcelain, Ink, Digital

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