Tri-State Area - Landscape Drawings and Watercolors

Lois Dodd Untitled Landscape, 1990 Colored chalk on grey wove paper Signed, dated and inscribed "For Beverly & Howard", lower right. Original artist's frame included This unique work...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

George Tzannes's Landscape with Olive Tree is a 21.5 x 28.5 inches black and white monotype representing a Greek landscape. Olive trees populate the landscape. Tzannes is an American painter of Greek origins. In his twenties he visited Kythira, the Greek island of his father's birth. Since that time, the island has become the major reference of his creativity. The choice of using black and white to represent this landscape gives the mighty hundred-years old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

Watercolor and gouache on paper

Pearl Finkel - Children on Beach, Year: 1945, Medium: Watercolor on Paper, signed and dated lower right, Size: 12 x 16 in. (30.48 x 40.64 cm), Frame Size: 20 x 23.5 inches

"Edge of the Galaxy" watercolor on paper 16"x20" signed on reverse This is a beautifully painted, highly detailed depiction of a view from the edge of the Galaxy. Warm whites in th...

Arnold Hoffmann, Sr., Russian (1886 - 1966) - Seascape, Year: 1949, Medium: Acrylic on Paper, signed and dateed in pencil lower right, Image Size: 10.25 x 19 inches, Size: 14.25 ...

Louis Sylvia (American, 1911-1987) Untitled, 20th century Watercolor on paper Sight: 12 1/2 x 16 1/2 in. Signed lower right Louis Sylvia (1911-1987) was an American painter special...

Eugene La Foret, American (1884 - 19??) - Evening Stroll, Medium: Gouache On Paper, signed lower right, Size: 9.5 x 12.25 in. (24.13 x 31.12 cm), Frame Size: 16 x 19.25 inches

This 17.5 x 35 inches black and white chalk drawing on paper represents a Greek landscape. Two olive trees are in the foreground, with the countryside extending behind in the distant horizon. Tzannes is an American painter of Greek origins. In his twenties, he visited Kythera, the Greek island of his father's birth. Since then, the island has become the primary reference of his creativity. Using black and white to represent this landscape gives the mighty hundred-year-old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

Alexander P. Thomson, R.S.W. (Scottish, 1887-1962) Plockton (Ross-shire, Scotland), 20th century Watercolor on paper 15 x 22 in. Framed: 25 1/16 x 32 in. Signed lower left: A.P. Thom...

Katie DeGroot So Natural, 2025 watercolor on paper 40 x 25 in. (groo126)

28"x34" (graphite and charcoal on paper) available unframed From the series: "The Hundred Acre Wood" Ragsdale’s process begins with sketches of places and things from his past...

Katie DeGroot Caught, 2025 watercolor on paper 40 x 26 in. (groo122)

Katie DeGroot Nope, 2025 watercolor on paper 40 x 26 in. (groo125)

George Tzannes's Landscape with Olive Tree is a 22 x 24 inches black and white chalk painting on canvas representing a Greek landscape. Olive trees populate the landscape. Tzannes is an American painter of Greek origins. In his twenties he visited Kythera, the Greek island of his father's birth. Since that time, the island has become the major reference of his creativity. The choice of using black and white to represent this landscape gives the mighty hundred-years old olive trees a monumental presence. The viewer is drawn into the timeless, spiritual quality of the Greek landscape. Despite the absence of color, Tzannes' mastery of drawing creates a tangible effect of the Greek light...

Pierre Spori, Swiss (1923 - 1989) - Church, Year: 1953, Medium: Gouache on Paper, signed and dated top right, Size: 10.25 x 8 in. (26.04 x 20.32 cm)

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

ABOUT Stephen Basso Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imaginat...

Street scene village market, well executed watercolor and pencil drawing, artist titled and signed illegibly, attributed to Moisey Kogan Russian 1924-2001. Image size about 27"x18"F...

Emile Rampelberg, French (1911 - 2001) - Three Trees, Year: circa 1970, Medium: Watercolor on Paper, signed lower left, Size: 27 x 20 in. (68.58 x ...

An idyllic scene at New York City's favorite beach, Coney Island. Before the year was over Barr was in the Army. It is ink and litho-crayon. Barr liked that medium because it didn't ...

Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...

Gyula Zilzer (American/ Hungarian 1898-1969), "Untitled: The Village Arch", Landscape Pen and Ink Drawing / Watercolor signed on Paper, 6.75 x 5.75, Mid 20th Century Colors: Brown &...

Emile Rampelberg, French (1911 - 2001) - Farmhouse, Year: circa 1970, Medium: Watercolor on paper, signed lower right, Size: 19.5 x 27 in. (49.53 x...

Eve Nethercott, American (1925 - 2015) - Ogunquit Beach, Year: 1958, Medium: Watercolor, Size: 7 in. x 21 in. (17.78 cm x 53.34 cm), Description: Overlooking the dunes of Ogunq...

Jean Carzou traveled to Havana as an artist to explore the world and he captured a ship from a earlier era.

Robert Andrew Parker, American (1927 -2024) - Goodrich Castle Ruins, Year: circa 1959, Medium: Gouache on paper, signed and dated lower left, Size: 23 x 30 in. (58.42 x 76.2 cm), ...

Fullerton Music Studio by Kamil Kubik, Czech/American (1930–2011) Pastel on Paper, signed l.r. Size: 19.5 x 25.5 in. (49.53 x 64.77 cm)

A vibrant painting of a carousel in a crowded Paris plaza by French artist Charles Cobelle. His style regularly uses bright neon colors to depict everyday street life scenes of 1960s...

Eve Nethercott, American (1925 - 2015) - City Island, Year: 1959, Medium: Watercolor, Size: 20.5 in. x 13.5 in. (52.07 cm x 34.29 cm), Description: Eve Nethercott's rendering o...

Eve Nethercott, American (1925 - 2015) - Maine House (33), Year: circa 1959, Medium: Watercolor, Size: 15 in. x 11 in. (38.1 cm x 27.94 cm), Description: Looking up at a three-...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Focused on wildflowers spotted along rural roads in his native Minnesota, these paintings capture the delicate beauty of these native flowers against deep magenta backgrounds. Rangin...

Artist: Eve Nethercott, American (1925 - 2015) Title: Fulton Street (P5.31) Year: 1961 Medium: Watercolor on Paper Size: 15 x 22 in. (38.1 x 55.88 cm)

WOODED LANDSCAPE WITH HOUSES Signed original brush and ink on wove paper, circa 1950. WOODED LANDSCAPE WITH HOUSES is an original watercolor brush and ink on paper, hand signed in ink pen by African-American artist, teacher, and printmaker Ronald Joseph (1910--1992) Artwork depicts an abstract landscape, is in good condition, paper tape remaining on reverse side edges, mounted in an archival acid-free mat, unframed. Artwork paper size - 18 x 21.5 in. Year created - c. 1950 About the artist - Ronald Joseph (1910 -1992) was born on the island of St. Kitts, West Indies In 1910. When he was very young, his mother decided to move to the United States but she could not afford to take him with her. Mr. and Mrs. Theophilus Joseph, a childless couple who were friends of Joseph’s mother, adopted him. Afterwards, the Joseph family moved to the Island of Dominica, where they stayed for ten years. In 1921, his foster parents also decided to come to the United States. In New York, Joseph met his mother but remained living with his foster parents. In 1926 Ronald Joseph received a scholarship for the Ethical Culture School, were he spent two and half years of his high school period. At this time he obtained an art scholarship through Dr. Henry Fritz, with whom he became acquainted through his art teacher in public school. Joseph was taken into the Saturday art class, where he was the only black participant. An artistic prodigy, Ronald Joseph had his student works shown at the Metropolitan Museum of Art. Ronald Joseph graduated from Ethical Culture Fieldston School in 1929. He was honored as “the most promising” young artist in New York City’s schools. He began his study at Pratt Institute in 1931 and graduated in 1934. During the 1930s and 1940s, Joseph participated in many exhibitions of African-American art, the Works Progress Administration mural project, and the Harlem Artists Guild. Ronald Joseph enlisted in the U.S. Army Air Corps at the declaration of World War II and was posted as a member of the ground crew in Tuskegee, Alabama, and in Michigan. At the end of the war in 1945, he received his G. I. Bill of Rights scholarship. In 1948, he was presented with the Rosenwald Fellowship. The funds allowed him to live and work abroad – first in Peru for two years, then in Paris. Joseph used the G.I. bill to study in Paris at the Grande Chaumière. He described this period of his life as being “independent of economy”. His work from these travels is largely undocumented; according to Rosenwald scholar, Daniel Schulman, many pieces of art are undated or simply dated “1948-1952”. After this period he came back to New York without money and work and indicated this as period of hardship. Ronald Joseph left the U.S. in 1956, disappointed in the unreceptiveness of the art world to his work with mixed feelings about this. On the one hand, he felt guilty for having left the U.S. during a period when blacks were struggling for their civil rights; on the other, he felt “lucky” to have been able to live and work in place where he did not feel discrimination as intensely. He emigrated to Belgium and later settled permanently in Brussels. Ronald Joseph was married to Claire Joseph and they had a son, Robin Joseph. In 1989 Joseph returned to the United States after an absence of thirty-three years to attend the Lehman College exhibition and symposium and to renew his old friendships. Afterward, he returned to Brussels where he continued to work as a painter, living there for the remainder of his life. Ronald Joseph started his artistic career in Harlem, New York City at the Harlem Community Arts Center, where he was one of the youngest pupils. Joseph studied lithography and other printmaking techniques with Riva Helfond, who taught him many aspects of the process based on simple techniques, including how to operate the press, and how to prepare the stones. Helfond played a significant role as a teacher of lithography at the Harlem Art Center. Joseph produced his first lithographs under her supervision, and this was at a time when she was just beginning to learn the medium herself. At the Harlem Community Arts Center Joseph met Robert Blackburn, who was his classmate. In 1937 Ronald Joseph depicted Blackburn, in one of his most famous works, that is now located at The Metropolitan Museum collection. Experimenting with lithography and etching, as well as woodblock and silkscreen printing, Joseph explored the techniques of printmaking alongside his friend Robert Blackburn. Joseph described the Harlem Art Center as a “healthy and lively” place, where he had made wonderful friends. In the late thirties, he also served as a teacher at the Harlem Community Arts Center. There Joseph met younger artist Jacob Lawrence and Gwendolyn Knight. They formed a friendship, where they enjoyed conversations and visiting museums together. Both Joseph and Knight would hire Lawrence to pose for them. Jacob Lawrence considered Ronald Joseph to be a very intellectual artist. In the 1930s, Joseph became chairman of the Harlem Artists Guild and represented it in Washington with Stuart Davis and Hugo Gellert. Ronald Joseph was also a participant in the mural section of WPA and a representative of the Harlem Artists’ Guild to the New York World’s Fair (1939-1940). Joseph’s early oil paintings were influenced by Picasso, Braque and other European artists while most of his contemporaries focused on social realism. By 1943, he was hailed by art historian James Porter as New York’s “foremost Negro abstractionist painter”. His pastels and gouaches from the late forties and early fifties showed a highly structured abstraction combined with a studied spontaneity. Ronald Joseph’s finely tuned abstractions often incorporated representational elements along with apparently “purer” forms. He described this aspect of his work in these terms: “It’s not abstract and abstract at the same time. It’s pure creation.” His works from the 1950s employed both still life and landscape as pretexts for masterly exercises in nearly abstract pictorial construction related to cubism and fauvism. During World War II, Joseph was drafted. After the war he formed “a kind of a group” with Robert Blackburn, Charles White, Larry Potter, and Reginald Gammon...

Eve Nethercott, American (1925 - 2015) - City Street and City Buildings Study (41), Year: 1953, Medium: Two-Sided Watercolor and Pencil Drawing, Size: 12.5 in. x 13.5 in. (31.75...

Artist: Yohanan Simon (1905-1976) Title: Landscape Medium: Gouache on paper laid to card Date: 1962 Signature: Signed and dated in Hebrew Paper Size: 16.75 x 21 inches Frame Size: 24...

Charles Burchfield, 1893-1967 Wallpaper Design No.2, 1922-28 Watercolor and gouache on paper

Eve Nethercott, American (1925 - 2015) - Hut (P4.2), Year: circa 1960, Medium: Watercolor on Paper, Size: 11 x 15 in. (27.94 x 38.1 cm), Description: Surrounded by trees and ...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Charles Fazzino (American, b. 1955), Katz's Delicatessen, Mixed Media on Paper, 1981, ink, marker, and acrylic, signed and dated lower right, cerused wood frame. Image: 9" H x 12" W;...

Mary Reilly’s laborious method of toning her paper serves as the starting point for her intricate compositions. She begins by covering the entire sheet with up to eight smooth, unmod...

French School, Arabic Horseman, Chalk Pastel on Paper Laid to Canvas, 19th century, paper labels to reverse, wood frame. Image: 19.5" H x 15.25" W; frame: 23" H x 18.5" W. Provenance...

Charcoal on paper drawing by Toronto-based artist Katherine Curci. Unframed. Katherine Curci began this series of charcoal drawings, premiered in This Land., at the start of the pan...

Albert Wein had a retrospective and he was called a classical modernist by art critics. He is primarily regarded as one of America's great sculptors but he loved doing drawings, wat...

Mary Reilly explores the full tonal depth of graphite in her nature drawings and landscapes. She finds all of the soft subtleties of gray as she shifts...

Flowering Field Oliviero Masi Italian (1948) Date: 1987 Pastel on paper, signed and dated lower right Size: 10.5 x 13 in. (26.67 x 33.02 cm)

Emile Rampelberg, French (1911 - 2001) - On the Horizon, Year: circa 1970, Medium: Watercolor on Paper, signed lower left, Size: 19.75 x 27 in. (50...

Eve Nethercott, American (1925 - 2015) - Water and Old Slip (P2.68), Year: circa 1960, Medium: Ink on Paper, Size: 11 x 7 in. (27.94 x 17.78 cm), Description: This ink drawin...

Paul Gattuso attended the Art Students League and worked primarily in New York City. There is an old address with a Bronx, Grand Concourse address. Gattus...

Flower 11:35 am is a watercolor work on paper by Cynthia MacCollum. This original artwork is 12x9 on archival paper. It is currently unframed. It was part of a series based on ima...

Eve Nethercott, American (1925 - 2015) - Maine Street (35), Year: circa 1959, Medium: Watercolor, Size: 15 in. x 11 in. (38.1 cm x 27.94 cm), Description: Viewing the street at...

Audrey Flack The Nodes of Alvor Portugal, 1982 Watercolor on paper (bears original Louis Meisel Gallery label on the back) Pencil signed and titled by the...

Eve Nethercott, American (1925 - 2015) - House (P1.20), Year: 1959, Medium: Watercolor on Paper, Size: 15 x 22.25 in. (38.1 x 56.52 cm), Description: A common subject in her ...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally drop...

Robert Strati is an American artist who creates multimedia artworks using broken plates. His recent series “Fragmented” started when he accidentally dropped and broke a porcelain pla...

Artist: Lee Dubin Title: Grocery Store (1930s) Year: 2013 Medium: Watercolor and graphite on paper Size: 19.5 x 24 inches Condition: Excellent Inscriptio...

Eve Nethercott, American (1925 - 2015) - Large Barn (P2.44), Year: 1961, Medium: Watercolor on Paper, Image Size: 13.5 x 20 inches, Size: 15 x 22 in. (38.1 x 55.88 cm), Descr...

Eve Nethercott, American (1925 - 2015) - Late Summer (P6.10), Year: 1953, Medium: Watercolor on Paper, Size: 18 x 24 in. (45.72 x 60.96 cm), Description: Looking out over the...