Tri-State Area - Figurative Paintings

Fabulous gouache on paper for the Comedie de Française. This painting depicts Pierrot, the servant, and Columbine, who was the love interest of Harlequin. It is signed G. Barbier a...

An oil painting featuring a typical western USA mountains. The oil painting is based on a photographic base using photo graphic paper laid on the canvas. Ayline Olukman is a multim...

Title: Picnic Day In Park Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painti...

Boy with Fish Thomas Kerry, British/American Date: circa 1970 Oil on Board, signed and dedicated verso Size: 24 x 20 inches Frame Size: 29 x 25 inches

Provenance: Charles H. and Virginia Baldwin, Claremont, Colorado Springs, Colorado ca. 1907-1934; thence by descent until sold in 1949 to: Charles Blevins Davis, Claremont (renamed Trianon), Colorado Springs 1949 -until gifted in 1952 to: The Poor Sisters of Saint Francis, Trianon, Colorado Springs, 1952 until acquired, 1960, by: John W. Metzger, Trianon, renamed as the Trianon School of Fine Arts, Colorado Springs, 1960-1967; when transferred to: The Metzger Family Foundation, Trianon Art Museum, Denver, 1967 - 2004; thence by descent in the Metzger Family until 2015 Exhibited: Trianon Art Museum, Denver (until 2004) The present work is a spectacular jewel-like canvas by Amigoni, rich in delicate pastel colors, most likely a modello for an altarpiece either lost or never painted. In it the Madonna stands firmly upon a cloud in the heavens, her Child resting on a delicate veil further supported by a cloud, as he gently wraps his arm around his mother’s neck. From above angels prepare to lower flowers and a wreath, while other angels and seraphim surrounding the two joyfully cavort. Dr. Annalisa Scarpa, author of the forthcoming monograph on Jacopo Amigoni...

La Camacunta Eduardo Arranz-Bravo, Spanish (1941) Date: 1966 Oil on Canvas, signed Size: 29.5 x 24.5 in. (74.93 x 62.23 cm) Frame Size: 30.5 x 25.5 inches

"Osiris" is a fun and beautiful oil painting by Michele Mikesell. Her animal-human figure has a flawless and beautiful face combined with abstract elements and her signature pristine...

William Lester Stevens Rockport Signed lower right Oil on canvas 20 x 24 inches Born on June 15, 1888, in Rockport, Massachusetts, Stevens displayed his artistic abilities from a y...

As the rider is gently and carefully fixing the spur on his favorite horse, the mutual feeling of ties between man and his cherished pet is palpable. On a dusty, dry, day in the sou...

The Carpet Merchant by Giulio Rosati watercolour on paper signed Dimensions: 33 x 27 x 2in framed  Rosati trained at the Accademia di San Luca and studied with the painter, archit...

Émile-Pierre Metzmacher (French, 1815 - 1890) A Young Beauty Crossing a Brook, A Hunter Beyond Oil on panel 24 x 19 1/2 inches Signed lower left Provenance: Christie's New York, Oct...

One of the most successful illustrators of the early 20th century Dean Cornwell Untitled (Crucifixion on the Battlefield) initialed DC (center left), oil on canvas, framed canvas: 33...

La Concertina, The Little Concert, is an endearing genre scene painted by the exceptional oil painter Eugenio Zampighi. Genre scenes depict everyday life and the common people. In th...

Title: Incantation In The Air Medium: Oil on canvas Size: 31 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year:...

Louis Charles Moeller A Toast Signed lower right Oil on canvas 12 x 16 inches Louis Charles Moeller was a master of American genre painting. His meticulously detailed, highly finish...

Georgina Klitgaard Newton’s Farm Signed lower right Oil on canvas 24 1/2 x 30 1/2 inches Georgina Klitgaard’s art has sometimes gotten lost in the critical propensity to assign art...

William Richardson Tyler was a painter in the White Mountains of New Hampshire and Keene Valley in northern New York, William Tyler was a resident of Troy, New York from 1862 to 1866...

A monumental work by the inimitable Billy Dee Williams. This large work consists of 48 conjoined canvas paintings in one frame. It will ship crated in two...

A charming depiction of Snow in New York City with figures walking and taxis in the distance. A cozy impressionistic street scene with colors of cobalts, light pink, whites, and burn...

Artist: Sandu Liberman, Romanian/Israeli (1923 - 1977) Title: Woman on a Park Bench Year: Circa 1970 Medium: Oil on Canvas, unsigned Size: 24 x 24 in. (60...

Martha Walter Still Life Signed lower right Oil on canvas 29 1/4 x 23 1/4 inches Martha Walter was best known as a painter of colorful beach scenes and landscapes. Influenced by th...

This surreal landscape painting by Henryk was done in 2014. It will ship from the artists studio in Poland. More about Henryk Laskowska: Henryk Laskowski...

This piece is an exceptional impressionistic cityscape scene by Paul Gagni of 'La Bourse' in Paris. The Bourse de Commerce (Commodities Exchange) is a building in Paris, originally u...

Great piece by Peter Keil. The piece is from his family's private collection. It is framed in its original gold wood frame with a linen liner. Background is a beautiful blue with ma...

Antique American impressionist coastal painting by Clarence Braley (1854 - 1927). Oil on canvas, circa 1900. Signed. Displayed in a period modernist ...

Francesco Tammaro was born in Naples in 1939 where he attended the Instituto D'Arte di Napoli, one of the most reputed Fine Art schools in Italy. Shortly after graduation he traveled...

Jan Zoetelief Tromp (Dutch, 1872-1947) Untitled (Villagers), Late 19th-Early 20th Century Oil on board 13 1/4 x 15 3/4 in. Framed: 18 5/8 x 20 7/8 in. Signed lower right: J Zoetelief...

Hand Painted - signed on reverse Blake Jones ARTIST (Born in Texas, 1988) Blake Jones is a Chicago based artist. Blake’s use of graphic line work and bright color palettes illustra...

Tomkins Harrison Matteson Playing with Grandfather, 1869 Signed and dated lower left Oil on canvas 29 5/16 x 24 3/16 inches Provenance: Sotheby's New York, May 24, 2001, Lot 150 Estate of a New Hampshire Collector Tompkins H. Matteson was one of the most noted painters in upstate New York during the 1850s and was well-known for genre and historical subjects. Born in Peterboro, New York, he studied and exhibited at the National Academy of Design - established himself as a portrait painter in Sherburne, New York before moving in 1841 to New York City. In 1850, he returned to Shelburne, where he spent the remainder of his life. A follower of William Sidney Mount...

Mythical realism, grey tones, semi- nude male, homo-erotic figure

Wonderful China Trade painting dating from the mid 19th century. This piece is rich in color and is of fine quality with the depiction of the figures.

Price is per each framed print. "Sammlung Verschiedenr Auslandischer und Selener Vogel", Nuremberg 1770-1773. Edited by Johann Michael Seligmann (1749 -1776): engravings with origin...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...

"Unemployed" WPA American Scene Social Realism Mid 20th Century Modern William Gropper (1898 - 1977) Unemployed 20 x 16 inches Oil on canvas, 1937 Signed lower right Provenance: Estate of the artist Bio Throughout his life, William Gropper used his artistic talents to protest social injustice. Born in New York City, he grew up there in poverty and left high school to work as a dishwasher and delivery boy. He eventually began a career in art and was able to study with Robert Henri and George Bellows from 1912 to 1915. He adopted their realistic painting style, and his own work expressed sympathy for common laborers and outrage at society's ills. In 1919 Gropper established a reputation as a political cartoonist working for the New York Tribune. His blunt, forceful style attracted the attention of other publications, and he provided illustrations and cartoons for a variety of magazines, from the left-wing New Masses to mainstream Vanity Fair. Like many social realist artists of the 1930s, Gropper supported liberal political causes, depicting subjects such as the plight of migrant laborers and striking factory workers. In his first gallery exhibition in 1936 at ACA Galleries, Gropper's work was so well received by critics, collectors, and artists that the following year he had two one-man exhibitions at ACA Galleries. In 1937, Gropper traveled west on a Guggenheim Fellowship and visited the Dust Bowl and the Hoover and Grand Coulee Dams, sketching studies for a series of paintings and a mural he painted for the Department of the Interior. That same year he had paintings purchased by both the Metropolitan Museum of Art and the Museum of Modern Art. Gropper exhibited at the 1939 New York World's Fair, Whitney Museum of American Art (1924-55), Art Institute of Chicago (1935-49), Carnegie International (1937-50), Pennsylvania Academy of the Fine Arts (1939-48), and National Academy of Design (1945-48). He was a founder of the Artists Equity Association and member of the National Institute of Arts and Letters. From 1940 to 1945 William Gropper was preoccupied with anti-Nazi cartoons...

Thomas Easley’s mastery of the female form is evident in this reclining nude. Painted with smooth and precise strokes of the palette knife in tonal shades of blue, the image initiall...

This painting was created by American artist Lowell Blair Nesbitt. His most well known series, and perhaps his most beautiful and poetic, are the more than four hundred works he crea...

Artist: Giuliano Ottaviani Title: Cocktail Hour Year: 1997 Medium: Acrylic on Canvas, signed l.r. Size: 59 x 40 in. (149.86 x 101.6 cm)

A stunning rendition of a Venetian still life with florals in a blue vase, a lyre guitar and views of Gondolas on the water. The rich color tones are what make this piece so desirabl...

Acrylic and pencil on paper Signed and dated, l.c. Also inscribed "E-2000-1" in pencil, verso This work is offered by ClampArt, located in New York City.

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Acrylic and gold leaf on wood panel Signed and dated, verso This artwork is offered by ClampArt, located in New York City. Critics have put Andrew Brandou into several categories, including pop-surrealism and “underground” art. Brandou received his training in illustration and animation; he worked with a greeting card company, and animation studios where he helped in the production of popular cartoons like Spongebob Squarepants, The Simpsons, and Rugrats. Though he draws inspiration from fellow illustrators – Richard Scarry...

Nathan Hoffman Brighton Beach, July 31, 1946 Signed, dated, and estate stamped on the reverse Oil on artist's board 10 x 13 1/2 inches Provenance: Esta...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Outsider artist Scott Harbison imagines a world of curious alien beings and wide-eyed mutant animals, naively navigating unknown territory. His mischievous figures are activated by s...

Flowing patterns, a powdery palette and alluring symbolism invite you into the potently enchanting world of Anne Siems. Like many of her works, “Ermine” balances light and dark, magic, sensuality, life, the sacred and profane. Fun fact about the symbols: Ermine (also called stoat and weasel) refers to the species during its winter white colour phase. This arctic animal...

EUGENIO ZAMPIGHI Italian, 1859-1944 The New Baby Signed ‘E Zampighi’ Oil on canvas 28 1/2 in. x 40 1/2 inches Born in Modena, Italy, Eugenio Zampighi entered the local Academy...

Dated, signed, and inscribed lower left: 1876 WILL. • H • LOW MONTIGNY sur Loing

Artist: Raphael Soyer (1899-1987) Title: Girl with Braided Hair Year: Circa 1987 Medium: Oil on canvas Size: 12 x 9 inches; framed size, 19 x 16 inches Condition: Excellent Inscripti...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

This is an oil painting done from life with the artist's young son''s life-size poster of Boba Fett behind her. Known for painting fantastical, sometimes self-reflective narrative s...

Born in Antwerp, Artus Wolffordt received his training in Dordrecht where he became a master in 1603 at the age of twenty-two. He returned to his native city in 1615 and initially worked as an assistant to Otto van Veen...

Soldiers and Rabbits from the Waiting with Walls series John Hardy, American (1923–2014) Date: 1971 Oil on Canvas, signed lower left Size: 59 x 60 in. (149...

Motivated by bold color and fast brushwork, we are moved by the simplicity and thick textured oil paints in these works. Shaoul’s “My Heart Collection” is a vibrant and energetic dis...

In this painting from Thomas Easley's Working Man series, a man is depicted bent over a bicycle, burdened by a substantial load on his back. Serving as an ode to the working men and ...

Original Painting by Eric Zener. The painting is signed.

Gouache on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of Cali...

This lovely Art Deco Woodcut of Swimmer W/ Sailboats is by an Unknown artist, signed "WB" and originates from the United States, Circa 1930. Features a slender vertical rectangular c...

"A common black plastic garbage bag, set against a lush, verdant landscape, is elevated in significance by a meticulously painted trompe-l'œil gilt wood frame rendered directly onto ...