Tri-State Area - Landscape Paintings

Heading south from Rome you turn off of the Amalfi Coast and continue towards the famed turquoise waters of Capri. That it where you first encounter the strikingly beautiful, famed ...

Lois Dodd Untitled Landscape, 1990 Colored chalk on grey wove paper Signed, dated and inscribed "For Beverly & Howard", lower right. Original artist's frame included This unique work...

UNFRAMED Measurements: 80” W x 72” H Oil on canvas

A stunning depiction of a lone figure walking down a path. Nemethy uses a bold impressionistic technique with thick use of paint and wonderful impressions. With joyful colors, this p...

Vintage American modernist surreal landscape oil painting. Oil on canvas, circa 1940. Signed. Unframed. Image size, 28"L x 20"H.

A whimsical oil painting depicting figures in France by Luigi Cagliani. As an Italian Impressionist artist, most of Cagliani's works were produced in the first half of the 20th Centu...

Antique American modernist abstract oil painting. Oil on canvas. Image size, 24L x 36H.

Unidentified/ Unknown Artist, "Untitled: White House" , Mixed Media (Charcoal, Oil Paint) Landscape Drawing on Paper, 17.75 x 23, Mid to Late-20th Century ...

Willard Metcalf (1858-1925) was an important American Impressionist, member of the American Watercolor Society, and teaching at Cooper Union and the Art Student's League. This comp...

3918 Oil on wood board of a modern city parl landscape

Title: Wander In The Forest Medium: Oil on canvas Size: 30 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2010.3 Artist: Mingjun Wang...

Known for it's timeless charm, the quaint Cotswolds of England are what dreams are made of. Snows Hills exemplifies the warm and inviting feeling of the surrounding landscape resplendent with aging shrubs, mellowed stone, worn pathway as does this Barbizon influenced impressionist original oil painting. by legendary artist John Phillip Osborne...

Exceptionally well painted African landscape painting. Oil on board. Framed. Signed. Image size, 22L x 26H.

Antique French modern painting of a fall forest. Oil on board, circa 1950. Signed. Image size, 15.5L x 9.75H. Housed in a period giltwood f...

This is a unique painting. It is an oil painting on 22 carat gold leaf gilded on a canvas. CS Art comprises of two artists, one French, the other Norwegian. Th...

Nicely painted early American modernist abstract landscape. Oil on canvas. Framed.

Artist: George Clarkson Stanfield, English (1828 - 1878) Title: View of the Campo di Marte, Venice Year: circa 1864 Medium: Oil on Canvas, signed l.r. Size: 14.5 in. x 23.5 in. (36.8...

Title: Greenery Medium: Oil on canvas Size: 15 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting i...

Title: Spring Park Visit VI Medium: Oil on canvas Size: 12 x 11.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: T...

Title: Spring Park Visit I Medium: Oil on canvas Size: 12 x 12 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This...

Title: Scenery Of Countryside Medium: Oil on canvas Size: 23 x 32 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pa...

Artist: Ian Hornak (1944-2002) Title: Light from the Past, 1st version Year: 1985 Medium: Acrylic on double layered Masonite Size: 21.5 x 18 inches Condition: Good Provenance: Estate...

Monogramed and dated lower right: JF.K. / ‘64.

Very nicely painted mid century modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 26H by 19L.

Artist: Stephen Enoch Hogley, British (1842 - 1927) Title: Mountain Landscape Year: circa 1900 Medium: Oil on Canvas, signed verso Size: 16 x 26 in...

Impressive contemporary abstract expressionist painting by Stephen Heigh. Oil on canvas. Signed. Image size, 8H x 10L.

Antique American abstract expressionist mixed media painting by Bernyce Alpert Winick 1922-2022. Watercolor and collage paper. Signed. Framed. I...

A gorgeous light-filled and highly detailed antique watercolor painting by English American artist Harold B. Warren. Harold Broadfield Warren was a landscape painter, illustrator, a...

“I do think the big problem in a way…is how you deal with ordinary life—that is not extraordinary, that does not involve heroism, that does not involve crises, really. But the way in...

Title: Running Medium: Oil on canvas Size: 8 x 8 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is unstretched Year: 2000 Circa Artist: Zhao Wang...

This piece is a bold depiction of an abstract landscape with a colorful and expressive nature. Nemethy uses techniques borrowed from early Tiffany stained glass windows...

A bright and bustling Paris cityscape by French artist Charles Cobelle, signed lower right Size: 20 x 24 in. (50.8 x 60.96 cm) Frame Size: 24.5 x 28.5 in

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

This traditional seascape painting by Molly Doe Wensberg features a cool blue palette, and captures a coastal seascape scene with a small white sailboat sail...

Title: Sunday Street Medium: Oil on canvas Size: 24 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

An abstract Mid Century Marina scene with Boats, presenting a vivid use of paint and complex lines and color placement. A strong modernist oil painting depicted in 1955 with sailboat...

Along the Maine coast, the surf can be turbulent, the tide ferocious, the skies exquisite, the rocks unyielding. In this original marine landscape you can feel the roll of the waves, hear them pounding upon the rock wall, and actually see the changing colors of the shadows as the sun begins it's dramatic descent. The white of the waves contrasts with the purple sky in fantastic contrast to the multi-tonal stone that both catches the sun and it's prisms and the mossy green penetration of the unrelenting wave action. James McGinley...

#5-3062a Black & White Forest, contemporary oil on wood board displayed in a black and white wood frame, signed lower left by M.Mirabella .Image size 19.5 H x 19.5 W

Signed lower right: G. Inness

A dreamy and expertly painted abstraction by this noted American/Asian artist. Presented in a contemporary and high quality silvered leaf float frame which allows it to breath. Wave of Ur...

For love of the sand and sea, the tan sand is resplendent with the vast layers of turquoise spreading from the ocean and across the sky. You encounter a contemporary marine landscap...

Nicely painted mid century impressionist oil painting by Kamil Kubik (1930 - 2011). Oil on board. Housed in a nice giltwood impressionist frame. Signed.

Albert Rieger (Austrian, 1834-1905), Moonlit River Landscape Scene, Oil on Canvas, 19th century, signed "Alb Rieger. Pinx" lower right, giltwood frame. Image: 32" H x 24" W; frame: 4...

3966 Antique Amsterdam canal scene set in a vintage wood frame Image size 11.5x8.5"

Artist: Joseph Dande, Hungarian (1911 - ) Title: Snowy Banks of the River Year: circa 1960 Medium: Oil on Canvas, signed l.l. Size: 24 x 36 in. (60.96 x 91.44 cm) Frame: 32 x 44 inches

These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct example is in Alien Nation where i have a potter at a ...

Antique American impressionist winter landscape oil painting. Oil on canvas. No signature found. Framed. Image size, 30L x 24H.

Ernest Fiene China Town, 1925 Signed and dated to lower right ‘Ernest Fiene 1925’. Watercolor on paper 18 1/2 x 14 5/8 inches Ernest Fiene was born in Elberfeld, Germany in 1894. As a teenager, Fiene immigrated to the United States in 1912. He studied art at the National Academy of Design in New York City from 1914 to 1918, taking day classes with Thomas Maynard and evening classes with Leon Kroll. Fiene continued his studies at the Beaux-Arts Institute of Design in New York from 1916 to 1918, adding classes in printmaking at the Art Students League in 1923. Fiene began his career as an artist in 1919 with his first exhibition of watercolors at the MacDowell Club arranged by his mentor Robert Henri. In 1923 the Whitney Studio Club mounted a large exhibition of his works. The following year he had an exhibition at the New Gallery in New York, which completely sold out all fifty-two works, including paintings, watercolors, drawings, and etchings. With the proceeds of sales from the New Gallery exhibition, Ernest Fiene and his younger brother Paul, a sculptor, built studios in Woodstock, New York in 1925. In the early Twenties Ernest Fiene painted mostly landscapes of Woodstock and both the Ramapo and Hudson River Valleys. The first monograph from the Younger Artists Series was published on Fiene in 1922. Published in Woodstock, the series went on to include Alexander Brook, Peggy Bacon, and Yasuo Kuniyoshi. The book reproduced 1 illustration in color and another 27 reproductions in black and white. Around 1925 Fiene became fascinated with the intensity, excitement, and opportunities for color harmonies New York City offered as a subject. His paintings shifted to urban and industrial themes with architecture, industry, and transportation becoming his subjects. By 1926 Fiene had attracted the dealer Frank K.M. Rehn, who gave him a one-man exhibition that year, which travelled to the Boston Arts Club. C.W. Kraushaar Galleries gave Fiene a one-man exhibition of urban, landscape, portrait, and still life paintings in 1927. Julianna Force, the director of the Whitney Studio Club and first director of the Whitney Museum of American Art, included two of Fiene’s paintings in a fall exhibition in 1928. The Whitney Studio Club showed Fiene’s paintings in a two-man exhibition with Glenn O. Coleman that year and acquired three of Fiene’s paintings. Also in 1928 Fiene became affiliated with Edith Halpert’s Downtown Gallery where he had an exhibition of 20 lithographs in the spring. Fiene sold his house in Woodstock in 1928 to spend more of his time in New York City. With so many successful exhibitions, Fiene returned to Paris in 1928-29 where he rented Jules Pascin's studio and studied at the Académie de la Grande Chaumière. In France, Fiene painted both landscape and urban subjects developed from ideas influenced by Cubist geometry and the use of flat areas of broad color. Upon returning to New York in 1930, Fiene used this new approach to continue to paint New York skyscraper and waterfront subjects, as well as to begin a series of paintings on changing old New York based on the excavations for Radio City Music Hall and the construction of the Empire State Building. Frank K.M. Rehn Galleries exhibited this series, titled “Changing Old New York,” in 1931. Fiene also has solo exhibitions at Rehn Galleries in 1930 and 1932. Fiene’s oil paintings are exhibited at the Chicago Arts Club in 1930 as well. Fiene was included in the Museum of Modern Art’s exhibition Painting and Sculpture by Living Americans in December of 1931. Visiting New York, Henri Matisse saw the exhibition and called Fiene’s Razing Buildings, West 49th Street the finest painting he had seen in New York. Fiene had two mural studies from his Mechanical Progress series exhibited at the Museum of Modern Art’s exhibition Murals by American Painters and Photographers in 1932. Fiene sent View from my Window which depicts Fiene working on a lithograph stone while looking out his window to the newly completed Empire State Building to the Carnegie International in 1931. In 1932 Fiene participated in the first Biennial of American Painting at the Whitney Museum and his prints were included in exhibitions at the Downtown Gallery and the Wehye Gallery. In the same year, Fiene was awarded a Guggenheim fellowship to further study mural painting in Florence, Italy. On his return from Italy in 1933 Fiene re-engaged himself in New York City life and won several public and private mural projects. Fiene resumed his active exhibition schedule, participating in two group exhibitions at the Whitney Museum and a one-man exhibition of recent paintings at the Downtown Gallery in January 1934. In 1933 he purchased a farm in Southbury, Connecticut, which added Connecticut scenes to his landscape subjects. This was also the year Fiene began to spend summers on Monhegan Island, Maine, where he painted seascapes, harbor scenes, and still lifes. Fiene’s landscape paintings attracted numerous commissions as part of the American Scene movement. Through the fall and winter of 1935-36, Fiene took an extended sketching trip through the urban, industrial, and farming areas of Pennsylvania and West Virginia. Most of the twenty-four Pennsylvania urban and rural paintings from this trip were featured in an exhibition held at the First National Bank in Pittsburgh in October of 1937 by the Pittsburgh Commission for Industrial Expansion. Fiene said of these works that he formed rhythm, opportunity for space and color, and integrity in the Pennsylvania mill and furnace paintings. Fiene received the silver medal for one of the Pittsburgh paintings...

Title: Station Medium: Oil on canvas Size: 23 x 31 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting is...

3766 Italian oil painting coastline painting Set in a hand carved wood frame Image size 7.5x9.5"

Artist: Lowell Nesbitt (1933-1993) Title: NASA, Apollo 9 Space Mission Series Year: 1970 Medium: Oil on canvas Size: 26 x 18 inches Inscription: Signed, dated by the artist, verso No...

You immediately head south at high noon along the Italian Riviera determined to arrive in Portofino in time for lunch in a cafe along the piazza. The flowers are as lovely as you re...

5207 Oversized Modernist Oil painting on rapped canvas of a desert landscape Signed Robert Yaumola Edges are painted no need for frame

Albert Heckman Glasco Landscape, circa 1940 Signed lower right Oil on canvas 25 1/4 x 39 1/2 inches Albert Heckman was born in Meadville, Western Pennsylvania, 1893. He went to New York City to try his hand at the art world in 1915 after graduating from high school and landing a job at the Meadville Post Office. In 1917, at the age of 24, Heckman enrolled part-time in Teachers' College, Columbia University's Fine Arts Department to begin his formal art education. He worked as a freelance ceramic and textile designer and occasionally as a lecturer at the Metropolitan Museum of Art. In the early 1920s, at the age of almost 30, he graduated with a Bachelor of Arts degree from Columbia Teachers College. He was especially impacted by his instructor at Columbia, Arthur Wesley Dow. After graduating, he was hired by the Teachers' College as a Fine Arts instructor. He stayed with Columbia Teachers' College until 1929, when he left to attend the Leipzig Institute of Graphic Arts in Leipzig, Germany. Isami Doi (1903-1965), who was born in Hawaii, was arguably his most impressive student at Columbia. Doi is now regarded as one of the most prominent artists hailing from Hawaii. Heckman became an active member and officer of the Keramic Society and Design Guild of New York in the 1920s as part of his early commercial art career. The Society's mission was to share knowledge and showcase textile and ceramic design exhibits. In 1922, Heckman married Florence Hardman, a concert violinist. Mrs. Heckman's concert schedule during the 1920s kept Albert and Florence Heckman apart for a significant portion of the time, but they spent what little time they had together designing and building their Woodstock, New York, summer house and grounds. A small house and an acre of surrounding land on Overlook Mountain, just behind the village of Woodstock, were purchased by Albert and Florence Heckman at the time of their marriage. Their Woodstock home, with its connections, friendships, and memories, became a central part of their lives over the years, even though they had an apartment in New York City. Heckman's main artistic focus shifted to the house on Overlook Mountain and the nearby towns and villages, Kingston, Eddyville, and Glasco. After returning from the Leipzig Institute of Graphic Arts in 1930, Mr. Heckman joined Hunter College as an assistant professor of art. He worked there for almost thirty years, retiring in 1956. Throughout his tenure at Hunter, Mr. Heckman and his spouse spent the summers at their Woodstock residence and the winters in New York City. They were regular and well-known guests at the opera and art galleries in New York. Following his retirement in 1956, the Heckmans settled in Woodstock permanently, with occasional trips to Florida or Europe during the fall and winter. Mr. Heckman's close friends and artistic career were always connected to Woodstock or New York City. He joined the Woodstock art group early on and was greatly influenced by artists like Paul and Caroline Rohland, Emil Ganso, Yasuo Kuniyoshi, Andre Ruellan, and her husband, Jack...

#5-2752b Tuscan Country House Landscape, a country scene painting , oil on artist board displayed in a gilt-silver wood frame, signed lower left by Wane. Image size 17 H x 12.5 W

Title: Early Fall Medium: Oil on canvas Size: 27 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Here we have an original large painting by Louis Jambor (1884 - 1955) Depicts a California coast with two female figures One nude and one with Parasol Louis Jambor Circa 1929 Water...

Mountain Shore (53) John F. Leonard American (1921–1987) Date: circa 1965 Oil on Board Size: 16 in. x 20 in. (40.64 cm x 50.8 cm)