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Tri-State Area - Landscape Photography

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Item Ships From: Tri-State Area
David Burdeny - Blue Stairs, Calpe, Spain, Photography 2023, Printed After
By David Burdeny
Located in Greenwich, CT
“These images were collected slowly over the past few years as singular events. Seen here, curated as a whole, they are evocative of a time long gone, a moment in history, places w...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Untitled
By Lane Coder
Located in New York, NY
Archival pigment print Signed and numbered on label, verso 16 x 20 inches, sheet (Edition of 10) 30 x 40 inches, sheet (Edition of 10) 50 x 60 inches, sheet (Edition of 10) This ...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Slim Aarons 'Beverly Hills Hotel' - Mid-century Modern Photography
By Slim Aarons
Located in New York, NY
The sign on the side of the Beverly Hills Hotel on Sunset Boulevard in California, 1957. Beverly Hills Hotel 1957 C print Estate stamped and hand numbered edition of 150 with certi...
Category

1950s Modern Tri-State Area - Landscape Photography

Materials

Lambda

Cathedral, Rooftops
By Jaromir Funke
Located in New York, NY
Vintage silver print Signed in pencil, verso Also inscribed by the artist's son in pencil, verso 9.5 x 7 inches, sheet This photograph is offered by ClampArt, located in New York City.
Category

1940s Other Art Style Tri-State Area - Landscape Photography

Materials

Black and White

Slim Aarons, Courchevel
By Slim Aarons
Located in New York, NY
Courchevel 1970 Chromogenic Lambda Print Estate edition of 150 A ski resort in Courchevel in the French Alps, circa 1970. Estate stamped and hand numbered edition of 150 with certi...
Category

1970s Modern Tri-State Area - Landscape Photography

Materials

Lambda

Rainforest, Hawaii
By Stu Levy
Located in Westwood, NJ
Stu Levy's photographs often involve fragile landscapes that invoke a sense of timelessness. The landscape, is often his stimulus or point of departure, then asking the question, &qu...
Category

21st Century and Contemporary Contemporary Tri-State Area - Landscape Photography

Materials

Silver Gelatin

Slim Aarons 'Saint-Tropez Swimmer' (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
A topless swimmer in Saint-Tropez, on the French Riviera, August 1971. Saint-Tropez Seafront, 1970 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with cer...
Category

1970s Modern Tri-State Area - Landscape Photography

Materials

C Print

David Burdeny - Tabulars in Hope Bay, Antarctica, 2020, Printed After
By David Burdeny
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Slim Aarons 'Ardissones House, Portofino'
By Slim Aarons
Located in New York, NY
Slim Aarons Ardissones House, Portofino 1977 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Overlooking Ardissones House, on t...
Category

1960s Modern Tri-State Area - Landscape Photography

Materials

C Print

Parc de Sceaux, France (10-97-7c-8)
By Lynn Geesaman
Located in New York, NY
Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...
Category

Early 2000s Tri-State Area - Landscape Photography

Materials

Archival Pigment

"Yellow-throated Vireo" - original bird photography by Matt Tillett
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

David Burdeny - Veld 9, Noordoostpolder, Flevoland, 2016, Printed After
By David Burdeny
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Slim Aarons 'Il Canille' (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
Sunbathers lounge on the white-painted terrace of Il Canille, built into the rocks of Pizzolungo overlooking the waters off the coast of the island of Capri, Italy, in August 1980. I...
Category

1970s Realist Tri-State Area - Landscape Photography

Materials

Lambda

David Burdeny - Pastel Facades, Hong Kong, Photography 2013, Printed After
By David Burdeny
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Greenville, Liberia
By Tim Hetherington
Located in New York, NY
Greenville, Liberia September, 2005 Estate stamp in black ink, verso Archival pigment print 6 x 6 inches (15.24 x 15.24 cm), sheet 5.5 x 5.5 inches (14 x 14 cm), image This work ...
Category

Early 2000s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Mecca
By Corinne Vionnet
Located in New York, NY
Listing includes framing with UV plexi, free shipping in the US, and 14-day return policy. Corinne Vionnet Mecca from the series "Photo Opportunities" 15 x 20 inch archival pigmen...
Category

Early 2000s Tri-State Area - Landscape Photography

Materials

Photographic Paper, Pigment, Archival Pigment, Digital Pigment

Matt Freiberghaus, A Monument for Ice, 2016, Video Installation, Minimalist
By Matt Frieburghaus
Located in Darien, CT
A Monument for Ice takes the vastness of glaciers and presents a monument that asks the viewer to look into rather than look out to the subject. It becomes a hypothetical tribute to ...
Category

21st Century and Contemporary Minimalist Tri-State Area - Landscape Photography

Materials

Plastic, Plywood, Video

Land of the Lost
By Carolyn Monastra
Located in New York, NY
Edition of 5
Category

Early 2000s Contemporary Tri-State Area - Landscape Photography

Materials

C Print

Damme, Belgium (4-04-5c-4)
By Lynn Geesaman
Located in New York, NY
Throughout her career, Geesaman photographed public parks and formal gardens in the United States and Europe, focusing on the intersection of nature and artifice in the cultivated la...
Category

Early 2000s Tri-State Area - Landscape Photography

Materials

Archival Pigment

Poolside Pairs (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
Slim Aarons Poolside Pairs 1970 (printed later) C Print Estate signature stamped and numbered edition of 150 January 1970: The Kaufmann Desert House in Palm Springs, California, de...
Category

1970s Modern Tri-State Area - Landscape Photography

Materials

Lambda

Untitled from "On The Acropolis"
Located in New York, NY
Listing includes free shipping in the US and a 14-day return policy. All prints are made to order and will arrive in mint condition directly from Tod Papageorge...
Category

1980s Tri-State Area - Landscape Photography

Materials

Silver Gelatin, Photographic Paper

"Lilies & Ripples"- Colorful Photo, Spring Lily Pads, Sag Harbor NY
By John Mazlish
Located in Brooklyn, NY
Shot at Trout Pond outside of Sag Harbor, for me this photo embodies the fresh promise of spring. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing option...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Metal

Tasty Pretzel Bakeries Starr Street, Bushwick, Brooklyn, NY October 1983
By Meryl Meisler
Located in New York, NY
Tasty Pretzel Bakeries Starr Street, Bushwick, Brooklyn, NY October 1983 Signed, titled, dated, and numbered, verso Archival pigment print (Edition of 1...
Category

1980s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Richard Klein, iHop II, 2018, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category

2010s Assemblage Tri-State Area - Landscape Photography

Materials

Metal

Slim Aarons, Anchorage Hotel (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
A view of the Anchorage Hotel on Dickenson Bay, Antigua in the West Indies, 1960. Built by a Scottish couple, formerly resident in Africa, the hotel complex features Zulu-style cotta...
Category

1960s American Realist Tri-State Area - Landscape Photography

Materials

Lambda

David Burdeny - Montmarte 01, Paris, France, Photography 2021, Printed After
By David Burdeny
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 While the spaces the...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Gstaad Town Centre, Switzerland, Estate Edition, Landscape Photograph
By Slim Aarons
Located in Los Angeles, CA
This early 1960s landscape photograph, captured by society photographer Slim Aarons, features the town centre at the ski resort of Gstaad, Switzerland. This is an estate stamped and...
Category

1960s American Realist Tri-State Area - Landscape Photography

Materials

Lambda

Blue Pond - Limited Editions of 15 - Nature Photography
By Dorte Verner
Located in New York, NY
This fine print features a blue hazy close up shot of the Blue pond, man-made pond in Biei, Hokkaido, Japan. It is the result of works on the Biei River, carried out after the 1988 e...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category

2010s Assemblage Tri-State Area - Landscape Photography

Materials

Metal

Eighth Avenue
By Marc Yankus
Located in New York, NY
2007 Signed, titled, dated, and numbered, verso Archival pigment print 22 x 17 inches, sheet (Edition of 15) $3500.00 17 x 11 inches, sheet (Edition of 15) $1200.00 Please no...
Category

Early 2000s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Villa I Berroni, Torino
By Massimo Listri
Located in New York, NY
Villa I Berroni, Torino, 2004 Lambda print Signed, titled, dated and numbered (edition of 5) on artist's label on verso. The photographer is based in Florence, and is fascinated how...
Category

21st Century and Contemporary Contemporary Tri-State Area - Landscape Photography

Materials

Lambda

Golden State Freeway Looking Southeast Over Fernanando Pass, 2004
By Michael Light
Located in New York, NY
From the acclaimed series "LA Day (2004)", this photograph by Michael Light is available as a 40 x 50 inch editioned print of the Golden State Freeway Looking Southeast Over Fernando Pass. Listing includes framing ($1,000 value with non-glare museum glass), free shipping to the continental US, and a 14 day return policy. Michael Light Golden State Freeway Looking Southeast Over Fernando Pass, 2004 Image Size: 40 x 50 inches Frame Size: 42 x 52 x 2 inches Edition 3 of 10 Signed and editioned on verso Artist Biography - Michael Light was born in 1963. The pre-eminent aerial photographer of his generation, he is the recipient of a Guggenheim Fellowship for photography and his work is in the collections of major museums from SF MoMA to the Victoria and Albert. Prior to taking up aerial photography, Light conceived of and put together the book Full Moon - the first look at NASA photography as fine art - and a project which was published in multiple editions selling several hundred thousand copies around the world. In a way Full Moon had a bearing on Light's subsequent aerial work, as he continues to see and explore the terrestrial world much as the astronauts saw the moon. For the last 15 years Light has been flying his own small aircraft primarily over the American West investigating how both man and nature make their mark on the landscape. To date Light has completed 18 separate Western projects - each of which comprises an oversize handmade artist's book as well as more traditional prints. Largely documenting the impact of man and industry on the land (but not immune to the sublime) Light's subjects range from Utah's gold and copper mines and the (over)development of places like Sun City, AZ and Lake Las Vegas, NV to contrasting Arizona's Meteor Crater - the largest meteoric impact site in the Americas - with James Turrell's Roden Crater...
Category

Early 2000s Tri-State Area - Landscape Photography

Materials

Photographic Film, Pigment, Archival Pigment, Digital Pigment

Jianping Chen Impressionist Original Oil On Canvas "Thunderstorm"
Located in New York, NY
Title: Thunderstorm Medium: Oil on canvas Size: 22 x 30 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Year: 2011 Artist: JIanping Chen...
Category

21st Century and Contemporary Post-Impressionist Tri-State Area - Landscape Photography

Materials

Oil

Andrew Moore - FuelOil Corp, Photography 2008, Printed After
By Andrew Moore
Located in Greenwich, CT
Archival Pigment Print These formations lie in the Buffalo Gap National Grassland. Nearby is French Creek, a tributary of the Cheyenne River, where gold was found by an expedition l...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Slim Aarons, Il Canille, Capri (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
Slim Aarons Il Canille, Capri, 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Sunbathers lounge on the white-painted terr...
Category

1980s Modern Tri-State Area - Landscape Photography

Materials

C Print

London 51° 30’ 17’’ N 2015-02-17 lst 10:39
By Thierry Cohen
Located in New York, NY
London from Thierry Cohen's "Darkened Cities" series. 26 x 40 inch archival pigment print Edition of 5 Also available: 39 x 60 inch archival pigment p...
Category

2010s Tri-State Area - Landscape Photography

Materials

Photographic Paper, Color

String, Cloth, and Kite 02 - large blue scandinavian winter snow landscape
Located in New York, NY
The series 'Trespassing' explores encounters between human and nature. Human-made objects are placed into a landscape, where their interactions with the natural elements are recorded...
Category

21st Century and Contemporary Contemporary Tri-State Area - Landscape Photography

Materials

C Print

Massimo Listri 'Palazzo Real II, Amsterdam'
By Massimo Listri
Located in New York, NY
MASSIMO LISTRI Palazzo Real II, Amsterdam (From the series Perspectives), 1992 C-print Edition of 5 120 x 150 cm 39.5 x 47.5 inches edition of 5 47.5 x 59 inches edition of 5 71 x...
Category

1990s Contemporary Tri-State Area - Landscape Photography

Materials

C Print

Hôtel du Cap Eden-Roc Estate Edition Photograph: Poolside in Antibes
By Slim Aarons
Located in Los Angeles, CA
Bathers enjoy the sun by the pool at the Hôtel du Cap Eden-Roc, Antibes, France, 1976. Aarons' iconic photograph depicts the legendary hotel made famous by Fitzgerald's Tender is the...
Category

1970s Realist Tri-State Area - Landscape Photography

Materials

Lambda

Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category

2010s Assemblage Tri-State Area - Landscape Photography

Materials

Metal

Scottsdale, Arizona
By Robert Voit
Located in New York, NY
Chromogenic print on Kodak Endura paper Signed and numbered on label, verso 24 x 20 inches (Edition of 4) 61 x 50 inches (Edition of 6) This photograph is offered by ClampArt, loca...
Category

Early 2000s Contemporary Tri-State Area - Landscape Photography

Materials

C Print

Slim Aarons 'Porto Ercole'
By Slim Aarons
Located in New York, NY
Porto Ercole 1980 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: A jetty juts out from a rocky shoreline in Porto Erco...
Category

1980s Modern Tri-State Area - Landscape Photography

Materials

C Print

Patrick Sansone, Club Diamond, 2023, Lambda C Print, Ed 1/10, Street Photography
Located in Darien, CT
Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...
Category

2010s Street Art Tri-State Area - Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Lambda

Field in Rain, Whitman County
By Christopher Harris
Located in New York, NY
C-print Signed, titled, dated, and numbered, verso (Edition of 10) This photograph is offered by ClampArt, located in New York City. About the artist: Christopher Harris’s devastati...
Category

Early 2000s Contemporary Tri-State Area - Landscape Photography

Materials

C Print

Untitled (Wave Break #4)
By Nick Turner
Located in New York, NY
Archival pigment print Signed and numbered, verso 11 x 16.5 inches (Edition of 15) 24 x 36 inches (Edition of 10) 40 x 60 inches (Edition of 7) This photograph is offered by Clamp...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Slim Aarons 'Skiing In Seefeld' - Mid-century Modern Photography
By Slim Aarons
Located in New York, NY
Slim Aarons Skiing In Seefeld 1985 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity A group of men and women go cross-country sk...
Category

1980s Modern Tri-State Area - Landscape Photography

Materials

C Print

"One Billboard, Two Buildings", photograph, city, architecture, geometry, blue
Located in Toronto, Ontario
"One Billboard, Two Buildings" is a color photograph on Etching Rag archival paper. It is a signed Edition of 20, available in sizes 16x24, 11x17 and 8x12 inches. It is a striking co...
Category

21st Century and Contemporary Modern Tri-State Area - Landscape Photography

Materials

Archival Paper

Unforgotten Series #5 - Handpainted photography, colorful abstract Tower Bridge
By Alberto Sanchez
Located in Dallas, TX
"Unforgotten Series No 5" is an archival pigment print on fine art paper, mounted on birch panel and resin coated. This is a wonderful colorful and abstract urban inspired artwork fe...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Resin, Birch, Wood Panel, Archival Paper, Photographic Paper

Andrew Moore - Water Towers West 22nd St, Photography 2018, Printed After
By Andrew Moore
Located in Greenwich, CT
Archival Pigment Print Chelsea Water Towers All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist Proofs 40" X 50"- Edition of 5 + 2 ...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Slim Aarons 'Saint-Tropez Swimmer' (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
A topless swimmer in Saint-Tropez, on the French Riviera, August 1971. Saint-Tropez Seafront, 1970 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with cer...
Category

1970s Modern Tri-State Area - Landscape Photography

Materials

C Print

"Brooklyn Downtown", photograph, city, architecture, building, geometry, four
Located in Toronto, Ontario
"Brooklyn Downtown" is a color photograph on Etching Rag archival paper. It's a signed Edition of 20, available in sizes 16x24, 11x17 and 8x12 inches. It is another strong photograph...
Category

21st Century and Contemporary Modern Tri-State Area - Landscape Photography

Materials

Archival Paper

David Burdeny - Seaweed Farms I, Bali, Indonesia, 2014, Printed After
By David Burdeny
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Portofino, Italy (Slim Aarons Estate Edition)
By Slim Aarons
Located in New York, NY
Portofino, Italy, 1985 Chromogenic Lambda print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. The most exclusive fishing villag...
Category

1980s Modern Tri-State Area - Landscape Photography

Materials

Photographic Paper, Lambda

Slim Aarons, Surfing in Biarritz
By Slim Aarons
Located in New York, NY
Author and screenwriter Peter Viertel (1920 - 2007) with his surfboard on the beach at Biarritz, France, 1960. Estate stamped and hand numbered edition ...
Category

1960s Modern Tri-State Area - Landscape Photography

Materials

Lambda

David Burdeny - Mikawa-wan Nori Farm, Japan, Photography 2009, Printed After
By David Burdeny
Located in Greenwich, CT
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establish...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity. By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood. Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut. In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph. As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit). In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels. Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work. Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City.. Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category

2010s Assemblage Tri-State Area - Landscape Photography

Materials

Metal

San Francisco 37° 48’ 30’’ N 2010-10-09 lst 20:58
By Thierry Cohen
Located in New York, NY
Framing included in listing price ($1,500 value), free art transport to the continental U.S., and a 14 day return policy. Please note there is some repaired damage to the frame noted in the images. San Francisco from Thierry Cohen...
Category

2010s Tri-State Area - Landscape Photography

Materials

Photographic Paper, Color

Slim Aarons 'Sea Drive' Mid-century Modern Photography
By Slim Aarons
Located in New York, NY
Slim Aarons Sea Drive, 1967 (printed later) C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate Film produ...
Category

1960s Modern Tri-State Area - Landscape Photography

Materials

C Print

David Burdeny - Cava Bianco IV, Carrara, IT, Photography 2018, Printed After
By David Burdeny
Located in Greenwich, CT
All available sizes & editions for each size of this photograph: 21” x 26" Edition of 7 32” x 40" Edition of 7 44” x 55” Edition of 10 59” x 73.5” Edition of 5 The raw immediacy and...
Category

2010s Contemporary Tri-State Area - Landscape Photography

Materials

Archival Pigment

Slim Aarons 'Sea Drive' Mid-century Modern Photography
By Slim Aarons
Located in New York, NY
Slim Aarons Sea Drive, 1967 (printed later) C-Print Estate signature stamped and hand numbered edition of 150 with certificate of authenticity from the Slim Aarons estate Film produ...
Category

1960s Modern Tri-State Area - Landscape Photography

Materials

C Print

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