Tri-State Area - Abstract Prints

Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...

1960s Francis Bacon lithograph from Derrière le miroir: Well-suited for matting & framing, this original 1960's print is derived from Bacon's ...

Rainbow shades shine in this abstract, color field print. Vibrant red, yellow, orange, purple, and green lines take on the organic quality of handmade paper, resulting in this subtle...

Roy Lichtenstein Historic 1960s exhibition invitation for Galleria Apollinaire, 1965 Offset lithograph poster Frame included This poster/invitation was published for Lichtenstein exh...

Henri Van Moe (Dutch) "Untitled: Seated Woman with Black Cat" Edition 58/75, Abstract Lithograph signed and numbered in Pencil, 8.94 x 8.71 ( 15.75 x 15.75) , Mid to Late 20th Centur...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Brown Mandala Year: 1969 Medium: Silkscreen on Scintilla paper, signed and numbered in pencil Edition: 75 Paper Size: ...

This lithograph was created by Chilean artist Roberto Matta. Matta creates new dimensions in a blend of organic and cosmic lifeforms in a biomorphic style. He was one of the first ar...

Artist: Christian Jaccard (French/Swiss 1939 - ) Title: Fils Noir Sur Le Rouge Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Image Size: ...

Garo Antreasian (Hand Signed & Inscribed), 1978 Offset lithograph invitation card. Hand signed & inscribed 7 3/4 × 5 1/2 in 19.7 × 14 cmublisher Published by Alice Simsar Gallery Ra...

ABOUT THIS PIECE: Inspired by the warm light, open vistas, and saturated colors of her birthplace (Southern California), Julianna Goodman’s collages often distill memories of nature...

This is a fourteen (14) color screen print on Reeves textured rag paper, hand signed and numbered in graphite from an edition of 118. There are an additional 18 Artist Proofs. The pr...

Christo Wrapped Magazines (Revues Empaquetees), Hand Signed, 1991 Offset lithograph postcard (hand signed by Christo) 5 4/5 × 4 1/5 inches Signed in ink by Christo on the image Unfra...

Gerhard Richter Untitled Abstract Picture, 2002 Offset lithograph on GardaMatt Art 250 GSM paper Not signed, edition of 3433 12 1/2 × 16 3.5 inches Unframed Printed on GardaMatt Art 250 GSM paper, this beautiful and colorful piece was part of a portfolio of loose plate reproductions for Gerhard Richter's Abstraktes works. Released during his exhibitions at the San Francisco Museum of Art (Abstract Pictures) and the Museum of Modern Art (Gerhard Richter, 40 Years of Painting). It depicts Richters 1999 Oil on Aluminum abstract picture) More about Gerhard Richter: Gerhard Richter was born in 1932 in Dresden, Germany. Throughout his career, Richter has negotiated the frontier between photography and painting, captivated by the way in which these two seemingly opposing practices speak to and challenge one another. From exuberant canvases rendered with a squeegee and acerbic color charts to paintings of photographic detail and close-ups of a single brushstroke, Richter moves effortlessly between the two mediums, reveling in the complexity of their relationship, while never asserting one above the other. Richter’s life traces the defining moments of twentieth-century history and his work reverberates with the trauma of National Socialism and the Holocaust. In the wake of the Second World War, Richter trained in a Socialist Realist style sanctioned by East Germany’s Communist government. When he defected to West Germany in 1961, a month before the Berlin Wall was erected, Richter left his entire artistic oeuvre up to that point behind. From 1961 to 1964—alongside Blinky Palermo and Sigmar Polke—Richter studied at the Staatliche Kunstakademie Düsseldorf, where he began to explore the material, conceptual, and historical implications of painting without ideological restraint. Richter’s earliest paintings in Düsseldorf, stimulated by a fascination with current affairs and popular culture, responded to images from magazines and newspaper cuttings. Through the 1960s, Richter continued to address found and media images of subjects such as military jets, portraits, and aerial photographs. Notably, he reimagined family pictures he had smuggled from East Germany that included his smiling uncle Rudi, dressed in a Nazi uniform...

JOHN CHAMBERLAIN Leo Castelli Invitation, 1976 Offset Lithograph invitation 21 1/2 × 16 inches Unframed This rare vintage offset lithograph invitat...

HAPPY BATTLE is a limited edition lithograph by the Dutch artist Karel Appel printed using traditional hand lithography techniques on archival printmaking paper, 100% acid free. HAPP...

Christopher Wool Skate Deck, 2008 (Hand Signed and Dated 2017) Silkscreen on Maplewood (Hand Signed by Christopher Wool, with a dateline of New York, 2017) 31 × 8 × 3/10 inches Boldly signed and dated 2017 with the dateline "NYC" in black marker This skateboard was created in 2008 by Supreme, Inc. and is signed on the deck...

This screen print was created to celebrate the Mostly Mozart Festival in 1982. A pattern of shapes in pale pinks, greens and silver tones creates an image resembling a tapestry. The total edition size is 144 plus 18 artist proofs. It is hand signed and numbered in pencil by the artist with the blindstamp of the printer, Fine Creations, Inc., New York. This print comes directly from Lincoln Center, the publisher of the edition. Joyce Kozloff was a founder of the 1970s Pattern...

ABOUT THIS PIECE: Colour, form, space and time are the main elements in the work of Johan Van Oeckel. In search for new compositions he always starts ...

ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x17.9, edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, ...

Vintage 1984 Kenny Scharf Exhibition Poster: Original Kenny Scharf illustrated exhibition poster published by Tony Shafrazi Gallery in conjunction with the Fun Gallery, New York, NY 1984. Fun, cool, vibrant original 1980s pop art without breaking the bank. Medium: Offset Lithograph, 1984. Dimensions: 23 x 24.75 inches (folded open). Condition: Fold-lines as issued; good overall vintage condition. Muralist, painter, sculptor, and installation artist Kenny Scharf (American, b. 1958) is best known for his fantastical, large-scale paintings of anthropomorphic animals...

Artist: Salvador Dali (1904-1989) Title: Don Quichotte Overwhelmed Year: 1957 Medium: Stone lithograph in colors on papier japon nacré paper Edition: 233 Size: 16.25 x 12.875 inches ...

Twin Mirrors (C.102) is a screenprint on paper created for the Guggenheim Museum in 1970, 35 x 21 inches image size, signed and dated 'rf Lichtenstein '70' lower right and numbered 94/250 lower left (from the edition of 250 plus an unknown number of artist proofs). Framed in a contemporary white frame. Catalog - Corlett, The Prints of Roy Lichtenstein - A Catalogue Raisonne 1948 - 1997, Hudson Hills Press, NY and National Gallery of Art, Washington, D.C., 2002, pg.118, #102. About Lichtenstein’s Mirror...

This bright yellow modern lithographic poster was printed at the Atelier Mourlot in New York City in 1967. Certificate of Provenance: Each individual work of art carefully curated...

Nahum Tschacbasov Mid Century Modern Clown, 1956 Lithograph Signed, dated and numbered 144/250 in graphite on the front 34 x 27.5 inches Unframed, affixed to matting Published by American Color Slide Co, Ltd., New York Terrific uncommon vintage signed, numbered and dated mid Century modern lithograph from this interesting and distinctive -and undervalued Russian American artist. Highly collectible clown...

This full-on view of a musician and his bass (also known as an upright bass or string bass), has an air of calm befitting the lowest-pitched bowed instrum...

This black and white portrait drawing is one of a series of 18 lithographs drawn by the artist for the Auden Poems/Moore Lithographs 1974 book and portfolio. This work is from an edition of 25 printed on vellum aside from the portfolio (edition of 75) and the book. Signed by the artist and numbered 8/25 lower right in pencil. This print features a pair of sketches...

Leon Polk Smith (1906 -1996) holds a unique place in a long tradition of American geometric abstract painting. Born near Chikasha, a Native American territory later annexed by the U.S. as the state of Oklahoma, Smith’s parents, who were of Cherokee ancestry, raised him with both a strong sense of his heritage and an abiding respect for the land. Art would eventually draw Smith to New York where he would quickly embrace elements of geometric abstraction in his work. Many of Smith’s hard-edge compositions could be viewed as distillations of imagery drawn from the Oklahoma landscape...

Larry Zox Untitled IV, ca. 1979 Pochoir on Arches Paper with Deckled Edges. Hand signed and annotated Printers Proof in pencil on the lower front. 28 1/2 × 22 1/2 inches Unframed This beautiful Larry Zox pochoir on Arches paper with deckled edges a unique Printers Proofs - signed by the artist in pencil on the lower front. We do not know the size of the regular edition, or whether there is a regular edition, but this is indeed a unique PP. LARRY ZOX BiIOGRAPHY A painter who played an essential role in the Color Field discourse of the 1960s and 1970s, Larry Zox is best known for his intensely and brilliantly colored geometric abstractions, which question and violate symmetry. Zox stated in 1965: “Being contrary is the only way I can get at anything.” To Zox, this position was not necessarily arbitrary, but instead meant “responding to something in an examination of it [such as] using a mechanical format with X number of possibilities.”[2] What he sought was to “get at the specific character and quality of each painting in and for itself,” as James Monte stated in his introductory essay in the catalogue for Zox’s 1973–74 solo exhibition at the Whitney Museum of American Art.[3] Zox also at times used a freer, more intuitive method, while maintaining coloristic autonomy, which became increasingly important to him in his later career. Zox began to receive attention in the 1960s, when he was included in several groundbreaking exhibitions of Color Field and Minimalist art, including Shape and Structure (1965), organized by Henry Geldzahler and Frank Stella for Tibor de Nagy, New York, and Systemic Painting (1966), organized by Lawrence Alloway for the Guggenheim Museum. In 1973–74, the Whitney’s solo exhibition of Zox’s work gave recognition to his significance in the art scene of the preceding decade. In the following year, he was represented in the inaugural exhibition of the Hirshhorn Museum, which acquired fourteen of his works. Zox was born in Des Moines, Iowa. He attended the University of Oklahoma and Drake University, and then studied under George Grosz at the Des Moines Art Center. In 1958, Zox moved to New York, joining the downtown art scene. His studio on 20th Street became a gathering place for artists, jazz musicians, bikers, and boxers. He occasionally sparred with visiting fighters. He later established a studio in East Hampton, a former black smithy used previously by Jackson Pollock. Zox’s earliest works were collages consisting of pieces of painted paper stapled onto sheets of plywood. He then produced paintings that were illusions of collages, including both torn- and trued-edged forms, to which he added a wide range of strong hues that created ambiguous surfaces. Next, he omitted the collage aspect of his work and applied flat color areas to create more complete statements of pure color and shape. He then replaced these torn and expressive edges with clean and impersonal lines that would define his work for the next decade. From 1962 to 1965, he produced his Rotation series, at first creating plywood and Plexiglas reliefs, which turned squares into dynamic polygons. He used these shapes in his paintings as well, employing white as a foil between colors to produce negative spaces that suggest that the colored shapes had only been cut out and laid down instead of painted. The New York Times noted in 1964: “The artist is hip, cool, adventurous, not content to stay with the mere exercise of sensibility that one sees in smaller works.”[4] In 1965, he began the Scissors Jack series, in which he arranged opposing triangular shapes with inverted Vs of bare canvas at their centers that threaten to split their compositions apart. In several works from this series, Zox was inspired by ancient Chinese water vessels. With a mathematical precision and a poetic license, Zox flattened the three dimensional object onto graph paper, and later translated his interpretation of vessel’s lines onto canvas with masking tape, forming the structure of the painting. The Diamond Cut and Diamond Drill paintings...

'EVEN THE HEART SKIPS A BEAT' (Black on Black) is a signature stylistic print by RETNA. The large-scale glittering artwork is a silkscreen print with layers of genuine diamond dust. ...

Okaga - Abstract Composition, Year: 1998, Medium: Screenprint Monoprint, signed and dated in pencil, Size: 15.75 x 12 in. (40.01 x 30.48 cm)

Martha Diamond (1944-2023) was a Contemporary American painter best known for cityscape abstractions in sweeping, gestural brush strokes. Skyscrapers is...

Tracey Emin Museum of Contemporary Art Poster (Hand Signed) Offset Lithograph in Semi-Gloss Paper Signed boldly by Tracey Emin in white grease marker on the front 24 x 18 inches Unfr...

A print from an original drawing by Denis Meyers - Artist proof from an edition. The print on paper features some of Denis Meyers "Word Patterns", printed ...

"Rolled Wrongly - Portfolio 1, Folder 18, Image 2 " from the portfolio “Formulation: Articulation” created by Josef Albers in 1972 and was previously titled "Falsch Gerickelt". This ...

James Rosenquist Castelli Gallery poster (hand signed and inscribed by the artist to the art dealer Richard Feigen), 1980 Offset lithograph poster Signed, dated and inscribed by Jame...

Note: This is from the hand signed and numbered limited edition of only 50 - extremely scarce collectors item; not to be confused with the larger edition signed (but not numbered) wo...

Richard Anuszkiewicz Soft Satellite Red, 1981 Silkscreen on wove paper Signed, dated and numbered 53 from the edition of 100 in pencil by the artist on the front. Bears label from Me...

WITH MY BIRD is a rarely seen original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on archival printmaking paper, 100% acid f...

Artist: Yaacov Agam Title: Message of Peace Year: 1988 Medium: Silkscreen, signed and numbered in pencil Edition: 300 Paper Size: 40 x 31 inches

Andy Warhol Deluxe Collectors' Edition of Exposures (Hand Signed and Numbered), 1979 Hardcover Monograph in leather with gilt edge and stamped in gilt. Hand signed by Andy Warhol on...

SPACE VOYAGE is an original hand drawn lithograph by the Latin American Woman artist Raquel Forner, paper size - 13 1/4 x 15 1/4 in., image size - 8 1/2 x 11 3/4 in. printed in warm...

This reproduction is from Richard Artschwager's 1985 exhibition at Leo Castelli Gallery, showcasing an abstract work on paper. The artwork features a yellow shape that appears to be ...

Artist: Pablo Picasso (1881-1973) Title: Guitare et Partition Year: 1982 Medium: Lithograph on Arches paper Size: 30 x 19 inches Edition: 1000, plus proofs Condition: Good Inscriptio...

This print was made for the American Abstract Artists Portfolio, 1937. All the images were lithographs made on zinc plates. Usually they were signed in the image -- on the plate, as ...

Temporal Perception 361 (Diptych) (Abstract photography) Archival C-Print — Unframed. Edition: 1/12 Available in 2 weeks turnaround. Sold as a diptych. Each element size is: 45 x 30...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

YELLOW PERSONAGE is an original hand drawn, limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. YELLOW PERSONAGE presents a lively, imaginative child-like character printed in bold colors - bright yellow, black, green, red, pink, blue and hints of white pop out as a smiling face attached to a stick figure style body suggesting two arms and black paint stroke fingers. YELLOW PERSONAGE is a playful, wild abstract portrait by Appel, one of the founders of the avant-garde art movement CoBrA active during the late 1940's thru early 1950's. His paintings are known for incorporating applications of vibrant, violent colors often possessing a primal, childlike quality. Print size - 30 x 22 inches, unframed, full bleed image, hand signed in pencil by Karel Appel, print documentation provided Edition size - 175, plus proofs Year published - 1980, printed at J K Fine Art Editions Co. NYC About the artist - Karel Appel, (born April 25, 1921, Amsterdam, Netherlands—died May 3, 2006, Zürich, Switzerland), Dutch painter of turbulent, colorful, and semi-abstract compositions, who was a co-founder (1948) of the CoBRA group of northern European Expressionists. He was also a noted sculptor and graphic artist. Appel attended the Royal Academy of Fine Arts, Amsterdam (1940–43), and helped found the “Reflex” group, which became known as CoBRA (for Copenhagen, Brussels, and Amsterdam), in 1948. He moved to Paris in 1950 and by the 1960s had settled in New York City; he later lived in Italy and Switzerland. Partly in reaction against what they perceived as the sterile academicism of the de Stijl movement, the CoBRA artists...

2000, Iris print on paper, 17 3/4 x 13 1/4 inches (45.1 x 33.7 cm), edition of 100, signed and numbered by the artist Fred Tomaselli creates psychedelic works that explore human per...

Marcel Duchamp Coeurs Volants (Fluttering Hearts) (Schwartz 446C), 1961 Silkscreen in colors Hand signed in ball-point pen by Marcel Duchamp and annotated with the dateline "Stockhol...

Alexander Calder Lithograph c. 1973 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition. Unsigned from an edition of unknown. From: De...

WATER is an original hand drawn lithograph created by Pierre Alechinsky in 1985, printed using hand lithography techniques on Arches paper, 100% acid free. WATER is an abstract design exemplifying Alechinsky's expertise as a master printmaker with his use of expressive loose brushwork and fluid abstract lithographic washes that surround an imprint which reads "WATER" taken from an actual wax crayon rubbing of a NYC public water utility manhole cover...

Susan Gorelick (American, 1924-2000), "Red Expulsion" A/P, Abstract Etching signed, titled and numbered in Pencil, 19.50 x 27.88 (Image: 17.25 x 23.50) Late 20th Century Colors: Ora...

Donald Sultan (b. 1951) is an important painter, sculptor, and printmaker, who rose to prominence in the late 1970s as part of the “New Image” movement. He’s known for his monumental...

James Nares Fountain, 1987 Monotype on paper Hand signed and dated lower front Unique Frame included Measurements: Framed 41.5 by 34 inches Work 30.25 by 22.25 inches Dazzling Jame...

A very good impression of this color giclée print with screenprinted varnish on white wove paper. Signed, dated and numbered 23/50 in pencil.

A very good impression of this color screenprint on Saunders Waterford paper. Signed, dated and numbered 199/250 in pencil. Published by the artist, New York. From the same titled se...

Sean Scully Hand Signed print Geometric Abstraction Minimalist, 1989 Offset lithograph poster Boldly signed in black marker on the front by Sean Scully 29 3/4 x 20 inches Unframed Th...

Sam Francis, American (1923 - 1994) - Heland Thorden Wetterling Galleries, Year: circa 1985, Medium: Poster, Size: 39.5 x 27.75 in. (100.33 x 70.49 cm)