Tri-State Area - Abstract Prints

Derek Boshier Untitled, from the Art Against AIDS Portfolio, 1988 Woodcut on paper with deckled edges Hand signed, numbered 38/50 and dated on lower front with printer's and publishe...

Robert Israel (American, b. 1939), "Doctor" (From Punch & Judy, Seven Hand Colored Lithographs)" Edition. 35/65, 15.50 x 22.75, Late 20th Century, 1970 Colors: Black, White, Orange...

Sharron Bliss, S Rhythm 2, Edition 17/195, Digital Pigment Print, 15 x 15 (20 x 17.5 Full), 2003 Colors: Orange, Green, Purple, Red

ABOUT THIS PIECE: White Wood Frame, Floated 28x20 inches “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph t...

In the artist's Art and Design original print series, Fragments I, 2017 by a.muse is a visual study of space, design, and movement. A work on paper with colorful geometric shapes r...

ABOUT THIS PIECE: “My main focus is on painting, but whenever an idea or a thought can be better conveyed in another medium I can switch to photography, sculpture or embroidery. I li...

ABOUT THIS PIECE: “My main focus is on painting, but whenever an idea or a thought can be better conveyed in another medium I can switch to photography, sculpture or embroidery. I li...

Andy Warhol (After) Warhol Unlimited, 2015 Silkscreen on thin linen canvas backing 63 × 47 inches Unframed This large, stunning silkscreen poster was published on the occasion of the...

In the artist's original print series Overlapping Ji, 2017 by a.muse, a 12.5" x 10.5" Unique Print, dated, titled, and signed by the artist. The work on paper is on the subject of la...

Harvey Konigsberg ( American b. 1940 ) "One on One" (Artist Proof), Figurative Abstract Lithograph, 30 x 21, Late 20th Century Colors: Black and White Harvey Konigsberg was born in...

Anthony Caro, Kenneth Noland, Jules Olitski CARO, NOLAND & OLITSKI (Hand signed poster by Anthony Caro and Jules Olitski), 1994 Offset lithograph poster Uniquely hand signed by both ...

Date: circa 1975 Screenprint Image Size: 15.25 x 28 inches Size: 20.5 x 33.5 in. (52.07 x 85.09 cm)

Artist: Cris Cristofaro, American Title: Navy and Blue Rectangles Year: 1978 Medium: Silkscreen on Arches Paper, signed and numbered in pencil Edition: 50 Size: 30 x 22 in. (76.2 x 5...

Set of four abstract, surrealist compositions in rich blue, green, purple, turquoise, grey, navy and black. Henri Goetz Suite of four etchings with carborundum on Arches wove paper...

Damien Hirst From the Cradle to the Grave, 2005 Limited Edition hardback monograph (Hand signed and numbered) Hand signed and numbered 998/1500 by Damien Hirst on the title page 16 ×...

ABOUT THIS PIECE: This piece is part of the Candy Skies Collection. Utilizing digital collage and advanced editing techniques, Jessica configures the tones of her photographs to repr...

This image was created to celebrate the festival 'Live from Lincoln Center', 1990. The edition of 72 is signed and numbered. This impression h...

Joel Shapiro Poster (Hand Signed), 1990 Offset Lithograph poster Boldly signed and inscribed in black marker on the front 20 × 27 1/2 inches Unframed Hand signed and inscribed by Jo...

Justin Pollmann "Valis, Edge of Aspen" 2022 Inkjet Transfer Collage, Monotype 36"x27" inches The inkjet transfer images are made by collaging transfers of inkjet prints to the pap...

Artist: Pablo Picasso (1881-1973) Title: Femme a la Chaise sur Fond Jaune Year: 1982 Medium: Lithograph on Arches paper Size: 28 x 21.5 inches Edition: 1000, plus proofs Condition: G...

Artist: Larry Zox Title: Sounds Cut I Year: 1980 Medium: Screenprint, Signed and numbered in Pencil Edition: 185 Size: 42.5 x 29.5 inches

Porter's first color lithograph. A very good impression on Arches with strong colors. Signed and numbered 25/100 in pencil. Printed by Mourlot, New York. Published by Brooke Alexande...

ABOUT THIS ARTIST: Nicole Yates is a painter and digital designer from Portland, Oregon. She believes art enriches living spaces through an aesthetic drawn from the natural and digit...

Artist: William Taggart, American (1936 - 2007) Title: Versatile No. 1 Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200, AP 30 Paper Size: 24 in. x 32 in. (60...

A dynamic neon-yellow and black Mark Lancaster screen print combining calligraphic paint strokes, paint drips, and smooth, graphic yellow gradients characteristic of the artist's mos...

Peter Saul Shicago Justus (Chicago Justice) from Conspiracy: The Artist as Witness, 1971 Lithograph on Arches paper Edition AP (Rare AP, aside from the regular edition of 150) Hand-s...

Paul Guiramand (French, 1926-2008), "Le Salut de Cavalier", Abstract/ Figurative Lithograph signed in pencil ( Épreuve d'Artiste ), 22 x 29, Late 20th Century Colors: Orange, Yellow...

ABOUT THIS ARTIST: Kimmie B is a designer and artist based in New York City. She creates bold and graphic shapes with organic lines and inspirational colors. Kimmie makes each form f...

ABOUT THIS ARTIST: Siobhan O’Dwyer is a creative artist splitting her time between New York City and Southern California. Working as a full-time pharmacist in the beginning of her cr...

ABOUT THIS ARTIST: Ioannis Lassithiotakis aims for an abstract universality: He uses the simplest visual materials because he wants to broach th...

ABOUT THIS PIECE: Alberto practices high speed photography. He has mastered the balance of pouring varnish into water and using his high speed photography knowledge to capture the mo...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimi...

ABOUT THIS PIECE: “Meadow” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil painting thro...

Dennis Oppenheim Directed Seeding -Wheat, Historic Yvon Lambert Gallery Poster (Hand Signed and Addressed by Dennis Oppenheim), 1969 Offset lithograph poster. Hand signed, inscribed. Postmarked and addressed to Oppenheim's dealer, John Gibson 23 × 16 inches Hand Signed and inscribed by Dennis Oppenheim lower right in blue marker in 2006, hand addressed by Dennis Oppenheim in 1969 in red marker Unframed This is an extremely uncommon vintage poster/mailer announcing the May 20th, 1969 opening reception (Vernissage) for the exhibition of works by American conceptual art pioneer Dennis Oppenheim at the Yvon Lambert Gallery in Paris. The poster is historic in that it was originally mailed to John Gibson, the East 67th Street dealer, who famously gave Dennis Oppenheim his first New York exhibition in 1968, and it is hand addressed to Gibson, bearing the original Paris, France postmark of 1969. It is, exceptionally, hand signed and dedicated by Dennis Oppenheim to a collector who acquired the poster from John Gibson's collection, and then secured Dennis Oppenheim's autograph in 2006, making this an especially valuable collectors item. More information about the project from the Tate Gallery archives, which acquired the work: This work brings together two interventions Oppenheim created on a field owned by farmer Albert Waalken in Finsterwolde, north-eastern Holland, in 1969. It comprises four distinct elements mounted on board: a colour photograph of a wheatfield being sowed by a tractor in parallel curving lines seen from high up; a negative image in black and white of a map of the area of Finsterwolde onto which two sections of text have been collaged; and two black and white aerial photographs of the same field being traversed by a tractor cutting an X into the wheat. The first two elements relate to the action Directed Seeding. For this the field was seeded according to a line plotted by following the road from the village of Finsterwolde, the location of the field, to Nieuweschans, another village where the farmer’s storage silo for wheat was located. Oppenheim reduced this curved line by a factor of six in order to direct the trajectory of seeding. The tractor then carved a series of curved parallel lines on the surface of the field as it dug up earth and scattered seed. From an aerial perspective the patterning of parallel lines may be viewed as a form of line drawing on the landscape. The precise location of the field and the silo are indicated on the map, showing the trajectory of the road. The two sections of text collaged onto the upper portion of the map briefly describe the two interventions. Explaining the action Cancelled Crop, the artist wrote: In September the field was harvested in the form of an X. The grain was isolated in its raw state, further processing was withheld. This project poses an interaction upon media during the early stages of processing. Planting and cultivating my own material is like mining ones own pigment (for paint) – I can direct the later stages of development at will. In this case the material is planted and cultivated for the sole purpose of withholding it from a product-oriented system. Isolating this grain from further processing (production of food stuffs) becomes like stopping raw pigment from becoming an illusionistic force on canvas. The esthetic is in the raw material prior to refinement, and since no organization is imposed through refinement, the material’s destiny is bred with its origin. (Quoted from artist’s statement in Tate acquisition file.) Directed Seeding and Cancelled Crop are two separate works, brought together in several different versions of which Tate’s is one. The collage presents three ways in which human action may marks the land. For the first two, agricultural machinery is used to create straight lines, in the process of harvesting as in the X of Cancelled Crop, or curved lines, during the process of planting seed in the contours photographed for Directed Seeding. The map shows a third (and more ancient) way of marking the land, through the construction of roads. The use of the landscape – natural, industrial or urban – as a canvas on which to act is typical of Oppenheim’s work in the late 1960s and early 1970s. In a related action, Directed Harvest, 1966 (Tate T07590) and Directed Harvest 1968 (Kröller-Müller Museum, Otterlo, Netherlands), the artist caused a field to be harvested in linear patterns which he then had photographed in its progressive stages. In Reverse Processing: Cement Transplant, East River, NY, 1970, 1978 (Tate T07591) Oppenheim drew large crosses on the roofs of barges transporting raw cement that he found moored on the New York East River banks. All these works centre on process as an agent of change and utilise materials, elements and locations on which the artist can have no permanent claim, making them deliberately ephemeral. Such actions as seeding a crop and harvesting it several months later operate within time parameters dependent on the cycles of the seasons rather than the will of man, mixing human processes with those of nature. Oppenheim’s analogy between the prevention of a crop from entering the food chain and the halting of the expressive, ‘illusionistic’ force of paint deconstructs the sophisticated processes of art-making and the food industry to the elemental notion of making simple marks on the environment. In this way, the artist highlights contemporary man’s dependency on complex chains...

Stephen Westfall Jig, 2005 Woodblock, on Hiromi Iwa Hara-shi Kasa Japanese paper Signed, dated 2005 and numbered 10/35 in graphite pencil on the front Frame included Elegantly floate...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil paint...

ABOUT THIS PIECE: With lively colors and jubilant forms, Alyson Fox's work is as playful as her approach to work and life. With a contagious energy, Fox's work brightens space as muc...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...

Superimposed over a background of pastel hues in green, blue, and red, Pablo Picasso has portrayed a flautist serenading a gazelle that watches him. Comprised of straight lines, this...

ABOUT THIS ARTIST: Kimmie B is a designer and artist based in New York City. She creates bold and graphic shapes with organic lines and inspirational colors. ...

ABOUT THIS PIECE- Unframed Print FRAMING OPTIONS ALSO AVAILABLE: 23.5x17, edition of 25-This piece is available FRAMED with or without a mat in a white, black, natural, walnut, br...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimi...

Artist: Larry Rivers (1923-2002) Title: 40th Regiment (Boston Massacre) Year: 1970 Medium: Silkscreen and collage on wove paper Edition: 25/150, plus p...

Mark Tobey, American (1890 - 1976) - Apparuit, Year: 1971, Medium: Screenprint on BFK Rives, signed, numbered and dated in pencil, Edition: 75, Image Size: 24 x 17 inches, Size: 30...

Digital art print on Lex Jet, 170 gram Satin Stock paper Blue abstract geometric kaleidoscope pattern made as abstractions of the artist's hand painted GLYPHS series Hand-signed by...

ABOUT THIS ARTIST: Kimmie B is a designer and artist based in New York City. She creates bold and graphic shapes with organic lines and inspirational colors. ...

Öyvind Fahlström One Hundred and Eight Inflated Dollars, from the Collection of Ileana Sonnabend and the Estate of Nina Castelli, 1973 Lithograph on rag paper. Signed. Numbered. in o...

ABOUT THIS ARTIST: Kimmie B is a designer and artist based in New York City. She creates bold and graphic shapes with organic lines and inspirational colors. Kimmie makes each form f...

ABOUT THIS PIECE: “Liquid Mirrors” is an ongoing project— started in late 2012— where I use mylar to photograph the reflections of my subjects. I am mimicking the medium of oil painting through a digital practice, while speaking about reflections and how they distort our perceptions of reality. Crafting these images sparked my experimentation with layering subjects in front of my lens to create quizzically surreal photographs...

ABOUT THIS ARTIST: Kimmie B is a designer and artist based in New York City. She creates bold and graphic shapes with organic lines and inspirational colors. Kimmie makes each form f...

Artist: Stephen Ellis, American (1951 - ) Title: Untitled Year: 1993 Medium: Silkscreen, signed and numbered in pencil Edition: 12/20 Paper Size: 34 x 26 inches

ABOUT THIS PIECE: Briggs Edward Solomon's artwork is known for its balance and juxtaposition. It is a collaboration of simplistic and contemporary colors. It is subtle, yet bold. It ...

In this minimalist composition, Pablo Picasso depicts a ballet dancer as she rests in a chair and massages her leg. Slightly faded into the background, the dancer is rendered in a si...

ABOUT THIS ARTIST: Lesley Anderson (b. 1986) is a Canadian painter living on the west coast of Canada. She uses a variety of methods and materials to c...

In this print by Pablo Picasso, the artist depicted his former lover in a Cubist portrait. With her hands at her lap and her gaze returning that of the viewer, Dora Maar is seen disj...

ABOUT THIS ARTIST: Nicole Yates is a painter and digital designer from Portland, Oregon. She believes art enriches living spaces through an aesthetic drawn from the natural and digit...

Boris Margo is one of the artists whose work is instantly identified with 'Mid-century American Modernism.' Usually abstract with a spiky surrealist edge, it speaks to extensive inno...

ABOUT THIS PIECE: "My photographs are a personal collection of moments that reveal my most genuine and beautiful depictions in the world around us. Preserving precious moments in ti...