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Item Ships From: Tri-State Area
Pears from Fruits and Flowers III
By Donald Sultan
Located in New York, NY
Screen print in colors on Arches paper, Signed in Pencil, Edition of 125 Donald Sultan is best known for his still life imagery, deconstructing and transforming organic elements suc...
Category

1990s Minimalist Tri-State Area - Still-life Prints

Materials

Screen

Giclée Print: 'UTURN'
Located in New York, NY
GRAPHICTHERAPY is David Calderley: an Englishman in New York, Creative/Art Director, Graphic Designer and Illustrator. After graduating from the esteemed St. Martin’s School of Art in Covent Garden, London and beginning a freelance career, he moved to New York City in 1990. Over the last 30+ years he has designed over 1200 albums and single covers, as well as promotional and full campaigns for a myriad of artists including, Interpol, Madonna, The White Stripes, RZA, Moby, The Black Crowes, Elvis Costello, to name a few. After a 10 year spot as the Creative Director for Sir Richard Branson’s North American Record Label V2, he set up GRAPHICTHERAPY in 2007, a small boutique creative agency that offers a complete range of design services, both in print and media. A unique mix of art direction, design and creative illustration can be seen across a wide variety of brands, products and publications in music, fashion, events and campaigns. His largest illustrated piece is a 90ftx50ft mural on 57th and Park Avenue for the British menswear company, Turnbull & Asser, as part of their rebrand. David’s work has been recognized by numerous global companies and publications, and has won several industry awards. He continues to work from his studio in Harlem. This capsule of collage/mixed media prints: ‘Eating Vinegar with A Fork,’ reflecting a dry wit, as suggested in the title; juxtaposing formal Victorian etchings...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

Giclée

Tulips from Fruits and Flowers III
By Donald Sultan
Located in New York, NY
Screen print in colors on Arches paper, Signed in Pencil, Edition of 125 Donald Sultan is best known for his still life imagery, deconstructing and transforming organic elements suc...
Category

1990s Minimalist Tri-State Area - Still-life Prints

Materials

Screen

Untitled
By Stephen Mallon
Located in New York, NY
C Print Photograph, signed on reverse available as 20"x30" edition of 5 This is from Stephen Mallon's series, "American Reclamation" which captures the abstract beauty within...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

C Print

Techspressionist Still Life 9
By Patrick Lichty
Located in New York, NY
Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Techspressionist Still Life 8
By Patrick Lichty
Located in New York, NY
Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Techspressionist Still Life 10
By Patrick Lichty
Located in New York, NY
Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Techspressionist Still Life 5
By Patrick Lichty
Located in New York, NY
Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Techspressionist Still Life 2
By Patrick Lichty
Located in New York, NY
Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Techspressionist Still Life 3
By Patrick Lichty
Located in New York, NY
Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Techspressionist Still Life 4
By Patrick Lichty
Located in New York, NY
Patrick Lichty Techspressionist Still Life 1 2021 Archival pigment print paper size 24 x 24 inches image size 20 x 20 inches Signed and numbered edition of 10 with certificate of au...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Stones and Swirls : nature photography
Located in New York, NY
Roslyn Meyer’s lens plays on the surface of soft undulating ripples; reflecting sky, flora and fauna, as well as the man-made world. These abstract images...
Category

2010s Abstract Tri-State Area - Still-life Prints

Materials

Archival Pigment

The Viking, Pinball Machine by Charles Bell
By Charles Bell
Located in Long Island City, NY
Artist: Charles Bell Title: The Viking Year: 1994 Medium: Silkscreen on Bristol Rag Museum Board, Signed and numbered in pencil Edition: 2/50 Image: 24 x 34...
Category

1990s Photorealist Tri-State Area - Still-life Prints

Materials

Screen

Red Chair, Modern Offset Print by Lisa Martin
Located in Long Island City, NY
Lisa Martin - Red Chair, Year: 1989, Medium: Offset Reproduction, Size: 17 x 11 in. (43.18 x 27.94 cm)
Category

1980s Modern Tri-State Area - Still-life Prints

Materials

Offset

Banana Splits
By Wayne Thiebaud
Located in New York, NY
Included in the artist’s early, renowned Delights suite, Wayne Thiebaud created Banana Splits in 1964 as an original etching, the artwork hand-signed, titled, dated and numbered in p...
Category

20th Century Pop Art Tri-State Area - Still-life Prints

Materials

Etching

Blue Poppies
By Donald Sultan
Located in New York, NY
Created by Donald Sultan in 2024, Blue Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, ti...
Category

21st Century and Contemporary Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Yellow Poppies
By Donald Sultan
Located in New York, NY
Created by Donald Sultan in 2024, Yellow Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, ...
Category

21st Century and Contemporary Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Green Poppies
By Donald Sultan
Located in New York, NY
Created by Donald Sultan in 2024, Green Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, t...
Category

21st Century and Contemporary Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Red Poppies
By Donald Sultan
Located in New York, NY
Created by Donald Sultan in 2024, Red Poppies is an archival pigment print on fine art paper measuring 42 x 57 in. (107 x 145 cm), unframed. The artwork is hand-signed in pencil, tit...
Category

21st Century and Contemporary Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Seven Silvers
By Donald Sultan
Located in New York, NY
Created by Donald Sultan in 2024, Seven Silvers is an original screenprint in colors with enamel inks, flocking, and tar-like texture on Rising 4-ply museum board. Measuring 58 x 58 ...
Category

21st Century and Contemporary Contemporary Tri-State Area - Still-life Prints

Materials

Screen

Seven Blues
By Donald Sultan
Located in New York, NY
Created by Donald Sultan in 2024, Seven Blues is an original screenprint in colors with enamel inks, flocking, and tar-like texture on Rising 4-ply museum board. Measuring 58 x 58 in...
Category

21st Century and Contemporary Contemporary Tri-State Area - Still-life Prints

Materials

Screen

BAZURTO Cartagena Market Signed Lithograph, Afro-Colombian, Latin American Art
By Ana Mercedes Hoyos
Located in Union City, NJ
BAZURTO is an original hand drawn lithograph by renowned Colombian woman artist Ana Mercedes Hoyos, (b.1942-2014) printed using traditional hand lithography techniques on archival printmaking paper, 100% acid free. Hoyos' colorful lithograph, Bazurto, is a creative combination of a female figure and still-life composition depicting a seated brown skinned woman beside a bowl of fresh fruit - green avocados, yellow bananas, brown coconuts and tropical green leaves. Ana Mercedes Hoyos is most known and recognized for her explosive use of color and rhythm in expressing the culture of the Afro-Colombian community. Her work is part of major Museums as well as important private collections throughout the world. Print size - 30.5 x 29 inches, unframed, excellent condition, hand signed in pencil by Ana Mercedes Hoyos Ana Mercedes Hoyos (29 September 1942 – 5 September 2014) was a Colombian painter...
Category

1990s Contemporary Tri-State Area - Still-life Prints

Materials

Lithograph

Color-Blast Bouquet
By Dionisios Fragias
Located in New York, NY
Dionisios Fragias is a New York -based artist born on the Greek island of Kefalonia and raised in New York City. He is the protege of the artist Jeff Koons whose years-long mentorshi...
Category

2010s Abstract Tri-State Area - Still-life Prints

Materials

Archival Tape, Archival Ink, Archival Paper, Color, Archival Pigment

Olives
By Wayne Thiebaud
Located in New York, NY
Included in the artist’s early, renown Delights suite, Wayne Thiebaud created Olives in 1964 as an original etching, the artwork hand-signed, titled, dated and numbered in pencil. T...
Category

20th Century Tri-State Area - Still-life Prints

Materials

Etching

Olives
Price Upon Request
Lantern Flowers, May 10, 2012 (Coral)
By Donald Sultan
Located in New York, NY
This silkscreen with enamel inks and flocking on 2-ply museum board was created by the artist in 2012. Signed, dated and numbered in pencil, from the edition of 50.
Category

21st Century and Contemporary Contemporary Tri-State Area - Still-life Prints

Materials

Screen

Dark Gumball Machine
By Wayne Thiebaud
Located in New York, NY
Wayne Thiebaud Dark Gumball Machine, 1964/ 2017 Hard ground and soft ground etching 18h x 12w in
Category

1660s Post-War Tri-State Area - Still-life Prints

Materials

Etching

Beef Noodle Soup (plate)
By (after) Andy Warhol
Located in New York, NY
Limited Edition of 5000
Category

1990s Pop Art Tri-State Area - Still-life Prints

Materials

Porcelain

Campbell Soup Set
By (after) Andy Warhol
Located in New York, NY
The set consists of -------(1)10 1/2 inch dinner plate (1) 8 1/4 inch side plate (1) 9 1/8 inch Large soup bowl and (1) 4 inch high x 3 1/4 inch wide mug. Each piece has the signature of Andy Warhol...
Category

1990s Pop Art Tri-State Area - Still-life Prints

Materials

Porcelain

Scribble Version of Still Life #58
By Tom Wesselmann
Located in New York, NY
Screenprint in 36 colours on 100% rag 4-ply Museum Board
Category

Late 20th Century Pop Art Tri-State Area - Still-life Prints

Materials

Screen, Rag Paper

Lantern Flowers, May 10, 2012 (White), Donald Sultan
By Donald Sultan
Located in New York, NY
This silkscreen with enamel inks and flocking on 2-ply museum board was created by the artist in 2012. Signed, dated and numbered in pencil, from the edition of 50.
Category

21st Century and Contemporary Tri-State Area - Still-life Prints

Materials

Screen

Mourning Tulips
By John Dugdale
Located in New York, NY
Cyanotype (Edition of 12) Signed, titled, dated, and numbered on label, verso This artwork is offered by ClampArt, located in New York City. John Dugdale has received world acclaim...
Category

1990s Other Art Style Tri-State Area - Still-life Prints

Materials

Color

Helios
By Aziz + Cucher
Located in New York, NY
C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

C Print

Helios
Price Upon Request
Surya
By Aziz + Cucher
Located in New York, NY
C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

C Print

Surya
Price Upon Request
Inti
By Aziz + Cucher
Located in New York, NY
C-print on Endura metallic paper (Edition of 5) Signed and numbered, verso This artwork is offered by ClampArt, located in New York City. Begun in 2003, the series of works collect...
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

C Print

Inti
Price Upon Request
Untitled (Flag)
By Robert Longo
Located in New York, NY
Untitled (Flag), 2013 Archival pigment print 26 1/4 × 43 in (66.7 × 109.2 cm) Edition of 36
Category

2010s Contemporary Tri-State Area - Still-life Prints

Materials

Archival Pigment

Star, from American Signs Portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM Star, from American Signs portfolio, 2009 screenprint in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) signed, dated `2009' and numbered edition of 100 in pencil -- Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
Category

Early 2000s Photorealist Tri-State Area - Still-life Prints

Materials

Screen

American Signs portfolio
By Robert Cottingham
Located in New York, NY
ROBERT COTTINGHAM American Signs portfolio, 2009 The complete set of twelve screenprints in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm) all signed, dated `2009' and numbered edition of 100 in pencil, published by Exhibit A Fine Art and Editions and American Images Atelier, New York, all in excellent condition, contained in original gray silk-covered box with artist and title embossed with gold foil. Robert Cottingham B. 1935, BROOKLYN, NEW YORK Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler. Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising. In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California. In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
Category

Early 2000s American Realist Tri-State Area - Still-life Prints

Materials

Screen

Untitled
By Robert Rauschenberg
Located in New York, NY
Created by Robert Rauschenberg as a color screenprint and photo-lithograph in 1989, Untitled measures 39 3/8 x 27 ½ inches (100 x 70 cm), unframed and is hand-signed, dated and numbe...
Category

20th Century Contemporary Tri-State Area - Still-life Prints

Materials

Lithograph, Screen

The Oval Office
By Roy Lichtenstein
Located in Long Island City, NY
Artist: Roy Lichtenstein Title: The Oval Office (C. 277) Year: 1992 Medium: Screenprint on Rives, signed, dated and numbered in pencil Edition: 17/175 Image: 30 x 39.25 inches ...
Category

1990s Pop Art Tri-State Area - Still-life Prints

Materials

Screen

Flowers FS II.70, 1970
By Andy Warhol
Located in New York, NY
Andy Warhol Flowers (FS II.70), 1970 silkscreen on paper 36 x 36" ed. of 250 signed in ball point pen and numbered with a rubber stamp on verso
Category

1960s Pop Art Tri-State Area - Still-life Prints

Materials

Archival Ink

Blue Sonica Whisper
By Marjan Moghaddam
Located in New York, NY
Blue Sonica Whisper
Category

21st Century and Contemporary Contemporary Tri-State Area - Still-life Prints

Materials

Archival Ink

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