Tri-State Area - Decorative Art

Beautiful detailed original painting of a family of ducks in gorgeous jewel tones. The darling newborn chicks will melt your heart. Ornate gilded frame. Canvas is 16 x 12

Midcentury Abercrombie and Fitch decorative barometer. Chrome and glass decorative barometer in a very clean midcentury style. Dimensions: 6.25" ...

Pair of Italian Renaissance style (19th century) square black framed brass embossed wall plaques with scene of 17th Century men & women.  

Set of 4 Asian Chinese style (20th Century) black lacquer screen panels depicting geishas, intaglio etched with painting (PRICED AS SET).

English display case wall plaque with golf driver and iron heads and trophy in oak frame.

Vintage Persian Sarouk Oriental rug, circa 1920, Room size. A vintage Persian Sarouk oriental rug, size 11'7" x 9'2", circa 1920. This lovely hand-knotted wool rug features an intri...

Fantastic, large wall piece created by Silas Seandel in 1979 using Mixed Metals combining beautifully the light with the heavy.

Pair of English Victorian (19/20th century) brass horse racing wall plaques with walnut frames.  

Multidisciplinary artist, designer, photographer, and founder of her eponymous brand of wallpapers, tiles, and home textiles, Aimée Wilder presents Shadow Wildling, a new series of large-format silkscreened paintings. This debut fine art edition draws inspiration from Aimée’s textile design background to explore tessellation, positive/negative space, mathematics, fractal dragon curves, and nuanced color relationships.  These new paintings, however, reverse the usual role of patterned designs within interior spaces. Rather than an all-over application of patterned wallpaper...

Vintage Persian Saraband Rug, Room size, circa 1940 A one-of-a-kind vintage Persian Saraband Oriental Carpet, hand-knotted with thick and lustrous wool pile. This classic carpet...

Vintage abstract wall art featuring a variety of colors making a unique piece. Please confirm the item location (NY or NJ).

Japanese Meiji Period Ukyoi-style Cloisonné Plate Depicting a Bijin with Irises, Ca. 1890 PERIOD Meiji Period: 1868-1912 DIMENSIONS Diameter: 9.75 inches Depth: 0.5 inches ABOUT ...

Antique Persian Sarouk Oriental Rug, circa 1920, Small size An antique Persian Sarouk oriental rug, size 6'1" x 4'4", circa 1920. This lovely hand-knotted wool rug features an intri...

Chinese wall plaque framing a bisected famille rose porcelain lidded vase, depicting trees and blooming florals, in wood with a decorative faux ba...

Quatrefoil Stained Glass Window, 19th century, depicting Christ in blessing gesture, mounted between mat board. Image: 16" H x 16.5" W; mat: 20" H x 26.5" W. Provenance: From an Uppe...

Vintage Persian Baktiari Oriental rug, Small size A vintage Baktiari oriental rug, size 8'2" x 5'3", circa 1930. This handsome hand-woven geometric rug features a central medallio...

Antique Persian Baktiari Oriental Rug, Small size An antique Baktiari oriental rug, size 6'10" x 5'0", circa 1920. This handsome hand-woven geometric rug features a garden design i...

White Bunny Drawing by Oleg Cassini for Playboy October 1979, Signed. Illustration of a woman wearing a white body suit, choker, and hat. Signed by Oleg Cassini. Notice the body suit is in the shape of the head of a bunny with clever use of the 'whiskers'. Approximate Measurements: Length: 11" Width: 14" Property from the Collection of Steven Rosengard, Chicago, Illinois This original drawing was commissioned by Playboy and included in the October 1979 issue of Playboy Magazine (pages 225-227) in a feature that included works from designers such as Bill Blass, Oleg Cassini, Edith Head, Fernando Sanchez, and Monika Tilley, among others, who create their versions of the Playboy bunny costume. Candace Collins can be seen modeling some of the designs in the feature. Oleg Cassini is an icon of twentieth-century fashion. Though born to Russian aristocracy and raised in Italy, he built a fashion empire that was unmistakably American. Cassini is perhaps best known for the hundreds of designs he created for First Lady Jacqueline Kennedy (see images 4-8), but his achievements as a collector, connoisseur, and quintessential twentieth-century man go far beyond Camelot. In 1913, Oleg Cassini was born in Paris to the Russian diplomat Count Alexander Loiewski and Countess Marguerite Cassini, a Russian aristocrat of Italian ancestry who also had an interesting link to America. The daughter of Count Arthur Cassini, Russian Ambassador to the United States during the McKinley and Roosevelt administrations, Marguerite dazzled turn-of-the-century Washington as her father’s official hostess and left her mark on the capital city. Stationed in Denmark when the Russian Revolution toppled the czar, Ambassador Cassini and family were exiled to Switzerland before settling in Florence, Italy, where young Oleg was raised. A true Renaissance man, he spoke Russian, French, and Danish before adding Italian and English; he studied medieval and modern European military history and costume and learned to draw; he learned horseback riding, fencing, and the art of chivalry; and, most importantly, he came to understand the struggles of the Russian titled class and other European aristocrats in the wake of the Russian Revolution and World War I. Countess Cassini started a successful fashion business in Florence, and soon the talented young Oleg was sent to Paris to sketch the latest collections for recreation in Italy. In Rome in his early 20s, Cassini created fashions for high society women and designed for a few films, which planted the seed for his move to Hollywood. The drive to reinvent himself brought Cassini to America in the 1930s; in his autobiography he describes arriving nearly penniless in mid-Depression New York City where his title as an exiled Russian Count meant even less than in war-devastated Europe. Down and out, Cassini struggled for employment, having sketching skills but no knowledge of the wholesale trade required for survival in Manhattan’s Seventh Avenue fashion district. However, he excelled at making connections, and Cassini slowly entered New York society. He was soon joined by younger brother Igor (who had studied in America and travelled with the young Emilio Pucci) and his parents, the once-dazzling Countess and his father, the displaced diplomat still loyal to Russia. The family settled in Washington, D.C., and Igor worked his way up the Hearst newspaper chain to become the famous society columnist Cholly Knickerbocker. In New York, Oleg Cassini married the troubled socialite Merry Fahrney (who would go on to marry eight times), but the marriage ended in scandal for Oleg, and he decided to follow his original intention and head for Hollywood. Despite initial difficulties, Cassini gained access to Hollywood’s elite (partially through his skills on the tennis court), and was soon hired as a designer at Paramount Pictures alongside the redoubtable Edith Head. In her 1941 film debut I Wanted Wings, Veronica Lake wore a memorable Cassini design. That same year, Cassini met and married the newest young Hollywood star on the scene, the beautiful 20th Century Fox–talent Gene Tierney. With the outbreak of World War II, Cassini enlisted in the Coast Guard but was transferred to the U.S. Army Cavalry which allowed officers of foreign birth. He attended basic training at Fort Riley, Kansas, and the horsemanship he learned as a boy served him greatly. He attended Officer Candidate School and reached the rank of First Lieutenant (he also became an American citizen at this time, losing his title of Count). Cassini spent several years posted at Fort Riley, where Tierney joined him before he landed a convenient military post in Hollywood. As Tierney’s career thrived (she played the title role in Otto Preminger’s Laura in 1944), she was able to assert her influence over 20th Century Fox’s head Daryl Zanuck, who hired Cassini as designer for Tierney on her 1946 film The Razor’s Edge, which proved to be a brilliant showcase for his talents. The pair separated the same year and, again seeking reinvention, Cassini re-established himself in New York City as a fashion designer. By 1950, the Oleg Cassini label was born. Combining his knowledge of Old World and modern Europe, Hollywood, the tennis courts of Palm Beach and Newport, and of course, New York City, Oleg Cassini invented a new brand of fashion that was distinctly American and of its moment. For his first collection, Cassini took to the stage, narrating the looks and imbuing the scene with his personality, unusual in an industry where the designers typically remained backstage and the models were called by number over a PA. The first collection was a smash — the president of Lord & Taylor devoted all of their storefront windows to his designs — and by 1955 sales had reached $5,000,000. Oleg Cassini’s career had turned a very positive corner. Cassini spent the early 1950s traversing the country, personally selling his collections to department stores in the interior, something his predecessors had never done, and moving between the Hollywood and New York scenes. Cassini’s brother Igor coined the term “the Jet Set” for this generation that constantly flew from New York to Los Angeles (then a ten-hour flight), Las Vegas, Paris, Rome, and the Riviera. In 1954, Cassini set out to woo Grace Kelly and sent her roses every day. The two were briefly engaged before her marriage to Prince Rainier of Monaco. In December 1960, Cassini’s career-defining opportunity came when he was chosen by Jacqueline Kennedy to design her fashions for the White House. Cassini had long known Joe Kennedy and his war-hero son John, and had first met Jacqueline Bouvier before her marriage in the early 1950s. Invited by President-Elect Kennedy to meet Jacqueline at Georgetown Hospital (she had just given birth to son John Jr.) to present to her drawings of potential dresses and First Lady looks, Cassini worked furiously to prepare a new line for the First Lady. Mrs. Kennedy had always had her clothes made by the top French couturiers of the day, but for the White House she wanted an American designer. Cassini wrote in his autobiography that he told the First Lady: “‘You have an opportunity here,’ I said, ‘for an American Versailles.’ She understood completely what I was trying to communicate; she began to talk excitedly about the need to create an entirely new atmosphere at the White House. She wanted it to become the social and intellectual capital of the nation” (Oleg Cassini, In My Own Fashion, 1987, p. 327). Mrs. Kennedy loved Cassini’s design for a gown to wear to the Inaugural Gala (she had already ordered a dress from Bergdorf’s for the Inaugural Ball), and Cassini was selected as the First Lady’s designer and was soon dubbed the “Secretary of Style.” From 1960 to 1963, Oleg Cassini would design over 300 items for Mrs. Kennedy, creating the “Jackie Look” that contributed not only to a fashion revolution but also the dawn of a new age. Cassini wrote that “Jackie played a very active role in the selection of her clothes. She loved brilliant colors — pistachio, hot pink, yellow, and white among others. Her sense of style was very precise; she would make editorial comments on the sketches I sent her. She always knew exactly what she wanted; her taste was excellent” (Oleg Cassini, In My Own Fashion, 1987, p. 334). After the Camelot years, Cassini’s business flourished and grew into a major industry; his name appeared on everything from couture to tennis-, sport-, and swimwear, car interiors, housewares, and perfume. He collected beautiful and rare artwork, arms and armor, and antique furniture, and lived the lifestyle projected by his image. From this period onward, Cassini also came to live in important homes. Of his Gothic Gramercy Park townhouse on Manhattan’s 19th Street he would write imaginatively, “I walked into the foyer and immediately fell in love. It was a place unlike any other in New York, a sixteenth-century Dutch house transported brick by brick from Europe by the Wells Fargo family in the early twentieth century. There was a vaulted, twenty-foot ceiling in the living room, leaded windows, elegantly carved wood paneling...

An Italian hand colored etching in gilt frame with custom matting and glass

Antique Persian Kerman oriental carpet, size 4'0" H x 4'0" W, circa 1920. This antique hand-knotted Persian rug features a striking ivory central field, covered with floral elemen...

A vintage Turkish Kilim Oriental rug, in a runner size, circa 1930, size: 9'8" x 3'2". This handmade rug is flat-woven of wool, with no upward pile. The rug features a tribal design ...

Antique Chinese Art deco rug, Room size, circa 1920 A one-of-a-kind antique Chinese Art deco oriental carpet, hand-knotted with medium thi...

Kinetic op art illustration by Leonard Janklow.

Possible signature of Jan Jansz van der Laen.

Vintage Persian Baktiari Oriental Rug, Room size A vintage Baktiari oriental rug, size 13'0" x 10'4", circa 1940. This handsome hand-woven geometric rug features a garden design in...

2 French Victorian style (19/20th Century) pink and gilt trim porcelain wall plaques door push with scene of 18th Century figures. (PRICED EACH).  

Mid-Century Pre-Columbian Style Terra Cotta Mask Wall Scupture

"A antique Chinese Art Deco oriental rug, size 5'9" x 3'0", circa 1920. This lovely small decorative carpet features a deep red central field wi...

Represented by Tuleste Factory Tone Plane II by Facture Resin, Aluminum, Wood W 40 × H 60 × D 1.75 in W101.6 × H152.4 × D 4.45cm A large rectangular wall object features a soothing...

Vintage Persian Hamadan oriental rug, small size A vintage Persian Hamadan oriental rug in small size, size 6'8" x 4'3", circa 1930. This lovely hand-knotted carpet features multi...

Antique Persian Heriz Karaja Oriental Rug, size 4'7" x 3'8" An antique Persian Heriz Karaja oriental rug, size 4'7" x 3'8", ...

Vintage Persian Baktiari Oriental rug, Small size A vintage Baktiari oriental rug, size 8'2" x 5'5", circa 1940. This handsome hand-woven geometric rug features a central medallio...

An antique Persian Hamadan Camel Hair oriental rug, size 6'3 x 4'0, circa 1920. This handsome hand-knotted wool carpet is uniquely sized and styled for a piece of this type, with a r...

Antique Persian Heriz Karaja Oriental rug, in room size. An antique Persian Heriz Karaja oriental rug, size 6'3" x 5'0", c...

Antique Persian Sarouk Oriental Rug, circa 1910, Room size An antique Persian Sarouk oriental rug, size 13'9" x 10'6", circa 1910....

Antique Indian Agra Oriental rug, size 11'9" H x 9'0" W. An antique Indian Agra Oriental Rug, size 11'9" H x 9'0" W, in Room size, circa 1910. This fine floral wool rug features a f...

Stunning feathered wall hanging. Other colors available. Please inquire. Andrianna Shamaris. The Leader in Modern Organic Design.

Signed by Bertha Nathanielsen (1869-1914).

Antique Persian Sarouk Oriental Rug, circa 1920, Room size An antique Persian Sarouk oriental rug, size 11'4" x 8'9", circa 1920. This lovely hand-knotted wool rug features an intri...

Antique Persian Sarouk Oriental rug, circa 1920, Room size. An antique Persian Sarouk oriental rug, size 11'9" x 8'7", circa 1920. This lovely hand-knotted wool rug features an intr...

Antique Persian Heriz Karaja Oriental rug, in small size An antique Persian Heriz Karaja oriental rug, size 6'0" x 4'10" , circa 1930. This han...

Vintage Persian Heriz Oriental rug, room size A vintage Persian Heriz oriental rug, size 12'1" x 9'6", circa 1930. This handsome hand-woven geom...

Vintage Persian Kerman oriental carpet, size 9'0" H x 6'6" W, circa 1930. This vintage hand-knotted Persian rug features a striking ivory central field, with a central medallion s...

Antique Persian Saraband rug, Gallery size, circa 1910 A one-of-a-kind antique Persian Saraband Oriental Carpet, hand-knotted with thick and lustrous wool pile. This classic carpet features a Paisley design allover a large soft red field, with an ivory outer border. In gallery size, size 10'0" x 5'0". A great value, and an excellent choice for hallway or a gallery space...

English Country (20th Century) style stripped and carved Royal Peacock wall plaque/sign

Vintage Persian Heriz Oriental rug, Room size A vintage Persian Heriz oriental rug, size 11'2" x 9'0", circa 1950. This handsome hand-woven geometric rug features a central medall...

Antique Persian Heriz Karaja Oriental Rug, in small size. An antique Persian Heriz Karaja oriental rug, size 6'3" x 4'8", ...

Antique Turkish Oushak Decorative Oriental Carpet, Room size, with Red Field A gorgeous antique Turkish Oushak carpet, circa 1920, size 13'5 x 10'7. This lovely carpet features mult...

Antique Persian Kerman oriental carpet, size 7'2" H x 4'0" W, circa 1910. This vintage hand-knotted Persian rug features a striking ivory central field, covered with floral elemen...

Antique Persian Heriz oriental rug, room size An antique Persian Heriz oriental rug, size 12'4" x 9'0", circa 1910. This handsome hand-woven geo...

Antique Persian Heriz Karaja Oriental rug, size 5'7" x 4'9". An antique Persian Heriz Karaja oriental rug, size 5'7" x 4'9...

Antique European Needlepoint Tapestry Panels with Courtiers Reveling, circa 1900 An interconnected set of three European Needlepoint Tapestry Panels, antique, circa 1900, size 4'5"H...

WWI model of a molded papier-mache brown horse head wearing a gas mask and goggles. (Can be mounted on back).        

Antique Northwest Persian carpet, Room size, size 11'6" x 8'8" An antique Northwest Persian decorative oriental carpet, in room size, size 11'6" x 8'8". This hand-knotted antique...

Vintage Persian Heriz oriental rug, small size A vintage Persian Heriz oriental rug, size 7'5" x 4'10", circa 1930. This handsome hand-woven geo...

Late 20th century hand hammered copper panel of Samson slaying a Philistine signed and dated. Inspired by the famous marble sculpture by Giambologna of Samson who used a jawbone of a...

An antique Persian Heriz Karaja oriental rug, size 4'4 x 3'7, circa 1920. This handsome handwoven geometric rug features multiple medallions in the Classic red primary field. The cen...

Vintage Persian Meshed Oriental rug, Room size A vintage Persian Meshed oriental rug, size 11'7" x 8'7", circa 1950. This handsome hand-woven geometric rug features a central meda...

Multidisciplinary artist, designer, photographer, and founder of her eponymous brand of wallpapers, tiles, and home textiles, Aimée Wilder presents Shadow Wildling, a new series of large-format silkscreened paintings. This debut fine art edition draws inspiration from Aimée’s textile design background to explore tessellation, positive/negative space, mathematics, fractal dragon curves, and nuanced color relationships. These new paintings, however, reverse the usual role of patterned designs within interior spaces. Rather than an all-over application of patterned wallpaper...

Vintage Chinese Art Deco Rug, Gallery size, circa 1940 A one-of-a-kind antique Chinese Art Deco oriental carpet, hand-knotted with medium ...