USA - Interior Paintings

Saturated, intimate depiction of a bedroom interior by Narcissus Robert Quagliata (Italian-American, b. 1942). Likely based on a photograph, a slightly out of focus figure can be see...

Quaint mid-century painting of a cabin interior and view by Leslie Buck (American, 1907-1991), 1930. A realistic "slice of life" rendition of the cabin interior provides an image of the artist's life. Various cooking items sit on shelves below the right window, with the sink and water pump below the window on the left. Signed on verso. Description "Kitchen Corner" Davis's Rental Cottage, Porter Beach, Indiana 1930 written on verso. Presented in a wood frame. Image, 7.5"H x 8.5"L. Born in Chicago, she studied at the School of the Art Institute of Chicago and with Claude Buck after their marriage in 1934. With her husband, she moved to the Santa Cruz mountains...

40H x 60W inch, Innovative and Contemporary Original New Media Abstract Black And White Work on Canvas Minimalist New Media Original Painting on Canvas ❘❘❙❙❚❚ Invest in original pai...

Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal. Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair. While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing. Biography Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing. Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend. Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art ...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

'Feeling of Being', oil on paper mounted on panel features a chair for two. The painting is part of Zolotnitsky's 'Extinct Series' that focuses on abandoned chairs. The artwork is 35...

Illustrative representation of wife and husband team Jeanne Allen and Marc Grant by Robert Nelson (American, 1930-2012) (signed and dated "Robert Nelson 96" in the lower left corner). Presented in a black metal frame. Shipped without glass. Image size: 40"H x 32"W. He studied painting at the San Francisco Art Institute (formerly known as the California School of Fine Arts) in San Francisco, California and at Mills College in Berkeley, California. Mr. Nelson, who was trained as a painter and was active in the teeming San Francisco arts scene in the late 1950s and early ’60s, began making movies with other artists, including the painters William T. Wiley and William Allan, the San Francisco Mime Troupe and the composer Steve Reich. About Jeanne Marc...

Still life "Wine with Orange" by Claude (Charles Claude) Buck (1890-1974). Signed lower left. Artist's notes and color scheme on verso. Displayed in rustic giltwood frame. Image, 14"...

Red Blue Painting Art Hand Textured Giclee on Canvas 45x45" Color Flow 3 State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY Giclee Reproduction Each limited edition...

Lori Larusso’s Flower Painting 25 is a striking example of her precision-based, hard-edged painting practice that explores everyday objects with conceptual depth. Rendered in acrylic...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. This one-of-a-kind acrylic, oil pastel, and colored pencil painting...

American life is captured in this Clyde Singer painting, Twosome (1991), where he depicts a couple meeting for coffee. An accomplished American Scene painter, Singer successfully cap...

ARIEH ALLWEIL (ARIE ALWEIL) 1901-1967 Galicia 1901-1967 Safed, Israel (Ukrainian/Polish/Israeli) Arieh Allweil, born 1901, Galicia. Immigrated to Palestine in 1920. Studies: 1921-25...

“Chapel of Three Moons” by Catherine Picard-Gibbs is an expressionist interior church scene. This evocative 24 x 30 x 1.5 inch oil on canvas painting depicts a mysterious golden encrusted chapel with a figure praying and a suggestion of a ritual taking place. The textural brushwork in rich gold contrasted with purples and blues add drama to this dynamic painting. Catherine Picard-Gibbs paints with bold brush strokes, using vibrant colors to show emotion and movement in landscapes and urban scenes. Her inspiration comes from the nuance and drama of her everyday world. Her evocative works have been featured throughout Massachusetts, in New York, and in the Midwest. Picard-Gibbs is represented by Fountain Street...

Oil on artist board signed and dated lower right featuring pool players playing a point match in the pool hall. Great WPA feel and texture impasto. Most likel...

Delton Demarest's "Saint Ignatius Loyola Basking in Light," completed in 2024, is an oil on panel artwork measuring 6 x 3.25 x 0.25 inches, created on location en plein air. This ori...

Signed "HP" at lower right, and inscribed "Eric Horsbrugh-Porter / Phyllida one week old" on verso. The overall dimensions, including the frame, are 17 x 21 5/8 inches.

English artist Jonjo Elliot's artworks are a collision of expressionistic fauvism and his collections encourage a youthful candor. Plants thrive in environments the viewer wants to i...

"Madam Suburbia #2" (Woman and Child, Sue & Casey) in Oil on Canvas An auburn-haired woman sits in a chair with her young child, by American painter, Patricia Gren Hayes (b. 1932). ...

Candid, straightforward paintings of various vintage objects. Depicted with painterly realism, natural styling and subtle, quiet narrative.

Kelly Carmody (b. 1977, Massachusetts) Rooted in realism, Carmody’s compositions start very traditional in subject and composition; however, she further transforms her skilled hand b...

This is a hand painted acrylic and spray paint on canvas piece framed by Pez Barcelona - signed on reverse Pez creates his own unique characters and is a worldwide sensation in the ...

Summer in Pouch Cove is a 20 x 20 inch original oil painting by Christina Kent, depicting the charm of a small hillside town in Newfoundland. The composition focuses on colorful co...

Richard Andres (American, 1927-2013) White & Yellow, c. 1953 oil on canvas signed lower right, signed and titled verso 30 x 20 inches Craquelure commensurate with age. Richard Andres was born in Buffalo, New York in 1927. A graduate of the Cleveland Institute of Art in 1950, he was immediately drafted and served for two years in the army as a mural painter. He received his Master of Arts from Kent State in 1961. A frequent exhibitor at galleries and museums and winner of multiple May Show prizes, Andres taught art in the Cleveland Public Schools for 28 years, as well as teaching the University of Buffalo, the Cleveland Institute of Art and the Western Reserve University. Very little in Richard Andres’ childhood would have predicted his love of classical music, mid-century-modern architecture and certainly not his lifelong passion for art and in particular abstract art. Richard’s father, Raymond, had no more than a third-grade education, and his mother, Clara, was one of thirteen children – only three of whom lived into adulthood and none of whom attended high school. They lived, when Richard was a boy, in a dingy area of Buffalo, NY in a walk-up apartment situated above a tavern. Raymond and Clara supplemented the income from their factory jobs in the bar downstairs with Raymond playing ragtime on the piano and Clara serving drinks. This often left Richard and his two older brothers at home alone to fend for themselves. The two older boys, Raymond and Russell, were - unlike Richard- rather rough and tumble and entertained themselves with stickball, boxing and the like. Richard, on the other hand, from a very young age liked to draw, or better yet even, to paint with the small set of watercolors he received for Christmas one year. Paper, however, at the height of the depression, was hard to come by. Luckily, Clara used paper doilies as decoration for the apartment and Richard would contentedly paint and then cut up doilies, gluing the pieces together to create collages. At eight-years-old, he discovered the Albright-Knox Museum (then known as the Albright Art Gallery) and spent several hours a week there studying the paintings. He was particularly fond of Charles Burchfield‘s landscapes, enamored with their ‘messiness’ and thinking that they somehow captured more ‘feeling’ than works he was previously familiar with. For his tenth Christmas, he asked for and received a ‘how-to’ paint book by Elliot O’Hare. Through this self-teaching, he assembled the portfolio needed for acceptance to Buffalo Technical High School where he studied Advertising Arts. In his Junior year, he was encouraged to enter a watercolor painting, “Two Barns,” in the national 1944-45 Ingersoll Art Award Contest and was one of twelve grand prize winners – each one winning one hundred dollars. More importantly the painting was exhibited at the Carnegie Institute Galleries, which resulted in his winning a national scholarship to the Cleveland School of Art (The Cleveland Art Institute). He flourished at the art school under the tutelage of faculty members such as Carl Gaertner, as well as that of visiting artists such as William Sommer and Henry George Keller. He would say in later years that Gaertner, in particular, influenced his attitude toward life as well as art. “Gaertner,” Andres said, “believed that there was no need to be a ‘tortured artist’, that an artist should rather enjoy beauty, family, and life in general.” Free to spend his days as he chose, he wandered the Cleveland Art Museum for most of the hours he was not attending classes or painting; the remaining time was spent drinking coffee at a local hangout with art school friends – which is where he met fellow Henry Keller scholarship winner, Avis Johnson. Richard was immediately smitten with Avis, but being rather shy, it took him the entire summer of 1948 to build up his courage to ask her out. Over that summer he ‘thought about Avis’ and worked in a diner to save money. He also used the hundred-dollar prize money won in High School to visit the first Max Beckmann retrospective in the United States at the City Art Museum in St. Louis. Over a half century later he spoke of that exhibit with a reverence usually reserved for spiritual matters, “I walked in and it was like nothing I had ever seen before... the color...It just glowed.” Returning to campus in the Fall, the first thing he did was go to the coffee shop in hopes of finding Avis. He did, and she, upon seeing him, realized that she was also smitten with him. They quickly became known as ‘the couple’ on campus, and a year later, with Richard being drafted for the Korean war, they were quickly married by a Justice of the Peace, celebrating after with family at Avis’s Cleveland home. As a gift, faculty member John Paul Miller...

Lacey Jane's "Red Room" is an original, handmade oil painting that depicts an ambiguous interior setting bathed in red light.

'Jester Admires His Own reflection' by artist Mimi Jensen, who uses bold colors to depict theatrically lit objects. "Her paintings invite speculation into possible metaphors" – Calif...

Allison Gildersleeve, born in Connecticut in 1970, earned her B.A. from the College of William and Mary and her M.F.A. from Bard College. Gildersleeve lives and works in Brooklyn, Ne...

Jordan Wolfson's (US based) "Still Life with Flowers 1" is an oil painting that depicts a glass vase filled with dried yellow roses. Jordan Wolfson returned to the United States i...

Un Bel Hiver by Claude Lazar, French (1947 - ) Date: 2001 Oil on Canvas, signed lower right Size: 28.5 x 23.5 in. (72.39 x 59.69 cm) Frame Size: 31 x 26.5...

Signed upper right Unframed Dimensions: 16 x 20 inches Framed Dimensions: 22 1/2 x 27 inches Paul G. Oxborough studied at Minneapolis College of Art and Design and Atelier Lesueur,...

Artist: Varvarov Anatoly Viktorovich Title: The Wall, Sise: 23.5x35.5 inches, (60x90 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. Looking at "The wall" you can't...

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting process. It is very much a studio-centric activity, complete and self-sufficient. The objects that one works with do seem to take on a life of their own, both by themselves and in their affinity for one another. They have a history, a patina, they may be new, or world-weary." The artist continues, "My collection has been substantially whittled down to an essential few over the years, yet their combinations seem infinite. There is a lengthy and persistent shuffling, adding and eliminating to find that particular combination that suddenly takes on a rightness or self-sufficiency. It is interesting how one small object of the right color in the right place can facilitate such an event, or in another case the removal of something, a simplifying. I have a feeling when composing these paintings similar to my experience of playing with my jazz group. The key, the tempo, the dynamics, all come together, and there is a point when everything clicks and propels the music into a life of its own greater than the sum of its individual parts". —Willard Dixon 'Still Life with Chinese Ball...

“Bounce!” is a spirited, vertical abstract painting by contemporary artist Michelle Thomas. Created as a joyful exploration of momentum, color, and playful confidence, this original...

Title: Blue Gray Morning Medium: Oil on canvas Size: 15.75 x 19.25 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: ...

Title: The Photographer Showed Me His Album Medium: Oil on canvas Size: 19 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condi...

"Story No. 6 Diptych" Abstract Painting 60 x 97" inch by Yoram Katz ABOUT THE ARTIST: Born in Israel. Graduated from the Bazelel Art Academy in Jerusalem. Resides in Los Angeles, Ca...

Copper Abstract Heavy Textured Painting on Canvas 36x48", Radiance From Within Acrylic, Modeling Paste, Stucco - Heavy Textured 2016 in Los A...

Larry Calcagno Untitled Mixed media on canvas 36 x 23 1/3 inches Lawrence Calcagno, better known as Larry, was an artist who gained notoriety during t...

An interior scene depicting a bottle of wine and cheese plate atop a long dining room table in Paris. The breeze is being felt through the window, as t...

Giacomo Campi, excellent condition. Oil on canvas 26x42 inches.

"Day Dreaming" by RU8ICON1 is an oil painting on canvas, from 2022. It is a figurative interiors and portrait painting that depicts a woman lounging on...

Oil on canvas

Original painting on canvas. Hand signed on front by Ferjo. Canvas is stretched. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers wil...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art symbolism to create a signature style with a soft and fun, yet edgy character. This one-of-a-kind acrylic, oil pastel, and colored pencil painting...

Warm shadows and cascading light are the focus of this sophisticated abstract oil on canvas painting by artist Anne Subercaseaux, whose gleaming oil paintings realistically bridge u...

Hand Painted on panel I consider my work to be artifacts of my own particular culture, which is not the generalized Japanese American culture, but that which formed as a direct res...

Item is in excellent condition and has only been displayed in a gallery setting. With frame dimensions are approximately 44" x 64" Leon Olmo was born in Moron de la Frontera at the end of the 1940's beginning at a young age to study drawing and wax technique. From heightened stimulation incredible still-lifes are produced from the nearby aromas of lemons, jasmine, pomegranates, and medlars, fruits which often appear throughout his paintings. Olmo is a self-taught painter, reaching the status as one of Seville’s most talented artists through strict perseverance in drawing and painting. Working until complete exhaustion, Olmo attempts to capture all of himself with every image he creates. For Olmo, neatness and cleanliness go hand in hand when creating a work of art. Though he denies traditional academicism, Olmo does utilize a methodical approach in each painting that begins with strict preparation of the fibrapan board upon which he paints. Beginning with a primer composed of calcium sulfate and glue, he sands the board’s surface until smooth. This regimented routine is in accord with Olmo’s insistence of maintaining neatness and cleanliness for he has rejected the use of canvas where any imperfection is not up to standard. He then picks juicy fresh fruits from their trees and retrieves wooden boards from a collection that he has acquired over the years during walks with his father. Arranging the objects for the desired effect, the outcome will be a play of shadows between the background and brilliant center of the composition. With the brush he draws simple motifs and leaves layers of paint until he achieves a magic luminosity, where the observer can actually see through space, a transparent quality distinctly from the hand of Olmo. The recreation of natural elements in his paintings is to remind the observer of humanity’s material nature. The symbolic use of jasmine is special to the artist, in order to represent the grandeur of small things, six petals with an incredible scent which contain within them the magic of the artist and of his Andalusian land. Olmo’s dreamlike masterpieces contain human warmth that has an unsurpassable way of working their way into the hearts and minds of his collectors. Leon Olmo and his son Leon Reina make up a father and son painting...

Danny Brown’s artworks allocate an intrinsic connection between himself and the diverse communities occupying Los Angeles. Brown combines art history, streetwear trends, and pop art ...

With an illustrator’s eye for graphic impact and a wry sense of humor, artist Yoko Tanaka uses only a paint brush and her imagination to conjure whimsical landscapes and playful enco...

"Sex Wars" Painting 16 x 20 in by Tetiana Kalivoshko Tetiana Kalivoshko is an American-based Ukrainian artist who specializes in painting, sculpture, and art installations. Graduat...

Artist Jill Keller Peters is a colorist whose abstract color-field oil paintings communicate ideas through color. By juxtaposing pure and vivid hues that speak to each other when com...

Wonderful mid century still life composition with Brass vessel, apples, turnip and pepper by Charles Kingham (American, 1895-1984), c. 1940's. The artist uses a bold color palette an...