USA - Interior Paintings

A stunning antique American still life painting from the recently acquired estate of New York/New Jersey artist Sallie Van Horn. Van Horn taught painting and drawing to high school ...

Presenting an outstanding original oil painting by American artist Thomas Prentiss b.1920. Three Pears, is painted in the hyper realistic trompe l'oeil style, viewing this painting ...

Signed lower right, 'Lars Swane', dated 1986, and inscribed verso 'Tilhører Palle Nielsen'. A substantial, oil still-life showing variegated, red and yellow tulips informally arranged in a cobalt blue patterned vase, resting inside a cobalt and ivory bowl on a wooden table beside various books, with a view beyond through a window to a winter landscape. Son of the artists Sigurd Swane...

Herbert Katzman 1923-2004 (American artist active in New york, Illinois and Italy) Oil Painting Dated 1946. Signed. Dimensions; Sight-16" x 20", Frame-23.5" x 27". Provenance: this...

Excellent gouache of the interior of a Parisian cabaret filled with vivid, feminine furnishings and decor by AM. Rémy, circa 1950. Unsigned. Original one-of-a-kind artwork on paper...

"Madam Suburbia #III - Doing Dishes" Figurative in Oil on Canvas African-American woman at her kitchen sink by Patricia Gren Hayes (Canadian/American, b....

Willard Dixon, who says "the charm of Still Life painting for the artist lies in the ability to manipulate ones subject matter and in the intimate, direct nature of the painting proc...

A fine impressionist still life with irises in a glass vase by contemporary American artist Stephen Motyka (b. 1964). Stephen was born in Rhode Island and started painting and drawin...

Motion Capture #9 explores the conventional representation of females in Western figurative art yet contrasting it with the contemporary imagery of that subject via computer-based im...

"The Potter" is an interior portrait of a young man working on a vase at his potter's wheel by Philadelphia born Expressionist painter Bernard Harmon. The 24.25" x 14" oil on cardboard painting is signed "Harmon" in the lower left and it is framed in a new black wood frame. Figurative expressionism in the style of Alice Neel. Bernard Harmon was born in Philadelphia, Pennsylvania in 1935. Harmon was primarily a portrait painter and a well loved teacher in the Philadelphia area. A graduate of the Philadelphia Museum School and Temples Tyler School of Art, Harmon traveled extensively in Europe and South America. Beloved by many, Harmon taught in the Philadelphia School District for 32 of his 54 years of life. Beginning his career as an art teacher at West Philadelphia High School, in the early 1960s he became one of the district's artists in residence, traveling from school to school to demonstrate for students how an artist works. Returning to the classroom, Harmon joined the art department at Central High School where he taught for 14 years and became an innovator in art curriculum, developing a program offering advanced placement art classes to gifted students. In his final years Harmon became a supervisor, mentoring teachers and overseeing programs in the Philadelphia school systems District #1. During his short life Harmon taught collage preparatory art classes at the Pennsylvania Academy of the Fine Arts, summer classes at the University of the Arts, and a Saturday program for gifted children at Drexel University. Among Harmon's portraits were commissioned by Philadelphia Jazz organist Jimmy Smith and Mayor Richardson Dilworth. Bernard Harmon was active in promoting African American Artist throughout his life time. He organized many early shows such as the "Afro American Artists 1800 - 1969" at the Museum of the Philadelphia Civic Center in 1969. He was considered a Renaissance man by friends and colleagues for his interests not only in art but music and theater as well. He was familiar and friends with many other African American artists such as Doc Thrash, Selma Burke, Paul Keene...

Artist: Ian Hornak (1944-2002) Title: Untitled (Abstract Still Life with Flowers and Fruit) Year: 1963 Medium: Watercolor on heavy archival paper Size: 29.5 x 21 inches Condition: Go...

Wonderful German genre painting of 17th century tavern scene in style of Franz Hals by Karl Josef Muller (German, 1864-1942) dated 1918. Signed and dated lower left corner "Karl Muller - Hamburg 1918". Condition: Good; professionally restored: Canvas restreched on new stretcher bars; five repairs made to small tears in canvas (see image); cleaned and re-varnished with UV-resistant varnish. Unframed. Image size: 39.5"H x 55"W. We have the original frame which needs some extensive repair to the gesso. Happy to include the frame with the painting as is. Karl Müller was born in Hamburg-Altstadt in 1865. His wealthy Jewish parents Abraham Müller (1832-1896), citizen of the Hanseatic city since 1869, and Henriette "Jette", b. Burchard (born 1832 Neubuckow / Mecklenburg), had a cigar factory at Spielbudenplatz 5 in St.Pauli. When Karl Müller was ten years old, next to factory and warehouse, now at Speersort 11 (Altstadt), there was also a branch in Altona-Ottensen with the address Am Felde 68. The family lived at the time at Pferdemarkt 13 (Old Town). After attending the Jewish Foundation School at the Zeughausmarkt, Karl Müller completed a three-year lithography apprenticeship. From 1886 to 1888, he studied at the Royal Saxon School of Applied Arts in Dresden with the history and decoration painter Donadini, then with Professor Hanke of the Prussian Academy of Arts in Berlin. Karl Müller's painting style was conventional-realistic and did not follow modern trends. In 1891, the oil paintings "Preparation for the Service", "In the guardroom", tattoo", "gymnastics lesson", "covert patrol” and "return from the field service exercise”, whose main motive almost always soldiers formed.In 1893, he painted the" invasion of the 76er " as a horizontal format in black and white, the painting was acquired by the Museum of Hamburg History in 1930. The disposition of Karl Müller could be classified as "kaisertreu" and "national" (Maike Bruhns) at this time - not by chance he acted with his Nicknamed "Soldatenmüller", he successfully participated in exhibitions in Berlin and Hamburg before the turn of the century. Even at this time, the frequent change of residence is striking: 1893 Papendamm 25 (Rotherbaum), 1896 Bundesstraße 9 (Rotherbaum). In 1898 he was in the Hamburg address book as a "genre and portrait painter" with the residential address 1. average 43 (Rotherbaum) out. At the age of 38, Karl married in 1903 in the Hanseatic city of the Jewish Louise Hauer (born 12.2.1872 in Hamburg), called "Lieschen". Before her marriage, she lived with her mother at Grindelberg 78. Her father, Martin Hauer (1836-1897), also born in Hamburg and was a citizen of the city since 1862, owned a factory for soap and perfume. In 1904 and 1911, the two daughters Karla and Lotte were born. 1904, the family lived at this time in the Bogenstraße 20, Karl Müller commissioned a portrait of the emigrated hamburger Henry Jones opening the same lodge in the Hartungstraße 9-11. Already at this time he might have been a member of the Hamburg Artists Association of 1832. Starting from 1908 further change of dwellings on the basis of the telephone books are comprehensible: nearly yearly the family moved and moved thereby from the Grindel quarter over Hoheluft east to Harvestehude and Winterhude. Around 1912 she moved into an apartment in Sierichstraße 156. Here, the landlord Schröder provided the artist with an area of ​​around 45 square meters as a studio on the dry floor. But the building police criticized this use and after some disputes, the painter had to move once again with family and studio. The official telephone directory recorded as an address from 1914 to 1918 Klosterallee 20 (Harvestehude). Friedrich Jansa described Karl Müller's changed motif choice in his artist's glossary in 1912: "In recent years he has been watercolouring a lot in the Hamburg area and now mainly takes his motifs from Hamburg harbor...

'Battle Shoes ' still life painting of a pair of women's heels by California artist Kim Frohsin, who employs mixed media including acrylic paint, Stabilo pencil, watercolor, gouache,...

Vibrant mid-century floral still-life of a bouquet of Chrysanthemums in a classic Deco style trapezoid vase by C.A. Wilkenson (American, 20th C), c.1960. Signed "C.A. Wilkenson" lowe...

Mid Century Modern Artwork Hand Embellished Giclee on Canvas, Blue Green ORL-6848 Vibrant Colorful Abstract-0-22-6 State-of-the-art HAND EMBELLISHED ∽ MUSEUM QUALITY ∽ DISPLAY READY...

Stunning realistic oil painting of a pensive Dachshund, "Plique" in the South of France on a blue and yellow floral upholstered chair. The ...

Idle Hour is an intricately painted Impressionist depiction of woman with her pets on her veranda. It is exquisitely framed in a French Gold Leaf frame of quality and value. Paint...

Title: "Musician Trio No. 2: Exploring the Movement of Music Through Art" Koko, a classically trained musician, has created a captivating series of paintings titled the "Musician" s...

Wonderful mid-century modern oil painting of wheat and fruit by Wanda Faust (American, 20th century), c.1950. Signed lower left corner "Faust." Displayed i...

Expressive Mid-Century figural painting of two women and child in pastel hues by Harold Kitner (American, 1921 - 2004). Image, 33"H x 48"W Walnut frame, 34"H x 49"W x 2"D Harold Kitner was born on May 18, 1921 in Cleveland, Ohio and was the son of Isaac and Frieda Kitner. He obtained his MA from Case Western Reserve University in 1947. Kitner was a postgraduate from Cleveland Institute, Ohio University, Cleveland College, Washington and Lee University. He obtained his Doctorate from Kent State University. Exhibition: Harold Kitner - Active / Figure / Exaltation at Kent State School of Art Gallery in Kent, Ohio in 2014. Harold Kitner taught for over 30 years at the Kent State University School of Art. Harold Kitner began teaching art and art history at Kent State University in 1947. During his career, he served as Director and Chairman of the Fine Arts Division. Kitner played a significant role in creating the Art School’s core program, organizing the Kent State Arts Festival, and the Blossom Festival School. He also served as President of the Kent chapter of the American Association of University Professors, and was an art critic for the Akron Beacon Journal. In 1967, Kitner became Kent State University’s first Faculty Ombudsman, officially titled Dean for Faculty Counsel. He held this position until 1974. At the time of the Kent State shootings, Kitner’s position as Ombudsman meant that he was involved in many of the decisions regarding University administration in the weeks and months following the Kent State shootings. Kitner began a partial retirement in 1980, and left Kent to become the director of the Institute of the South Florida Art...

This John Stephens original acrylic on panel painting measures 24x30 in and is available for $27,500. "Our Lady of the Foam" features a woman inside a greek mythology dome covered in...

Artist: Jozza Title: "Not A Crime" Year: 2024 Media: Original acrylic on canvas Size: 30x24 Inches Hand signed on the recto and signed "Jozza", Titled, Dated, and ID numbered on the ...

This artwork titled "Picket Fences" c.2000, is an oil painting on panel by noted American impressionist artist Douglas Paul Morgan, 1948-2021. It is signed at the lower right corner ...

Julian Stanczak (American, 1928-2017) Double Focus II, 1963 acrylic on canvas signed and dated verso 33 x 40 inches Julian Stanczak (American, b. November 5, 1928) was an American ...

Sally Michel Biography American, 1902-2003 Sally Michel Avery was an American painter known for her lyrical depictions of everyday life. Though she used techniques and stylized form...

Antique American modernist still life oil painting. Oil on canvas. Signed.

Signed with monogram, lower left, 'AN' for Albert Naur (Danish, 1889-1973) and dated 1919. Albert Naur first studied Philosophy and Law in Copenhagen (1908-1911) while painting in a...

An oil painting by Contemporary American painter Kelly Carmody. A bouquet of flowers sprout from a blue striped ceramic jug. A thick book rests along the check-print tabletop. Situte...

Costa Rica! Still Life with Guitar, Fruit, Wine, and Newsprint in Oil on Canvas Still life in a semi-cubist style by Irene Pattinson (American, 1909-1999). On a reddish-purple table, there is a plate with two apples, a bottle of wine, and an acoustic guitar. The guitar's headstock is shown extending from where the neck meets the body, implying a cubist interpretation of the scene. At the back of the still life arrangement, there is a (collage) newspaper with "Costa Rica!" in the headline. At the left of the composition, there is a curtain or cloth draped across part of the scene. Signed "Irene Pattinson" on verso. No frame. Canvas size: 32"H x 24"W Irene Pattinson (American, 1909-1999) studied at the California School of Fine Art (now The San Francisco Art Institute), San Francisco State College and The Marion Hartwell School of Design. She was President of the San Francisco Woman Artists Association 1955-56. Provenance:The Artist, Estate of Irene Pattinson: David Carlson; Estate of Larry Miller Fine Art, Robert Azensky Fine Art Solo Exhibitions: Lucien Labaudt Gallery 1955; San Francisco Museum of Art, 1961 (39 works) Selected Group Exhibitions: San Francisco Art Association Annual 1948, 54, 55; San Francisco Woman Artists, 1957-1960; Oakland Art Museum Annual, 1951, 58; California Palace of the Legion of Honor, 1960; Richmond Art Center, 1955, 56, 57, 58; San Francisco Art Institute 1959, 60. The Art Bank of the San Francisco Art Association, 1958, 59, 60, 62, 63; Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1960; Fourth Winter Invitational, California Palace of The Legion of Honor, San Francisco, 1963; Awards: First Place, San Francisco Woman Artists Assoc., 1957, 1959; San Francisco Art Festival 1957;Literature: San Francisco Art Institute - A catalog of the Art Ban 1962/63; San Francisco and the Second Wave: The Blair Collection Exhibitions: 1963 The Art Bank of the San Francisco Art Association, San Francisco, CA 1963 California Palace of The Legion of Honor: Forth Winter Invitational, San Francisco, CA 1962 The Art Bank of the San Francisco Art Association, San Francisco, CA 1961 San Francisco Museum of Art, San Francisco, CA 1960 California...

Rare Pre World War II (Pre Holocaust) Judaica Art. European Judaic art from this period is exceedingly rare. Péczely Antal Anton 1891 - 1963 Known for his Jewish genre scenes, Chess scenes and other early 20th Century salon style paintings. In the tradition of Moritz Oppenheim...

Poetically inspired piece of a small top floor room in Paris filled with paintings, birds and and a lively scarecrow made of clothing, 1950. Signed lower right, artist unknown. Orig...

Wonderful English 1930's Still life of Tulips and other red flowers in a vase. The 1930s was a period of great artistic experimentation, and many artists were exploring new techniq...

Signed lower left, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and painted circa 1935. Precocious as a child, Victor Isbrand painted professionally from a young age and was...

Artist: Varvarov Anatoly Viktorovich Title: The Wall, Sise: 23.5x35.5 inches, (60x90 cm) Medium: Oil on Canvas Hand painted, original, one of a kind. Looking at "The wall" you can't...

Beautiful floral still life in arts & craft style with a colorful stained glass window background by California artist Peggy Krusee (American, 20th century). Signed "Peggy Krusee" lo...

Friedrich Ortlieb (German, 1839-1909) A fine and large oil on canvas titled "New Year's Day at The grandfather's". The joyful indoor family scene depicting a Christmas and new year's...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery, Palm Desert, CA, Jones & Terwilliger Galleries, Palm Desert, CA, Kenise Barnes Fine Art, Larchmont, NY, M.A Doran Gallery, Tulsa, OK, Plus One Gallery, London, England, Rosenfeld Gallery, Philadelphia, PA, Sherry French Gallery, New York, NY, Stricoff Fine Art, New York, NY, Trudy Labell Fine Art, Naples FL...

In this series of trompe-l'œil oil and acrylic paintings, Myron Stephens realistically recreates images of mundane objects taped to what appears to be chalkboards covered with free s...

Ultra Realist Library Still-Life Books and Candles "Little Devil in the Details" Highly detailed library interior scene and still-life titled "Little Devil in the Detail" by Ken DeWaard (American, 20th-century). This intriguing artists performance in excellence piece, features realistically rendered books, paintings within paintings, candle light, and a devil or gargoyle sculpture. The artist creates a strong mood as well as interesting subject matter in this unique scene. Signed "Dewaard '99" upper right. Displayed in a wood frame. Image size, 13"H x 14"L. Frame: 20"H x 21"W x 2"D After receiving his Bachelor of Arts with honors, Ken began working in a commercial art studio in Chicago. He continued his studies at the American Academy of Art, where he studied with nationally recognized watercolorist, Irving Shapiro. Upon Irving's recommendation Ken joined the acclaimed Palette and Chisel Academy of Fine Art in Chicago, where he soon began studying with Scott Burdick as well as Dan Gerhartz...

"Interior with Chair and Vanity" circa 1918 Ricardo Gomez-Gimeno (Spain/France 1892-1954) Oil on cardboard Signed 17 1/4 x 14 1/4 (22 1/2 x 19 1/2 f...

Robert O'Meara (American, XX-XXI), Still Life of Flower, Oil on Board, depicting pink rose in glass jar on purple ground, signed lower right, wood frame. Image: 11" H x 11" W; frame:...

1940s New York Interior -- An Evening Scene of Artist and His Wife Wonderful moody 1940s New York interior and figurative oil painting in Ashcan Schoo...

Signed lower right, "Karl Larsen" (Danish, 1897-1977) and painted circa 1955. Beginning in 1917, Karl Larsen participated in numerous exhibitions in France and Denmark including the...

This rare and historic Orientalist painting, La Petite Dieu, translated as “Little God”, by renowned Armenian-American artist Hovsep Pushman. First exhibited March 27 – April 7, 192...

Aaron Fink (American, b. 1955) Hand signed and dated 1986, verso. The large canvas size measures approx: 72" x 66". This painting is part of the artist's "Images of Gambling" series, amongst his best figural work. Aaron Fink was born in Boston in 1955. He received his MFA from Yale University and his BFA from the Maryland Institute College of Art. His work has been exhibited widely throughout the U.S., Europe and Japan and Australia, and is included in the collections of the Museum of Modern Art, NY, the Art Institute of Chicago, the Museum of Fine Arts, Boston and the Walker Art Center, Minneapolis, among many others. He lives and works in the Boston area. He has been the subject of solo exhibitions at the Massachusetts Institute of Technology, the Muskegon Museum of Art, Michigan, the Rockford Art Museum, Illinois, and Colorado State University, Fort Collins. Figurative abstract expressionist art. In 2002 a monograph on Fink’s work, Out of the Ordinary, was published, with text by Eleanor Heartney. In 1983 Fink met the collector John Powers, who remained a strong supporter of his work until his death in 1999. Fink’s work is represented in the collections of the Art Institute of Chicago, the Hara Museum, Tokyo, the Metropolitan Museum of Art, New York, the Museum of Modern Art, New York and the National Gallery of Art, Washington, DC, among many others. Fink currently divides his time between Boston and Rockport, Massachusetts. He was included in the show The Expressive Voice: Selections from the Permanent Collection at the Danforth Museum of Art. An exhibition of Boston Expressionism, a school that embraced a distinctive blend of visionary painting, dark humor, religious mysticism, and social commentary. Historical roots of this movement can be traced to European Symbolism and German Expressionism, but artists living and working in the Boston area from the 1930’s through the 1950’s, were particularly inspired by Chaim Soutine and Max Beckmann. Artists included; Aaron Fink, Bernard Chaet, David Aronson, Ernst Ludwig Kirchner, Hyman Bloom, Jack Levine, Jackson Pollock, Jason Berger, Karl Zerbe, Lawrence Kupferman, Michael Mazur, Sigmund Abeles and Willem de Kooning. He was included in the show 40 Years of Printmaking: From the Center Street Studio Archives, along other great figural artists Gabor Peterdi, John Walker, Lester Johnson and Nell Blaine. S E L E C T E D C O L L E C T I O N S Art Institute of Chicago Bank of America Boston Public Library Bouwfonds Nederlandse Gemeenten, The Netherlands Brooklyn Museum of Art Castelli Collection, New York Chase Manhattan Bank Chemical Bank Choate Rosemary Hall, Wallingford, CT Citizens Bank, Boston Coopers & Lybrand Danforth Museum, Framingham, MA Danish House of Parliament Davis Museum, Wellesley College, Wellesley, MA DeCordova Museum and Sculpture Park Lincoln, MA Farnsworth Museum, Maine Fidelity Investments, Boston Fogg Museum of Art, Harvard University, Cambridge, MA Fuller Museum of Art, Brockton, MA G.E. Corporation Goldman Sachs & Company IBM, New York Indianapolis Museum of Art Library of Congress Massachusetts Institute of Technology, Cambridge, MA Metropolitan Museum of Art, New York Museum of Contemporary Art, Chicago Museum of Fine Arts, Boston Museum of Modern Art, New York National Gallery of Art, Washington, DC New York Public Library Philadelphia Museum of Art Portland Museum of Art, Portland, Maine United States Department of State University of Massachusetts, Amherst Awards Residency, Anderson Ranch, Snowmass, CO, 1998, 1996 National Endowment for the Arts, 1987, 1982 Artist Fellowship, Massachusetts Council on the Arts and Humanities, 1984 American Academy in Rome, Prix de Rome – Alternate in Painting, 1979 Yale University, Ford Foundation Special Project Grant, Fall 1979 Skowhegan Scholarship Award, conferred by the Maryland Institute College of Art, Spring 1976 SELECTED GROUP EXHIBITIONS Contemporary Responses to Modernism: A New England Perspective, University of Southern Maine Color and Line: Expressive Tradition in Boston, Endicott College, Beverly, MA, Beautiful Decay, Danforth Art Museum, Framingham, MA MICA Then and Now, Ethan Cohen Gallery, Beacon, NY Bon Appetit, Concord Art Association Celebrating Ten Years, Galerie D’Avignon, Montreal, Canada New England Impressions: Exploring the Woodcut, Concord Art, Concord, MA Go Figure: The Figure in Contemporary Art – A Response to Art History, Painting in Boston: 1950-2000, DeCordova Museum and Sculpture Park, Lincoln, MA Working Sources: The Painter and the Photographic Image, Alpha Gallery, Boston, MA The Unique Print: Six Innovative Approaches to the Monotype, Starr Gallery, Newton, MA Selections from Atelier Mourlot, Hankyu Department Store, Tokyo, Japan Yale Collects Yale, Yale University Art Gallery, New Haven, CT, 1993 70’s and 80’s: Printmaking Now, Museum of Fine Arts, Boston, MA, 1986-1987 Skowhegan Alumni, Leo Castelli Gallery, New York, and Portland Museum of Art, Portland, Maine, Public and Private: American Prints Today, Brooklyn Museum, Brooklyn, NY Contemporary Miami Collectors, Metropolitan Museum, Coral Gables, FL, 1984 The American Artist as Printmaker, Brooklyn Museum, Brooklyn, NY, 1983-84 Jon Abbott, Aaron Fink, Tom Lieber, Chris Wool...

Bright and cheery painting of a young girl by a wind by Helen Rayburn Caswell, (American, 1923 - 2018) she was born in Long Beach, California. Image, 12"H x 11"W Frame, 16"H x 15"W ...

Antique American modernist interior portrait oil painting. Oil on board, circa 1930. Unsigned. Displayed in a period modernist frame. Exhibition provenance verso. Image size, 25"L ...