USA - Photography

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the bottom of the pool and the typography of the signs. Since my first Poolside exhibition in 2018, I have travelled to London, Paris, Manchester and Glasgow to add to my collection. Focusing on composition, carefully using blocks of colour to show interesting shape and proportion. The eye is drawn to the architecture, then the symmetry and reflections, and finally to the models, which feels more intimate.‘ Although my first collections were heavily inspired by my love of Wes Anderson's work, I’ve also been looking to other cinematic imagery from directors like Terrence Malick and Stanley Kubrick, while still keeping my signature style.’ We are so lucky to still have these beautiful old pools and maybe the photographs will remind people how lovely they are." - Soo Burnell ABOUT THIS ARTIST: Growing up surrounded by Edinburgh's historic beauty, it would be hard for any photographer not be inspired by its incredible buildings. However, it was the Victorian swimming pools of her childhood that really spoke to photographer Soo Burnell, and allowed her to apply her personal style and aesthetic to shoot these iconic buildings. Taking inspiration across many art forms, from architects, artists and filmmakers, Soo’s stylised shots are reminiscent of frames from a Wes Anderson film...

These photographs are Dye Sublimation Prints. Framing options available. "Surfing Color" presents photographs that are abstract creations born from realism. Kocharian emphasizes the ambient color in the tradition of minimalism, observing the beauty and mystery of light, shadows, tone, and moods. The environments within the photographs are transformed into ones of symbolism, challenging the viewer to question the images. As a result, a tension is created, like an energy trapped in a frame attempting to escape. Kocharian, who is also a filmmaker, brings a cinematic eye to his photography, as we experience images that reflect simplicity through his focus on light, color, and the documentation of ordinary life. In “Going Home,” Los Angeles a pool-like shadow on the foreground alters the nature and surrounding of the image as light breaches from the center of the bike during sunset. “Blue Highway”, Nevada leads the viewer into the deep blue of early dawn and draws them into a new beginning. His influences in these photographs include artists such as Mark Rothko and photographer William Eggleston, as Kocharian uses color, texture, geometry, and shapes to tell a story that evokes contemplation and introspection. Born in Armenia, Haik Kocharian was introduced to the world of art in his early childhood by his parents, who were theater and film actors. He began his studies at the Armenian Theater Academy and continued his education in film at Brooklyn College, where he also studied photography. Kocharian resides in New York City. In 2015, Kocharian released his first feature film, "Please be Normal," starring Oscar-nominated actor Sam Waterston. The film was nominated for a Critic’s Pick in the New York Times and won awards at two film festivals. Kocharian is actively involved in charity work and, as a photographer, he has collaborated with many non-profit organizations in the U.S. and abroad such as Village Health Partnership in Ethiopia and Meaningful World, a UN-affiliated NGO in Burundi, Kenya, and Rwanda. He has exhibited his works within galleries in New York such as Galerie Mourlot, Robin Rice Gallery, 92 Y Tribeca, and James Cohan Gallery...

Male Nude in Bathroom (29 Palms, CA), - 1999, Edition 1/10, plus 2 Artist Proofs, 20x20cm, digital C-Print, Not mounted, based on a Polaroid, Signature label and Certificate, Art...

With an upward zoom and a slow exposure, Photographer Mitchell Funk reimagines one of the world's most iconic landmarks. The photograph is a lyrical evocation of a normally cold stre...

Iconic and whimsical capture of Audrey Hepburn in her role for the 1961 film "Breakfast at Tiffany's", posed in the kitchen holding ballerina shoes as a cat approaches her. This lis...

Series: Submerged Garden C Print Limited Edition of 12 Available Sizes: 24" x 24" 30" x 30" 40" x 40" 48" x 48" 60" x 60" This photograph will be printed once payment has been r...

Selected from Phillip's acclaimed series, The Horses of Deep Hollow Ranch. Working with a vintage Mamiya handed to him by a stranger in NYC, Graybill creates contemporary photographic compositions in a style that is reminiscent of the Pictorial School from the early 1900’s. Artist: Phillip Graybill Title: Silver Edition: Signed and numbered in the margin, archival pigment prints on 100% cotton rag paper, remastered and printed at FATHOM Los Angeles Phillip Graybill is from Atlanta, Georgia. He moved to NYC in 1996 where he lived for 20 years and now splits his time between NYC and Venice, Ca.  He has exhibited with celebrated artist Julian Schnabel. He has also exhibited alongside such photographic luminaries as Peter Lindbergh and Nigel Barker. Graybill was the primary photographer for the Nine Inch Nails...

Beautiful black and white image of star Clara Bow posed in profile. Clara Bow as an American actress who rose to stardom during the silent film era of the 1920s and successfully mad...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimizing the modern elements. I love the geometry of the tiles, the lines on the bottom of the pool and the typography of the signs. Since my first Poolside exhibition in 2018, I have travelled to London, Paris, Manchester and Glasgow to add to my collection. Focusing on composition, carefully using blocks of colour to show interesting shape and proportion. The eye is drawn to the architecture, then the symmetry and reflections, and finally to the models, which feels more intimate.‘ Although my first collections were heavily inspired by my love of Wes Anderson's work, I’ve also been looking to other cinematic imagery from directors like Terrence Malick and Stanley Kubrick, while still keeping my signature style.’ We are so lucky to still have these beautiful old pools and maybe the photographs will remind people how lovely they are." - Soo Burnell...

Tree and Pond, Ghent NY, 2018 pigment print on watercolor paper, signed dated and numbered on face 20 X 24, edition of 25 $2,500.00 also available in 13 x 16 inches, edition of 25 $1,500 This Black and White Sepia-toned print of a pond in upstate New York was taken by photographer, James Bleecker. The rural scene depicts a leafy tree streaming with sunlight. The pond in the background is surrounded by trees and reflects some of the golden light. Artist Statement: These photographs span the last decade of nearly four that I have worked in the Hudson River valley. While I have photographed landscapes, towns and cities, I have chosen a selection of rural scenes for this show. All are in Columbia County except “Allee,” (Tuxedo Park) and Quimby Farm (Marlborough). My photography spans four decades of living in the Hudson River Valley. While my Dutch ancestors settled here early - Bleecker and Verplanck are common place names - I don't know what, if any, pull that fact exerts. Certainly I'm attracted to the layers of time exposed here; in ancient stone walls, leaning barns, faded mansions and mill towns. The valley exudes boom and bust, love and leavings. About the Artist: James Bleecker photographs the landscapes and architecture of his native New York State. Since 1983 his work has spanned independent fine art photography and commercial architectural photography. Much of his work has been commissioned by museums and historic preservation groups in the Hudson River valley. About James’s work, Edgar Munhall, Curator Emeritus of The Frick Collection, has written, "James's work is powerful and mature. Rigorously composed and technically perfect, his photographs can reduce you to tears by their beauty." Collections: Berkshire Museum Barry Diller...

Hello (Ghosts of Route 99) - 2021 Route 99 used to cut right through Bakersfield. The streets were filled with Motels for the weary traveler. In the 1970s the highway was moved, ki...

Ezra is a color photograph from Homegrown and is signed and numbered by the artist “When I began taking pictures,” Blackmon says, “ I was primarily interested in documenting the l...

Combined Edition 25 Also available in 50 x 60 cm/ 20 x 24 inch and as combined Edition 10 in 76 x 101 cm / 30 x 40 inch 101 x 127 cm / 40 x 50 inch Portrait of American actor, singe...

Samburu warrior sitting on a ledge overlooking his tribe's homeland A Samburu warrior surveys his ancestral land at this popular lookout In this print series titled Warrior Studies...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel ...

Franco Fontana (Italian, born 1933) Title: Los Angeles, California 1979 Edition 6/15 Medium: dye-transfer Dimensions: Frame 21.5 x 29.25. Sight 13 x 19.5 Provenance: Monique Goldstrom Gallery Franco Fontana (Italian, 1933) is an Italian photographer. He is best known for his Minimalist abstract colour landscapes. He was influenced by Minimalism and Abstract Expressionism. Franco Fontana was born in 1933 in Modena. He started taking photographs in the 1950s when he was working as a decorator in a furniture showroom. In 1961 he joined a local amateur club in Modena. The experience would be a turning point in his career, and Fontana went on to have his first solo exhibition in 1965 at the Società Fotografica Subalpina, Turin and at the Galleria della Sala di Cultura in Modena in 1968. Since then he has participated in more than 400 group and solo exhibitions including the exhibit Lines, Spheres and Glyphs at Robert Klein Gallery with works by photographers: Franco Fontana, Mario Giacomelli, Ernst Haas, Gyorgy Kepes and Aaron Siskind. Franco Fontana is considered one of the most relevant photographers of our time, In 1963 he exhibited his work at the Biennale of Color in Vienna, and in 1968 he held his first solo exhibition in Modena. Fontana often pares landscapes down to their essential elements, producing flat, geometric compositions reminiscent of the color field abstract expressionist paintings of Mark Rothko Ad Reinhardt and Barnett Newman, by underexposing his transparencies. Contrasting blue skies with green or yellow grass and the rigid lines of buildings with the softness of puffy clouds, he makes color and texture his primary subjects. He has also shot in Polaroid film, Cibachrome, C Print and chromogenic prints. His art has been acquired by some of the most important museums worldwide, including the Maison Européenne de la Photographie in Paris, MoMA in New York, Museum Ludwig in Cologne, Museum of Modern Art in Norman, Oklahoma, National Gallery in Beijing, Australian National Gallery in Melbourne, University of Texas in Austin, Stedelijk Museum in Amsterdam, Tokyo Metropolitan Museum, Israel Museum in Jerusalem, and Musée d’Art Moderne de la Ville in Paris. Fontana has photographed for advertising campaigns for brands such as Fiat, Volkswagen, Ferrovie dello Stato Italiane, Snam, Sony, Volvo, Versace, Canon, Kodak, Robe di Kappa, Swissair, and has been a magazine photographer for publications including Time, Life, Vogue (USA and France), Venerdì di Repubblica, Panorama, and with the Frankfurter Allgemeine Zeitung and The New York Times. Fontana's first book, Skyline, was published in 1978 in France by Contrejour and in Italy by Punto e Virgola with a text by Helmut Gernsheim. Fontana is the art director of the Toscana Foto Festival. He has received numerous awards, such as the 1989 Tokyo Photographer Society of Japan - The 150 Years of Photography - Photographer Award. Fontana is especially interested in the interplay of colours. His early innovations in colour photography in the 1960s were stylistically disruptive. According to art critic Giuliana Scimé, Fontana "destroyed all the structures, practices, and technical choices within the Italian tradition." Fontana uses 35mm cameras, and as noted by Iwan Zahar, deploys distant viewpoints with telephoto lenses to flatten contours in a landscape of crops and fields into bands of intense, saturated colour. This is an effect that Franco Lefèvre has described as 'dialectical landscapism'. Of his use of colour in his 2019 retrospective exhibition Sintesi ('Synthesis') at Fondazione Modena Arti Visive, curator Diana Baldon has observed; “His bold geometric compositions are characterised by shimmering colours, level perspectives and a geometric-formalist and minimal language, By adopting this approach during the 1960s, Fontana injected a new vitality into the field of creative colour photography for then multicolour was not in fashion in art photography., The way Fontana shoots, dematerializes the objects photographed, which loose three-dimensionality and realism to become part of an abstract drawing”. Aside from the rural landscape Fontana has applied his graphic sensibility to other subjects: city architecture, portraiture, fashion, still-life and the nude. He was included in the exhibition of the Helmut Newton Collection along with Brassaï, Diane Arbus, Franco Fontana, Horst P. Horst, Irving Penn, June Newton, Just Loomis, Man Ray, Mark Arbeit...

Design-inspired, incredible portrait of two rhinos with horns crossed at center of frame Beautiful and unexpected black and white photograph of two rhinos in Kenya Exceptional Crea...

Signed limited edition fine art print of The Cure on the road in Holland and Belgium during their 1980 'Seventeen Seconds' tour. Signed and numbered by Jill Furmanovsky in pencil an...

This beautiful vintage portrait features Rita Hayworth smiling in Lingerie her head tilted back and eyes closed. Rita Hayworth was an Ameri...

Gelatin silver print Signed, titled, dated, and numbered, verso 14 x 11 inches, sheet size (Edition of 5 + 2 APs) 20 x 16 inches, sheet size (Edition of 5 + 2 APs) From the series...

"Black Diamond" This award-winning image is a fashion-inspired portrait of an elite horse wearing the attire of his discipline. The print series Equus: Light & Form focuses on the...

Frozen (Stranger than Paradise) - 2001 Edition of 5 16 pieces, 48 x 47 cm each, 2.20 x 2.20 cm installed. Analog C-Prints, hand-printed by the artist, based on 16 Polaroids. Signat...

In this contemporary, hyper-detailed archival pigment print on watercolor paper, a yellow moth with light brown and reddish coral markings is dramatic against a clean, solid white ba...

Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues o...

For me, an artistic process is an act of investigation – a passionate attempt to establish an understanding of the natural world – a version that incorporates both intellectual and e...

Color photo depicting starlet Marilyn Monroe reading Dun & Bradstreet Reference and The Wall Street Journal. -- One-of-a-kind original vintage press p...

Signed large scale original framed photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a ...

JIMI HENDRIX ON STAGE AT THE WINTERLAND BALLROOM IN SAN FRANCISCO, FEBRUARY 1968. One copy available Signed limited edition #7/150 Rare signed platinum print with deckled bottom edge

Black and white candid portrait of Marilyn Monroe standing with photographer for promotional shots from the film "How to Marry a Millionaire". Marilyn Monroe was an American actres...

ABOUT THIS PIECE: "As a self-portrait artist, I use the observation of my surroundings, personal experiences, and my own personal growth to create conceptual images. I am a highly po...

“Spark” is a part of Alex Sher’s popular series REFLECTIONS - underwater photographs that could be almost mistaken for abstract paintings as they bring up recollections of masterpiec...

Candid capture of star actress Marilyn Monroe with French actress Simone Signoret. Marilyn Monroe was an American actress and model. Known for playing comic "blonde bombshell" chara...

An underwater nude photograph of a young woman with white tulle scarf taking off her red skirt on bright red background. Original gallery quality archival pigment print on archiva...

Ed Ruscha Some Los Angeles Apartments, 1970 Softback monograph with stiff wraps Second Edition Limited Edition of 3000 (the first edition in 1968 was 700) 7 × 5 1/2 inches Accompanie...

Ditch Plains 1 was shot at Ditch Plains Beach in Montauk, NY Summer 2023.

8 x 10" vintage silver gelatin photograph, Dancers Silhouette, 1971. It is signed on the print verso in pencil by Jack Mitchell. This is a print that was published by a newspaper or ...

Black and white candid image of Rita Hayworth in Burbank, walking along a beautiful street scene. Rita Hayworth was an American actress, dancer, and producer. She achieved fame dur...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

Original vintage linen backed, travel poster to INDIA The Wonderful Land. The center image of this poster is the Taj Mahal at Agra, India with the Qutb Minar minaret red tower...

large format photograph of glossy cherry red vintage private airplane on airport runway tarmac Red Jet by Frank Schott 48 x 74 inches (122 x 188cm...

"The Beauty of the Uncommon Tools" is from Tony Chirinos' project entitled, "The Precipice", - also released as a book project by Gnomic Book in 2021 - which serves as a photographic...

Annie’s Big Book Famed photographer Annie Leibovitz weighs in with her own SUMO Art Edition (No. 1–1,000) Archival pigment print Keith Haring (contact sheet), New York City, 1986...

archival inkjet print on watercolor paper 10 x 13 inches unframed 2016 Photographed in Maine, this black and white archival pigment print by Betsy Weis captures a trees in a meadow. The serenity of the sky and grassy meadow in soft grays are contrasted by the leafy tress in the distance. This photograph is available unframed. The image measures 10 x 13 inches. Artist statement: Nature provides the perfect model of beauty, according to Plato and Socrates. In the classical period, something was considered beautiful because it existed in nature; art was secondary. In the 18th Century, the German philosopher Johann Joachim Winckelmann argued against the idea that art imitates life, believing that qualities superior to nature are found in art, specifically, ideal beauty, and “brain-born images”. Neoclassical thought represented that art need not serve any end other than its own existence. For me, beauty is an ideal, nature is real, and art comes from the brain. I take pictures in nature, finding shifting, disparate, and beautiful landscapes. I develop my pictures of trees...

Edition 10 Also available in 40 x 50 cm / 16 x 20 inch, Edition 25 Black and white portrait of Supermodel Iman, wife of David Bowie. From personality portraits and advertising cam...

The angel is a being that religion has bequeathed us as a sign of purity, innocence, and goodness, from the same source, we have been sold to the devil as the form that represents ev...

"Fleeting Time" This photograph features the boats Courageous, American Eagle, Victory ’83 and Intrepid in the Atlantic Ocean off of Newport, Rhode Island. The nautical print ser...

Black and white portrait of actress Elizabeth Taylor in headdress for her role in Cleopatra, circa 1963. Cleopatra is a 1963 American epic historical drama film directed by Joseph L...

"Profile of a beautiful white horse against an ancient stone structure Ethereal, otherworldly photograph of a white horse against a stone building in black and white This powerful ...

London I Digital C-Print / Archival Pigment Print Available sizes: 40 x 60 in - Edition of 10 60 x 90 in - Edition of 5 Since its inception, Lusztyk’s Interchanges project has taken...

Victor Arimondi (1942-2001). Portrait, ca. 1975. Period print measures 11 x 14 inches. Artist studio stamp on verso. Victor Arimondi (November 8, 1942 – July 24, 2001) was an Italian American photographer and model who lived and worked in Europe before moving to the United States in the late 1970s. His early fashion photography, his portraits of Grace Jones and other artists, and his male nudes photographed in New York and San Francisco captured the pre-AIDS culture of the 1970s and early 1980s. Arimondi's nudes were collected in several books, including David Leddick's award-winning[1] The Male Nude, (New York: Taschen 1998, 2005 and 2015). The photographer's later work documented homeless individuals in San Francisco's Tenderloin neighborhood and the toll of the AIDS epidemic on the city. His photographs, featured in several posthumous exhibitions, also are in the collections of Sweden's museum of modern art, Moderna Museet, and San Francisco's GLBT Historical Society. Biography Arimondi was born Vittorio Maria Tevitti to his unwed mother, Alessandra Calligaris, in Bologna, Italy on November 8, 1942. His mother struggled financially, which left an impression on her only child. In 1948, she temporarily left him at a children's boarding school and orphanage in Italy to move to Sweden for a job. There she met and married Bruno Arimondi, who adopted her son. The family returned to Naples, Italy in 1952 where Victor graduated from high school.[1] In 1960, Arimondi returned to Sweden to study at the University College of Arts, Crafts and Design in Stockholm, although he did not graduate. Meanwhile, he worked at several blue collar jobs, including as a mailman, before he gave up on traditional full-time work to pursue what he considered more essential— a life of creative expression. He created costume-like clothing for himself and friends and at age 19 became a fashion model. Even as a teenager, the Italian born photographer who spent his 20s and 30s primarily based in Sweden, noted that he preferred fantasy to the trials of real life.[1] That conflict, and his passion for beauty as well as his sexual energy, were major factors in his life and his work.[2] From 1965 through 1972 Arimondi worked as model in London, Milan, Germany, New York and Stockholm, appearing in catalogs and fashion magazines including Vogue , Harper's Bazaar and Esquire and on the runway in several Valentino fashion shows. In 1972 he decided to try working on the other side of the lens as a photographer to better express his creativity.[2] Arimondi moved to New York in 1979 and continued to build his photography portfolio. Portrait of Bearded Man, New York City, 1979 Two years later, in 1981, he moved to San Francisco where he lived and worked for twenty years until his death of AIDS at age 58 on July 24, 2001. The year he moved to San Francisco, Arimondi opened a photo gallery in the Haight-Ashbury neighborhood for a short time. When he struggled financially, he gave up on trying to earn a living through commercial fashion photography and closed the gallery.[3] Arimondi returned to modeling for the financial benefits, though he did so on less of an international scale than in his early years. He continued to create photographic portraits of the denizens of the San Francisco gay and arts cultures, to shoot male nudes and publish his work in magazines, and he began to compose and photograph evocative still lifes using his own photographic images. Many of them touched on the death of dozens of his former photography models from AIDS. Arimondi was in the midst of a new photography project that brought together his background as a fashion photographer and his more recent social documentary work when he died several months after he learned he was HIV-positive.[4] The project featured his former colleague, haute couture cover model Ivy Nicholson,[5] who he found living homeless in San Francisco. Several of the haunting portraits he took of her were later included in a noted group exhibit at SF Camerawork. Art Arimondi's early photography in the 1970s in Stockholm included portraits of the stars of Sweden's fashion, theater and dance worlds. His first two photography exhibits were in Stockholm and met with mixed reviews. But as he matured as a photographer and tapped into his fashion world contacts, Arimondi landed a number of commercial fashion jobs, including shooting for the Italian designer Salvatore Ferragamo S.p.A.'s I.Magnin department store ad that ran in Vogue. Marlboro Man Nude, New York City,1980. He also shot other artists and models for his own portfolio, including Grace Jones, the Norwegian actress, Liv Ullmann, and the American writer, Norman Mailer. Arimondi's aesthetic vision was focused on fantasy and drama, and he prided himself on pushing limits.[6] Although less well-known than his San Francisco contemporary...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

ABOUT THIS PIECE: "I wanted to photograph the pools to show the beauty of the architecture, while minimising the modern elements. I love the geometry of the tiles, the lines on the b...

Tell me what I am to do (Till Death do us Part) - 2005 20x20cm, Edition 2/10. Digital C-Print print, based on a Polaroid. Certificate and Signature label. Artist Inventory No. 932...

This wall-hanging artwork titled "Familiar Marks, Unfamiliar Places Number 11" is an original artwork by Kelly Knaga made of photography, digital print, an...

In SHE TELLS ALL, Kaur engages questions of identity performance by exploring an ever-present and wildly diverse American identity: the modern American witch. Witches are contemporar...

Outback Dreams - 29 Palms, CA - 2010 50x130cm. Archival C-Print, based on the 3 original Polaroids. Signature label and certificate. Artist Inventory # 1933. Not mounted. THE G...

ABOUT THIS PIECE: Let's not pretend that we don't enjoy 80's music. ABOUT THIS ARTIST: Floyd P. Stanley is an LA based photographer creating product shot photographs of mixed tapes....

17"x20.5" fine art photograph, limited editon of 5- hand signed and editioned by the artist. This color photograph depicts a basketball court in Nebatieh, Lebanon, with the hand painted N...

In SHE TELLS ALL, Kaur engages questions of identity performance by exploring an ever-present and wildly diverse American identity: the modern American witch. Witches are contemporar...

Cabazon Dinosaurs (Drive to the Desert) - 2000 44x59cm, Edition 5/5. Analog C-Print, based on the Polaroid. Certificate and Signature label. Artist Inventory #155.05. Not mount...