USA - Figurative Sculptures

George Wayne Lundeen (American, born 1948) NSS “Promise of the Prairie” Museum Quality Cast Bronze, Limited edition of 21, signed and marked, G.W. Lundeen ©1983 20/21 on the top/back...

"Tantalize, Synchronize, Exercise!" is an original metal, mirrored glass, polyester fibre, wire, plastic, and enamel paint artwork by Kendal Murray measu...

Émile-Edmond Peynot, (French, 1850 -1932) An exceptional, exquisite and rare orientalist bronze sculpture titled Albaya' El Tunsi / The Tunisian Merchant / The Arab rifleman. Dep...

I am a storyteller. As an actor, director, and writer, storytelling has been the heart of my life’s work. Whether on stage, in front of a camera, or on the page, I’ve spent years cra...

Omaggio To Picasso Woman in Hat Murano Glass Sculpture Artist signed and titled. Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a f...

I am a storyteller. As an actor, director, and writer, storytelling has been the heart of my life’s work. Whether on stage, in front of a camera, or on the page, I’ve spent years cra...

Alexandra LeVasseur was born in Quebec in 1982. She holds a BA in Fine Arts from University of Costa Rica (2006), a post-graduate in Illustration/C...

Calman Shemi (1939-) Laser cut metal wall sculpture 3D Titled "Circus" Signed on the front lower left edge, and signed, numbered, and titled verso. Marked, Jerusalem Limited edition, 2/99 (I don't know how many were actually made) Approx. 34.5" x 35.5" Depicts weightlifter, acrobats, figure on unicycle, clown with umbrella, and acrobat under the circus big top...

Artist: Jack Graves III (American, 1988-) Title: "Apollo Sculpture" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Mediu...

This masterwork is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indoo...

Rare, Late Roman Empire (3rd to 5th centuries, C.E.), solid marble bust of a young man. Beautiful patina. Mounted on a later, Carrara marble base.

A fine antique Art Deco cold painted orientalist bronze by Richard Thuss (1881-1945), Austrian, circa 1920. From 1918 to 1930 Thuss was the chief sculptor for the Bergmann Foundry in...

Artist: Kay Ritter Title: Florist Medium: Papier-mache with metal watering can, glasses, papier-mache flowers Year: 1995 Size: 57 x 24 x 14 in. (...

We are surrounded by graphic images, songs, greeting cards, and even paintings all created toward the effort of expressing romantic love. While so potent, and even sometimes transfor...

This masterwork is currently on display at the Zimmerman Gallery in Carmel, CA Please note: The base is not included. We will guide you through a simple installation process for out...

A fine & large antique French Art Deco Bronze leaping stag sculpture/statue, by Georges H. Laurent (1880-1940), circa 1925. Georges H. Laurent was known for his animal subjects and t...

The bronze sculpture "Owl" is an exaggerated rendition of an owl that emphasizes the bird's most prominant characteristics - a big fluffy round body and large unblinking eyes making it a charicature of the bird. It is very touchable and calls for one to pet its rounded back. Tom Brun, the sculptor and zookeeper, is well-known for his wood, stone, marble, ceramics and ivory sculptures. One of them, a large hippopotamus, carved from walnut wood travelled the world in the State Department collection. It is said that Tom would often go into a house and pick up one of his sculptures and say that it was unfriendly – meaning that it had not been handled enough. Morley Driver has said of Brun in a newspaper article from the 1950’s “In Any Animal He Sees Beauty”: No one who has ever seen a Tom Brun hippopotamus will ever again think of it as ugly or ungainly, meaning that the artist not only gives you beauty but teaches you to see it. Tom has said: “Small pieces are like a proverb – a gem of meaning that one can dissect.” They are meant to be picked up, caressed and held. This owl, too, seems destined to be caressed. Brun was born in England in 1913. A few years after the end of World War I his father moved the family in 1919 to Detroit, Michigan. In 1935 at age 23, he officially became a U.S. citizen. He served in the army during World War II for five years and upon discharge and at the age of 36 took advantage of the GI Bill and applied for admission to Society of Arts and Crafts (now known as the College for Creative Studies) where he was gladly accepted. While at Arts and Crafts his instructors and established artists such as Sarkis Sarkisian, John P. Foster, Morris Brose, Richard Koslow, Patricia Burnett, Lloyd and Renee Radell...

Antique Polychrome Wood Carving Igbo Nigeria Africa, Staff decorated with two figures, mounted as a finial on the shaft terminating in a triang...

Reaching, ca. 1980. Cast bronze. Signed in lower region on wrist. A rare example from the artist's later period influenced by figurative abstraction with expressionist tendencies. James Edward Lewis (August 4, 1923 – August 9, 1997) was an African-American artist, art collector, professor, and curator in the city of Baltimore. He is best known for his role as the leading force for the creation of the James E. Lewis Museum of Art, an institution of the HBCU Morgan State University. His work as the chairman of the Morgan Art Department from 1950 to 1986 allowed for the museum to amass a large collection of more than 3,000 works, predominantly of African and African diasporan art.[1] In addition, he is also well known for his role as an interdisciplinary artist, primarily focused on sculpture, though also having notable examples of lithography and illustration. His artistic style throughout the years has developed from an earlier focus on African-American history and historical figures, for which he is most notable as an artist, to a more contemporary style of African-inspired abstract expressionism. Early and personal life James E. Lewis was born in rural Phenix, Virginia on August 4, 1923 to James T. Lewis and Pearline (Pearlean) Harvey.[5] Lewis' parents were both sharecroppers. Shortly after his birth, his father moved to Baltimore for increased job opportunity; James E. was subsequently raised by his mother until the family was reunited in 1925. They lived for a short time with distant relatives until moving to a four-bedroom house on 1024 North Durham Street in East Baltimore, a predominantly African-American lower-class neighborhood close to Johns Hopkins Hospital. Lewis' primary school, PS 101, was the only public school in East Baltimore that served black children. Lewis grew up in a church-going family, his parents both active members of the Faith Baptist Church, devoting the entirety of their Sundays to church activities. His parents worked a variety of different jobs throughout his youth:[6] his father working as a stevedore for a shipping company, a mechanic, a custodian, a mailroom handler,[6] and an elevator operator.] His mother worked as both a clerk at a drugstore[7] and a laundress for a private family.[4] Lewis' primary exposure to the arts came from Dr. Leon Winslow, a faculty member at PS 101 who Lewis saw as "providing encouragement and art materials to those who wanted and needed it." In fifth grade, Lewis transferred to PS 102. Here, he was able to receive specialized Art Education in Ms. William's class under the guidance of Winslow. He was considered a standout pupil at PS 102 as a result of his introduction to the connection between the arts and the other studies. His time spent in Ms. Pauline Wharton's class allowed for him to experiment with singing, to which he was considered a talented singer. His involvement in this class challenged his earlier belief that singing was not a masculine artistic pursuit. He was able to study both European classics and negro spirituals, which was one of his earliest introductions to arts specific to American black culture. Under Ms. Wharton's direction, he was also involved in many different musical performances,[6] including some works of the Works Progress Administration's Federal Theatre Project.[8] Lewis attended Paul Laurence Dunbar High School, where his love of the arts was heightened through his industrial art class with Lee Davis...

John W. Kearney (American, 1924-2014) Godiva on a Rhinoceros Bronze Signed with monogram to base 6.5 x 3 x 8.5 inches Born in Omaha, Nebraska, he studied at the Cranbrook Acadamy of...

Inspired by amateur archaeologists such as Heinrich Schliemann who discovered Troy and by past elaborate hoaxes like that of the Piltdown Man, Joshua travels the world performing sta...

Franz Bergmann, Austrian (1861 -1936) - Slave Trader, Year: circa 1900, Medium: Bronze sculpture on wooden base, Size: 5.25 x 3 x 3 in. (13.34 x 7.62 x 7.62 cm), Description: "Re...

Daniel Grantham (American, 20th Century) Jellyfish, 2017 Cedar wood on maple Engraved signature on bottom of base 20 x 6.5 x 6 inches Daniel Grantham was born and raised in Clevela...

This masterpiece is exhibited in the Zimmerman Gallery, Carmel CA. Please note: The base is not included. We will guide you through a simple installation process for outdoor or indo...

Title : Holding Tank Materials : stoneware Date : 2015 Dimensions : 6 x 5 x 4 Description : sculpture The formal languages and frequencies that we find in the natural existence of t...

Since childhood, Kerry Green has always been creative; painting, drawing, sculpting, and sewing. Her family provided her with materials and encouraged her efforts. She literally grew...

A rare sculpture by Willitts Designs International and Shen Lung entitled " Moe Cheeks" from the "all that jazz" series. The sculpture is cold painted ...

This sculpture is part of our exhibition America Coast to Coast: Artists of the 1940s. Two Figures, 1949, ebony wood, 24 x 7 x 5 inches, unsigned, but comes from Thomas' daughters and includes a copy of a 1949 photo of this work listing the artist's name, title of work and date Robert Chester Thomas was a California sculptor. A native of Wichita, Kansas, Thomas moved with his family to Southern California as a child. During World War II, he joined the army and served for a time in the European theater. When he returned to California, he studied sculpture with David Green in Pasadena in 1946 and 1947, before taking advantage of the GI Bill in 1948 to study with Ossip Zadkine in Paris. He first exhibited at Galerie St. Placide as part of an exhibition of American artists working in late 1940s Paris...

This lithograph is a piece of my private collection from artists of the 20th Century. It is original, signed by artist and numbered 217/220. It is vibrant in color and in very good...

Charles Edouard Richefeu (1868-1945) A stunning dated 1926. A faun and nude woman dancing. Signed RICHEFEU in the bronze. Foundry mark stamp "R. COTTIN & FILS Paris Bronze". Definitely inspired by Diagilev Russian Ballet and Nijinsky dancer on Claude Debussy...

Here for your consideration is an original beautifully patinated solid bronze standing female nude by the Bulgarian/American artist, Ana Ranguel Daltchev. Incised artist signature o...

JANE HAMMOND with ARDEN MASON (Jane Hammond is a renowned contemporary artist and Arden Mason is a celebrated 'plein air" painter) Artist's Palette (from the Estate of Ashton Hawkin...

Artist Statement I absolutely love working with clay. Creating forms with a chunk of moist earth is a tangible way to cultivate beauty and delight. Through my work, I hope to touch ...

This is a limited edition figurative realistic sculpture by San Diego artist, Peter Dingli. It is made of bronze. Its dimensions are 21" x 35" x 15". A certificate of authenticity wi...

"Barge Toiler" by Max Kalish is a Mid 20th Century modern Depression-Era sculpture from his Labor series. The WPA era work is made of plaster. Max Kalish (1891 – 1945) Barge Toiler 12 x 8”x 4 inches Patinated plaster Signed and monogramed BIO Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti and Herbert Adams...

Jean Michel Basquiat Andy Warhol Keith Haring Bearbrick 400%: set of 6 individual works: A set of 6 unique, timeless pop art collectibles trademarked & licensed by the estates of Jea...

Melanie Sherman Corvina Bowl (Hand-Painted, Gold Luster, Platinum Luster, Vintage Imagery) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Platinum Luster Year: 20...

Melanie Sherman Vintage Peacock III (Wall Piece/Dish (handpainted) Porcelain, Glaze, Overglaze, Chinapaints, 24k German Gold Luster, Brass Wire (for hanging, can be removed) Year: 2023 (and following years) Size: 5.5x4x0.25in Signed by hand COA provided Ref.: 924802-1333 *Made to Order Every piece is unique, design might differ slightly Customization possible **Lead time approx. 2 weeks for qty 1-3 ------------------------ My ceramics are handmade and painted with the finest overglazes from Europe. The gold luster used is 24k liquid Gold from Germany. Every piece is unique. My imagery is inspired by vintage Meissen dinnerware, William Morris wallpaper and other historical sources. Porcelain, Ceramics, Pottery, Ornament Vintage Moth Wall Piece Ornament Small Dish Candy Sugar Tea handpainted handmade butterfly peacock 24k German gold luster ceramics porcelain charm, jewelry, personalized, family, tree, retro, heart, mother, moon, baby, feet, gemstone, flower, mom, birth, year, art, chinapaint, luster, lustre, contemporary ceramics, futility of pleasure, herend, meissen, sevre, pattern, arita, arita ware, imari, imari ware, dresden, germany, japan, jingdezhen, china, photography, momento mori, flowers, flower motif, drawing, illustration, peacock, cherry blossom, chrysanthemum, kiku, 菊, kikka, 菊花, Ōka, 黄花, Kiku no hana...

Deaccessioned from the Spertus Museum in Chicago Hand signed by artist in wood carving Chaim Goldberg -- born in the Polish shtetl of Kazimierz Dolny Chaim Goldberg has worked in ne...

Attributed to Vally Wieselthier (Austrian-American, 1895-1945) Bust of Josephine Baker, c. 1930 Ceramic Stamped on base 11.5 x 5.5 x 5.5 inches Vally Wieselthier (1895 Vienna--1945 ...

Omaggio To Picasso Murano Glass Sculpture Artist signed and titled 16"h15.5wx15d Walter Furlan was born (1931-2018) in Chioggia, a small town near Venice. He started to work in a f...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is the essence of the body that is important to her, not the representation. Particularly, the artist imagines trees and branches as a figurative link between the natural environment and our physical presence. The implied internal landscape of the body can also be reflected in how our surroundings from birth affect our sense of identity. By exploring landscapes of the body and mind, she also hopes to comment on the larger picture of our impact on the natural world. This unique bronze and painted steel sculpture measures 12 inches square and 2 inches deep. It is signed by Stratman on the front and back. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Stratman grew up in Phoenix, Arizona. In 1992 she commenced her studies at Arizona State University majoring in visual arts and art education. Stratman entered academia as a ceramicist. With each passing semester, the scale of her creations expanded and the material limitations of working with clay ultimately led her to the university foundry. This opened a door into another world of creative possibilities, profoundly changing her artistic direction. She replaced fired clay with larger-scale bronze, steel, and mixed media sculptures yet retained a delicacy, intimacy, and intricacy imbued from the ceramic process. Today she is a full-time established artist with studios operating in Phoenix, Arizona and Melbourne, Australia. Her time is divided between the two countries with each location informing and influencing the creative process. She has exhibited in 31 solo exhibitions and over 100 group exhibitions nationally and internationally. Her indoor and outdoor sculptures are held in public and private collections in countries including the United States, Australia, Canada, Hong Kong, Singapore, Taiwan, Israel, England, and Europe Artplex Gallery has been representing and exhibiting Jennyfer Stratman's original artworks in Los Angeles since 2021, presenting her impressive works to an international collector base around the globe. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a well-curated selection of original artworks beyond the ordinary from established and emerging international artists with diverse backgrounds at high standards. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artplex Gallery prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2023 Solo Exhibition, Grace Renee Gallery, Carefree, Arizona 2021 “Natural Connections”, Manyung Gallery, Melbourne, Australia 2020 “Celestial Forms”, Manyung Gallery, Melbourne, Australia 2019 “Solo Exhibition”, Grace Renee Gallery, Carefree, AZ 2018 “The Etheral Garden”, Manyung Gallery, Melbourne, Australia “The Gravity Between Us”, Calvin Charles Gallery, Scottsdale, AZ 2017 “Tree Within Me”, Avran Fine Art, Laguna, CA 2016 “Constellation”, Manyung Gallery, Melbourne, Australia “Cultivating The Wild”, Calvin Charles Gallery, Scottsdale, AZ 2015 “Connection”, Mirada Fine Art, Denver, CO “Transformation”, Contemporary Fine Arts Gallery, La Jolla, CA 2014 “Cultivating Memory”, Michele Mariaud Gallery, NYC “Connected Elements”, Calvin Charles Gallery, Scottsdale AZ 2013 “Interconnection”, Contemporary Fine Arts Gallery, La Jolla, CA 2012 “Internal Landscapes”, Mirada Fine Art, Denver, CO 2011 “Reflective Landscapes”, Stockroom, Kyneton, Australia “Propagated Reflections”, Calvin Charles Gallery, Scottsdale,AZ 2010 “Hybrid”, GF Contemporary, Santa Fe, NM GROUP EXHIBITIONS 2023 Nature Art Soiree, Manyung Gallery, Melbourne Australia Affordable Art Fair Sydney, Manyung Gallery, Sydney Australia 2022 Affordable Art Fair Melbourne, Manyung Gallery, Melbourne, Australia CHAOS Theory 22, Legend City Studios, Pheonix, Arizona Endings And Beginnings, Modified Arts, Pheonix, Arizona Skies of Fruitful Nights, Artplex Gallery, Los Angeles, California 2021 Every Artist Ever Ten Year Anniversary Show, Stockroom Gallery, Melbourne, Australia CHAOS Theory 21, Legend City Studios, Pheonix, Arizona 2020 Affordable Online Art Fair, Manyung Gallery, Worldwide 2019 Portland on the Park Collection Exhibition, Phoenix, Arizona CHAOS Theory 20, Legend City Studios, Phoenix, Arizona Loreto Spring Art, Marryatville, South Australia Toorak Village Festival of Sculpture, Melbourne, Australia 2018 Carmody Foundation Grant Recipient, Phoenix, Arizona CHAOS Theory 19, Legend City Studios, Phoenix, Arizona Affordable Art Fair Hong Kong, with TAG Fine Arts, Hong Kong Toorak Village Festival of Sculpture 2018, Toorak, Victoria Affordable Art Fair New York, with TAG Fine Arts, New York Battersea Art Fair, TAG Fine Arts, London, England 2017 Affordable Art Fair Singapore, TAG Fine Arts, Singapore Choice Cuts, The Lodge Art Studio, Phoenix, Arizona CHAOS Theory 18, Legend City Studios, Phoenix, Arizona INFLUX 2017, Public Sculpture Outdoor Installation, City of Gilbert, Arizona Affordable Art Fair Hong Kong, TAG Fine Arts, Hong Kong Affordable Art Fair Hampstead, TAG Fine Arts, London, England Calm In The Storm, Mirada Fine Art, Denver, Colorado Battersea Art Fair, TAG Fine Arts, London, England London Art Fair, TAG Fine Arts, London, England 2016 Expatriates, & Gallery, Melbourne, Australia Affordable Art Fair London, Mark Jason Gallery, London Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong Affordable Art Fair New York, Michele Mariaud Gallery, New York 2015 Solidity, Calvin Charles Gallery, Scottsdale, Arizona littleSCULPTURE Show, Int’l Sculpture Conference, Bentley Gallery, Phoenix, Arizona Distilled In The Desert, Grant Street Studios, Arizona State University, Phoenix Manyung Gallery Group Exhibition, Manyung Gallery, Mt Eliza, Victoria Connecting With Nature, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong 2014 Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Michele Mariaud Gallery, Hong Kong Art Palm Beach 2014, Michele Mariaud Gallery, Palm Beach, Florida Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria 2013 Affordable Art Fair New York City, Living With Art, New York City Affordable Art Fair Hong Kong, Living With Art, Hong Kong Northern Lights, Bundoora Homestead Art Centre, Bundoora, Victoria Art Palm Beach 2013, Living With Art, Palm Beach, Florida 2012 Affordable Art Fair Seattle, GF Contemporary, Seattle, Washington Petite, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair New York City, with Living With Art, New York City Ladies Night, Contemporary Fine Arts Gallery, La Jolla, California AD 20/21- Art and Design of the 20th & 21st Centuries, Boston Center for the Arts, Boston, Massachusetts Montalto Acquisitive Sculpture Prize 2012, Montalto Vineyard, Red Hill, Victoria 2011 You Are Here, Stockroom, Kyneton, Victoria, awarded “Fundere Fine Art Prize” Transformation, Box Hill Community Arts Centre 4th Biennial Art Competition, Box Hill, Victoria Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria San Francisco Art Fair, GF Contemporary, San Francisco, California AD 20/21- Art and Design of the 20th & 21st Centuries, Boston Center for the Arts, Boston, Massachusetts 2010 Alive, Shemer Art Center and Museum, Phoenix, Arizona Williamstown Contemporary Art Prize 2010, The Substation Arts Centre, Williamstown, Victoria Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Montalto Acquisitive Sculpture Prize 2010, Montalto Vineyard, Red Hill, Victoria 2009 2009 Toyota Sculpture Exhibition, Toyota Community Spirit Gallery, Port Melbourne Sanctuary Resort, outdoor sculpture, Scottsdale, Arizona Toorak Village Sculpture Exhibition 2009, Toorak, Victoria Williamstown Contemporary Art Prize 2009, The Substation Arts Centre, Williamstown, Victoria Montalto Acquisitive Sculpture Prize 2009, Montalto Vineyard, Red Hill, Victoria 2008 Knoxville Museum of Art, Knoxville, Tennessee Northern Exposure 08, High Street Northcote Visual Arts Showcase, Northcote, Victoria 2007 Affordable Art Fair New York City, 707 Contemporary, New York City 2007 Toyota Sculpture Exhibition, Toyota Community Spirit Gallery, Port Melbourne, Victoria Posted, Yarra Sculpture Gallery, Abbotsford, Victoria Tattersall’s Contemporary Art Prize 2007, The Substation Arts Centre, Williamstown, Victoria Montalto Acquisitive Sculpture Prize 2007, Montalto Vineyard, Red Hill, Victoria 2006 Contemporary Landscape (4 woman show), Contemporary Fine Art Gallery, La Jolla, California Melbourne Art Fair, with Über Gallery, Melbourne, Victoria Affordable Art Fair New York City, 707 Contemporary, New York City Contemporary Forum Art Auction, Phoenix Art Museum, Phoenix, Arizona Art Scottsdale, Phoenix, Arizona Toorak Village Festival of Sculpture 2006, Toorak, Victoria Montalto Acquisitive Sculpture Prize 2006, Montalto Vineyard, Red Hill, Victoria 2005 Toorak Village Festival of Sculpture 2005, Toorak, Victoria Neo Millennium, Toyota Community Spirit Gallery, Port Melbourne, Victoria Montalto Acquisitive Sculpture Prize 2005, Montalto Vineyard, Red Hill, Victoria 2004 The Collectors’ Show, Über Gallery, Melbourne, Victoria Contemporary Fine Arts Gallery, La Jolla, California I am Woman: Courage, Spirit, & Strength, Calvin Charles Gallery, Scottsdale, Arizona Toorak Village Festival of Sculpture 2004, Toorak, Victoria Affordable Art Fair, Melbourne Exhibition Centre, Melbourne, Victoria Threadbo ‘Art with Altitude” competition, Threadbo Alpine Hotel, Threadbo, NSW Montalto Acquisitive Sculpture Prize 2004, Montalto Vineyard, Red Hill, Victoria 2003 A4 Art, West Space, Melbourne, Victoria Summer Spectacular, Calvin Charles Gallery, Scottsdale, Arizona Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Hermanns Art Award, Christine Abrahams Gallery, Richmond, Victoria, Toured Shepparton Regional Art Gallery, Quadrivium Sydney and Grafton Regional Art Gallery CONstruct, Dante’s Upstairs Gallery, Fitzroy, Victoria Montalto Acquisitive Sculpture Prize 2003, Montalto Vineyard and Olive Grove, Red Hill, Victoria, awarded “People’s Choice Award” 2002 Summer Spectacular, L’Asietique Gallery, Scottsdale, Arizona The Darebin Art Show, Federation Centre for the Arts, Bundoora, Victoria shopfronts/ARTFRONTS, Coburg Public Art Project, Coburg, Victoria Toorak Village Festival of Sculpture 2002, Repliqué, Toorak, Victoria Central Goldfields Sculpture Prize and Exhibition, Central Goldfields Art Gallery, Maryborough, Victoria Emerging Artist Program, Mirá Fine Art Gallery, Melbourne, Victoria Linden Postcard Show, Linden Centre for Contemporary Art, St Kilda, Victoria 2001 Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Yering Station Winery, Yarra Glen, Victoria Fundêre Sculpture Prize, Yarra Sculpture Gallery, Abbotsford, Victoria Darebin~La Trobe Acquisitive Art Prize, Federation Centre for the Arts, Bundoora, Victoria Thursday Plantation East Coast Sculpture Show, Ballina, New South Wales 171- II, Mansour & Hill Gallery, Melbourne, Victoria Phoenix First Fridays, The Lofts at Filmore, Phoenix Arizona 2000 Blue-Lite Invitational, MARS Artspace, Phoenix, Arizona Presence in Metal, Tempe Center Sculpture Gallery, Tempe, Arizona Drawings for Sculpture, Harry Wood Annex, Tempe Arizona Roots: Environmental Issues of Interconnectedness, GOCAIA: Gallery of Contemporary and Indigenous Art, Tucson, Arizona, awarded “Best of Show” Solarlobotomy, MARS Artspace, Phoenix, Arizona Sites Around the City- Art and the Environment, Tempe Beach Park, Arizona Hot Off the Ladle, Tempe Center Sculpture Gallery, Tempe, Arizona 3 Person Show, Modified Arts, Phoenix, Arizona 1999 Cleavage: an exhibition on the breast, Jonson Gallery, Albuquerque, New Mexico In Flux, Harry Wood Gallery, Tempe, Arizona Yoni, Ice House and Step Gallery, Phoenix, Arizona 1998 Milieu: of art and space, Spine Gallery, Phoenix, Arizona SCULPTURE: New Works, Harry Wood Gallery, Tempe, Arizona An Altogether Different Self Portrait, Step Gallery, Tempe, Arizona Fahrenheit 2150, Contemporary Cast Metal, Step Gallery, Tempe, Arizona 1997 Clay Doh: a show of ceramic works, Step Gallery, Tempe, Arizona (skulp’Cher), Harry Wood Gallery, Tempe, Arizona 1/4 Inch, Tempe Center for the Arts, Tempe, Arizona The Fifth Dimension, Sculpture Exhibition, Arizona State University, Tempe, Arizona PUBLIC AND CORPORATE COLLECTIONS ASU Biomedical Campus Phoenix, Arizona City of Phoenix, Arizona Phoenix Bike Rack Project, Public Sculpture City of Gilbert, Arizona, “Connection Point”, Public Sculpture City of Cardinia, Victoria, “Segmented Landscape”, Public Sculpture Jewish Community Centre Omaha, Nebraska AC Marriott, San Jose, California Idaho College of Osteopathic Medicine Meridian, Idaho Palos Verde Golf Club South Bay, California Coushatta Grand Hotel Kinder, Louisiana Marriott Hotel Atlanta, Georgia Rangely Hospital Chicago, Illinois The Patrón Spirits Schaffhausen, Switzerland and Las Vegas, NV Pinpoint HRM Melbourne, Australia Dial Corporation Phoenix, Arizona Healthpoint Ltd Fort Worth, Texas Hermanns Group Melbourne, Australia Dreams: Melbourne Central Melbourne, Australia Duo Design Phoenix, Arizona Phoenix Downtown Magazine Phoenix, Arizona In addition to hundreds of private collections MEDIA APPEARANCES, PUBLICATIONS 2021 Thrive: Arizona State University Magazine, ‘Champion The Arts’, Arizona (Volume 24) 2020 The Jewish Press, ‘Art On Our Campus: Connection Point’, Omaha 2019 Arizona Images Magazine, ‘Forging Connections’, Arizona 2018 Voyage Phoenix Magazine, ‘Thought Provokers Series’, Arizona Java Magazine, ‘Jennyfer Stratman: Casting Connections’, Arizona Phoenix Home and Garden Magazine, ‘The World Within’, Arizona Downtown Phoenix Journal, ‘Locally Designed Bike Racks Unveiled Mar 17, 2018’, Arizona YabYum Music and Arts, Arizona 2015 Sculpture Magazine, ‘You Can’t Contain A Wildflower’, Denver Post, YourHub, ‘Artists share an affinity in nature, emotion’, The Arizona Republic, ‘Scottsdale gallery presents 3 artists who are “Connecting with Nature”’ 2014 ABC 15 television news interview, ‘Tues Afternoon News’, Arizona (March) ABC 15 television news interview, ‘Sunday Mornings’, Arizona (March) 2012 303 Magazine, ‘Internal Landscapes at Mirada Fine Art Gallery’, Denver Post, YourHub, ‘Stratman’s First CO Show Debuts June 22’, Television Segment/ Interview ‘Sonoran Living ABC15’, Arizona Phoenix Home & Garden Magazine 2011 Luxe Magazine 2010 American Art Collector Australian Financial Review Trouble Magazine, Australia 2007 The Age Newspaper, ‘A2’, Meagan Backhouse, Australia The Age Newspaper, ‘Upfront’, Brigitte Barta, Australia The Age Newspaper, Australia Emerald Hill Weekly: ‘Statuesque Showing’, Sharon Green Pakenham Journal, ‘Loving The Land’, Diana Wells, Australia Berwick Gazette and Pakenham Gazette, Australia Delicious Magazine, Australia 2006 Berwick Gazette and Pakenham Gazette, Australia Northcote Leader, Australia First Mondays, monthly art salons (public art lecture), Phoenix Public Library The New Times, Arizona 2005 The Phoenix Gazette, Arizona Sunday Arts, television program on the ABC (Australian Public Broadcast) The Age Newspaper, Australia Australian Art Collector Art Almanac: The Essential Guide to Australian Galleries...

This piece titled "Coin Cunt XL" is an original artwork made from kiss-lock coin purses and thread by Suzanna Scott. This piece measures approx. 4"x4", size varies Suzanna Scott is ...

Jean Michel Basquiat Andy Warhol Keith Haring Bearbrick 400%: set of 6 individual works: A set of 6 unique, timeless pop art collectibles trademarked & licensed by the estates of Jea...

A distinctive and visually dynamic cut-out sculpture by American folk art icon Rev. Howard Finster (1916–2001), titled “Cheetah” and numbered 20,000,342. Created in 1991, this hand-p...

“My art explores the similarity between seemingly disparate cultures through the lens of my African American ancestry. I examine my family’s plight shaped by the history of racism an...

Born in 1923, alumnus of the Warsaw Academy of Fine Arts. Student of the Warsaw University of Technology, is an extraordinary artist, searching for his own artistic way. Ambitious,...

Franz Bergmann, Austrian (1861 -1936) - Soldier, Year: circa 1900, Medium: Cold painted Bronze sculpture, Size: 5.5 x 3 x 2 in. (13.97 x 7.62 x 5.08 cm)

A very beautiful antique Art Nouveau bronzed Carrara marble sculpture bust of a young maiden circa 1900, by Gustave Van Vaerenbergh (1871-1927). The sculpture portrays a beautiful young maiden made from Cararra marble, she is wearing a laurel wreath in her hair. She wears a bronzed bodice with leaf decoration in relief and is raised on a varigated grey & white socle base. The sculpture is signed to the rear " G. V. Vaerenbergh" and numbered "1173", the bust is in excellent condition. Gustave Van Vaerenbergh attended classes at the Academy of Fine Arts in Ghent, Belgium from 1888 to 1890. Like many artists from a modest background (he was the son of a shoemaker) , Gustave Van Vaerenbergh went to work in companies where he could use his artistic talent and education for commercial purposes. In 1901 he moved to Saint-Josse-ten-Noode , and a year later to Schaerbeek where he would live for the rest of his life. He went to work there as a " mouleur en plâtre " (modeller or maker of matrices for plaster statues) at the company A. Carli Frères in the L'Olivierstraat in Schaerbeek, a company that produced commercial statues. This successful company, which was active from the beginning to the middle of the twentieth century , initially had about 20 employees and at its peak about 100 employees. The statues were distributed worldwide. Antonio Carli, a sculptor, was the founder of the Atelier A. Carli Frères, together with family members. They came from Bagni di Lucca...

Kinetic Bronze sculpture Size US: 40 1/5 × 13 4/5 × 13 4/5 in Size Europe: 102 × 35 × 35 cm Edition 1/6

Sandblasted carved glass, cast glass, bronze and wood. Steve Linn describes himself as a documentary sculptor, conducting meticulous research on each of his selected subjects and choosing which references to interpret for the piece he then creates. "I was born and raised in Chicago," Linn says, "and in 1956 before my 13th birthday, my father took me to Maxwell Street to buy me my first suit. This was a momentous occasion, not because I was getting a suit, but it was my introduction to the blues. Maxwell Street was the center of Jewish pushcart commerce and haberdashery emporiums, it was also where black blues musicians congregated, played, and thrived in harmony with their neighbors. My dad let me stay and listen that day and I became a life-long fan." The merchants provided electrical extension cords from their establishments to power the amplifiers of the musicians, and in return the musicians were an attraction to lure customers into the shops. Many famous blues musicians got their start on Maxwell Street having migrated to the city from the deep south: Muddy Waters, Little Walter, Bo Diddley, and Howlin...

Nando Kallweit’s "Fae Victoria" is a striking bronze sculpture that evokes a sense of ethereal grace and freedom. Featuring an elongated, faceless figure with outstretched, intricate...

Within Nigeria's Benue River Valley region, such representations have been associated with a range of functions, including reinforcement of the status of male elders and used by heal...

"Take Out (Csirke-Fogo)" is an original lithograph on Gampi paper, and glazed porcelain artwork by Yoonmi Nam measuring 5”h x 13”w x 16”d (variable). Yoonmi...

"Evolution, Bison" (2019) by Julia Mulligan is an original, handmade ceramic and gold leaf sculpture on a wooden base that depicts a bison with gold horns. My childhood, from about...

Ivor Roberts-Jones 1916-1996 British Sir Winston Churchill Numbered “132” (on base) Bronze with a brown patina on a stone base “My dear friends, this is your hour.” These were Wi...

ÉTIENNE-HENRI DUMAIGE French, (1830-1888) Avant Le Combat, Apres Le Combat Pair of patinated bronze; signed 'H. Dumaige' and titled ‘AVANT LE COMBAT, APRÈS LE COMBAT, GRENADIER D...