USA - Figurative Sculptures

Coral Rose Title: Window Pane Year: 2018 Medium: Mixed Media Size: 15.25 x 18 x 4.5 inches

Yayoi Kusama Pumpkin: Red and White: An iconic, vibrantly colored pop art piece - this small Kusama pumpkin sculpture features the universal polka dot patterns and bold colors for wh...

Circa Late 1920s - Early 1930s. It is all Bohlin made and marked to include the saddle, the headstall and the breast collar. All made in Hollywood California. The only non-Bohlin item is the bit which appears to also be early California. There is some interesting provenance of the fine saddle. It was commissioned by Charles R. Bell, married to Margaret Vail Bell who was the daughter of Walter Vail. On the Bolin nameplate it has engraved, Vail Ranch as well as made for Charles Bell. Charles Bell Died in 1939. The Vail Ranch has some great Western History which I will go into a little detail. You see, not only am I selling Saddles, but I’m also selling History. If you want to skip the history lesson you can just scroll down past the following info to images of the saddle. It’s no secret that ranching runs in the family blood. There is no greater example of that than California Rangeland Trust CEO Nita Vail. On April 14, 2018 Nita had the opportunity to witness her great-grandfather Walter L. Vail’s induction into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum. This high honor is bestowed by the Museum to “exceptional individuals who have made an indelible impact upon the history of the great West.” A pivotal figure in early California and Arizona ranching, Walter Vail joins just over only 200 individuals who have been inducted into this esteemed hall. The Vail legacy of advocacy and ranching lives on strongly through his descendants, including Nita. All these years later, Nita carries the mantle of advocacy for ranchers in her own work at the California Rangeland Trust. Reflecting on her great-grandfather’s induction ceremony in Oklahoma, Nita says, “Witnessing my great-grandfather’s induction with family and friends was an incredible experience and a reminder of why I do what I do. Ranching plays an integral role in the culture, economy, and quality of life in California. Generations later, I get to honor Walter L. Vail’s legacy in my work with the California Rangeland Trust every day, preserving those open spaces for new generations and partnering with ranchers to continue to sustain life on the range in California.” Walter Vail History A native of Liverpool, Nova Scotia, Walter Vail purchased the 160-acre Empire Ranch southeast of Tucson, Arizona in 1876, along with an Englishman named Herbert Hislop. In 1882, the Empire Land & Cattle Company was formed with Walter L. Vail as principal shareholder. Over the years Vail, along with various partners, expanded the original land holdings to include over one million acres. The year after Walter purchased the Empire Ranch, the Southern Pacific Railroad built a railroad line, which was great news for the Vail family as it provided a means for them to ship their cattle. Edward L. Vail, George Scholefield and Bird at the mouth of Rosemont Canyon ca. 1896-1898 Standing Up for Ranchers In the fall of 1889, the Southern Pacific Railroad announced they would raise cattle freight rates by 25 percent. They ignored loud protests from ranchers who had already been hit hard by depressed cattle prices. In response, the Vails made a plan to drive the cattle overland themselves without the railroad. They knew that, if they were successful, they could break the railroad’s monopoly on the ranchers and force prices down. Walter’s brother Edward Vail and foreman Tom Turner volunteered to drive the almost 1,000 steers on the 300-mile trip to the Warner Ranch in San Diego. The journey ahead would be grueling. Most of their trip was through desert with water sources 15 to 30 miles apart. The ranchers would face a slew of obstacles—a stampede, a chaotic Colorado River crossing, an encounter with a group of horse thieves. In spite of all the dangers and challenges, they reached their destination. Just 71 days after leaving Arizona, the Empire cowboys arrived at the Warner Ranch. They had only lost 30 steers. The historic Empire Ranch Trail Drive of 1890 inspired other Arizona ranchers to make similar drives as a stand against the railroad. That fall, a group of Arizona cattlemen met and agreed to fund improvements to establish a safe cattle trail from Tucson to California. In response to the united stand of the ranchers, sparked by the Vails, the railroad finally agreed to restore the old freight rate—on the condition that the cattlemen would make no more cattle drives. Walter Vail led by example, but he was also an active representative of ranching interests in the legislature. He served in the 10th Arizona Territorial Legislature in 1878 and in 1884 on the Pima County Board of Supervisors. He introduced two significant bills: One proposing the creation of Apache County in the northeastern corner or Arizona Territory, and the other calling for the repeal and replacement of a Pima County fencing ordinance. Elected to the Arizona Stock Growers Association in 1884, Walter L. Vail advocated for levying fines on outfits that brought diseased cattle into the Territory, proposed a system of recording brands and earmarks, and requested the establishment of the livestock sanitary commission to oversee quarantines on infectious diseases, and tighter trespass laws. Moving to California In the late 1880s when a long drought hit Arizona, the Vails began leasing California pastures and shipping increased numbers of their cattle there to fatten. This marked the beginning of Walter’s efforts to purchase land in Temecula Valley. Vaqueros (Mexican cowboys) at the Empire Ranch in Arizona In 1890, with growing corporate holdings in California, Walter Vail established his headquarters in downtown Los Angeles and moved his family there. By this time, he had pieced together four Mexican land grants—Pauba Rancho, Santa Rosa Rancho, Temecula Rancho and Little Temecula Rancho—to form the Pauba Ranch. Eventually, the Vails would own more than 87,500 acres surrounding the little town of Temecula. In 1892 they leased Catalina Island and in 1901-1902 in partnership with J. V. Vickers, they purchased most of the interests in Santa Rosa from the estate of A.P. More. In March of 1894, Vail and Gates joined Vickers in setting up a third cattle company, the Panhandle Pasture Company, with the hopes of expanding new markets in the east. The Panhandle Pasture Company bought seven thousand acres of grassland in Sherman County, Texas, and an equal amount across the line in Beaver County, Indian Territory (later Oklahoma). Walter Vail was tragically killed in a Los Angeles streetcar accident in 1906. After his death, the Empire Land & Cattle Company (later renamed the Vail Company) assumed control of all his ranches and other real estate holdings. Walter had five sons and they would all have a hand in running the various ranches and the Vail Company as whole throughout their lives. The Empire Ranch in Arizona was sold in 1928. The Temecula area ranches continued to operate until it was sold in 1965. Santa Rosa Island, the last of Walter Vail’s holdings, was sold to the National Park Service in 1986, and ranching operations shut down there in 1998. Walter Lennox Vail (May 13, 1852 - December 2, 1906) was an American businessman, cattle dealer, and politician. He is known for his Empire Land & Cattle Company (later the Vail Company), which spanned over one million acres throughout five states.[1] Vail has been called "a pivotal figure in early California and Arizona ranching." Early life Vail was born in Liverpool, Nova Scotia on May 13, 1852, to Mahlon Vail, Sr. and Eliza Vail. Career Empire Ranch The headquarters of the Empire Ranch in the modern day Vail left his family's Plainfield, New Jersey house in the middle of 1875 to pursue riches in the West. He worked for a few months in Virginia City, Nevada as a mine's timekeeper, but in November he wrote of his intention to get involved in Arizona's sheep business. He, along with an Englishman named Herbert R. Hislop, then purchased the Empire Ranch along with its 612 cattle on August 22, 1876. The purchase from Edward Nye Fish and Simon Silverberg cost $1,174 at the time and was only 0.25 square miles (0.65 km2). Vail had met Hislop for the first time in August of that year, at the Lick House in San Francisco. Vail also became the main shareholder of the Empire Land & Cattle Company, which was formed in 1882. Politics Vail additionally served in the House of Representatives on the 10th Arizona Territorial Legislature for two years, starting in 1879. He was one of five representatives from Pima County. There, he proposed the creation of Apache County in the northeast. In 1884, Vail was elected to the Arizona Stock Growers Association, where he introduced many laws relating to cattle farming. California Vail moved his main operations to California in the late 1880s due to a long drought in Arizona. He started leasing Californian land mainly in Temecula Valley, but established his headquarters in downtown Los Angeles. By this time, he had already bought four ranches: the northern half of Rancho Little Temecula, Rancho Pauba, Rancho Santa Rosa, and Rancho Temecula. Later, Vail would own over 135 square miles (350 km2) surrounding the city of Temecula. He also leased Santa Catalina Island and Purchased Santa Rosa Island in 1892 and 1901, respectively. Vail, along with Carroll W. Gates and J.V. Vickers, set up the Panhandle Pasture Company, which bought about 22 square miles (57 km2) in Sherman County, Texas and Beaver County, Oklahoma. Personal life Vail married Margaret "Maggie"[a] Newhall in 1881, with them having five children: Nathan Russel, Mahlon, Mary, Walter Lennox Jr., and William Banning (who used his middle name) together. In 1890, a Gila monster bit Vail on his middle finger, and for years thereafter he experienced bleeding and swelling in his throat, which was thought to be caused by the venom from the bite. Death Vail died at 54 on December 2, 1906, due to complications from a tram (Trolley Car) accident in Los Angeles. He was cremated, then buried at the Hollywood Forever Cemetery on December 6. Legacy Vail's sons took over the company after his death, renaming it to the Vail Company. The Empire Ranch was sold in 1928, and the Temecula ranches were bought by a syndicate of companies, including Kaiser Aluminum, Kaiser Industries, and Macco Realties in 1965. Santa Rosa Island was acquired by the National Park Service in 1986, and ranching ceased in 1998. Vail was inducted into the Hall of Great Westerners at the National Cowboy & Western Heritage Museum in 2018.[2] Various properties have been named after the Vail family including: Vail Headquarters, an outdoor shopping mall, Vail Lake, and Vail, Arizona. In 1867, German immigrant, Louis Wolf, and his Chumash wife, Ramona, built a small adobe trading post next to Temecula Creek. Their Wolf Store helped launch the Temecula community, serving as a saloon, livery stable, legal services, hotel, general store, stagecoach stop, post office, school and employment agency. After Louis and Ramona’s deaths, their land and other Ranchos were purchased by Arizona cattle baron Walter Vail. By 1905, the 87,000-acre Vail Ranch became one of the largest cattle operations in California, stretching from Camp Pendleton to Vail Lake to Murrieta. It operated through the late 1970’s when it was sold to build Temecula’s housing. Some of the ranch’s oldest buildings survived in a cluster around the long-vacant Wolf Store. Together they would wait more than 40 years to be restored and once again become a center for community life in the Temecula Valley. ​ In 1905 after his death, Wolf’s Temecula was purchased by Arizona cattle baron Walter Vail, along with three other Ranchos totaling 87,500 acres. The sprawling Vail Ranch spread from South of Highway 79 to South of Clinton Keith Road, East to Vail Lake Resort and West to Camp Pendleton and continued operations through the late 1970’s when it was sold for housing subdivisions. The remaining buildings that comprised the Vail Ranch Headquarters, several having been demolished, have sat mostly vacant since then awaiting their restoration and re-use. John N. Harvey, Edward L. Vail, Walter L. Vail, 1879 Ned Joins the Partnership - May 1879 In May of 1879 Walter’s older brother, Edward Lang Vail, known as Ned, joined the Empire Ranch partnership. He had no ranching experience but quickly learned. The Empire Ranch herds were finally sufficiently developed for sale, and the Empire Ranch found a ready market in the town of Tombstone and its nearby mines. Walter finally had sufficient funds to begin to pay off some of the loans from his Uncle Nathan and Aunt Anna. North end of the original four rooms of the Empire Ranch House. Empire Ranch Census Records - 1880 The 1880 U.S. Census documents that eight men were living full time at the Empire: the partners, Walter Vail, John Harvey and Ned Vail; John Randolph Vail, Uncle Nathan and Aunt Anna’s son; John Milton Requa, nephew of Isaac Requa who hired Walter in Virginia City; John Dillon, who was instrumental in locating the Total Wreck Mine; Tomás Lopez, a herder; and Mon Ta, the cook. Section of Official Map of Pima County by Roskruge 1893. The Southern Pacific Railroad Arrives in Pantano - April 1880 In 1880 the Southern Pacific Railroad finally reached Tucson and by April it was extended to Pantano, north of the Empire Ranch. The availability of rail transportation was a major boom to the Empire Ranch as it was now possible to sell cattle and beef to markets beyond Southern Arizona. The railroad also increased the availability of goods in Tucson and allowed for much quicker and safer transportation to California and the East. Empire Ranch land acquisitions are highlighted in red. Courtesy of Dave Tuggle Land Holdings Expand-1881-1882 Starting in 1881 the land holdings of the Empire Ranch expanded considerably. They acquired Charles and Agnes Paige’s Happy Valley Ranch near the Rincon Mountains in 1881. 1882 saw the addition of Don Alonzo Sanford’s Stock Valley Ranch totaling over twenty-eight square miles of grassland between the Whetstone and Empire Mountains. Charles Bell Bohlin Saddle. All of the leather has been professionally cleaned and conditioned. All of the sterling has been professionally polished as are all of my saddles. THE BOHLIN BRAND IS AS ICONIC AS THE FAMED WESTERN STARS that wore it. The late actor Richard Farnsworth sported a recognizable gold steer-head Bohlin buckle...

From the Post Conception series.

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

Balancing Elephant Louis-Albert Carvin (France, 1875-1951) Bronze, marble Circa 1930s, Art Deco 8 x 7.5 x 2 (4 1/4 x 7 1/2 x 1 7/8 figure) inches Artist Louis-Albert Carvin, born in Paris in 1875, was exposed to art from an early age through his painter father. Carvin's formal education in art began at the École des Beaux-Arts, where he studied under artists like Émmanuel Frémiet and Georges Gardet. Over the years, artist Louis-Albert Carvin became a renowned sculptor, dedicating his life’s work to the modeling of human and animal figures. He studied under Fremiet and Gardet and became a member of the Société des Artistes Français, exhibiting at the Salon des Artists Francais from 1894 until 1933 winning the Medal of Honor in his first year in 1894. Remarkably, he sculpted La Muse de l’Aviation, the bronze trophy...

Yeonsoo Kim, "Be Yourself," Monochromatic black and white clay vessel, White stoneware, black underglaze, 11.5 × 12.5 × 13 inches. Korean ceramic artist Yeonsoo Kim masterfully blen...

A whimsical yet very strong piece depicting the Weim character from Gillie and Marc's iconic figures of the Dog/Bunny Human Hybrid, which has picked up much esteem across the globe. ...

Artist: After Pierre Jules Mene (French, 1810-1879) Title: Cheval Libre (Free Horse) Year: 1868 Medium: Cast bronze sculpture with dark brown patina Edition: Unknown Size: Inclu...

A fine antique large French Art Nouveau Bronze Figural Sculpture, titled "Prise de Corsaire" by Emmanuel Villanis (1858-1914), circa 1900. This very...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the...

Large Purple Glass Pac-Man Ghost Sculpture by Dylan Martinez. Size: 6 x 6.25 x 6.25" Signed on the base by the artist. Each sculpture is unique. These whimsical Pac-Man Ghost scu...

Stunning, original Art Deco bronze of a male archer by the well known French sculptor, Pierre Le Faguays. Condition is very good. Verde green finish over bronze patina. Slight rubbed...

Keith Haring Bearbrick Vinyl Figures: Set of two (400% & 100%): A unique, timeless collectible trademarked & licensed by the Estate of Keith Haring. The partnered collectible reveals...

Antique French Art Deco Bronze bust sculpture of a beautiful young woman, by Marcel Andre Bouraine (1886-1948), and cast by the Etling foundry, Paris, circa 1920. The bronze depicts...

'Johnny' by Futura 2000: The ‘Johnny’ vinyl art figure from NYC graffiti legend Futura is inspired by a classic 80s horror film. The 10-inch figure features a stylized rendition of h...

Large Sandstone Head of Shakyamuni Buddha Thailand (formerly Siam), Ayutthaya Kingdom 17th century 16 1/2 inches on stand, 11 1/3 without Private collection, France. The face is ...

*New Year Inventory Renewal Sale - 90 Days Until April 30th* *This Price Won't Be Repeated Again This Year* **This is absolutely and positively ONE OF A KIND on planet Earth...

Mercury, circa 1700s. Bronze with green patina. Height with base: 58 cm (22 7/8 in.)

This artwork is offered by ClampArt, located in New York City. “Bruce Sargeant is a mythic figure in the modern art movement. He embodies a world that is in many ways lost to us; he...

A good antique cast bronze sculpture an Egyptian Revival bust "The Queen of Babylon", by the 19th century French sculptor Paul Auguste Gagne, circa 1875. This rare & unusual bronze b...

Yayoi Kusama Pumpkins ceramic & plush (set of 4 works) : Yellow and Black, Red & White An iconic, vibrantly colored pop art set - these small Kusama pumpkin sculptures & plushes feat...

Unknown/ Unidentified Artist, "Red Devil", Wooden Figurative Folk Art Sculpture, 30 H x 10 W x 6 D, 20th Century, ca. 1989 Colors: Red, Brown, Black Proven...

19TH CENTURY CONTINENTAL SCHOOL Satyr with Cymbals and Kroupezion, Grand Tour after the Antique Bronze with marble base 26 in. h. x 15 in. w. x 10 in. d. This dancing faun is now mo...

ANTONIUCCI VOLTI "RECLINGING WOMAN" BRONZE, SIGNED, NUMBERED 2/6 VALSUANI FOUNDRY ITALiAN, WORKED IN PARIS, C.1960 6.5 X 18.5 X 10.5 INCHES Antoniucci Volti 1915-1989 Sculptor, painter, and printmaker Antoniucci Volti was born in Albano, Italy, in 1915. His family lived in Italy until 1920 when the family moved to France. Volti studied at the Ecole des Arts Décoratifs in Nice from 1928 to 1920. By 1932 the young artist had won a gold medal for two polychrome bas-reliefs before going to Paris, where he entered the studio of Jean Boucher at the Ecole Nationale des Beaux-Arts in Paris at the age of only fifteen. After serving in the Second World War, when he was interned as a prisoner of war in Bavaria, he returned in poor health to Paris, only to find his studio destroyed. From 1947 he showed work at various Paris Salons and, in 1954 and 1955 at the Brussels and Antwerp Biennales. In 1957 a retrospective of his work was organized at the Museum Rodin in Paris. He died in Paris in 1989 Works by Volti are in leading museums such as the Musée National d'Art Moderne, Paris. Antoniucci Volti is one of the most important Late Modern...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is the essence of the body that is important to her, not the representation. Particularly, the artist imagines trees and branches as a figurative link between the natural environment and our physical presence. The implied internal landscape of the body can also be reflected in how our surroundings from birth affect our sense of identity. By exploring landscapes of the body and mind, she also hopes to comment on the larger picture of our impact on the natural world. This original sculpture consists of 10 individual pieces of varying sizes. It is meant to be installed as a wall hanging that sits 2 inches away from the wall. As displayed, this sculpture measures 49 inches tall by 36 inches wide. It is signed by Stratman on the back. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Stratman grew up in Phoenix, Arizona. In 1992 she commenced her studies at Arizona State University majoring in visual arts and art education. Stratman entered academia as a ceramicist. With each passing semester, the scale of her creations expanded and the material limitations of working with clay ultimately led her to the university foundry. This opened a door into another world of creative possibilities, profoundly changing her artistic direction. She replaced fired clay with larger-scale bronze, steel, and mixed media sculptures yet retained a delicacy, intimacy, and intricacy imbued from the ceramic process. Today she is a full-time established artist with studios operating in Phoenix, Arizona and Melbourne, Australia. Her time is divided between the two countries with each location informing and influencing the creative process. She has exhibited in 31 solo exhibitions and over 100 group exhibitions nationally and internationally. Her indoor and outdoor sculptures are held in public and private collections in countries including the United States, Australia, Canada, Hong Kong, Singapore, Taiwan, Israel, England, and Europe. Artplex Gallery has been representing and exhibiting Jennyfer Stratman's original artworks in Los Angeles since 2021, presenting her impressive works to an international collector base around the globe. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a well-curated selection of original artworks beyond the ordinary from established and emerging international artists with diverse backgrounds at high standards. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artplex Gallery prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2023 Solo Exhibition, Grace Renee Gallery, Carefree, Arizona 2021 “Natural Connections”, Manyung Gallery, Melbourne, Australia 2020 “Celestial Forms”, Manyung Gallery, Melbourne, Australia 2019 “Solo Exhibition”, Grace Renee Gallery, Carefree, AZ 2018 “The Etheral Garden”, Manyung Gallery, Melbourne, Australia “The Gravity Between Us”, Calvin Charles Gallery, Scottsdale, AZ 2017 “Tree Within Me”, Avran Fine Art, Laguna, CA 2016 “Constellation”, Manyung Gallery, Melbourne, Australia “Cultivating The Wild”, Calvin Charles Gallery, Scottsdale, AZ 2015 “Connection”, Mirada Fine Art, Denver, CO “Transformation”, Contemporary Fine Arts Gallery, La Jolla, CA 2014 “Cultivating Memory”, Michele Mariaud Gallery, NYC “Connected Elements”, Calvin Charles Gallery, Scottsdale AZ 2013 “Interconnection”, Contemporary Fine Arts Gallery, La Jolla, CA 2012 “Internal Landscapes”, Mirada Fine Art, Denver, CO 2011 “Reflective Landscapes”, Stockroom, Kyneton, Australia “Propagated Reflections”, Calvin Charles Gallery, Scottsdale,AZ 2010 “Hybrid”, GF Contemporary, Santa Fe, NM GROUP EXHIBITIONS 2023 Nature Art Soiree, Manyung Gallery, Melbourne Australia Affordable Art Fair Sydney, Manyung Gallery, Sydney Australia 2022 Affordable Art Fair Melbourne, Manyung Gallery, Melbourne, Australia CHAOS Theory 22, Legend City Studios, Pheonix, Arizona Endings And Beginnings, Modified Arts, Pheonix, Arizona Skies of Fruitful Nights, Artplex Gallery, Los Angeles, California 2021 Every Artist Ever Ten Year Anniversary Show, Stockroom Gallery, Melbourne, Australia CHAOS Theory 21, Legend City Studios, Pheonix, Arizona 2020 Affordable Online Art Fair, Manyung Gallery, Worldwide 2019 Portland on the Park Collection Exhibition, Phoenix, Arizona CHAOS Theory 20, Legend City Studios, Phoenix, Arizona Loreto Spring Art, Marryatville, South Australia Toorak Village Festival of Sculpture, Melbourne, Australia 2018 Carmody Foundation Grant Recipient, Phoenix, Arizona CHAOS Theory 19, Legend City Studios, Phoenix, Arizona Affordable Art Fair Hong Kong, with TAG Fine Arts, Hong Kong Toorak Village Festival of Sculpture 2018, Toorak, Victoria Affordable Art Fair New York, with TAG Fine Arts, New York Battersea Art Fair, TAG Fine Arts, London, England 2017 Affordable Art Fair Singapore, TAG Fine Arts, Singapore Choice Cuts, The Lodge Art Studio, Phoenix, Arizona CHAOS Theory 18, Legend City Studios, Phoenix, Arizona INFLUX 2017, Public Sculpture Outdoor Installation, City of Gilbert, Arizona Affordable Art Fair Hong Kong, TAG Fine Arts, Hong Kong Affordable Art Fair Hampstead, TAG Fine Arts, London, England Calm In The Storm, Mirada Fine Art, Denver, Colorado Battersea Art Fair, TAG Fine Arts, London, England London Art Fair, TAG Fine Arts, London, England 2016 Expatriates, & Gallery, Melbourne, Australia Affordable Art Fair London, Mark Jason Gallery, London Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong Affordable Art Fair New York, Michele Mariaud Gallery, New York 2015 Solidity, Calvin Charles Gallery, Scottsdale, Arizona littleSCULPTURE Show, Int’l Sculpture Conference, Bentley Gallery, Phoenix, Arizona Distilled In The Desert, Grant Street Studios, Arizona State University, Phoenix Manyung Gallery Group Exhibition, Manyung Gallery, Mt Eliza, Victoria Connecting With Nature, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong 2014 Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Michele Mariaud Gallery, Hong Kong Art Palm Beach 2014, Michele Mariaud Gallery, Palm Beach, Florida Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria 2013 Affordable Art Fair New York City, Living With Art, New York City Affordable Art Fair Hong Kong, Living With Art, Hong Kong Northern Lights, Bundoora Homestead Art Centre, Bundoora, Victoria Art Palm Beach 2013, Living With Art, Palm Beach, Florida 2012 Affordable Art Fair Seattle, GF Contemporary, Seattle, Washington Petite, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair New York City, with Living With Art, New York City Ladies Night, Contemporary Fine Arts Gallery, La Jolla, California AD 20/21- Art and Design of the 20th & 21st Centuries, Boston Center for the Arts, Boston, Massachusetts Montalto Acquisitive Sculpture Prize 2012, Montalto Vineyard, Red Hill, Victoria 2011 You Are Here, Stockroom, Kyneton, Victoria, awarded “Fundere Fine Art Prize” Transformation, Box Hill Community Arts Centre 4th Biennial Art Competition, Box Hill, Victoria Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria San Francisco Art Fair, GF Contemporary, San Francisco, California AD 20/21- Art and Design of the 20th & 21st Centuries, Boston Center for the Arts, Boston, Massachusetts 2010 Alive, Shemer Art Center and Museum, Phoenix, Arizona Williamstown Contemporary Art Prize 2010, The Substation Arts Centre, Williamstown, Victoria Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Montalto Acquisitive Sculpture Prize 2010, Montalto Vineyard, Red Hill, Victoria 2009 2009 Toyota Sculpture Exhibition, Toyota Community Spirit Gallery, Port Melbourne Sanctuary Resort, outdoor sculpture, Scottsdale, Arizona Toorak Village Sculpture...

This Totem by Marc Zimmerman is currently on display at Earthbound Farm, nestled in California's Carmel Valley. -- "My natural flow with clay stems from my first artistic passion; p...

This gorgeous porcelain sculpture from Hutschenreuther porcelain is of two galloping horses, sculpted in exquisite detail and signed by the sculptor, Max Hermann Fritz...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

Sculpture by the Spanish artist AMANCIO GONZALEZ bronze. Series limited to 7 copies+ II PA Fantastic piece of art representing Spanish sculpture Artist well known for his large forma...

"Couple II" Mid 20th Century Modern Abstract Figurative 1940s European Sculpture Jacques Lipchitz (1891-1973) "Couple II" Bronze signed on the base The sculpture was conceived in 19...

Antique Bronze Dog Portrait “La Levrette au Papillon” or “Whippet (Greyhound) with a Butterfly”   Arthur Waagen (Germany, France 1833-1898) Circa 1860’s 11 x 8 x 4  inches (1 of 2. ...

Medium: Basswood and milk paint (wall mounted) As an artist, I strive to create elegant sculptures that capture the true essence of the subject matter. Form, line, and surface are u...

Moonstruck 1994 3D porcelain ceramic plate. limited edition. Red Grooms (born Charles Rogers Grooms on June 7, 1937) is an American multimedia artist best known for his colorful pop-art constructions depicting frenetic scenes of modern urban life. Grooms was given the nickname "Red" by Dominic Falcone (of Provincetown's Sun Gallery) when he was starting out as a dishwasher at a restaurant in Provincetown and was studying with Hans Hofmann. Grooms was born in Nashville, Tennessee during the middle of the Great Depression. He studied at the Art Institute of Chicago, then at Nashville's Peabody College. In 1956, Grooms moved to New York City, to enroll at the New School for Social Research. A year later, Grooms attended a summer session at the Hans Hofmann School of Fine Arts in Provincetown, Massachusetts. There he met experimental animation pioneer Yvonne Andersen, with whom he collaborated on several short films. Grooms follows in the tradition of William Hogarth and Honoré Daumier, who were canny commentators on the human condition. In 1969, Peter Schjeldahl compared Grooms to Marcel Duchamp, because both embodied "a movement of one man that is open to everybody." In the spring of 1958, Grooms, Yvonne Andersen and Lester Johnson each painted twelve-foot by twelve-foot panels, which they erected with telephone poles on a parking lot adjacent an amusement park in Salisbury, MA. Inspired by artist-run spaces such as New York's Hansa Gallery and Phoenix, and Provincetown's Sun Gallery, Grooms and painter Jay Milder opened the City Gallery in Grooms' second-floor loft in the Flatiron District. When Phoenix refused to show Claes Oldenburg, Grooms and Milder dropped out of Phoenix and City Gallery presented Oldenberg's first New York exhibition, as well as that of Jim Dine. Other artists who showed at City Gallery include Stephen Durkee, Mimi Gross (daughter of Chaim Gross and Red grooms wife), Bob Thompson, Lester Johnson, and Alex Katz. Inspired by George Méliès's 1902 film A Trip to the Moon...

G. Harvey (Gerald Harvey Jones) (1933-2017) San Antonio, Austin, and Fredericksburg Artist Image Size: 84 Inches Tall Medium: Bronze Sculpture Dated 2006 I can deliver in Texas or o...

19th Century Italian School Grand Tour Bronze Sculpture of Dionysus, 19th Century Bronze with black-green patination 24 x 10 x 10 inches Dionysus, in Greco-Roman religion, a nature ...

18th Century French Terra Cotta Bust of a Young Gentleman Terra Cotta Unsigned 25 x 18 x 10 inches 41 lb.

Paint and gold paint on wood Circa early to mid 20th century. This is not signed A treasure from a proud congregation. It is a hand-carved wooden sculpture showing the Tablets of the Law flanked by two Lions of Judah. Their paws held the tablets. Their roaring mouths faced outward, protecting the commandments from threats. In a foliage design with gold and silver paint. Circa 1920-1940's. This Neoclassical, Judaic, Art Deco, Egyptian revival, Shul, Aron Kodesh hand carving, wood with gilding, Hebrew lettering ten commandments sign sculpture, was produced probably in New York. There was a show at the Folk Art Museum titled “Gilded Lions and Jeweled Horses: The Synagogue to the Carousel” That featured these antique magnificent pieces. From gilded lions to high-stepping horses, the sacred to the secular, and the Old World to the New, “Gilded Lions and Jeweled Horses: The Synagogue to the Carousel” traces the journey of Jewish woodcarvers and other artisans from Eastern and Central Europe to America and the unsung role they played in establishing a distinct Jewish culture in communities throughout the United States. The exuberant artworks stand as a testament to a history of survival and transformation and provide a surprising revelation of the link that was forged between the synagogue and the carousel as immigrant Jewish artists transferred symbolic visual elements into this vernacular American idiom. The first major study of this important aspect of the Jewish contribution to American folk art, the exhibition features approximately one hundred artworks and objects, including rare documentary photographs of Eastern European synagogue arks and carved gravestones, sacred carvings, papercuts, and carousel animals. Some of these same Jewish European carvers worked on Coney Island amusement park rides and carousel horses and other carnival and circus carvings.

Keith Haring Pop Shop 1986: A very well preserved Keith Haring Pop Shop radio accompanied by its original packaging. Sold at the Pop Shop in New York c. 1985. Features a bold Keith H...

This bronze miniature sculpture has a unique patina that fades from a golden bronze to a vibrant metallic green. The Artist's Proof in a planned edition of 40, it is signed "Robert H...

Albert Wein was born in New York in 1915 and was the only son of an accomplished woman artist, Elsa Wein. Her influence and intense commitment to nurturing the young Albert's seeming...

In The Masks We Marry, Zura unveils a powerful installation of life-size mixed media sculptures—hybrid figures constructed from collage, raw materials, and strikingly symbolic goat h...

Robert Indiana LOVE (Official Artist Copyright and Foundation Stamp), 2011 Brushed Aluminum sculpture (Red) Stamped by artist's estate, Stam...

Herbert Haseltine Middle White Sow (Wharfedale Royal Lady), 1925 Polished bronze with opaque ochre patina 4 ⅛ x 8 ⅛ x 3 ⅝ inches Period speckled Belgian marble base: 1 ½ x 7 x 3 inch...

There is a metaphorical interplay between the natural imagery international artist, Jennyfer Stratman, uses and its multiple meanings. While the human figure features strongly, it is the essence of the body that is important to her, not the representation. Particularly, the artist imagines trees and branches as a figurative link between the natural environment and our physical presence. The implied internal landscape of the body can also be reflected in how our surroundings from birth affect our sense of identity. By exploring landscapes of the body and mind, she also hopes to comment on the larger picture of our impact on the natural world. This unique bronze and painted steel sculpture measures 12 inches square and 1.5 inches deep. It is signed by Stratman on the back. Free local Los Angeles delivery. Affordable Continental U.S. and International shipping available. A certificate of authenticity issued by the art gallery is included. Stratman grew up in Phoenix, Arizona. In 1992 she commenced her studies at Arizona State University majoring in visual arts and art education. Stratman entered academia as a ceramicist. With each passing semester, the scale of her creations expanded and the material limitations of working with clay ultimately led her to the university foundry. This opened a door into another world of creative possibilities, profoundly changing her artistic direction. She replaced fired clay with larger-scale bronze, steel, and mixed media sculptures yet retained a delicacy, intimacy, and intricacy imbued from the ceramic process. Today she is a full-time established artist with studios operating in Phoenix, Arizona and Melbourne, Australia. Her time is divided between the two countries with each location informing and influencing the creative process. She has exhibited in 31 solo exhibitions and over 100 group exhibitions nationally and internationally. Her indoor and outdoor sculptures are held in public and private collections in countries including the United States, Australia, Canada, Hong Kong, Singapore, Taiwan, Israel, England, and Europe. Artplex Gallery has been representing and exhibiting Jennyfer Stratman's original artworks in Los Angeles since 2021, presenting her impressive works to an international collector base around the globe. The gallery has been a 1stdibs partner since 2014 with consistently excellent reviews from clients worldwide. The gallery exhibits a well-curated selection of original artworks beyond the ordinary from established and emerging international artists with diverse backgrounds at high standards. Artplex Gallery is known to provide accurate descriptions, images, reliable services, communication, and delivery. The gallery's commitment to customer satisfaction means that clients can invest in art with confidence, knowing they have a reputable and established art gallery backing their acquisition. Artplex Gallery prioritizes our clients' peace of mind by ensuring a seamless and worry-free art-buying experience. REPRESENTATION Artplex Gallery, Los Angeles, USA SOLO EXHIBITIONS 2023 Solo Exhibition, Grace Renee Gallery, Carefree, Arizona 2021 “Natural Connections”, Manyung Gallery, Melbourne, Australia 2020 “Celestial Forms”, Manyung Gallery, Melbourne, Australia 2019 “Solo Exhibition”, Grace Renee Gallery, Carefree, AZ 2018 “The Etheral Garden”, Manyung Gallery, Melbourne, Australia “The Gravity Between Us”, Calvin Charles Gallery, Scottsdale, AZ 2017 “Tree Within Me”, Avran Fine Art, Laguna, CA 2016 “Constellation”, Manyung Gallery, Melbourne, Australia “Cultivating The Wild”, Calvin Charles Gallery, Scottsdale, AZ 2015 “Connection”, Mirada Fine Art, Denver, CO “Transformation”, Contemporary Fine Arts Gallery, La Jolla, CA 2014 “Cultivating Memory”, Michele Mariaud Gallery, NYC “Connected Elements”, Calvin Charles Gallery, Scottsdale AZ 2013 “Interconnection”, Contemporary Fine Arts Gallery, La Jolla, CA 2012 “Internal Landscapes”, Mirada Fine Art, Denver, CO 2011 “Reflective Landscapes”, Stockroom, Kyneton, Australia “Propagated Reflections”, Calvin Charles Gallery, Scottsdale,AZ 2010 “Hybrid”, GF Contemporary, Santa Fe, NM GROUP EXHIBITIONS 2023 Nature Art Soiree, Manyung Gallery, Melbourne Australia Affordable Art Fair Sydney, Manyung Gallery, Sydney Australia 2022 Affordable Art Fair Melbourne, Manyung Gallery, Melbourne, Australia CHAOS Theory 22, Legend City Studios, Pheonix, Arizona Endings And Beginnings, Modified Arts, Pheonix, Arizona Skies of Fruitful Nights, Artplex Gallery, Los Angeles, California 2021 Every Artist Ever Ten Year Anniversary Show, Stockroom Gallery, Melbourne, Australia CHAOS Theory 21, Legend City Studios, Pheonix, Arizona 2020 Affordable Online Art Fair, Manyung Gallery, Worldwide 2019 Portland on the Park Collection Exhibition, Phoenix, Arizona CHAOS Theory 20, Legend City Studios, Phoenix, Arizona Loreto Spring Art, Marryatville, South Australia Toorak Village Festival of Sculpture, Melbourne, Australia 2018 Carmody Foundation Grant Recipient, Phoenix, Arizona CHAOS Theory 19, Legend City Studios, Phoenix, Arizona Affordable Art Fair Hong Kong, with TAG Fine Arts, Hong Kong Toorak Village Festival of Sculpture 2018, Toorak, Victoria Affordable Art Fair New York, with TAG Fine Arts, New York Battersea Art Fair, TAG Fine Arts, London, England 2017 Affordable Art Fair Singapore, TAG Fine Arts, Singapore Choice Cuts, The Lodge Art Studio, Phoenix, Arizona CHAOS Theory 18, Legend City Studios, Phoenix, Arizona INFLUX 2017, Public Sculpture Outdoor Installation, City of Gilbert, Arizona Affordable Art Fair Hong Kong, TAG Fine Arts, Hong Kong Affordable Art Fair Hampstead, TAG Fine Arts, London, England Calm In The Storm, Mirada Fine Art, Denver, Colorado Battersea Art Fair, TAG Fine Arts, London, England London Art Fair, TAG Fine Arts, London, England 2016 Expatriates, & Gallery, Melbourne, Australia Affordable Art Fair London, Mark Jason Gallery, London Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong Affordable Art Fair New York, Michele Mariaud Gallery, New York 2015 Solidity, Calvin Charles Gallery, Scottsdale, Arizona littleSCULPTURE Show, Int’l Sculpture Conference, Bentley Gallery, Phoenix, Arizona Distilled In The Desert, Grant Street Studios, Arizona State University, Phoenix Manyung Gallery Group Exhibition, Manyung Gallery, Mt Eliza, Victoria Connecting With Nature, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair Hong Kong, Mark Jason Gallery, Hong Kong 2014 Affordable Art Fair Singapore, Mark Jason Gallery, Singapore Affordable Art Fair Hong Kong, Michele Mariaud Gallery, Hong Kong Art Palm Beach 2014, Michele Mariaud Gallery, Palm Beach, Florida Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria 2013 Affordable Art Fair New York City, Living With Art, New York City Affordable Art Fair Hong Kong, Living With Art, Hong Kong Northern Lights, Bundoora Homestead Art Centre, Bundoora, Victoria Art Palm Beach 2013, Living With Art, Palm Beach, Florida 2012 Affordable Art Fair Seattle, GF Contemporary, Seattle, Washington Petite, Calvin Charles Gallery, Scottsdale, Arizona Affordable Art Fair New York City, with Living With Art, New York City Ladies Night, Contemporary Fine Arts Gallery, La Jolla, California AD 20/21- Art and Design of the 20th & 21st Centuries, Boston Center for the Arts, Boston, Massachusetts Montalto Acquisitive Sculpture Prize 2012, Montalto Vineyard, Red Hill, Victoria 2011 You Are Here, Stockroom, Kyneton, Victoria, awarded “Fundere Fine Art Prize” Transformation, Box Hill Community Arts Centre 4th Biennial Art Competition, Box Hill, Victoria Darebin Art Show, Bundoora Homestead Art Centre, Bundoora, Victoria San Francisco Art Fair, GF Contemporary, San Francisco, California AD 20/21- Art and Design of the 20th & 21st Centuries, Boston Center for the Arts, Boston, Massachusetts 2010 Alive, Shemer Art Center and Museum, Phoenix, Arizona Williamstown Contemporary Art Prize 2010, The Substation Arts Centre, Williamstown, Victoria Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Montalto Acquisitive Sculpture Prize 2010, Montalto Vineyard, Red Hill, Victoria 2009 2009 Toyota Sculpture Exhibition, Toyota Community Spirit Gallery, Port Melbourne Sanctuary Resort, outdoor sculpture, Scottsdale, Arizona Toorak Village Sculpture Exhibition 2009, Toorak, Victoria Williamstown Contemporary Art Prize 2009, The Substation Arts Centre, Williamstown, Victoria Montalto Acquisitive Sculpture Prize 2009, Montalto Vineyard, Red Hill, Victoria 2008 Knoxville Museum of Art, Knoxville, Tennessee Northern Exposure 08, High Street Northcote Visual Arts Showcase, Northcote, Victoria 2007 Affordable Art Fair New York City, 707 Contemporary, New York City 2007 Toyota Sculpture Exhibition, Toyota Community Spirit Gallery, Port Melbourne, Victoria Posted, Yarra Sculpture Gallery, Abbotsford, Victoria Tattersall’s Contemporary Art Prize 2007, The Substation Arts Centre, Williamstown, Victoria Montalto Acquisitive Sculpture Prize 2007, Montalto Vineyard, Red Hill, Victoria 2006 Contemporary Landscape (4 woman show), Contemporary Fine Art Gallery, La Jolla, California Melbourne Art Fair, with Über Gallery, Melbourne, Victoria Affordable Art Fair New York City, 707 Contemporary, New York City Contemporary Forum Art Auction, Phoenix Art Museum, Phoenix, Arizona Art Scottsdale, Phoenix, Arizona Toorak Village Festival of Sculpture 2006, Toorak, Victoria Montalto Acquisitive Sculpture Prize 2006, Montalto Vineyard, Red Hill, Victoria 2005 Toorak Village Festival of Sculpture 2005, Toorak, Victoria Neo Millennium, Toyota Community Spirit Gallery, Port Melbourne, Victoria Montalto Acquisitive Sculpture Prize 2005, Montalto Vineyard, Red Hill, Victoria 2004 The Collectors’ Show, Über Gallery, Melbourne, Victoria Contemporary Fine Arts Gallery, La Jolla, California I am Woman: Courage, Spirit, & Strength, Calvin Charles Gallery, Scottsdale, Arizona Toorak Village Festival of Sculpture 2004, Toorak, Victoria Affordable Art Fair, Melbourne Exhibition Centre, Melbourne, Victoria Threadbo ‘Art with Altitude” competition, Threadbo Alpine Hotel, Threadbo, NSW Montalto Acquisitive Sculpture Prize 2004, Montalto Vineyard, Red Hill, Victoria 2003 A4 Art, West Space, Melbourne, Victoria Summer Spectacular, Calvin Charles Gallery, Scottsdale, Arizona Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Hermanns Art Award, Christine Abrahams Gallery, Richmond, Victoria, Toured Shepparton Regional Art Gallery, Quadrivium Sydney and Grafton Regional Art Gallery CONstruct, Dante’s Upstairs Gallery, Fitzroy, Victoria Montalto Acquisitive Sculpture Prize 2003, Montalto Vineyard and Olive Grove, Red Hill, Victoria, awarded “People’s Choice Award” 2002 Summer Spectacular, L’Asietique Gallery, Scottsdale, Arizona The Darebin Art Show, Federation Centre for the Arts, Bundoora, Victoria shopfronts/ARTFRONTS, Coburg Public Art Project, Coburg, Victoria Toorak Village Festival of Sculpture 2002, Repliqué, Toorak, Victoria Central Goldfields Sculpture Prize and Exhibition, Central Goldfields Art Gallery, Maryborough, Victoria Emerging Artist Program, Mirá Fine Art Gallery, Melbourne, Victoria Linden Postcard Show, Linden Centre for Contemporary Art, St Kilda, Victoria 2001 Bonanza, Yarra Sculpture Gallery, Abbotsford, Victoria Yering Station Winery, Yarra Glen, Victoria Fundêre Sculpture Prize, Yarra Sculpture Gallery, Abbotsford, Victoria Darebin~La Trobe Acquisitive Art Prize, Federation Centre for the Arts, Bundoora, Victoria Thursday Plantation East Coast Sculpture Show, Ballina, New South Wales 171- II, Mansour & Hill Gallery, Melbourne, Victoria Phoenix First Fridays, The Lofts at Filmore, Phoenix Arizona 2000 Blue-Lite Invitational, MARS Artspace, Phoenix, Arizona Presence in Metal, Tempe Center Sculpture Gallery, Tempe, Arizona Drawings for Sculpture, Harry Wood Annex, Tempe Arizona Roots: Environmental Issues of Interconnectedness, GOCAIA: Gallery of Contemporary and Indigenous Art, Tucson, Arizona, awarded “Best of Show” Solarlobotomy, MARS Artspace, Phoenix, Arizona Sites Around the City- Art and the Environment, Tempe Beach Park, Arizona Hot Off the Ladle, Tempe Center Sculpture Gallery, Tempe, Arizona 3 Person Show, Modified Arts, Phoenix, Arizona 1999 Cleavage: an exhibition on the breast, Jonson Gallery, Albuquerque, New Mexico In Flux, Harry Wood Gallery, Tempe, Arizona Yoni, Ice House and Step Gallery, Phoenix, Arizona 1998 Milieu: of art and space, Spine Gallery, Phoenix, Arizona SCULPTURE: New Works, Harry Wood Gallery, Tempe, Arizona An Altogether Different Self Portrait, Step Gallery, Tempe, Arizona Fahrenheit 2150, Contemporary Cast Metal, Step Gallery, Tempe, Arizona 1997 Clay Doh: a show of ceramic works, Step Gallery, Tempe, Arizona (skulp’Cher), Harry Wood Gallery, Tempe, Arizona 1/4 Inch, Tempe Center for the Arts, Tempe, Arizona The Fifth Dimension, Sculpture Exhibition, Arizona State University, Tempe, Arizona PUBLIC AND CORPORATE COLLECTIONS ASU Biomedical Campus Phoenix, Arizona City of Phoenix, Arizona Phoenix Bike Rack Project, Public Sculpture City of Gilbert, Arizona, “Connection Point”, Public Sculpture City of Cardinia, Victoria, “Segmented Landscape”, Public Sculpture Jewish Community Centre Omaha, Nebraska AC Marriott, San Jose, California Idaho College of Osteopathic Medicine Meridian, Idaho Palos Verde Golf Club South Bay, California Coushatta Grand Hotel Kinder, Louisiana Marriott Hotel Atlanta, Georgia Rangely Hospital Chicago, Illinois The Patrón Spirits Schaffhausen, Switzerland and Las Vegas, NV Pinpoint HRM Melbourne, Australia Dial Corporation Phoenix, Arizona Healthpoint Ltd Fort Worth, Texas Hermanns Group Melbourne, Australia Dreams: Melbourne Central Melbourne, Australia Duo Design Phoenix, Arizona Phoenix Downtown Magazine Phoenix, Arizona In addition to hundreds of private collections MEDIA APPEARANCES, PUBLICATIONS 2021 Thrive: Arizona State University Magazine, ‘Champion The Arts’, Arizona (Volume 24) 2020 The Jewish Press, ‘Art On Our Campus: Connection Point’, Omaha 2019 Arizona Images Magazine, ‘Forging Connections’, Arizona 2018 Voyage Phoenix Magazine, ‘Thought Provokers Series’, Arizona Java Magazine, ‘Jennyfer Stratman: Casting Connections’, Arizona Phoenix Home and Garden Magazine, ‘The World Within’, Arizona Downtown Phoenix Journal, ‘Locally Designed Bike Racks Unveiled Mar 17, 2018’, Arizona YabYum Music and Arts, Arizona 2015 Sculpture Magazine, ‘You Can’t Contain A Wildflower’, Denver Post, YourHub, ‘Artists share an affinity in nature, emotion’, The Arizona Republic, ‘Scottsdale gallery presents 3 artists who are “Connecting with Nature”’ 2014 ABC 15 television news interview, ‘Tues Afternoon News’, Arizona (March) ABC 15 television news interview, ‘Sunday Mornings’, Arizona (March) 2012 303 Magazine, ‘Internal Landscapes at Mirada Fine Art Gallery’, Denver Post, YourHub, ‘Stratman’s First CO Show Debuts June 22’, Television Segment/ Interview ‘Sonoran Living ABC15’, Arizona Phoenix Home & Garden Magazine 2011 Luxe Magazine 2010 American Art Collector Australian Financial Review Trouble Magazine, Australia 2007 The Age Newspaper, ‘A2’, Meagan Backhouse, Australia The Age Newspaper, ‘Upfront’, Brigitte Barta, Australia The Age Newspaper, Australia Emerald Hill Weekly: ‘Statuesque Showing’, Sharon Green Pakenham Journal, ‘Loving The Land’, Diana Wells, Australia Berwick Gazette and Pakenham Gazette, Australia Delicious Magazine, Australia 2006 Berwick Gazette and Pakenham Gazette, Australia Northcote Leader, Australia First Mondays, monthly art salons (public art lecture), Phoenix Public Library The New Times, Arizona 2005 The Phoenix Gazette, Arizona Sunday Arts, television program on the ABC (Australian Public Broadcast) The Age Newspaper, Australia Australian Art Collector Art Almanac: The Essential Guide to Australian Galleries...

Bronze sculpture signed in Hebrew and numbered from small edition of 6 BIOGRAPHY "I was born in Czechoslovakia in the year 1925, of traditional parents. I spent my youth partly in ...

TWELVE CHAIRS GALLERY ZURA (Georgian-American, b. 1969) DEMNA BABIES, 2024 Mixed media H. 35 x W. 12 x D. 10 in. (89 x 30 x 25 cm) Clear acrylic plexiglass included Zura’s Demna Bab...

Leslie's public projects respond to site, history and the body. Figures are female or hermaphroditic, of imaginary descent, often melded with animal, architecture and plant forms. I ...

"Flight in Attitude, Atelier" by Richard MacDonald captures a dancer mid-ascent, suspended in a moment of pure elevation and grace. The figure’s outstretched limbs and lifted gaze ...

A fine late 19th century antique French bronze sculpture group, of a pair of race horses & jockeys, by Paul Louis Emile Loiseau-Rousseau, Paris (1861-1927). The bronze circa 1895 de...

Created as a study for the 1996 Olympics in Atlanta, Georgia, the “Gymnast Bust, Half life”, provides a glimpse into the creative process of the artist. Richard MacDonald created a b...

"Pair Recumbent Stone Lions" after Antonio Canova (1757-1822) Italian (possibly Florence) Mid 19th Century Alabaster, marble 6 x 9 x 4 inches This is an exquisite pair of Italian alabaster lions on marble bases based on the monumental lions carved by Antonio Canova (1757-1822), the greatest Italian neoclassical sculptor. Canova sculpted the marble lions for the monumental tomb of Pope Clement XIII in St. Peter’s, Rome in 1792 Canova Lions refers to the pair of copies of lion sculptures by Antonio Canova. When Canova created the sculptures in 1792, he installed them on the tomb of Pope Clement XIII. The marble sculptures are some of the most prominent features in St. Peter's Basilica in Rome. Given the intricacies of creating the original Canova lions, some artists created molds and replicated them. A good example is the pair of lion sculptures...

A Monumental and Truly Exceptional French Patinated Bronze Bust of Jesus Christ, Circa 1858, Signed J. Clesinger, Rome 1858 & F. Barbedienne Fondeur This monumental and extraordinar...

Artist: Erte, Romain de Tirtoff (1892-1990) Title: Elegance Year: 1982 Medium: Bronze Edition: 100/250 Numbered, 12 AP, 9 HC Size: 15 inches Condition: Excellent Inscription: Incised...

Bronze sculpture. Incised Pedro Friedberg on the base. Incised PA (artist proof) on the base. Certificate of Authenticity is included. Artwork is in excellent condition. All re...

Large painted metal wall hanging sculpture by Yuval Mahler (Israeli, b. 1951). Hand signed "Y. Mahler" recto. (it is not numbered or editioned and might be unique). it is done in a g...

TWELVE CHAIRS GALLERY “Female Figure” (2023) by Zura is a life-size sculpture measuring 39 × 16 × 12 inches (99.1 × 40.6 × 30.5 cm), crafted in plaster with an option for bronze cast...

Artist: Salvador Dali (1904-1989) Title: Piano surréaliste Year: 1984 Medium: Bronze Edition: 34/350, plus proofs Size: 26.3 x 15.7 x 12 inches Condition: Excellent Inscription: Inci...

"Beasts of Burden" (2023) by Andy Evansen is an original handmade watercolor painting on paper that depicts a midwestern plain, with a sunset from a passing storm. This piece measures 11 x 15 inches, and 16 x 20 inches in its frame. Andy Evansen’s interest in art started in childhood, as he can’t recall a time when he wasn’t drawing. He began painting watercolors in the mid 1990s as a change of pace from his career as a medical illustrator. Choosing a ‘style’ was not difficult, as Andy was always inspired by the watercolor paintings of British artists Trevor Chamberlain, David Curtis...

Ole Ole. Fiberglass and resin carpaint New construction and Perfect condition Limited Edition 8 copies + 4 H.C. Bernard Rives was born 1947 in Carcassonne (France). He studied in ...