USA - Paintings

Peter Keil, Black & White Portrait Facing Left, Oil on Board, Signed, 12” x 36” Striking black and white oil portrait by German artist Peter Keil (b. 1942), known for his bold, expr...

This painting is after Raphael which was one of the greatest artists of the Italian Renaissance. He was a meteoric success painting altar pieces and Por...

AMBIANIC presents 1960s MCM abstract painting Mexico City Signed in lower left corner hard to read in the style of Leonardo Nierman Oil on Masoni...

This superbly painted view of the mountains framing a river valley in northern New Mexico is attributed to Frank Guy Applegate, who lived and worked in the state during the 1920s, and is known for his watercolors -- such as this -- that present strong, abstracted views of the local landscapes, all in vivid colors and bold strokes of paint. Applegate was considered one of the New Mexico Modernists, and was accompanied on some of his painting forays by B.J.O. Nordfeldt, Andrew Dasburg and Josef Bakos. Applegate also had enormous respect for the culture and artistry of the native people, and encouraged a revival of the Pueblo style...

Original oil painting by noted California Artist William Norris Dakin. Titled "Ranch at Waldo, Marin County, Calif. 1932" Waldo is a region in Marin County in Northern California. Ne...

This early 20th-century oil on board by American artist Louis Nadler offers a vivid portrait of a chestnut horse standing alert in its stall. Characterized by its anatomical precisio...

Charming 18th Century illustrated manuscript of an elephant with passengers executed in gouache on paper on the front and exposed manuscript on the back. Presented in a gold tone woo...

ART: Signed Original Watercolor African American Woman with Greyhound visit BeFirstBoldly com This is a beautiful, colorful watercolor pencil drawing on heavy cotton acid free pape...

19th century American oil on canvas painting of landscape in gold gilt frame. Scene depicts two people walking among trees next to a body...

Pair tall framed and matted Chinese silk water color paintings depicting exotic birds and flowers and shrubbery. Both with calligraphy inscription and red seal. Expertly crafted with...

A Fine Italian 19th Century Oil Painting on Canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520). The circular painted canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame, which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting. A retailer's label reads " Fred K/ Keer's Sons - Framers and Fine Art Dealers - 917 Broad St. Newark, N.J." - Another label from the gilder reads "Carlo Bartolini - Doratore e Verniciatori - Via Maggio 1924 - Firenze". Circa: 1890-1900. Subject: Religious painting Canvas diameter: 28 inches (71.1 cm) Frame height: 54 inches (137.2 cm) Frame width: 42 1/2 inches (108 cm) Frame depth: 5 1/2 inches (14 cm) Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Otto Pilny (Swiss, 1866-1936) A very fine orientalist oil on canvas "The Slave Market", depicting a desert scene with the offering of two female slaves. Signed and Dated (l/r): Otto Pilny, 1910. Canvas height: 31 1/2 inches (80 cm). Canvas width: 47 1/4 inches (120 cm). Frame height: 37 inches (94 cm). Frame width: 52 inches (132.1 cm). Previously offered at Christie's New York, 19th Century European Art, Sale 2521 on October 12, 2011, Lot 84. Latest Otto Pilny Sale: Christie's London - The Orientalist Sale including Works from the Najd Collection on 30 March 2021 - Lot 49 "Dance in the Desert" was sold for £100,800 ($138,500) There is not that much information about Otto Pilny who began his artistic education in Prague. Pilny also lived in Vienna and ended up settling in Zurich. Just like Ludwig Deutsch (1855-1935), Rudolf Ernst (1854-1932), and Carl Leopold Müller (1834-1892), Pilny was encouraged to travel abroad. During his two trips to Egypt, a favorite destination of the Austro-Hungarian school, the first one in 1889 and later en 1892, he acquired the taste of painting Orientalist scenes of Middle Eastern landscapes...

This charming oil on mahogany board depicts a portrait of a young woman in typical early 19th-century fashion surrounded by foliage while she sits on a rock tending to her shoe. Hous...

Selection of colorful modern art or gallery wall, circa 1940s-1970s. They are: Top row, left to right: 1) Color Lithograph by Sonia Delaunay, French, circa 1950s. Pencil signed at lower right. It measures 16.5" H x 13.5" W. 2) Cubist oil painting, probably American, circa 1940s. It has been framed in a vintage gilt frame. Various rubs and wear as seen in photos. It measures 22.75" H x 19" W. 3) Naïve modernist portrait painting, American, circa 1950s. Retains original gilt frame. It measures 21.5" H x 19.5" W. Bottom row, left to right: 4) Color lithograph by Jean Lurcat, French, circa 1950s. It has been professionally framed in a black lacquer gallery frame under UV resistant glass. It measures 15.5" H x 19.5" W. 5) Colorful original painting of beach scene...

One of the most striking and remarkable Art Deco paintings we have ever offered, this depiction of a group of 1940s sailors visiting a New Orleans brothel is full of boisterous energy and strong color, providing an amused and amusing view of Navy life during or after World War II. The sailors -- in their tight white pants and youthful swagger -- are enjoying the company of an array of brothel workers, reigned over by a madam dressed in ruby red, with two young paramours to her side. Taking it all in is a group of jeering young men in straw hats to the right, and a young gay...

Abstract Expressionism Modern Art Painting signed M Chavez geometric art abstract expressionism painting signed M Chavez oil on canvas board  in the style of Mark Rothko  original pr...

Large Vintage French Style 58" x 70" Gold Frame Still Life Oil Painting with Bouquet of Flowers. Item features a large gold carved wood frame, oil on canvas, stately impressive size,...

Orig Robert Crowder Painting of a Pheasant in Jerry Solomon Giltwood Frame.

Attributed to Giorgio Lucchesi (1855-1941) A large and impressive early 20th century oil on canvas "Madonna and Child" after Bartolomé Esteban Murillo...

Leonardo da Vinci. The Complete Paintings. Book by Pietro Marani Da Vinci in detail: Leonardo's life and work all paintings. One of the most fully ac...

Watercolor on paper mounted on masonite board with ornate gilt frame. Dimensions: (Board) H 13.5" x W 10"

Dimensions: (FRAME)-H: 7 3/4in W: 9 1/8in D: 1 3/4in (PAINTING)- H: 4 1/2in W: 5 7/8in D: 1 3/4in This Miniature Antique Neoclassical Grand Tour Style Oil Painting On Board of A ...

Contemporary School (American, 20th c.), "Strata XVII', signed, titled and dated in pencil verso, unframed with canvas on wood stretchers. An abstract oil and wax work on linen. Dimensions: 70"h x 83"w x 2"d Condition: Good. No visible condition issues observed. About the Artist: Alfonse Borysewicz...

Pair of Hand Painted Wood Chinoiserie Panels in White Gold Giltwood Frames

Husain by Maqbul Fida Husain, Richard Bartholomew, Shiv S. Kapur · H. N. Abrams · hardback · 60 pages. A terrific copy of one of the best monographs on this important Indian artist. Illustrated in color and black & white. 60 pages of text and 192 illustrations. New York: Harry N. Abrams, 1st Edition 1972. First edition. Oblong hardcover. First printing. Text by Richard Bartholomew and Shiv S. Kapur. Includes 192 illustrations with 53 tipped in color plates. A fine and tight copy in a very near fine dust jacket price clipped dust jacket. Hardcover, bound in brown cloth. In a dust jacket. Title: Maqbool Fida Husain Author: BARTHOLOMEW, Richard and Shiv S. Kapur - Maqbool Fida Husain Book Condition Used PublisherHarry N. Abrams Place Of Publication New YorkDate Published1972 Keywords: Art Monographs. Maqbool Fida Husain Born ; 17 September 1915 Pandharpur, Maharashtra, British India Died : 9 June 2011 (aged 95) London, England, UK Nationality Indian (1915-2010) Qatari (2010–2011) Education Sir J. J. School of Art Known for Painting, drawing, writer, filmmaker Notable work Meenaxi a tale of three cities Through the eyes of a painter Movement Progressive Art Group Awards Padma Shri (1966) Padma Bhushan (1973) Padma Vibhushan (1991) Husain was associated with Indian modernism in the 1940s. His early association with the Progressive Artist's Group, or "PAG of Bombay" used modern technique, and was inspired by the "new" India after The Partition of 1947. His narrative paintings, executed in a modified Cubist style, can be caustic and funny as well as serious and sombre. His themes—sometimes treated in series—include topics as diverse as Mohandas K. Gandhi, Mother Teresa, the Ramayana, the Mahabharata, the British raj, and motifs of Indian urban and rural life. Early in his painting career, and until his death, he enjoyed depicting the lively and free spirit of horses in many of his works. Often referred to as the "Picasso of India", Husain is the most celebrated and internationally recognized Indian artist of the 20th century. Husain is primarily known for his paintings, but is also known for his drawings and his work as a printmaker, photographer, and filmmaker. Some of his later works stirred controversy, as they depicted traditional Deities of India in non traditional ways. He also directed a few movies. In 1967, he received the National Film Award for Best Experimental Film for Through The Eyes of a Painter.[3] In 2004, he directed Meenaxi: A Tale of Three Cities, a film he worked on with his artist son Owais Husain, which was screened in the Marché du Film section of the 2004 Cannes Film Festival. Husain was born on 17 september 1915 in Pandharpur to a Sulaymani Bohra family who trace their roots back to Gujarat within the last 200 years, and then originally to Yemen. He picked up taste in art through studying calligraphy while he stayed at a Madraasa in Baroda. Husain attended the Sir Jamsetjee Jeejebhoy School of Art in Mumbai. Early in his career Husain painted cinema posters in Mumbai. To earn extra money, he worked for a toy company designing and building toys. He often travelled to Gujarat to paint landscapes when he could afford to. This was a clique of young artists who wished to break with the nationalist traditions established by the Bengal school of art and to encourage an Indian avant-garde, engaged at an international level. The artists cite "The Partition" of India and Pakistan 14 August 1947, with its resulting religious rioting and heavy loss of life as their reason for forming The Progressive Artist's Group in Bombay in December 1947. The artists saw the Partition as a "turning point" for India, and their new style of art was urged on by, and was also a turning point for, (modern) Indian Art. Husain's first solo exhibit was in 1952 in Zurich. His first U.S.A. exhibit was at India House...

Diminutive and striking, this Mannerist male nude by Raoul Pène du Bois, the great Broadway designer, depicts a confident figure in the full bloom of youth, with golden hair and blus...

Framed Oil "Wild Roses" on Masonite Panel, by John Heliker, American (1909-2000). Retains Gallery Label from Kraushaar Galleries, New York. Kraushaar Galleries was founded in 1885 and is still in business. Determined to become an artist, Heliker dropped out of high school to copy paintings...

Beautiful gold leaf antique wood frame. Measures: 27”.25 x 19”.5.

A lovely vintage French still life oil painting on panel of a red hyacinth in bloom, the vibrant hue of the flower is striking against the muted blue and beige stripe background. Art...

Paint on found wood by New York City picking and art legend, Robert Loughlin. “Wood” painted the on back. Featured in Patrick Parrish Gallery's “Robert Loughlin: 1998-2011” exhibitio...

PABLO PICASSO 1881-1973 by Carsten-Peter Warncke; Ingo F. Walther Illustrated by Pablo Picasso Published by Benedikt Taschen.Germany 1995 (Vol I: The Works 1890-1936, pp. 1-380, Vol...

Jan Nosek (American, 1876-1966) Seated nude woman in an interior setting by artist and illustrator Jan Nosek. Oil on canvas, mid 20th century Signed lower right: J. Nosek sight: 1...

Astonishingly beautiful and monumental mural spanning eleven individual panels which when assembled are 16 feet long by 6 feet high. The panels are reverse paint and applique on sheets of Plexiglass and were painted by Peter Ostuni (American, 1908-1992) in 1951 for the lobby bar of the Savoy-Plaza Hotel at Fifth Avenue between 58th and 59th Street, New York City under design firm Tom Lee...

Well done painting by Multidisciplinary American artist Beverly Lopez. A well developed male stands in semi nude posture. Framed in a rustic wood frame with linen mat. Signed under Alias Paul Whitney...

Baroque and Rococo Architecture and Decoration Book by Alastair Laing, Anthony Blunt, and Christopher Ernest Tadgell. A study of a period in art ...

1950 Albert Eugene Gallatin Signed Abstract Oil Painting on Board Offered for sale is a nice Albert Gallatin (1882 - 1952) oil painting on board signed on verso September 1950. ...

A wonderful 1960s Parisian oil painting, a Tourist Street Souvenir, by artist J. de P. of the Regatta at Argenteuil originally by Claude Monet. I...

A large 19th century French still life with melons and Mediterranean fruits. Oil on a mahogany board. Signed lower right: Estournet. Heavy gilded wood and gesso frame. Circa 1890-191...

An exceptional large Mid-19th century American School Victorian Folk Art portrait. The painting features a young, well-dressed mother seated in a tufted balloon-back chair with her ...

A very fine and large 19th century Louis XV style Whimsical Neoclassical Revival style Oil on Canvas "The Triumph of Flora" attributed to Ferdinand Wagner II (German, 1847-1927), school of François Boucher (French, 1703-1770). The impressive artwork depicting a semi-nude Flora hovering through the clouds surrounded by playful cupids, cherubs, love doves and a seated maiden, within white and grey clouds, offering her Spring flower bouquets and floral wreaths, within a banded giltwood frame. Note: Previously used as a ceiling painting. Unsigned, Circa 1870. Measures: Canvas height: 91 3/4 inches (233 cm) Canvas width: 59 inches (150 cm) Frame height: 61 3/8 inches (155.9 cm) Frame width: 93 1/2 inches (237.5 cm) Depth: 2 3/8 inches (6 cm) Ferdinand Wagner II (German, 1847-1927) was the son of Passau Ferdinand Wagner Senior, a teacher at a vocational art school who began training him professionally at a young age. After traveling to Italy in 1867-1868, he continued with his art studies at The Munich Academy of Arts led by Peter Von Cornelius and Julius Schnorr Von Carolsfeld...

An original oil on canvas painting by French artist Boggio, signed and dated 1971 in the lower right corner. This richly textured work explores geometric abstraction and cubist influ...

Jose Manuel Giraldez Ramos Abstract Oil Painting, Cuban American Artist Offered for sale is a colorful oil on canvas painting by Cuban-American artist Jose Manuel Giraldez Ramos tit...

Adolf Constantin Baumgartner Stoiloff (Austrian/Russian, 1850-1924) a fine oil on board "Charging Cossack Warriors on Horseback" within an ornate giltwood frame, circa 1890 Born in 1850 in Linz (Austria) Stoiloff died in Vienna in 1924. According to a research of Russian literature, he studied in the 1880s at St. Petersburg Imperial Academy of Fine Arts. He was very well known for his Russian horse...

Aleksei Alekseevich Shovkunenko (Ukrainian, 1884-1974), Standing Nude Man, Oil on Canvas, signed lower left, signed "Olexiy Shovkunenko / 1884-1974" and in Cyrillic to verso, unframe...

Condition: Original Vintage Condition Designer: Wanda S. Neumann Manufacturer: Wanda S. Neumann Materials: Oil On Canvas, Wood Frame Style: California Realism

An early 18th century French 3-panel folding screen, oil-on-canvas, depicting village and maritime scenes in cartouches with other decoration.

Truly a spectacular piece, this acrylic on canvas is by French artist, Pascal Magis. Known for his use of color, Magis uses acrylics as though the paint h...

An abstract realism canvas entitled “Maple Avenue, Altamont, New York” by Ed Cowley (1925-2014), chair of the fine arts department at Albany State University for over 50 years. He wa...

English Victorian black & gold framed colored lithograph of an English estate "Bradbourne, Near Levenoke, in the County of Kent"

Original oil on canvas portrait painting of two putti with lovely cherub faces crowned by wings. Canvas shows extensive craquelure, long vertical and horizontal cracks, old repairs,...

A French oil on panel painting by Fernand Maissen from the early 20th century, depicting a sporting dog hunting a duck. Created in the early years of the 20th century by French artist Fernand Maissen, this horizontal oil on panel painting depicts a hunting scene. An English setter, coming from the right side of the composition, is hunting a river mallard rising from the waters. The high grass on the right, from which the dog is emerging, is perfectly contrasted by the horizontal strokes used to depict the water on the left. The artist further accentuates the contrast by juxtaposing warm and cold colors. Born in 1873, Maissen was an animal painter who was a student of Jules Lefebvre...

A very fine portrait of a British military officer signed and dated Thomas Beach 1774 in the lower left. This oil on canvas is presented in a period gilt frame and is ready to hang....

This atmospheric and magical view of a single nude male figure on a California beach is imbued with lovely, unexpected colors and textures which rise up to a sky that is a pale shade of green. The blond young man has been sunbathing on a towel stretched along the sand, and seems to be placidly examining the viewer -- the painter -- from afar. The artist is Duane Wakeham...

This French vintage Mid-century abstract painting on canvas is signed by the artist, Katzyi. View all images to see the current condition.

Mid-20th Century Signed painting of a lighthouse in a harbor. Colorful, happy composition of colors. Signed Vera Bettinger? Solid wooden frame. This item can parcel ship domestically...

Large Early 20th century Oil on Canvas Painting of Civil War Scene by W. Smithson Broadhead (British, 1888-1960). Broadhead lived in United Kingdom ...

Mid century Jacallo 'Architectural Landscape' Signed oil on canvas painting This piece measures: 40.25 wide x 1.75 deep x 28.5 inches high This Painting is in Excellent Vintage...

A rare offering. This amazing vintage hand painted Thangka depicts the Tibetan female celestial goddess Dakinis, whose ferocious expression subdues negative and demonic forces. In Alidh Asana posture, she wears a garland of human skulls, with a Khartwanga wand resting against her shoulder. Her face wrathful in expression, her feet firmly pressing down on devils masqueraded in human form above lotus base. With her right hand the deity holds a blue Kartika symbolizing severance of all material. With her left hand she drinks blood from a skull cup...