Vermont - Decorative Art

Wall Sculpture #758 by Karen Gayle Tinney Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe in light gray, dark gray, and charcoal...

Wall Sculpture #758 by Karen Gayle Tinney Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with white cotton fringe in two thicknesses. Hanging wire...

Wall Sculpture #765 by Karen Gayle Tinney Six panel wall sculpture. Hand formed ceramic pieces in unglazed beige stoneware with white, tan, and gray cotton fringe. Hanging wires are...

From an important thirty year old New England collection of American Folk Art Pyrography Robert Ball Hughes (British-American, 1804-1868) This original period framed 1866 pyrography on wood panel was created after the painting by Sir John Gilbert (English, 1817-1897) with detailed description and dedication written on the back of the panel using the same technique. A photographed rubbing of the reverse dedication will be included and is part of this description (photo). Frame: 20 inches high and 28.5 inches wide; Site: 13.25 inches high and 22 inches wide This painting depicts the episode from Shakespeare’s Henry VI Part II Act III Scene V in which Sir John Falstaff inspects the recruits mustered by Justice Robert Shallow and his cousin Silence. Falstaff sits in a chair surrounded by his cronies whilst Bardolph leads Bullcalf forward. Hayman’s treatments of Falstaff reviewing recruits are perhaps among the most successful depictions of a theatrical scene in British painting. The tableau vibrates with the energy that he brought to his Vauxhall supper box scenes of games and dancing, and is filled with the humour and observation of his portraiture. Every figure is in motion and proclaims its own individuality. About Robert Ball Hughes (British-American, 1804-1868) Known as Ball Hughes and also using that as a signature, this man was a sculptor and wax-portrait artist. He was born in London, England, and died in Dorchester, Massachusetts. He studied and exhibited at the Royal Academy in London as well as at the Pennsylvania Academy of the Fine Arts and the National Academy of Design in New York City. He emigrated to New York in 1829, having earned much prestige in England. In New York, he received many commissions for portrait busts in bronze and wax. Among his subjects were John Trumbull, Alexander Hamilton, and Washington Irving. From 1838 to 1840, he worked in Philadelphia and from 1840, worked in Boston. In his final years, he began to produce pyrographic wood pictures (pyro engravings or "poker pictures"), including The Witches of MacBeth (c. 1840), Babylonian Lions (1856), Don Quixote in His Study (1863), The Trumpeter (1864), General Grant...

From an old New England collection of fine Arts & Crafts furnishings. Two large all original unique works of art, circa 1920 This is a beautiful set of two (2) hand incised and...

One of a kind antique copper wall hanging, hung from rustic steel bar.

Wall Sculpture #758 by Karen Gayle Tinney Four panel wall sculpture. Hand formed ceramic pieces in unglazed white stoneware with cotton fringe. Hanging wire is included on each pane...

From a New England collection and a unique find An all original work of art signed on lower back NWC, 1899. This is a beautiful hand incised image "After Rembrandt" hand created by Norman Kingsley and dated 1899 on reverse. It is all hand incised and hand stained. It details a subject image after Rembrandt which Kingsley specialized. Dimensions: 21.5" high and is 17.75 inches wide. Handmade, hand stained and hand burned using pyrographic techniques Provenance: New England collection. About Norman Kingsley (1829-1913). He was a prominent dentist in New Jersey and his body of artisan work includes some 10-15 different hand incised portraits. These include images of original Rembrandt...

The pressed vase, an original design by Scott Gordon and sold exclusively through Vermontica, is made from cast steel with a blackened finish. Measure: It is 8 1/2" tall, 2" wide at ...

An original design by Scott Gordon and sold exclusively through Vermontica, the pressed vase is made from cast steel. Shown here in a blackened steel finish. Overall dimension: 4.25"...