Paintings on Sale

Pacific Grove - Coastal Seascape in Oil on Canvas Serene coastal seascape by an unknown California artist (20th Century). This impressionistic coastal landscape captures the rugged ...

Winter Mist oil/canvas 16x20 unframed, 22.38 x 26.38 framed Winter Mist is a beautiful impressionistic landscape scene that showcases an idyllic winter snow scene with horses on a fa...

Hjalmar Sandberg (1847-1888) Sweden Harvest Time, 1876 oil on canvas canvas size 14.96 x 18.11 inches (38 x 46 cm) frame 18.70 x 25.59 inches (47.5 ...

Exquisite antique portrait painting of a young fashionable woman. Framed. Oil on canvas. Signed. Image size, 31H by 24L.

A charming late 19th century oil painting depicting two gentlemen fishing in an idyllic river location. The composition has been well presented in a contemporary gilt frame with inte...

Seated Female Nude Figure in Oil on Canvas Beautiful modern impressionist figure painting of a seated nude woman by George Wishon (American, 1937-2005). The two-toned light blue and...

19th century American artist painting in Italy. Venice cityscape oil painting by Warren W. Sheppard (1858 - 1937). Framed. Oil on canvas. Signed....

Stowe Vermont Village Sleigh Ride - Mid Century Winter Figurative Landscape A bright, crisp morning and a sleigh ride through new snow in Stowe, Vermont...

Up for sale is this amazing antique 19-th century original oil painting on canvas depicting a charming rural scene, capturing a moment of everyday life in the countryside. On the le...

Large square French fantasy naive oil on canvas by Jean Henry Brossat. Signed to the front and bearing a title in Russian (?) script to the rear. In a plai...

Impressive early American impressionist landscape oil painting. Framed. Oil on board. Signed in monogram. Image size, 12H by 16L.

Still Life With Mimosa Flower Arrangement - Oil On Canvas Original 1988 still life oil painting depicting a small blue vase of yellow mimosa flowers by Francisco Giordano (Italian, ...

➡️Still Life from J Robert⬅️ 🟢Jacques Robert (1921–1997) was a French writer, journalist, and screenwriter. Born on June 27, 1921, in Lyon, France, he began his career in journalis...

This superb religious figurative oil painting is by noted artist Wilfred de Glehn. Although some experts rank de Glehn alongside Sargent, he is considered as something of a late British Renoir, for his deft use of sunlight and shadow. Indeed he was good friends with John Singer Sargent and collaborated with his on some projects. This painting, painted circa 1910 is of three saints, from left to right they are Saint Jerome, Saint Roch and Saint Sebastian. It is based on a work attributed to 16th century artist Alessandro Oliverio. Saint Jerome was a biblical translator and monastic leader and is depicted in red, holding books. Saint Roch and Saint Sebastian were known as the Plague saints - Plague saints offered hope and healing before, during, and after times of plague. A specific style of painting, the plague votive, was considered a talisman for warding off the plague. It portrayed a particular saint as an intercessor between God and the person or persons who commissioned the painting – usually a town, government, lay confraternity, or religious order to atone for the "collective guilt" of the community. Rather than a society depressed and resigned to repeated epidemics, these votives represent people taking positive steps to regain control over their environment. Paintings of Roch represent the confidence in which renaissance worshipers sought to access supernatural aid in overcoming the ravages of the plague. The thirteenth-century Saint Roch (or Rocco), whose death is still commemorated in Italy, is especially invoked against the plague. He attended plague victims in public hospitals in Italy according to traditional accounts of his life. Images attributed to the Spanish historical painter Nicolás Borrás in the Royal Cornwall Museum, or other works in institutions from The National Gallery to the Wallace Collection, show him baring his thigh to show the mark of the plague, as he is in this painting. Saint Roch is also the patron saint of dogs, after one carried food to him in the prison where he died...

Tobias Edward Rosenthal, known as Toby (Strasbourg 1848 - Munich 1917) - Portrait of a San Francisco gentleman. 123 x 92 cm. Antique oil painting on canvas, without frame. - Work ...

Venetian painter (18th century) - Madonna and Child. 44.5 x 37 cm without frame, 54 x 46.5 cm with frame. Ancient oil painting on canvas, in a carved and gilded wooden frame (not s...

Robert Azensky Fine Art is pleased to offer original 1909 sketch study of oil painting "Homesteader Colorado Mountain" painting by Frank Tenney Johnson. It's always special to see the evolution of a painting through the plein air sketches ("studies") by the artist prior to its painting. Frank Tenney Johnson traveled throughout the Colorado Rockies sketching and painting western landscapes and native American and cowboy figurative art. Medium: Charcoal on paper Signature: Lower left corner Date: "1909" below signature Condition: Tonal aging and minor edge wear consistent with age and use. See images. Presented in black painted wood frame Mat size: 14"H x 11"W Paper size: 9"H x 6"W Image size (visible with mat): 8"H x 5.25"W Frank Tenney Johnson was born in Coucil Bluffs, Iowa, in 1874 not far from the Overland Trail. During his childhood, he saw the steady stream of people heading west in all forms of horse-drawn conveyance. This early exposure to the American West was critical in leading Johnson towards the Western landscape as an inspiration for his work. The resulting body of work is a moody and romantic depiction of a long-gone America, rendered in a style that has become practically a genre all its own. At the age of ten, Johnson moved from Iowa to Milwaukee, WI. There, he took an apprenticeship with F.W. Heinie, a prominent panoramic painter. After a year with Heinie, Johnson apprenticed for Richard Lorenz, a painter and former Texas Ranger who specialized in depictions of horses and western scenes. It was probably during his time with Lorenz that Johnson decided to focus on western subjects himself. He also started illustrating for regional papers and publications, in order to save money for further training. Further training, as with many of the artists who populated New Mexico in the early twentieth century, took place at the Art Students League in New York, where Robert Henri, William Merritt Chase, John Twachtman, Kenneth Hayes Miller and F. Louis Mora were in the process of teaching perhaps the last great batch of pre-modernists. Though highly stimulated by the training, Johnson was only able to stay for five months, after which he returned to Milwaukee to work and save money in an effort to return to New York. He was able to do so after a time and, upon returning, established an important professional relationship with Emerson Hough, the editor of "Field & Stream" magazine. At Hough's urging (and on Hough's dime), Johnson traveled to Hayden, Colorado, where he tagged along with a group of cowpunchers in order to sketch their way of life. Though primarily an artist, Johnson also wrote accounts of his time in Colorado for "Field & Stream." After Colorado came Cheyenne, Wyoming, where Johnson attended a "Frontier Days" celebration; after Wyoming, Johnson traveled to New Mexico, where he observed the Navajos and their threatened way of life. This trip changed Johnson from an academic artist with an appreciation for the west to a truly western artist. Of particular interest to him, in stark contrast to other western artists of the time like Frederic Remington and C.M. Russell, were the more quotidian scenes of the West. Specifically, Johnson focused upon scenes featuring horses, especially at night. Johnson painted a great number of pieces that featured horses tied up outside of saloons, inns or trading posts for the night, the moonlit night punctuated by the warm glow from the lamps inside. In this, he can be considered a pioneer, as his night pieces still serve as the archetype for such work in western art. Johnson became quite successful through his work for "Field & Stream." He was chosen to illustrate books by the prominent writer Zane Grey, and his gallery shows sold briskly. In fact, one particular show, at the Grand Central Art Galleries at the Biltmore Hotel in New York, sold out opening night. In fact, one man had bought out the entire show: Amon Carter. Having achieved financial security and comfort, Johnson followed his good friend Clyde Forsythe to Alhambra, CA, where the two established residency and shared a studio. California treated Johnson well. He and Forsythe founded the gallery at the Los Angeles Biltmore...

The vintage "Airstream Overlander" travel trailer from 1962 is a classic! The polished metallic surface and iconic design makes one nostalgic for mid-century life. Summers on the roa...

CHAUNCEY FOSTER RYDER (American, 1868-1949), Pasture Lands oil/canvas signed LR 31.5 x 39.5 image, 40.5 x 48.5 framed A wonderfully subtle tonalist painting by Ryder incorporating a farmer/farmhand probably moving cows about the pastures mid right in the scene. Ryder uses a subtle S design from lower left that zig zags up to the figure and cows. The painting shows Ryder's masterful use of abstract design and technique utilizing textures in his application of paint giving the painting life and interest. Original frame, some craquelure in sky, old surface. Bears Newhouse Galleries, possibly NYC, label verso. The painting hangs in my collection currently and would benefit from a cleaning and new varnish. It is a large museum quality oil painting. SHIPPING-This will need In Home Delivery service as it is too large for me to pack. The handling time is listed as 10 days but is dependent on who 1stdibs hires and their schedule to pick up and deliver. 3 -7 weeks is listed in the shipping section for this service. Buyer can also arrange for their own pick up. Bio- Chauncey Foster Ryder (29 February 1868 – 18 May 1949)[1] was an early 20th century American Postimpressionist Tonalist landscape painter known for a green-gray palette termed 'Ryder green'. Education and personal life Ryder was born in 1868 in Danbury, Connecticut, but grew up mainly in New Haven.[2][3] He began studying painting as a boy. In his early twenties, he moved to Chicago to attend the Art Institute,[4] then Smith's Academy.[5] After only a year at the latter, he was hired as an instructor.[5] In 1891, he married Mary Dole Keith.[5] In 1901, they moved to Paris, France, where Ryder continued his art education, studying with Jean-Paul Laurens at the Académie Julian. Ryder stayed in France for several years, living in an art colony at Étaples and exhibiting his work at the Paris Salon (1903–1909).[3] He took on occasional students, including American painter William Posey Silva...

Oil on canvas painting of “Bouquet and Figure” by the well known Spanish artist, Ramon Pichot. Signed lower right. Titled and signed verso. In excellent condition. Original gold l...

Electric Pink Excess 3 from Chloe Hedden’s Excess series is an electrifying explosion of color and texture, a vivid declaration of energy and movem...

Antique American cubist nude woman dancing/erotic painting. Oil on canvas. Signed. In excellent original condition. Handsomely framed in a period modernist silver leaf rubbed mol...

Moonlight Marsh oil/panel 8 x 10 unframed 13.75 x 15.5 framed, is an oil painting on canvas panel by award winning contemporary artist Michael Budden, that showcases a beautiful view...

Thomas Luny (1759-1837) A fishing vessels at rest in harbour Signed and dated 'Luny 1831' lower left Oil on canvas Canvas Size - 12 x 16 in Framed Size ...

Impressive early American impressionist flower landscape painting by Lila Caroline McGillivray Knowles (1886 - 1979). Oil on board. Framed. Signed. Image size, 10 by 12 inches.

Frame size 91x110 cm. Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that worl...

Title: Carrer de la Vilanoveta Artist: Rafael Monzó (Sitges, 1952) Year: 1979 Medium: Oil on canvas Dimensions: 18.1 x 15 inches (21.7 x 18.5 inches framed) Signature: Lower lef...

Beautiful mid century Joshua Tree desert landscape with desert flowers in bloom by an unknown California artist Briggs (American, 20th Century). Signed "Briggs" along stretcher bar (...

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed. Image size, 12H by 10L.

Impressive early American modernist abstract oil painting. Framed. Oil on board. Signed.

Impressive early American modernist abstract oil painting. Framed. Oil on canvas. Signed. Image size, 16H by 20L.

Country Color oil/canvas 16 x 20 unframed 22.38 x 26.25 framed as pictured Country Color is a landscape oil painting on canvas that showcases a beautifully light filled farm scene in...

Title: Spanish Landscape with Farmhouse Artist: Rafael Duran Benet (Barcelona, 1931–2015) Technique: Oil on canvas board Dimensions: 13 x 16.1 in Signature: Signed "R. Duran" in ...

'Sicilian Farmhouse', oil on canvas, by Yves Brayer (circa 1950s). A dedicated lover of Mediterranean countries and their varied landscapes, this charming and diminutive work by the ...

Beach Day II oil/canvas 11 x 14 image unframed, 17.5 x 20.25 framed Beach Day II is an oil painting on canvas by award winning contemporary artist Michael Budden that showcases a be...

Brian Sostrom's (US based) "Pink" is an original, handmade acrylic painting that depicts a fluffy cumulus cloud floating above the landscape, glowing pink and purple from the sun. ...

Patrick Terenchin (b.1970). Paul, 2024 Gesso and charcola on paper, 16 x 20 inches. Measuring 17 x 21 inches in black frame behind glass. Signed and dated lower left.

José WEISS Neuilly-sur-Seine, 1859 - Houghton (England), 1919 Oil on wooden panel Signed lower left “José Weiss” 40 x 61.5 cm (54 x 75 cm with the frame) Joseph Vincent Nicholas Fr...

Well painted late 19th-century German genre painting. Often painted in the Munich area of Germany these highly desirable antique paintings are always of t...

Kerry Smith Bee Gees - Saturday Night Fever Mixed Media on Crescent board Year: 2022 Size: 21x20in Signed, dated by hand COA provided Ref.: 924802-1625 *Black frame with a mirror-gl...

A bright and beautiful Canadian modernist landscape. This unsigned work has a label on the reverse from a Canadian gallery and an inventory number and stamp from a collector in NYC....

Itzchak Tarkay Picture Size: 40 x 32(99 x 80cm) Outside Frame Size: 49 x 41" (121 x 102cm) Free Shipping 1935 - 2012 Born on the Yugoslav-Hungarian border in the city of Subotica ...

David van der Linden 'Don't let the sun blast your shadow'' 100 x 100 cm Oil on canvas framed in a black wooden frame (included in price) 115x115 cm David van der Linden is a Dutch...

Acrylic

This stunning Flemish Old Master portrait oil painting is attributed to circle of Anthony Van Dyck. Painted circa 1630, the sitter is Frances Stewart née Howard (1578 -1639) Duchess ...

Impressive early American modernist flower still life oil painting. Framed. Oil on canvas. Signed. Image size, 12H by 10L.

Charles COUSIN Canvas Size: 26 x 32" (66 x 82cm) Outside Frame Size: 36 x 42" (92 x 108cm) Oil on Canvas French School In 1807 he was born in Paris. He died in 1887. Cousin was a...

French Mid Century Expressionist oil on canvas Provencal landscape of Signes, South of France, by Olympe Silvy. Signed bottom right, annotated, titled and dated to the back stretcher...

Johann van der Hagen (1676-1745) Smack rigged Royal yachts Oil on canvas Canvas Size 30 x 25 in Frame Size 37 x 32 in Provenance: The Parker Gallery. Johann van der Hagen was a Dut...

Incredible and rare early American modernist interior scene still life. So finely painted and a very rare and provocative subject for its time. Signed lower left. Handsomely fram...

This stunning British Old Master landscape oil painting, with excellent provenance, is by George Lambert. Lambert was a pioneer of British landscape in art for its own sake. Painted in 1744, the painting is entitled View of a Manor House and Cottages in Elizabeth Einberg's 63rd volume of the Walpole Society 2001 and is described as follows: In the foreground a road emerges from a wood to cross a ford and then leads up the hill to the right, towards a manor house seemingly built into the remains of a medieval or Tudor edifice. The main track, crowded with sheep and rustic figures, passes the massive square gateposts lower down the hill on the left. Further to the left is a thatched cottage with smoke coming out the chimney. In the distance is a wide coastal view. The main buildings, which are in the dead centre of the composition, represent almost certainly an as yet unidentified English view. The colouring and detail in the trees and foliage are superb. This is an excellent Old Master oil painting by one of the all time great British landscape artists with extensive provenance. Signed and dated 1744 lower left on rock in black. Provenance. Elizabeth Einberg, “Catalogue Raisonnè of the works of George Lambert” The Annual Volume of the Walpole Society, 2001 Vol. 63, page 149 no P1744, fig.71. Antonacci Efrati Antichità Rome Gallery. Burden sale, Parke Bernet, New York, 20-21, April 1938 (376 repr.) Robert E. Peters, Sotheby Parke Bernet, New York, March 1975 (41 repr.) Lit. Schnackenburg 1995, pp 83-84, cat. no.14 fig 13. Condition. Oil on canvas, 54 inches by 52 inches and in good condition. Frame. Housed in an ornate gilt frame, 64 inches by 62 inches and in good condition. George Lambert (1700-1765) was an English landscape artist and theatre scene painter. With Richard Wilson he is recognised as a pioneer of British landscape in art, for its own sake. Lambert was born in Kent and studied art under Warner Hassells and John Wootton, soon attracting attention by the quality of his landscape painting. He painted many large and fine landscapes in the style of Gaspar Poussin and Salvator Rosa. Many of his landscapes were finely engraved by François Vivares, James Mason (1710–1785), and others, including a set of views of Plymouth and Mount Edgcumbe (painted conjointly with Samuel Scott), a view of Saltwood Castle in Kent, another of Dover, and a landscape presented to the Foundling Hospital in London. Lambert also obtained a great reputation as a scene-painter, working at first for the Lincoln's Inn Fields Theatre, in London, under John Rich. When Rich moved to Covent Garden Theatre, Lambert secured the assistance of Amigoni, and together they produced scenery of far higher quality than any previously executed. Lambert was a man of jovial temperament and shrewd wit, and frequently spent his evenings at work in his painting-loft at Covent Garden Theatre, to which men of note in the fashionable or theatrical world resorted to share his supper of a beef-steak, freshly cooked on the spot. Out of these meetings arose the well-known "Beefsteak Club" which long maintained a high social reputation. Most of Lambert's scene-paintings unfortunately perished when Covent Garden Theatre was destroyed by fire in 1808. Lambert was a friend of William Hogarth and a member of the jovial society that met at 'Old Slaughter's' Tavern in St Martin's Lane. In 1755 he was one of the committee of artists who proposed a royal academy of arts in London. He was a member of the Society of Artists of Great Britain, exhibited with them in 1761 and the three following years, and during the same period contributed to the Academy exhibitions. In 1765 he and other members seceded and formed the Incorporated Society of Artists of Great Britain, of which he was elected the first president. In conjunction with Samuel Scott, Lambert painted a series of Indian views for the old East India House in Leadenhall Street. He also etched two prints after Salvator Rosa. Lambert was associated in 1735 with George Vertue, Hogarth, and John Pine (engraver, 1660–1756) in obtaining a bill from parliament securing artists a copyright on their works. Lambert's portraits were painted by Thomas Hudson, John Vanderbank (engraved in mezzotint by John Faber the younger in 1727, and in line by H. Robinson and others), and Hogarth. Lambert's most famous painting is "A view of Box Hill, Surrey" (1733) which depicts a well-known beauty spot south of London. Hogarth considered Lambert a rival to the famous French landscape painter Claude Lorrain (1600–1682) with respect to his use of soft light to unify the scene in this painting. Though he never visited Italy he was inspired by the classical tradition of landscape painting. Lambert died on 30 November 1765 at his home on the Piazza in Covent Garden. His pupils included John Inigo Richards...

A stunning depiction of a lively scene in Paris "De Grands Augustins". There is a boat situated on the water near the busy street as figures are scene throughout. The tree lined stre...

Brightly colored nude by California artist Don Klopfer (1920-2009). Signed and dated "Klopfer 93" upper left corner. Presented in a white slat frame. Canva...

Famous Edinburgh scene with the foggy Castle on the Mount from the North Bridge, and a bustling city scene below. Impressionist style, dating to mid 1920s/1930s, presenting a glimps...

Mid Century Desert Mountain Landscape Sweeping mid century landscape of stark desert mountains by Faith Dougherty (American, 20th Century). The viewer looks out over a dry valley, s...

A colourful still life of Chrysanthemum flowers, arranged in a loose floral spray. Well-presented in a bright gilt-effect frame with swept rails and delicate corner mouldings. Unsign...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Au...

Portraits of a man and Woman Circa 1850-1860 Original Oil on Paper Early American portraits in the style of and possibly by Henry Bryan Hall (English/American, 1808-1861) Later in hi...

Title: Warm Spring Day Medium: Oil on canvas Size: 23 x 19 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This pai...

"The Three Sisters" in the Blue Mountains of New South Wales, Australia by Australian Artist, Alan Robert Colquhoun Grieve (1910-1970). Art measures 21 x 17 inches Frame measures 28 x 24 inches (Original ornate period frame is commensurate with age) Vintage 1960's Born in Sydney in 1910, Alan Robert Colquhoun Grieve studied at the Julian Ashton School and the East Sydney Technical College and with Australian artist Herbert Edward Badham. Alan Grieve has notably exhibited at Royal Arts Society in Sydney and was Vice President of the Australian Arts Society. His work is held in private collections the world over, including The Art Gallery of New South Wales, The Fred & Elinor Wrobel Collection in Sydney and the Howard Hilton Collection. He has won numerous art prizes during the 20th Century. This painting was bought from Gordon Galleries in Double Bay, Sydney, New South Wales in circa 1962 by Major General Sir Douglas Kendrew KCMG, CB, CBE, DSO - Governor of Western Australia from 1963 to 1974. The Three Sisters are an unusual rock formation in the Blue Mountains of New South Wales, Australia, on the north escarpment of the Jamison Valley. They are located close to the town of Katoomba and are one of the Blue Mountains' best known sites, towering above the Jamison Valley. The Legend: The Aboriginal dream-time legend has it that three sisters, 'Meehni', 'Wimlah' and 'Gunnedoo' lived in the Jamison Valley as members of the Katoomba tribe. These beautiful young ladies had fallen in love with three brothers from the Nepean tribe, yet tribal law...