Interior Paintings on Sale

Still Life with Fruit in Basket - Vintage Oil in Ornate Frame by British Artist Art measures 12 x 10 inches Frame measures 18.5 x 16.5 inches Roy Hodrien, born in Lancashire in M...

"The Tower" - original large art by Paula Craioveanu Original, large, unique painting, oil on canvas, 31.5x23.6in / 80x60cm. Shipped stretched, from Florida. Check 1stDibs code FREESHIP This painting, a study of an elaborate spiral staircase, demonstrates the artist’s skill in merging architectural elegance with a dynamic sense of movement and mystery. The subject itself—a wrought iron spiral staircase—becomes more than a functional object; it transforms into a metaphor for transcendence, curiosity, and the infinite. The staircase is richly ornate, with swirling ironwork patterns and intricate details that capture the eye. The artist emphasizes the craftsmanship, elevating the staircase into a work of art itself. The ornamental designs echo Baroque or Rococo influences, known for their flamboyance and decorative excess. The spiral is inherently dynamic, drawing the viewer’s gaze upward in a continuous loop. This quality imbues the staircase with motion and energy, almost as if it is alive, spiraling into another dimension. The artist employs a dramatic perspective, positioning the viewer at the base of the staircase, looking upward. This composition evokes a sense of aspiration or awe, as if the staircase ascends to an unknown destination. The light filtering through the structure accentuates the curvature and creates a contrast between the solid metal of the staircase and the soft, ephemeral glow of the environment. This interplay of light and shadow enhances the mood, making the staircase seem both tangible and ethereal. The cool metallic grays and silvers of the staircase reflect its materiality, suggesting durability and permanence. At the same time, the reflective surfaces give it a shimmering, almost celestial quality. The background is suffused with warm, earthy tones—yellows, browns, and muted greens—that contrast with the cold metal of the staircase. This contrast creates a sense of tension between the man-made structure and the organic or natural environment surrounding it. Symbolism. Spiral staircases are often symbolic of a journey, both physical and spiritual. They represent the process of ascent, growth, and transformation. This staircase seems to lead into a vortex of light, suggesting a path to enlightenment or transcendence. The spiral is a recurring motif in art and nature, often representing infinity, cycles, and continuity. The staircase's design hints at a journey without end, encouraging reflection on the passage of time and the eternal nature of life. The destination of the staircase is deliberately obscured, leaving the viewer to wonder where it leads. This creates a sense of mystery, drawing the viewer into an imaginative exploration of the unknown. The swirling patterns in the ironwork mirror the overall spiral shape of the staircase, creating a sense of harmony and cohesion. These designs also add a decorative richness to the piece, tying it to the tradition of Romanticism or Gothic Revival, where even utilitarian objects were imbued with beauty and meaning. The background is loosely rendered, with soft, swirling brushstrokes that echo the spiral of the staircase. This abstraction contrasts with the detailed depiction of the staircase, making the environment feel less defined and more dreamlike. The staircase appears to float in a liminal space, further emphasizing its symbolic and otherworldly qualities. The viewer’s vantage point and the sheer scale of the staircase evoke a feeling of awe. It could symbolize humanity’s ambitions to reach higher realms—intellectually, spiritually, or artistically. The absence of people in the painting draws attention to the object itself, suggesting introspection or solitude. The staircase might represent a solitary journey, one that each individual must take alone. The intricate design and upward motion of the staircase, combined with the lack of a specific time or place, imbue the piece with a sense of timelessness. It could exist in any era, representing universal human themes. In comparison to the artist’s other works, this painting shifts focus from mythological and figurative themes to an architectural subject. Yet, it retains the artist’s characteristic use of ornamentation, bold perspectives, and symbolic depth. Like the Minotaur or Zeus paintings...

Italian painter (18th century) - Saint Monica in prayer. 56 x 32 cm. Antique oil painting on canvas, without frame. Condition report: Good state of conservation of the pictorial s...

Foster Jewell (American, 1893-1984) Signed: F. Jewell (Lower, Right) " Mission San Juan Capistrano ", circa 1934 Oil on Canvas 21" x 25" Beautifully housed in a 4" Carved Frame ...

"Feelings" is a visual exploration of complex human emotions, relationships, and resilience. The layered figures, abstracted and partially overlapping, reflect the intertwined ident...

Unique still life of a table with geraniums and a lit cigar, with a framed painting of a nude in a forest setting in the background by an unknown artist (American, 20th Century). Pre...

Frammento Casa di Famiglia Title: Fragment Artist: Marilina Marchica Dimensions: Artwork: 70x110 cm Frame: 80x120 cm Description: This is an original, non-reproducible piece by Mar...

This lovely British Victorian oil painting is by noted artist John Eaton Walker. Painted circa 1855 it is portrait in an interior of a beautiful young woman in a yellow satin dress. ...

"Blooming Floral Beauty" is a contemporary, vibrant abstract expressive painting created by French artist Natalya Mougenot. This artwork is part of her abstract series, where she exp...

Mid Century Modern Abstract Line Art Painting Mixed Media on Canvas Stretched on 1.5" wood and not framed. The edges are painted so there is no need...

A charming early 20th Century interior scene in impressionistic oil. The scene shows a woman in Edwardian dress, sitting in a rustic cottage kitchen by...

A fine early Century oil interior scene showing a blacksmith's workshop, with three men working at their stations with large, arched windows flooding the space with natural light and...

This charming oil portrait painting is by noted British Victorian artist George Wells. Painted circa 1880 we know the elegant sitter is Chlorinda but her relationship to Wells is unk...

Follower of Jacopo Da Ponte, known as Jacopo Bassano (Bassano del Grappa ca. 1510 - Bassano del Grappa 1592) - Christ Mocked. 38.5 x 47 cm without frame, 48 x 58 cm with frame. Ant...

Yellow chrysanthemums in a black vase with a deep blue backdrop come together in a beautiful midcentury still life oil painting by Central Valley and Los Angeles, California artist A...

The orange areas interlace with the red, conveying a sense of warmth and enthusiasm, as if the sun were in constant explosion. These tones ignite the spark of emotion in the artwork....

Ocean painting. Snowy mountains ridge of Antarctica at the background in contrast with summer green grass and flowers and in straight line 6000 km of the blue ocean in between. Oil ...

Samir Sarkar - Untitled - 13.5 x 10.5 inches (unframed size) Mixed Media on Paper. Style : He says, “All my paintings have people wearing some headgear that has a face painted on ...

The paintings are drawn with oil on the canvas. A summer landscape with white jasmine flowers. Clusters of flowers. The painting is made in the style of painting...

Vincenzo Colleoni (Active in Venice in the second half of the 19th century) - Interior scene with masked characters. 110 x 160 cm without frame, 145 x 194 cm with frame. Antique oi...

Antique American modernist interior scene with two monkeys. Oil on canvas. No signature found. Framed. Image size, 39H x 26L.

vintage pattern of climbing plants and vegetables creating a colourful contrast on a dark green background - Original oil painting - 50х70 cm - no framing necessary. The sides of...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 35x27 cm. Frame 40x32 cm. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spani...

«Breathe Slowly/8» by Helen Mount is an embodiment of tranquility, in which shades of green and gray and white accents depicting the mobility of clouds are intertwined. The atmospher...

Jim Beckner's (US based) "View to the Kitchen" is an original, handmade oil painting depicting a trio at a bar with a view to the establishment's kitchen. About the Artist: (Bor...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes, tones, and movement to create depth, balance, and ...

French Expressionist Still Life, oil on canvas by Jean Marie Gouttin. The painting is signed bottom left and presented in a fine carved wood and gilt frame. An intriguing compositio...

This intriguing British Edwardian figurative interior oil painting is by noted artist Arthur Croft Mitchell. It is entitled Two Worlds verso and dated as c1910. The composition of th...

Original large abstract painting READY TO HANG with the edges painted. In this amazing work I used many shades of grey and neutral earthy tones, resulting a peacefully, realxing pai...

“Breath of Freedom” is a painting that instantly captures your attention with its calm power and depth. Delicate blue and green shades are woven into the mountain contours, creating...

This charming Edwardian Scottish full length portrait oil painting is by noted Scottish portrait artist George Fiddes Watt. Painted circa 1910, the sitter is Muriel Sutherland, daugh...

Still Life with Fruit & Bread Rustic French Farmhouse Interior by 20th Century French Artist, Robert Chailloux (1913-2006). Art measures 29 x 23.5 in...

Well painted and very interesting French or Belgium still life of flowers. Signed and inscribed, Jane Herbo, 1906, Ste Louise! / á Marraine. The ...

"Spring Inspiration," an abstract expressive artwork by French artist Natalya Mougenot, is part of her "Floral" series. Natalya enjoys working in a single, focused setting to convey ...

Still Life with Purple Echinops Globe Thistle Flowers in a Pewter Tankard, set within a Rustic French Farmhouse Interior by 20th Century Artist, Robert Chailloux...

Natalya enjoys working on abstract artworks with an expressive touch. Title: "Building a brighter future " This artwork was done with acrylic paints on a heavyweight cardboard. Glo...

Impressive early American modernist strawberry still life painting. Framed. Oil on canvas. Signed. Image size, 8H by 10L.

American school realist portrait oil painting. Framed. Oil on canvas. Signed. Image size, 20H by 16L.

Whimsical depiction of the artist's kitchen by Jon Joaquin (American, b. 1944). Titled, initialed, and dated on verso. New; acquired directly from the artist. No frame, but the edges...

A mid century Expressionist oil on canvas of a man, child and cat in an interior with a cityscape beyond. The work is not signed but there are various notations to the top rear stret...

Title: Woman with Glass Author: Ramón Pichot Soler (1924-1996) Technique: Oil on hardboard Dimensions: 18.1 x 15 inches Framing: Unframed Estimated year: 1970s Descripti...

This artwork expresses cheerfulness no matter what. Feel like a mistress of your emotions! The painting is on canvas on a stretcher 30x24x2cm with painted sides. It’s part of my silh...

This vibrant abstract colorful expressive artwork "Mystery 0.2" reflects the nature and the beauty of multiple colors (red, yellow, green black) we can find in it. This artwork is ...

Due to a physical ailment (a large benign tumor in her right hand) Sarah’s creative process is unique. She works primarily with acrylic paint, alcohol ink, pen, synthetic film and ca...

Vibrant Colorful Abstract-0-18,' a stunning piece of state-of-the-art HAND EMBELLISHED artwork by the talented artist Irena Orlov. This Giclee Reproduction is a true masterpiece, me...

"Feelings" is a visual exploration of complex human emotions, relationships, and resilience. The layered figures, abstracted and partially overlapping, reflect the intertwined ident...

This geometric abstract painting belongs to the "Geometric Abstraction" series, a collection that explores the interplay of shapes and tones to create depth, balance, and harmony. G...

Blue Lagoon of Miyako Island lies 300 km west of Okinawa and is known for its beaches, which are considered the best in Japan. The blue water shines like a polished emerald. The...

Oil on canvas. Signed Aress. Oil mesures 33x24 cm. Frame mesures 48x39 cm.

Bold, large-scale contemporary cubist abstract with teal, gray, and yellow by Bay Area artist Michael Pauker (American, b. 1957). The scene evokes a highly abstracted cubist interior...

Painting: Acrylic and enamel on Canvas. Oversize XXL Abstract Painting. This impressive piece of art measures 300cm x 200cm and is a stunning example of the style of the famous Ameri...

Still Life with White and Yellow Floral Arrangement Original Oil on Canvas Vibrant still life with thick impasto by Didi Fernandez (Filipino, 20th Century). A floral arrangement has...

The vibrant artwork "Floral Vitality" by French artist Natalya Mougenot bursts with color, featuring dynamic vertical strokes that evoke the sensation of a wild, abstract field in mo...

Jordi Curós Ventura (1930-2007) - Woman Mixed technique on canvas cardboard. Work measurements 46x38 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish pa...

"Dancers resting VII". Impressionist interior scene with two girls. Oil on panel Measurements in centimeters: 61 x 61 cm / In inches 24.02 x 24.02 “ Framed: 78 x 78 x 4 cm. / In inches 30.71 x 30.71 x 1.57 " This artwork , signed IF in the left down corner, by the author Iain Faulkner, is a very well studied composition with two dancers, dressed in blue color, lying on a beautiful mosaic floor with gold border, having a rest. The circle design of the mosaic, the figures in three quarters in parallel; opposite the postures, the suits, and the colors blue and flesh. This complementation above and below, and to the left and right of the painting, gives the painting a surprising composition and excellent balance. Despite the thick brushwork, the author achieves a very subtle effect in the definition of the two beautiful figures and very successful effects of light and shadow. Iain Faulkner acknowledges the influence on his painting of artists such as Sargent, Degas, Whistler and, especially, Vermeer, showing scenes with figures performing everyday tasks while lost in thought, like this two dancers. This piece was originaly purchased from Albemarle Gallery in London. ABOUT THE ARTIST Born in Glasgow in 1973 and graduating from Glasgow School of Art in 1996 with a BA (Honours) in Fine Art. His degree show was sell-out. Iain Faulkner is now one of Britain's top figurative painters, a stablished artist with the Albemarle/Pontone Galleries in London, and with numerous solo shows in New York, Paris, Geneva, Monaco and Bologna . His work appears in many private and corporate collections and in the Scottish National Portrait Gallery. In 2010 he was commissioned to paint the European Ryder Cup...

Clean and refreshing. Easy on the eyes yet distinct in a classic appeal. White on white has the subtlety of a quiet personality in a room full of people. When it speaks everyone li...

"Horizon of Hope" is a serene piece that reflects the grandeur and tranquility of nature, addressing the timeless theme of hope and aspiration. The expansive sky, painted in soft blues and pinks, casts its light over the serene waters, with the distant horizon drawing a line of possibilities. The warm pastel colors of the land evoke a sense of inner peace and harmony, while the silhouettes of trees on the horizon symbolize strength and resilience. This work by Helen Mount...

William M. Hart (1823 - 1894) Interior of a Stable Oil on canvas 17 x 12 inches Provenance William Macbeth Gallery, New York Mrs. Mabel Brady Garvan Collection Christie's New York, Sporting Art, November 28, 1995, Lot 116 Ann Carter Stonesifer, Maryland Estate of above Brunk Auctions, Asheville, North Carolina, January 27 2018, Lot 777 Exhibited New York, The Metropolitan Museum of Art, Life in America, April 24 - October 29, 1939, no. 123, illustrated. New York, Macbeth Gallery, 1892: Sixtieth Anniversary Exhibition, April 1952, p. 5, no. 18. Literature Turner Reuter Jr, Animal and Sporting Artists in America, Middleburg, Virginia, 2008, p. 306. Gary Stiles, William Hart: Catalogue Raisonné and Artistic Biography, no. 1126, illustrated. It should be noted that the Francis Patrick Garvan and Mrs. Mabel Brady Garvan collection, of which this painting was a part of, was one of the foremost American Art collections and now makes up a large part of the Smithsonian American Art Museum and the Yale University Art Gallery collections. Born in 1823 in Paisley, Scotland, William Hart emigrated with his parents to the United States at the age of nine and settled in Albany, New York. It was here that Hart first began his artistic training when he was placed under the tutelage of Messrs, Eaton & Gilbert, the prestigious coach-makers from Troy, New York. During this time, Hart learned how to decorate coach panels, covering them with either landscapes or figurative compositions. At the age of seventeen, he was eagerly contemplating an artist’s profession. Consequently, he left the mechanical trade of coach-making and began expanding his artistic pursuits to more refined endeavors. Hart followed coach-making with decorating window shades and later developed an interest in portraiture. Around 1840, he established his first formal studio in his father’s woodshed in Troy. There, he created many likenesses of individuals, affording him a nominal income. Once, he remarked that he felt prouder over his first fee of five dollars for painting a head then for the larger sums he would command later in his career. Nevertheless, his wages from portraits during this early period proved insufficient. Thus, he expanded into landscape painting, allowing him to barter his works or sell them for modest prices. In 1842, Hart moved to Michigan in an attempt to further his success; portraiture remained his primary means of support. Unfortunately, his experiences in the West were disappointing. Hart spent three years living a rough existence until he finally returned to Albany in 1845. Upon his return, he fully devoted himself to the art of landscape painting. Despite his failing health, he worked diligently to perfect his skill until 1849 when he traveled abroad to his native land of Scotland. This trip was made possible through the generosity of his patron and advisor, Dr. Ormsby of Albany. For three years, he studied in the open-air, creating brilliant sketches of the Scottish Highlands and the surrounding British Isles. Returning to Albany once more in 1852, Hart enjoyed improved health and was reinvigorated with purpose. The following year, he moved to New York and opened a studio, promoting himself as a specialist in landscape painting. Hart became a regular contributor to the National Academy of Design. His works received a great deal of attention from artists and connoisseurs alike, all of whom praised him for his fresh, self-taught style. In 1855, he was designated as an associate of the National Academy of Design; three years later he was elected to Academician. In 1865, he was unanimously chosen to be the first president of the Brooklyn Academy of Design. It was during his tenure there that he delivered his famous lecture The Field and Easel, which emphasized the distinguishing principles of landscape art in America. Hart argued that landscape painters should express the “look of the place” being depicted.Critics during the 1870s noted his sensitive balance between capturing a strict “real” interpretation of nature and that of a more “ideal” sentimental tone. For instance, in 1869, Putnam Magazine noted that Hart brought back “exquisite studies” of the surrounding Tappan...