Landscape Paintings on Sale

Landscape Oil Paint on Paper Fabriano Paper 70x50cm 2025 Original Art Marilina Marchica, born in Agrigento, where she works and lives, she graduated in Painting at the Academy of ...

Gorgeous mid-century Belgian landscape by Gustav Pynaert (Belgium, 1900-1968), c.1950. Signed lower right. Unframed. Image size: 16"H x 20"L. Gustave Pynaert was born in Menen in West Flanders...

This framed 26.5" x 16.25" watercolor painting by artist P. Krewer depicts a rocky coastal landscape in Maine. In the foreground are several rock clusters on the coastal edge in mult...

Early 20th Century English Autumn river landscape with a Norman Church. Abraham Hulk Junior was born in the Netherlands in 1851 to renowned Dutch ...

Herbe was a Dutch painter from the early 20th century. He painted landscapes and seascapes mostly in oils. His work was exhibited in London during the 1930s-50s with Mitchell’s the i...

Large Scale Ocean Seascape Abstract Monoprint - Acrylic and Pastel on Paper A dynamic large-scale vintage abstracted seascape Monoprint by Dennis Frings...

Antique American modernist flower still life oil painting. Oil on canvas, circa 1910. Signed on verso. Image size, 18L x 23H. Housed in a period frame.

"In this oil painting, I've captured a tranquil riverside at dusk, evoking serenity. The brushstrokes blend expressionism with a touch of impressionism, creating a scene that's both vivid and dreamlike. The colors—a symphony of purples, pinks, and blues—evoke a peacefulness that invites contemplation. This piece embodies a moment of stillness...

Large American impressionist landscape painting of Monument Valley. Oil on canvas. Apparently unsigned. Nicely framed. Image size, 36L x 30H.

Conrado López's "Ferrobús Street," a 2023 primary market piece, is an evocative acrylic and oil creation on canvas, measuring 116 x 89 cm (45.67 x 35.04 inches). This original handma...

Antique painting, fisherman on the coast, oil on canvas. Frame damaged in places. Dimensions with frame.

San Antonio . Oil on canvas by Spanish artist Chico Montilla. Measurements: (H) 65 x (W) 81 x 2 (D) cm. Framed 85 x 101 x 5 cm. San Antonio, another expressionist view of the countr...

Woman in the Woods walking through trees towards Cottage in English Countryside, by 20th Century British Artist, David Mead (1906-1986) Art measures 24 x 20 inches Frame measures 30 x 25 inches Oil on Board, Presented in the original ornate frame David Mead was born in London in 1906. A self-taught painter, he started painting landscapes at the age of 9, greatly influenced by F W Hayes...

"Moon Set" - Original Oil on Canvas Original oil painting titled "Moon Set" by Bay Area artist Jeffrey Burchell. Hues of purples and blues take up the canvas, with the moon serving ...

Painting of Lake & Mountains in England by 20th Century British Landscape Artist, James Wright Signed, Original, Oil on Canvas, housed in a beautiful ornate gold frame. Provenance: Part of the English Heritage...

Nicely painted large atmospheric sunset seascape painting. Large and impressive in person. Oil on canvas. Framed. Signed. Image size, 24"H x 48"L.

Two Trees oil/board, image is 11.13 x 15.13 unframed, could benefit from a cleaning. In as untouched purchased condition. Signed LL. Brief Biography from ASKART Charles Curtis Al...

Jordi Curos - View of Barcelona - Oil on cardboard Oil measurements 55x46 cm. Frameless. Jordi Curós Ventura (Olot, Girona, March 4, 1930) is a Spanish painter. He trained at the O...

This stunning large 19th century landscape oil painting is attributed to follower of Joseph Turner, possible George William Mote. Painted circa 1850 it is a panoramic landscape loo...

Hedgerow & Fields with Wild Flowers in an Overcast English Countryside Landscape by 20th Century British Artist, Pamela Derry (1932-2002) Art measures 14.5 x 9 inches Frame measure...

Oil Painting of River Bank with Silver Birch Trees and Misty Hills & Mountains by British Artist Charles Wyatt Warren (1908-1993) Art measures 35...

"Manitou, Colorado with Pikes Peak View" is an original oil on canvas painting by renowned Colorado modernist Charles Ragland Bunnell (1897–1968), created circa 1928–1929. This vibra...

Vibrant plein air painting of a beautiful mountain meadow with oak trees, lupine and poppies, an oil on paper landscape by J. A. Johnson (American, 20t...

"Magic summer" is a contemporary colorful impressionist landscape painting which celebrates my love for the south of France. In my art practice I love to use bright colors which bol...

PaperLandscape – Abstract Landscape Mixed Media Painting on Canvas by Marilina Marchica, 2025 PaperLandscape is a large original abstract painting (89 x 116 cm) by contemporary Ita...

In this expressive oil on canvas, vibrant hues dance with light and energy, capturing the essence of a sun-soaked meadow. The figure embraces the warmth, surrounded by the jubilance ...

Edwin B. Kelley Jr. (American). Monterey Bay Cyprus tree Landscape. Oil on panel measuring 12 x 16 inches. Unframed. Signed lower left.

William Westall (1781-1850), served as an artist at age 19 on the Investigator ship, exploring Africa and Australia, then China and India, and another journey to Madeira and Jamaica....

Coastal Cliffs and Lush Valley - Pacific Coast Big Sur Seascape in Oil on Canvas Gorgeous seascape of Hurricane Point, Big Sur coast by California artist Kathleen Murray (American, ...

Katrina Revenaugh Piccolo Giardino Numero 8 Archival Pigment Ink, Acrylic, Spray Paint and Gold Leaf on Birch Panel Year: 2024 Size: 8 x 8 x 1.75 inches Signed: On Verso COA provided...

Rafael Duran Benet (1931-2015) - Park with lake - Oil on cardboard paid to canvas Oil measurements 50x65 cm. Frame measurements 66x81 cm. Rafael Duran Benet (Terrassa, 1931 - Barc...

This piece depicts a scene from "Queens Gambit" of Anya Taylor Joy during an intense game of Chess with her opponent. An impressionistic take on Parisian...

Up for sale is this vintage original Duch oil painting on canvas depicting a serene winter landscape in a rural mountain village. The scene features a snow-covered hillside with two ...

Vintage Grand Canyon Impressionist Landscape Majestic impressionist landscape of the Grand Canyon in beautiful vivid colors by an unknown artist (American, 20th Century). The viewer...

Antique American important and historic drawing by John Avery, Ink on paper. Provenance from Kennedy Gallery. Framed. Measuring 19 by 23 inches overall and 12 by 15.5 drawing alone. ...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Artwork size: 16 x 12 inches. Frame size...

Impressive early American Hudson River School landscape oil painting by Jasper Holman Lawman (1825 - 1906). Framed. Oil on board. Signed. Image size, 10H by 16L.

Rural landscape, church, cottages, winding road, soft light, timeless charm in the English Countryside by 20th Century British Artist, Michael Morris (1938-2010) Art measures 10 x 8...

Technical sheet - Artist: Joan Carles Roca Sans (b. 1946) - Title: *Landscape of the Ampurdán* - Technique: Oil on canvas - Dimensions: 23.6 x 28.7 ...

-In light of new tariffs, we’ve applied a 20% discount off the market price of this piece to support our collectors in facing potential added costs. At the gallery, we work closely w...

Title: Landscape of Olot Artist: Joaquim Marsillach Codony (1905-1986) Year: 1945 Technique: Oil on canvas Dimensions: 23.6 x 28.7 in (60 x 73 cm) Location: Olot School, Catalonia Mo...

Mountains in Spain, Colourful Original Oil by 20th Century Spanish School Artist, G Munar Art measures 11 x 9 inches Frame measures 17 x 15 inches Presented in a period ornate f...

Artist: Peter Max (1937) Title: LOVE Year: 2008 Medium: Acrylic on canvas Size: 6 x 15 inches Condition: Excellent Inscription: Signed by the artist Notes: Referenced in the archives...

Mid 19th century Realist ink, watercolour and gouache portrait on paper of a young man in a field by John George Todd. The painting is signed G Todd bottom left as was his usual mann...

De Hirsh Margules (1899-1965). Christopher Street, 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15.5 x 20 inches. Window in matting measures 15 x 19 inches. Framed measurement: 23 x 30 inched. Bears fragment of original label affixed on verso. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC Exhibited: The American Federation of Arts Traveling Exhibition. From the facade of The Waverly at Christopher is depicted One Christopher Street, the 16-story Art Deco residential building erected in 1931. It is not a casual coincidence that the structure appears in this cityscape: 1 Christopher Street is the subject. The original intention of this project was to transform the neighborhood, bring a bit of affluence and make a bid to rival the Upper West Side. Margules, a sensitive aesthete, understood how a massive piece of architecture such as One changes a neighborhood. Sound, scale and focal points are forever altered. A pedestrian's sense of depth and distance becomes pronounced. All of these factors contribute to the intent behind this image. Tall buildings disrupt the human scale, change the skyline and carve up space. In this piece, negative space conforms to the man-made geometries. Clouds become gems fixed in settings. De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Domingo Alvarez (Spain 1942) - sailor fisherman in his boat - oil on canvas Canvas size 46x61 cm. Unframed.

Antique American modernist abstract landscape painting by Ann Anderson. Oil on canvas, circa 1961. Signed. Displayed in a period modern frame. Image, 16"L x 20"H.

Antique European street scene oil painting. Oil on panel. Framed. Measuring 14 by 19 inches overall and 10 by 14 painting alone. In excellent original condition. Handsomely framed ...

Beautiful scene of the ocean shore, with light from the sunset shining through the waves by Evelyn Woodward (American, 20th Century). Signed lower right: "Evelyn Woodward." Displayed...

Original oil on canvas painting by the well known British artist, David Bates. Signed lower right and dated 1886. The canvas has been relined. Condition is very good. The painting is housed in a period ornate gold frame. Overall framed measurements are 19 by 22.75 inches. About: David Bates British, (1840-1921) David Bates was born in March, Cambridge in 1840 to Benjamin Bates a shoe maker and Sarah Bates. By 1851, the family had moved to Upton upon Severn in Worcestershire and from 1855 Bates became an apprentice at the Royal Worcester Porcelain Works in Worcester. There he developed his artistic talent, painting flower decorations onto vases and plates. At some point after 1861, he became a full time artist and made his debut at the Royal Academy in 1863, continuing to exhibit there until 1893. He also exhibited at the Royal Birmingham Society of Artists, Suffolk Street and the Grosvenor Gallery. He married Elizabeth Higgs from Worcester in 1867 and they lived at Cherry Orchard, Bath Road in Worcester where their children were later born. Their second child John Bates Noel (1870-1927) became a landscape artist and their younger son David Samuel...

Title: Tree-Lined River Medium: Oil on canvas Size: 34 x 23 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This painting...

Large and expressive, this is contemporary mid-century impressionistic Belgian oil painting titled 'Moulin Flanders', signed and dated 1956. Painted with thick brushstrokes in designer colors popular today in shades of brown, beige, conch, warm white, russet and sage green. The nearly impasto paint outlines the windmill, traditional house, sailboat and figures. Painted in trending brown and cinnamon tones in a perfect size over the sofa or dominating the hall entry. A true designer choice, mid century contemporary in an impressionist expressive style of a classic landscape. Signed Alfred Van Neste...

Brian Mashburn's painting "Asian Elephant Standing Before Hazy Blue Mountains," crafted in 2023, is an evocative exploration of the delicate balance between nature and vestiges of ci...

Winter On Fifth Avenue, St Patrick's, is an oil painting on linen by award winning contemporary artist Michael Budden that showcases the bustling life on Fifth Avenue in NYC above t...

Antique American modernist Maine landscape oil painting. Oil on canvas. Signed. Framed. Image size, 40L x 36H.

Alex Perez was born in Santiago, Chile in 1946 and is the fourth generation of Jewish artists trained in various fields, ranging from painting to architecture. In 1977 he moved to T...

Brightly colored and crisply detailed painting of a group of mallard ducks resting on stones on a calm lake, their dappled reflections beautifully rendered on the electric blue water...

Boathouse at Night, Modernist Two Toned Color-field Abstracted Seascape Nocturnal seascape by Vasil (Victor) Papkov (20th Century). At the top of the piece, the moon is obscured beh...