Landscape Paintings on Sale

Acrylic and offset lithograph on archival paper. Paper Size: 30 x 24 inches. Inscription: Hand signed, as issued. Notes: Published by Via Max, New York; painted by Peter Max, New Yor...

Antique American impressionist fall landscape oil painting. Oil on board, circa 1890. Unsigned. Displayed in a giltwood frame. Image size, 13"L x 9"H.

River Landscape Painting of the Scottish Highlands by 19th Century British Artist, Alfred De Breanski Snr, (1852 - 1928). Signed on the front (l...

Arthur Ernest Becher, 'Early Spring', oil, 1950. Signed and dated, lower right. A fine impressionist landscape, with fresh colors, on heavy illustration board, in very good, original condition, without inpainting. Framed in a period, 3 inch wide wood frame. Image size: 17 5/8 x 20 1/2 inches; outside frame dimensions: 23 3/4 x 26 5/8 inches. ABOUT THE ARTIST Arthur Ernst Becher was a painter and an illustrator of books and magazines. Born in Freiberg, Germany, he emigrated with his parents at the age of six to Milwaukee, Wisconsin. As a fine artist, he was known for his rural New York landscapes and historical scenes including Lincoln's Gettysburg Address. He received early training from F.W. Heine and Robert Schade...

Signed: Morrow '65 (Lower, Right) " Venus of the Grotticella Fountain ", 1865 Oil on Paper 14 1/2" x 10" Housed in a 2 3/4" Ornamented Frame Overall Size: 19 1/2" x 15" The f...

Jacob van Ruisdael (Haarlem 1628-Amsterdam 1682) attributable Wooded Landscape with Waterfall Oil on canvas 74 x 94 cm. - framed 91 x 111 cm. A wooded view crossed by a tumultuous...

Foster Jewell (American, 1893-1984) Signed: F. Jewell (Lower, Right) " Mission San Juan Capistrano ", circa 1934 Oil on Canvas 21" x 25" Beautifully housed in a 4" Carved Frame ...

Contemporary oil on canvas, this very large painting has fine naturalistic detail, with deep sky tones, rich coloring, crisp trees/leaves and lines of lighted meadow reflected in the...

Dutch painter (18th-19th century) - The spanking. 60 x 99 cm without frame, 67 x 106 cm with frame. Antique oil painting on panel, without frame. Condition report: Wooden support ...

Fantastical surreal landscape with a floating castle in an idyllic, dream-like setting with bright blue sky and green grass by Melissa Barkley (Ameri...

This stunning Scottish oil painting is by noted landscape artist Douglas Falconer. Painted circa 1960 the composition is of a seated golden eagle in a mountainous highland landscape....

The splendour of the tragic sea Francesco Guardi and maritime painting in Venetian art No Venetian painter was a stranger to the sea. After all, Venice was not only one of the most prominent ports of the Mediterranean, but indeed a city literally submerged in the ocean from time to time. Curiously however, the famous Venetian school of painting showed little interest in maritime motifs, favouring scenes from the iconic architecture of the city rather than seascapes. That is why this painting is a particularly interesting window into not only the painter Francesco Guardi himself – but to the significance of the element of water in art history, in absence as well as in the centre of attention. Whether it be calm, sunny days with stunning views of the palaces alongside the canals of Venice or – more rarely – stormy shipwrecking tragedies at sea, water as a unifying element is integral to the works of painter Francesco Guardi (1712–1793). During his lifetime, Venetian art saw many of its greatest triumphs with names like Tiepolo or Canaletto gaining international recognition and firmly establishing Venice as one of the most vibrant artistic communities of Europe. While the city itself already in the 18th century was something of an early tourist spot where aristocrats and high society visited on their grand tour or travels, the artists too contributed to the fame and their work spread the image of Venice as the city of romance and leisure to an international audience, many of whom could never visit in person. Still today, the iconic image of Venice with its whimsical array of palaces, churches and other historic buildings is much influenced by these artists, many of whom have stood the test of time like very well and remain some of the most beloved in all of art history. It was not primarily subtility, intellectual meanings or moral ideals that the Venetian art tried to capture; instead it was the sheer vibrancy of life and the fast-paced city with crumbling palaces and festive people that made this atmosphere so special. Of course, Venice could count painters in most genres among its residents, from portraiture to religious motifs, history painting and much else. Still, it is the Vedutas and views of the city that seems to have etched itself into our memory more than anything else, not least in the tradition of Canaletto who was perhaps the undisputed master of all Venetian painters. Born into his profession, Francesco lived and breathed painting all his life. His father, the painter Domenico Guardi (1678–1716) died when Francesco was just a small child, yet both he and his brothers Niccolò and Gian Antonio continued in their fathers’ footsteps. The Guardi family belonged to the nobility and originated from the mountainous area of Trentino, not far from the Alps. The brothers worked together on more challenging commissions and supported each other in the manner typical of family workshops or networks of artists. Their sister Maria Cecilia married no other than the artist Giovanni Battista Tiepolo himself, linking the family to the most renowned Venetian name of the time. During almost a decade, Guardi worked in the studio of Michele Giovanni Marieschi, sometimes simply known as Michiel, a painted similar in both style and motif. Canaletto is, however, the artist Guardi is most often compared to since they shared a mutual fascination for depicting the architecture and cityscape of Venice. During the course of his career, Guardi tried his hand in many different genres. He was as swift in painting landscapes, Vedutas of Venice, sacred motifs, interiors and architectural compositions as he was in a number of other motifs. His style is typical of the Venetian school but also distinct and personal once we look a little closer. There is an absolute certainty in the composition, the choice of which sometimes feels like that of a carefully calculated photograph – yet it is also very painterly, in the best sense of the word: fluid, bold, sensitive and full of character. The brushwork is rapid, intense, seemingly careless and extraordinarily minute at the same time; fresh and planned in a very enjoyable mixture. His interiors often capture the breath-taking spacious glamour of the palaces and all their exquisite decor. He usually constructed the motif through remarkably simple, almost spontaneous yet intuitively precise strokes and shapes. The result was a festive, high-spirited atmospheric quality, far away from the sterile and exact likeness that other painters fell victim to when trying to copy Canaletto. The painting here has nothing of the city of Venice in it. On the contrary, we seem to be transported far away into the solitary ocean, with no architecture, nothing to hold on to – only the roaring sea and the dangerous cliffs upon which the ships are just moments away from being crushed upon. It is a maritime composition evoking both Flemish and Italian precursors, in the proud tradition of maritime painting that for centuries formed a crucial part of our visual culture. This genre of painting is today curiously overlooked, compared to how esteemed and meaningful it was when our relationship to the sea was far more natural than it is today. When both people and goods travelled by water, and many nations and cities – Venice among them – depended entirely on sea fare, the existential connection to the ocean was much more natural and integrated into the imagination. The schools and traditions of maritime art are as manifold as there are countries connected to the sea, and all reflect the need to process the dangers and wonders of the ocean. It could symbolize opportunity, the exciting prospects of a new countries and adventures, prospering trade, beautiful scenery as well as war and tragedy, loss of life, danger and doom. To say that water is ambivalent in nature is an understatement, and these many layers were something that artists explored in the most wondrous ways. Perhaps it takes a bit more time for the modern eye to identify the different nuances and qualities of historic maritime paintings, they may on first impression seem hard to differentiate from each other. But when allowing these motifs to unfold and tell stories of the sea in both fiction and reality – or somewhere in between – we are awarded with an understanding of how the oceans truly built our world. In Guardi’s interpretation, we see an almost theatrically arranged shipwrecking scene. No less than five ships are depicted right in the moment of utter disaster. Caught in a violent storm, the waves have driven them to a shore of sharp cliffs and if not swallowed by the waves, crushing against the cliffs seems to be the only outcome. The large wooden ships are impressively decorated with elaborate sculpture, and in fact relics already during Guardi’s lifetime. They are in fact typical of Dutch and Flemish 17th century ships, giving us a clue to where he got the inspiration from. Guardi must have seen examples of Flemish maritime art, that made him curious about these particular motifs. One is reminded of Flemish painters like Willem van de Velde and Ludolf Backhuysen, and this very painting has indeed been mistakenly attributed to Matthieu van Plattenberg...

Wonderful Austrian landscape with Church on a mountain . Hermann Reisz Austrian (1865-1920)Reisz was a well-regarded 19th century Austrian landscape...

Serene, small-scale early 20th century landscape of a stream in winter by Ohio artist Martin George Dumler (American, 1868-1958), c. early 1900's. The deep blue stream flows peacefully through white banks of snow, towards the distant trees depicted in loose, abstracted brushstrokes. Signed "M. G. Dumler" in the lower right corner. Presented in a gilded frame. Painting size: 10"H x 8"W. Still-life and Landscape painter and composer of liturgical music, born in Cincinnati (Hamilton). December 22, 1868. He was a pupil of Martin Rettig...

Vintage American modernist oil painting. Oil on canvas. Framed. No signature found.

La seine à Paris. Oil on canvas, 38x46.5 cm The artwork depicts a landscape scene of the Seine River in Paris. The dominant color palette of the painting consists of bright tones, ...

Early American impressionist landscape painting. Framed. Possibly signed verso. Oil on board.

Dennis Alter's layered and textured oil on canvas paintings abstract expressionist drip paintings in the style of Jackson Pollock are rich with painterly activity. Gestural brushwork...

Love in May is a vibrant depiction of a wild flower bouquet against a sky blue background. Comes unframed and ready to hang.

Hope - Floral landscape after the Storm Extra large floral showcase Investment Extra large Floral Showcase Investment Nature Landscape Joy Colorful Authentic Original One-of-a-kind ...

'Landscape with Church in Touraine', oil on paper, by Lilian Whitteker (1968). The Loire Valley of France comprises about 800 square kilometres (310 sq mi). It is referred to as the ...

Antique impressionist painting of a coastal seascape. Oil on canvas, circa 1900. Signed illegibly. Framed. Image size, 18L x 12H.

James Y. Gant was an active British artist during the early 19th century, primarily known for his landscape paintings. His career spanned from 1827 to 1841, a period in which he prod...

Danish oil on board painting of two women making their way home in a coastal landscape, by Poul Møller. The painting is signed PM and dated 76 to the bottom right corner. To the reve...

Antique American modernist flower still life painting. Signed lower right. Framed.

Antoine Bouvard, called Marc Aldine (L'Isere 1875 - Paris 1957) Signed 'Bouvard' lower right View of Venice with the Grand Canal (link) oil on canvas 60 x 86 cm Framed 70 x 96 cm. Very good condition We present an evocative view of Venice with a glimpse of the fascinating Grand Canal, signed by the famous French Vedutist Antoine Bouvard, also known by his pseudonym, Marc Aldine. Considered one of the most talented illustrators of the lagoon city who worked there in the first part of the 20th century, he became one of the most acclaimed vedutists of that period, with a success that led him to exhibit throughout France and Italy as well as in numerous European galleries...

A stunning and masterful depiction of a Parisian street view from the 20th Century. The artist executed this painting en plein air with street life and cars parked along into the dis...

Incredible quality American school portrait painting. Oil on canvas. Framed. No signature found.

A fine example of a 19th century Dutch school landscape scene. The picture depicts two farmers in conversation beside a lake with a small herd of sheep around them. the scene looks o...

Wonderful Impressionist view of St. Marks Square, Venice. Pam Masco was an American from Massachusetts, and a graduate of the School of the Boston Museum of Fine Arts (1976). She was married to the English artist John Heseltine. Her work is in well-known private and corporate collections and has been shown at the Royal Society of British Artists, the Royal Watercolour Society and other London Galleries as well as in the Provinces. She travelled throughout the U.S.A. and Europe and painted American and European subjects, portraits, landscape and figure compositions, still life and interiors. From 1978 she was involved in drawing, painting, technical painting courses, watercolour and graphic design. She illustrated for major British and American publishers until 1988. Authors include Bruce Chatwin...

Dated, signed Signature unknown Work on wood Gray wooden frame with golden patina 82 x 997 x 6 cm

Vintage signed large abstract oil painting. Oil on canvas. Signed.

This superb British Edwardian figurative landscape oil painting is by noted animal artist Edwin Noble. Painted in 1904 it is a large and detailed painting of a young man, kneeling in a grassy thicket with his two dogs, a lurcher and terrier. He is restraining the dogs whilst his ferret goes down a rabbit hole in the hedgerow. Two dead rabbits are already lying on the grass beside them. Beyond is a county landscape of fields and trees. The young man in his stripped shirt and waistcoat and the two white dogs really stand out in the mass of greenery around them as do the white wild flowers at their feet. The detail and brushwork are superb. This is an excellent example of Edwin Noble's work as an animal painter in the Edwardian period and also depicts country pursuits. Signed and dated Edwin Noble 04 lower right. Provenance. From the collection of Derek Parker and Peter Wynne Morris, Interior designers, antique dealers and collectors over sixty years. Condition. Oil on canvas. Image size 50 inches by 40 inches and in good condition. Frame. Housed in a complementary frame, 54 inches by 44 inches and in good condition. John Edwin Noble (1876-1961). Painter and illustrator who worked as Edwin Noble. He was the son of the artist John Sargent Noble...

Venetian painter (18th century) - Turkish nobles with parrot and musician. 43.5 x 63.5 cm without frame, 50 x 70 cm with frame. Antique oil painting...

Unframed Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic training at the age of nine, Gil Sala entered the School of Fine Arts in Barcelona, ​​where he had as teachers Felix Mestres and Vicente Borrás. Already in 1930, being still almost an apprentice, he obtained the bronze medal of the School, and in 1936 he won by contest a scholarship to make a study trip through Spain. Those were the difficult moments of the outbreak of the Civil War and thanks to the help of the sculptor Mariano Benlliure, he was able to complete his artistic training. Throughout his life Ignacio Gil dedicated himself to travel both in the Peninsula and in different Islamic and Latin American countries. He exhibited his work in Spain, France, the Philippines, Switzerland, the United States, Canada and Colombia, among many other countries. Extraordinary draftsman, agile handling pencil and charcoal, Ignacio Gil immortalized landscapes of all Spain...

Artist: Shimshon Holzman (1907-1986) Title: Untitled (Cafe Interior) Year: 1962 Medium: Watercolor and graphite on wove paper Size: 27.75 x 19.75 inches ...

Antique American modernist beach scene oil painting. Oil on board. Framed. Image size, 16L x 20H.

An original British large oil painting on canvas by Ramsay Richard Reinagle which is signed and looks to be dated 1832. Lovely rich colouring depicting a mountainous Italian panorama...

Boat,sea,green Birgitte LYKKE MADSEN (Odense, Denmark, 1960) 1981-86, Educated from the Academy of Fine Arts, Odense First solo exhibition in 1983 Artist statement: “I am a painter. I am fascinated by the difference in cold and warm colors and the different atmospheres that it creates in our mind. My hereby presented oil paintings are describing people in water...

Bartholomäus Spranger (Antwerp, 1546 - Prague, 1611) Workshop/circle of Adoration of the Shepherds Oil on canvas 114 x 90 cm. Framed 126 x 101 cm. The proposed painting, illustrati...

Beautiful mid century watercolor of a little store in Aptos, California by listed artist Jon Blanchette (American, 1908-1987). Signed "Jon Blanchette" lower right. Presented in a new...

Title of the Artwork: Alineació, París Artist: Josep Maria Vayreda Canadell Technique: Oil on canvas Dimensions without frame: 16.1 x 13 inches Dimensions with frame: 22.8 x 19.7 inc...

A superb example of a Barbizon inspired landscape painted by the "Catford Corot" from the late 19th Century. This very striking image shows the artist at the absolute peak of his abi...

Ignacio Gil Sala, was a painter, bohemian character, adventurous and intrepid traveler who knew how to capture his eyes to that world with his painting. After starting his artistic ...

Original Vintage Oil Painting of Tollymore Forest River Landscape in Ireland, by Modern Irish Artist Denis Thornton (1937-1999). Presented in an ornate dark gold frame. Art measure...

A picturesque lake scene in oil, showing a bank covered in ferns and several large silver birch trees growing close to the water. The other side of the lake boasts rolling hills and ...

American impressionist winter landscape oil painting. Framed. Oil on board. Signed. Image size, 15H by 18L.

Contemporary impasto oils in rich deep color, this is a traditional landscape scene of croft and loch with a modern aesthetic. Stunning contrast from mountains that raise off the can...

Rafael Batallé Mallarach (1953) - Catalan farmhouse - Oil on canvas Oil measures 46x38 cm. Frame measures 61x53 cm. Frame with signs of rust.

Title of the Artwork: Costa Brava Artist: Rafael Durán Benet (1931-2015) Technique: Oil on mounted panel Style: Mediterranean Post-Impressionism Dimensions (unframed): 13 x 16.1 inch...

Winter's Snowy Tatra Mountains with Pines and Stream Beautiful post-war winter snowy scene with mountains and pine by Laszlo Neogrady (Hungarian, 1896-1962), circa 1940. Lovely textu...

Artist: Antoni Llobet Aracil (Barcelona, 1910 - 1983) Title: Catalan Landscape with Masia Technique: Oil on board Dimensions: 13 x 16.1 in Support: Board Framing: Unframed Period: 19...

William Jones (c.1798-1860) Two spaniels working with a huntsman beyond Oil on canvas Canvas Size - 16 x 21 in Framed Size - 21 x 26 in William Jones’s wor...

110x180cm (114x184 cm full size) original painting on canvas hand signed one-of-a-kind One of a kind. The canvas is shipped rolled, not framed Katarina's works are in private colle...

"Wild Summer Flowers in Champagne" is an abstract expressionist painting by Romina Milano where a landscape of black gestures unfolds across colorful brushstrokes infused with raw em...

This superb British Old Master marine oil painting is attributed to Peter Monamy. Painted circa 1730 it depicts Morning Gun - A morning gun is a gun fired at the first note of revei...

Abstract expression of the Sunflowers in Provence sets the traditional fields ablaze with orange. Painted by Scottish artist Sheila McNab MacMillan, who is known for bold outlines of...

An exceptional impressionistic depiction of an afternoon at Cafe Paris in France by Mario Passoni, on a spring day with the busy activities of people walking and others seated at th...