Landscape Paintings on Sale

On canvas on stretchers.

Oil on wood sold with frame Total size with frame 50x43 cm

Life is But A Dream - Mid Century Hawaii Surreal Abstract Landscape with Boat Symbolic mid century landscape with surreal elements, of a lone row bo...

Work on canvas without frame

Serene mid century lakeside landscape by an unknown artist (American, 20th Century). Presented in a rustic giltwood frame. Image: 9"H x 12"W. Framed: 11.25"H x 14.25"W. Excellent w...

San Antonio . Oil on canvas by Spanish artist Chico Montilla. Measurements: (H) 65 x (W) 81 x 2 (D) cm. Framed 85 x 101 x 5 cm. San Antonio, another expressionist view of the countr...

Landscape mixed media on cotton canvas 100x100 cm 2021 original art the painting is sold stretched on a handmade wooden frame the painting is ...

Title: Light And Shadow Medium: Oil on canvas Size: 15.5 x 19.5 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: Thi...

This superb Dutch Old Master Golden Age oil painting is attributed to Pieter Bodding van Laer. Painted circa 1635 the composition is a group of travellers who have stopped to rest. I...

A charming depiction of Loch Tulla in the highlands of Scotland. Painted in an expressive impasto technique capture a great sense of movement and atmosphere in the scene. Signed with...

Elk in the Forest - Plein Aire Landscape in Acrylic on Board Lush Western landscape by California Plein Aire artist Nick White (American, 1943-2009). Several elk are grazing in a cl...

"Chornohora" is one of the outstanding works by Helen Mount, created after her trip to the Chornohora range in the Ukrainian Carpathians in 2021. This painting depicts the breathtaki...

Antique American modernist abstract oil painting. Oil on canvas. Framed.

This oil on canvas painting by Regina Murphy gives the viewer a closeup view of mountain boulders and rocks in a mountain stream with craggy branches tha...

Fine landscape painting, this oil on canvas of Snowdonia, Wales is by 19th century British artist Thomas Huson, RI, (1844-1920). Signed by artist in lower left, Thomas Huson was a ...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube. This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity. "Con...

Vibrant landscape of reflections of Sierra Mountains reflecting on Tahoe Lake by J. Conover (American, 20th Century). Oil on artist board landscape pa...

A delightful oil study of a path winding through a woodland landscape. The artist captures the first signs of autumn and the leaves start to fall from the trees. Signed and dated to ...

"La Entrade Vieja a Valparaiso" - Chilean Coastal Cityscape in Oil on Canvas "The Old Entrance to Valparaiso" Bright and detailed coastal landscape by Chilean artist Jorge Chaves (C...

Wonderful atmospheric landscape titled "Reggel a reten" (Morning in the Meadow) by artist Wrabel Sándor (Austro-Hungarian, 1926-1992), 1979. Signed, titled and dated on verso and ga...

A very fine Belgian work in oil by an unknown artist, depicting a farmhouse or stable block on a countryside farm. The artist has an impressive command of the medium, depicting sunli...

A fine impressionistic oil landscape depicting a river in a wooded area. Unsigned. Well presented in a gilt wooden frame with inner linen slip. On canvas board.

A Quiet River - Oil on Canvas Oil painting depicting a river flowing through a grove of trees. Vibrant green trees surround the river, hues of deep greens make up the trees to the l...

Brilliant landscape of a glowing pond at sunset, California's golden hour, by Max Flandorfer (American, b. 1962), 2018. Signed by the artist in the lower left corner. Signed and dated in pencil by the artist on verso. Titled by the artist in pen on verso. Presented in a complimentary gold colored frame. Image, 10.38"H x 13.5"W. Canvas size, 12"H x 16"W. Primarily a plein air painter, Max is an avid outdoorsman and is always seeking to capture the spiritual and humble quality of nature. His work evokes a restful, contemplative stillness that he seeks, both in life and his art. Growing up in Miami, he spent most weekends and summers outdoors in the Everglades, or on the water soaking up the rich color, and beauty of the tropical landscape. Flandorfer lived in California for over 20 years, and currently resides in Ocean Springs, Mississippi. Mostly self-taught, Max was forever drawing and sketching as a kid, but the beautiful landscape, and rich artistic heritage of the Monterey peninsula's artist colony was the deciding influence on his later works. An illustration instructor, Jane Miller of Monterey Peninsula College encouraged him to study early California greats such as Granville Redmond...

Sunrise on Nantucket Island Fisherman Gazing at the Sky 1929 Nantucket Sunrise, a Fisherman is gazing at the sky by James Francis Barker (American, 1872 – 1950). In the style of Albert Pinkham Ryder (1847 - 1917) was active/lived in New York, Massachusetts. Albert Ryder is known for Romanticism-pastoral landscape painting. Barker has a heavy impasto and extensive brushwork throughout and captures American Post Impressionism with this early sunrise on Nantucket Island scene. Image, 10.25"H x 14.25"W Signed "J. F. Barker" dated "3/29" on Stretcher bar verso Signed James F. Barker on Linen verso James F. Barker’s lineage traces back to eleven of the original Nantucket settlers. He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, With a degree in mechanical engineering and graduate degree in architecture, his career was centered among institutes of higher learning. Barker was also a skilled painter and a talented photographer. Barker specialized in waterfront, wharf, and beach scenes. The artist exhibited his work during the summer months at the Eagle’s Wing Studio on Union Street, having named the studio after a steamer, which had been captained by his grandfather. James Francis Barker (1872 – 10 December 1950) was the second president of the Rochester Athenæum and Mechanics Institute, succeeding Carleton B. Gibson, from 1916–1919. He also pursued painting, pottery, metal working, and cabinet making. Gravestone in Prospect Hill Cemetery, Nantucket He was born in 1872 in Keokuk, Iowa, the son of a railroad ticketing agent and a New Orleanian of Spanish and French extraction. His ancestors on his father's side included 11 of the 15 families who settled Nantucket in 1659. He graduated from Cornell University in 1893 with a degree in Mechanical Engineering and spent another year studying Architecture at the graduate level. He briefly worked at D. H. Burnham & Company and Allis-Chalmers Manufacturing Co. before switching to education, becoming Superintendent of the Manual Training Department at East Division High School in Milwaukee, Wisconsin in 1897. He left in 1904 to pursue similar positions at Grand Rapids High School and the Hackley School in Muskegon, Michigan. In 1906, he participated in the formation of East Technical High School in Cleveland, Ohio and served as its first principal. He married the former Kate Spooner in 1897 and raised one daughter. After being widowed in the late 1930s, he married Josephine M...

A large impressive original Victorian oil painting which was painted circa 1890 by Scottish listed artist Joseph Farquharson RA. This Romantic Scottish landscape view is in fine condition and is framed in a Victorian gilt gallery frame. He was a noted landscape painter of snow scenes around Finzean in Aberdeenshire and often painted at dusk or dawn. This painting however depicts a sublime Scottish river landscape with a river and the mountains in the background. It is a very expansive panoramic view. A large painting in good condition and a lovely example of a 19th century Scottish landscape. Similar examples of his paintings are on display in Kelvingrove Art Gallery Glasgow and the National Gallery Scotland. Signed Joseph Farquharson. Provenance. Scottish collection. Condition. Oil on canvas. Image size is 37 inches by 27 inches, fine condition. Framed size is 44 by 34 inches, housed in a gilt gallery frame. Excellent condition. Born in Edinburgh, Scotland in 1846, Joseph Farquharson combined a long and prolific career as a painter with his inherited role as a Scottish laird. He painted in both oils and water colors. His mother, a celebrated beauty, was an Ainslie. His early days were spent in his father's house in Northumberland Street below Queen Street Gardens and later at Eaton Terrace beyond the Dean Bridge, Edinburgh and at Finzean. His father Francis was a doctor and laird of Finzean in Aberdeenshire. Joseph was educated in Edinburgh and permitted by his father to paint only on Saturdays using his father’s paint box. When Joseph reached the age of 12, Francis Farquharson bought his son his first paints he could call his own and only a year later he exhibited his first painting at the Royal Scottish Academy. His first major portrait was of ' Miss Alice...

Artistic stippling has be used to its full effect in this delicately painted river scene. In the foreground river water and trees span the width of the lan...

Factories - Industrial Landscape in Oil on Linen Bold industrial landscape by Doris Lyons Hoover (American, 1927-2014). A large red building sits at the left edge of the composition with a grey building across the composition to the right. Three smokestacks let of smoke or steam, surrounded by piping and tanks running throughout the scene. Signed "Lyons" in the lower right corner and on verso. Canvas size: 24"H x 30"W No frame. Doris Lyons Hoover (American, 1927-2014) was born in Fort Payne, Alabama, on Oct. 8, 1927, on her grandparents' farm. She was raised in Chattanooga, Tennessee, and attended college at the University of Chattanooga, (now UTC) where she received honors in ar. At U.C. she met her husband Jack Hoover, and the couple moved to Palo Alto in 1954. Doris Hoover became a nationally known fabric artist, teacher, lecturer and co-founder of the Peninsula Stitchery Guild, a leading organization in the Bay Area Crafts Movement of the 1970s. Her beautiful, often playful quilts, soft sculptures and creative stitchings grace homes...

"Balearic Island Terrace" is an original oil painting by Contemporary Realist Megan Eisenberg. This painting was made using high quality oil paints on cradled hardwood panel and fram...

Lacey Jane's "Boundless" is an original, handmade oil painting that depicts a glowing orange sky over a dark landscape where a road cuts through it.

Work on cardboard

Nocturne, The River Thames, London. Oil on board circa 1950's by Keith Parsons (1919-1988) British. painting 42cmx58cm fine antiques frame 68cmx83cm Night view with a full moon hanging over the River Thames in central London...

andscape oil on canvas 50x70 cm original art Ready to hang certificate of authenticity included Marilina Marchica was born in Agrigento, where she works and lives, After receivin...

Artist: Ian Hornak (1944-2002) Title: Friedrich‘s Window: Variation # 4 Year: 1981 Medium: Acrylic on canvas Size: 36 x 48 inches Condition: Good Provenance: Fischbach Gallery, New Y...

Robert Glick (American, born 1950) "The Cove" 2024 Acrylic paint, Canvas, Stretcher bars The artist signed the bottom right and back of the painting. This painting by Robert Glick c...

At the bridge. Cardboard, oil. 6.2x8 cm

Through the textured layers of oil paint, I've sought to express the raw, exhilarating power of nature. My brushstrokes breathe life into this canvas, capturing the dynamic interplay...

Large Scale 19th Century American Impressionism Garden and Lighthouse Landscape Wonderfully large American Impressionist landscape of garden overl...

A wonderful example of the artist's work depicting an idyllic scene in the Norfolk countryside. Owen Waters (1916-2004) Norfolk pastures Signed, inscribed...

L. Rebecca Knox (American) Signed: L. Rebecca Knox (Lower, Left) " At The Watering Place ", 1886 (Titled on Canvas Verso, Date stamped on Stretcher) Oil on Canvas 16" x 20" Hou...

Beyond The Waterline by Mari Elsa Giddings (American, b. 1959) Gorgeous vintage monotype original watercolor painting of a serene lake surrounded by vibrant trees of green. The lake sits quiet, with shadows from the trees glistening over it. There are patches of golden grass along the lakeside, and skies of blue sparkling against the water. Signed lower right "Mari Elsa Giddings" and "Giddings" on verso. Presented in a white mat. Matted: 40"H x 32"W Image: 26"H x 24"W. Mari Elsa Giddings is a contemporary artist who was born in Washington, D.C. in 1959. She grew up in Maryland, New York, and then studied art at Phoenix College in Arizona with Meryl Mahaffey and Allen Dutton. She earned her Bachelor of Fine Arts degree at Arizona State University in 1984, where she worked under master printers, such as Dan Britten and Wayne Kimball. In 1986 she became chief assistant to master printer Robert A. Devoe at the Phoenix Art Press. Shortly after, Mari opened her own studio in the Verde Valley in northern Arizona where she happily painted landscapes for several years. In 1991 Mari moved back to Phoenix to become the Art Director of Phoenix Art Press. n 1995 Mari co-founded the Planet Art...

Antique American modernist New York City oil painting. Oil on canvas. Framed. No signature found. Label from Kamil Kubik (1930 - 2011).

River Scene in County Antrim, Northern Ireland by Contemporary Irish Artist Donal McNaughton. Donal McNaughton was born in the Glens of Antrim, and h...

Colourful original painting of a beautiful English Country Garden with Flowers by leading British Landscape Artist, Angela Wakefield. Art measu...

De Hirsh Margules (1899-1965). North on West Street , 1939. Watercolor on Arches wove paper. Signed and dated in pencil by artist lower margin. Sheet measures 15 x 22 inches. Framed measurement: 27 x 34 inched. Incredibly vibrant and saturated color with no fading or toning of sheet. Provenance: Babcock Galleries, NYC De Hirsh Margules (1899–1965) was a Romanian-American "abstract realist" painter who crossed paths with many major American artistic and intellectual figures of the first half of the 20th century. Elaine de Kooning said that he was "[w]idely recognized as one of the most gifted and erudite watercolorists in the country". The New York Times critic Howard Devree stated in 1938 that "Margules uses color in a breath-taking manner. A keen observer, he eliminates scrupulously without distortion of his material." Devree later called Margules "one of our most daring experimentalists in the medium" Margules was also a well-known participant in the bohemian culture of New York City's Greenwich Village, where he was widely known as the "Baron" of Greenwich Village.[1] The New York Times described him as "one of Greenwich Village's best-known personalities" and "one of the best known and most buoyant characters about Greenwich Village. Early Life De Hirsh Margules was born in 1899 in the Romanian city of Iași (also known as Iasse, Jassy, or Jasse). When Margules was 10 weeks old, his family immigrated to New York City. Both of his parents were active in the Yiddish theater, His father was Yekutiel "Edward" Margules, a "renowned Jewish actor-impresario and founder of the Yiddish stage." Margules' mother, Rosa, thirty-nine years younger than his father, was an actress in the Yiddish theater and later in vaudeville. Although Margules appeared as a child actor with the Adler Family[11] and Bertha Kalich, his sister, Annette Margules, somewhat dubiously continued in family theater and vaudeville tradition, creating the blackface role of the lightly-clad Tondelayo (a part later played on film Hedy Lamarr) in Earl Carroll's 1924 Broadway exoticist hit, White Cargo. Annette herself faced stereotyping as an exotic flower: writing about her publicist Charles Bouchert stated that "Romania produces a stormy, temperamental type of woman---a type admirably fitted to portray emotion." His brother Samuel became a noted magician who appeared under the name "Rami-Sami." Samuel later became a lawyer, representing magician Horace Goldin, among others. A family portrait including a young De Hirsh, a portrait of Rosa and Annette together, and individual photos of Rosa and Edward can be found on the Museum of the City of New York website. At around age 9 or 10, Margules took art classes with the Boys Club on East Tenth Street, and his first taste of exhibition was at a student art show presented by the club. By age 11, he had won a city-wide prize (a box camera) at a children's art show presented by the department store Wanamakers. As a young teenager, Margules was already displaying a characteristic kindness and loyalty. Upon hearing that two friends (one of them was author Alexander King), were in trouble for breaking a school microscope, the nearly broke Margules gave them five dollars to repair the microscope . Margules had to approach a wealthy man that Margules had once saved on the subway from a heart attack. Margules didn't reveal the source of the five dollars to King until twenty-five years later. In his late teens, Margules studied for a couple of months in Pittsburgh with Edwin Randby, a follower of Western painter Frederic Remington. Thereafter he pursued a two-year course of studies in architecture, design and decoration at the New York Evening School of Art and Design, while working as a clerk during the day at Stern's Department Store. He was encouraged in these artistic pursuits by his neighbor, the painter Benno Greenstein (who later went by the name of Benjamin Benno). Artistic career In 1922, Margules began work as a police reporter for the City News Association of New York .Margules then considered himself something of an expert on art, and the painter Myron Lechay is said to have responded to some unsolicited analysis of his work with the remark "Since you seem to know so much about it, why don't you paint yourself?" This led to study with Lechay and a flurry of painting. Margules' first show was in 1922 at Jane Heap's Little Review Gallery. Thereafter Margules began to participate in shows with a group including Stuart Davis, Jan Matulka, Buckminster Fuller (exhibiting depictions of his "Dymaxion house") in a gallery run by art-lover and restaurateur Romany Marie on the floor above her cafe. Jane Heap, left, with Mina Loy and Ezra Pound During the 1920s, Margules traveled outside of the country a number of times. In 1922, with the intent of reaching Bali, he took a job as a "'wiper on a tramp steamer where [he] played nursemaid to the engine." He reached Rotterdam before he turned back. He would return to Rotterdam shortly thereafter. In 1927, Margules took a lengthy leave of absence from his day job as a police reporter in order to travel to Paris, where he "set up a studio in Montmartre's Place du Tertre, on the top floor of an almost deserted hotel, a shabby establishment, lacking both heat and running water." He studied at the Louvre and traveled to paint landscapes in provincial France and North Africa. Margules also joined the "Noctambulist" movement and experimented with painting and showing his artwork in low light.Jonathan Cott wrote that: the painter De Hirsch Margulies sat on the quays of the Seine and painted pictures in the dark. In fact, the first exhibition of these paintings, which could be seen only in a darkened room, took place in [ Walter Lowenfels'] Paris apartment. Elaine de Kooning remarked that studying the works of the Noctambulists confirmed Margules' "direction toward the use of primary colors for perverse effects of heavy shadow." It was also in Paris that Margules initially conceived his idea of "Time Painting", where a painting is divided into sectors, each representing a different time of day, with color choices meant to evoke that time of day. In Paris, his social circle included Lowenfels, photographer Berenice Abbott, publisher Jane Heap, composer George Anthiel, sculptor Thelma Wood, painter André Favory, writer Norman Douglas, writer and editor George Davis, composer and writer Max Ewing, and writer Michael Fraenkel. Upon his return to New York in 1929, Margules attended an exhibition of John Marin's paintings. While at the exhibition, he "launched into an eloquent explanation of Marin to two nearby women", and was overheard by an impressed Alfred Stieglitz. The famous photographer and art promoter invited Margules to dine with his wife, the artist Georgia O'Keeffe, and his assistant, painter Emil Zoler. Stieglitz thereafter became a friend and mentor to Margules, becoming for him "what Socrates was to his friends." Alfred Stieglitz Stieglitz introduced Margules to John Marin, who quickly became the most important painterly influence upon Margules. Elaine de Kooning later noted that Margules was "indebted to Marin and through Marin to Cézanne for his initial conceptual approach - for his constructions of scenes with no negative elements, for skies that loom with the impact of mountains." Margules himself said that Marin was his "father and ... academy." The admiration was by no means unreciprocated: Marin said that Margules was "an art lover with abounding faith and sincerity, with much intelligence and quick seeing." Stieglitz also introduced Margules to many other artistic and intellectual figures in New York. With the encouragement of Alfred Stieglitz, Margules in 1936 opened a two-room gallery at 43 West 8th Street called "Another Place." Over the following two years there were fourteen solo exhibitions by Margules and others, and the gallery was well-respected by the press. It was in this gallery that the painter James Lechay, Myron's brother, exhibited his first painting. In 1936, Margules first saw recognition by major art museums when both the Museum of Modern Art and the Museum of Fine Arts, Boston purchased his works. In 1942, Margules gave up working as a police reporter, and apparently dedicated himself thereafter solely to an artistic vocation. "The Baron of Greenwich Village"[edit] Margules made his mark not only as an artist, but also as an outsized personality known throughout Greenwich Village and beyond. To local residents, Margules was known as the "Baron", after Baron Maurice de Hirsch, a prominent German Jewish philanthropist. Margules was easily recognizable by the beret he routinely wore over his long hair. Writer Charles Norman said that he "dressed with a flair for sloppiness." He was said to "know everybody" in Greenwich Village, to the extent that when the novelist and poet Maxwell Bodenheim was murdered, Margules was the first one the police sought to identify the body. Margules' letters show him interacting with art world figures such as Sacha Kolin, John Marin and Alfred Stieglitz, as well as with prominent figures outside the art world such as polymath Buckminster Fuller and writer Henry Miller. Most of his friends and acquaintances found Margules a generous and voluble man, given to broadly emotionally expressive gestures and acts of kindness and loyalty. In 1929, he exhibited an example of this loyalty and fellow-feeling when he appeared in court to fight what the wrongful commitment of his friend, writer and sculptor Alfred Dreyfuss, who appeared to have been a victim of an illicit attempt to block an inheritance. The Greenwich Village chronicler Charles Norman described the bone-crushing hugs that Margules would routinely bestow on his friends and acquaintances, and speaks of the "persuasive theatricality" that Margules seemed to have inherited from his actor parents. Norman also wrote about Margules' routine acts of kindness, taking in homeless artists, constantly feeding his friends and providing the salvatory loan where needed. Norman also notes that Margules was blessed with a loud and good voice, and was apt to sing an operatic air without provocation. The writer and television personality Alexander King said I think the outstanding characteristics of my friend's personality are affirmation, emphasis, and overemphasis. He chooses to express himself predominantly in superlatives and the gestures which accompany his utterances are sometimes dangerous to life and limb. Of the bystanders, I mean. King also spoke with affectionate amusement about Margules' pride in his cooking, speaking of how "if he should ever invite you to dinner, he may serve you a hamburger with onions, in his kitchen-living room, with such an air of gastronomic protocol, such mysterious hints and ogliing innuendoes, as if César Ritz and Brillat-Savarin had sneaked out, only a moment before, with his secret recipe in their pockets." Margules was such a memorable New York personality that comic book writer Alvin Schwartz imagined him at the Sixth Avenue Cafeteria in a risible yet poignant debate with Clark Kent about whether Superman had the ability to stop Hitler. Margules' entrenchment in the Greenwich Village milieu can be seen in a photograph from Fred McDarrah's "Beat Generation Album" of a January 13, 1961 writers' and poets' meeting to discuss "The Funeral of the Beat Generation", in Robert Cordier [fr]'s railroad flat at 85 Christopher Street. Among the people in the same photograph are Shel Silverstein...

Substantial California School large abstracted landscape painting of a small fishing village in Northern California, with boats along the shore by Da...

Title: Sunday Street Medium: Oil on canvas Size: 24 x 24 inches Frame: Framing options available! Condition: The painting appears to be in excellent condition. Note: This paint...

Luminoso paesggio primaverile Boris Lavrenko (Rostov, 1920 – St. Petersburg, 2001) Works by Boris Lavrenko can be found in various private collections in Europe, Japan, United Stat...

Well executed oil on board painting of a sailboat off the rocky coast. Signed lower right. Circa 1930. Condition is excellent. The painting is housed in a faux wood molded frame wi...

Miniature oil on board original painting of a view of Place du Tertre in Montmartre, Paris. France. Circa 1975. Signed illegibly lower right. Condit...

Ana Hefco's (US based) "Ocean Waves #09" is an original, hand made mixed media painting that depicts an abstracted color field of blue, teal and beige, that is reminiscent of an aerial/satellite image of a coastal beach where the waves crash on shore. Artist Bio and Statement: Born and raised in Bucharest Romania, I am a self-taught dreamer and artist. To dream is my path and to paint is my dream. Lack of control is not my strong suit, but in the painting process things are different. The resin (also known as liquid glass) has a mind of its own and I learn to mindfully let go every time I paint. I allow those liquid color induced emotions I feel to drive me and take lead of my hands and at the end of the process, it’s just music and bliss. My inspiration is always nature's force, balance, perfection in purpose and beauty. It can be a place I travelled or sailed to or just a feeling floating on our boat docked in a Turkish marina or just on anchor nearby a Greek taverna on a remote tiny island in the Mediterranean or Aegean Sea. It can be this artist as a little girl reading...

This atmospheric scene depicts woodland on the verge of a river. The artist has captured the trees and foliage in fine detail, using a slight impasto technique to capture the various...

"The Kiosk of Trajan", A Rare Orientalist Landscape Painting by Frederick Arthur Bridgman (American, 1847 - 1928) A stunning oil on can...

Artist: Edward Heaton, American (1824 - ) Title: Landscape with Cottage Medium: Oil on Canvas, signed lower right Size: 12 x 16 in. (30.48 x 40.64 cm) Fr...

A contemporary oil painting of a large, shapely tree in Florence, Italy. Bright green hues fill the canvas, in wide, urgent brushstrokes. A bright blue sky meets a distant horizon. ...

A Painting depicting an amusement park exploding in vibrant colors. The painting is signed "William Wright" lower right. Oil on Canvas. 20 x 24. Nicely framed.

"Reflections in the Pond" is an original mixed media on board by Tom Perkinson. His use of saturated violets, vivid yellows, and resplendent oranges pushes color to almost-otherworld...

Abstract Treescape Landscape Berkeley School Abstract Expressionist Substantial period Berkeley School abstract expressionist landscape titled "Treescape" by listed Berkeley artist...