Portrait Paintings on Sale

America Martin "Wreath of Flowers in Hair" (Diptych) Ink on Cotton Paper 25 x 45 Inches Diptych Size Left piece comes framed: 25 x 22.5 Inches Unframed 31.5 x 28.5 Inches Framed ...

This lovely Scottish Edwardian portrait oil painting is by noted artist William Alexander Cuthbertson. It was painted in 1909 before Cuthbertson left Scotland on a travel scholarship...

Freedom will not come Today, This year Nor ever Through compromise and fear. I have as much right As the other fellow has To stand On my two feet And own the land. I tire so...

"Orange Blossom" is a breathtaking composition that immediately captivates the viewer. The focal point of the artwork is the woman's portrait, skillfully crafted with luminous golden hair cascading around her. The intricate details and delicate brushstrokes accentuate the woman's features, capturing the essence of her persona and imbuing the artwork with a sense of intimacy. The choice of golden hair adds an enchanting element to the portrait. It serves as a symbolic representation of radiance, vitality, and the timeless beauty associated with femininity. The flowing locks of hair seem to dance and shimmer, creating an ethereal aura that captivates the viewer's imagination. "Orange Blossom" carries symbolic meaning that goes beyond its aesthetic appeal. The woman's portrait represents the embodiment of femininity, embracing both strength and vulnerability. Her confident gaze and serene expression reflect an inner beauty that transcends physical appearance, inviting viewers to reflect upon the depth and complexity of femininity. The golden hair symbolizes not only the external beauty associated with femininity but also the inherent power and resilience that lies within women. The artwork captures the essence of growth, abundance, and transformation—much like the blossoming of orange flowers. It serves as a reminder that femininity is multifaceted, encompassing grace, wisdom, and the ability to adapt and flourish in any circumstance. "Orange Blossom" leaves a lasting impact on viewers, evoking a sense of awe and admiration. The artwork's portrayal of the woman with golden hair invites contemplation and introspection, encouraging viewers to appreciate and celebrate the unique qualities and strengths that women bring to the world. Theophilus's meticulous technique and attention to detail create a visually stunning experience. The radiant golden hair seems to illuminate the canvas, drawing the viewer into a world of beauty and enchantment. The artwork inspires a deeper appreciation for femininity and serves as a reminder of the profound impact women have on society, culture, and the arts. "Orange Blossom" by Adewuyi Theophilus...

A stylish portrait completed in the style of Tamara de Lempicka. The subject of the portrait is a striking young woman with long black hair and piercing blue eyes. Unsigned. On canva...

A copy of the self portrait of William Hogarth with his dog, called Trump. A fantastic quality image possibly from Hogarth's original school of art. This piece is titled, dated and monogrammed. It is in an antique, period Louis XIV style frame. The painting measures 36 x 28" (92 x 72cm) Outside Frame Size: 45 x 37" (104 x 94cm) Hogarth began this self-portrait in the mid-1730s. Initially Hogarth painted himself wearing a formal coat...

In this dynamic self portrait, the artist captures himself sporting a yellow bobble hat. The yellow is reflected in the striking background of pink strikes and yellow circles. Unsign...

From the estate of Jerry Opper & Ruth Friedmann Opper Slit c. 1940-1950's Gouache on Paper 15" x 18", Unframed *Custom framing available for additional charge. Please expect framing...

Nicely painted early 1900's oil painting. by Richard Hook. Great color and composition. Nicely framed.

Soul Brother is an original acrylic painting by Emmanuel Daniel created on a primed canvas of 48 diameters. Soul Brother was completed in December 2022...

A wonderful French impressionist landscape of children playing in a playground somewhere in the South of France. The earliest work by the artist is from the late 1960s and this piece...

The dynamic brushstrokes capture the intensity of the polo player in action. The mallet, an extension of the rider’s skill and strength, is elevated to a symbol of elegance and power...

A lot of people think I’m unhappy because I’m quiet, I’m not unhappy I just appreciate silence in a world that never stops talking There is a version o...

Unsigned. On unstretched canvas.

This lovely 17th century Old Master religious oil painting is from the Italian School. The subject is Joseph in prison interpreting the dreams of Pharoah's Baker and Butler. The bars...

Mid century portrait of a woman with pearls and a blue shirt by California artist Genevieve Rogers (American, 1904-1984). Unsigned, but acquired with ...

This superb British portrait oil painting is by noted artist Alfred Kinglsey Lawrence. Painted in 1919 it is a seated portrait of a young woman with a lush burgundy velvet curtain be...

This atmospheric 18th century portrait oil painting is attributed to a Scottish artist. Painted circa 1790, The painting is a half length portrait of a seated gentleman. He is wearing a blue bonnet, the badge of a Scottish country gentleman and smoking a clay pipe. The way the light catches his hand and face and gleams on his buttons is lovely. The frame is super in that it echoes the button on his jacket. This is an excellent example of an 18th century Scottish portrait...

Anthropomorphic figure created by accumulating representations of flowers, plants, insects, and other elements of kitsch iconography, with intense, bright, and fluorescent colors. Th...

This lovely 18th century Old Master portrait oil painting is by noted British artist Francis Cotes. It was painted circa 1760 when Cotes was preferring oil as a medium and comparison...

One of my rare paintings on canvas. Its format made on wood would have been too heavy, hence this choice. This young woman gets angry on this too small for her violin (child’s study ...

Limited edition linocut on paper. Hand signed and numbered lower front Angel Botello. From the edition of 60. Frame size approx 29.75 x 26.5 inches (frame molding may have some m...

Portrait of a Woman with Teapot and Tropical Plants Striking portrait of a woman at a table with a teapot in a lush tropical setting by San Jose artist R. A. "Bobbie" Dixon (America...

Alexandra Manukyan's "Transcendent" is an original, handmade oil painting that depicts a female figure holding her arms in a dancing pose as glittering gold covers her body. About ...

America Martin "Portrait In Olive & Peach" Oil & Acrylic on Canvas 30 x 24 in. Exploring the identity of both her namesake and country, LA-based America Martin draws inspiration fro...

A striking contemporary work in oil, attributed to Paul W. Ozere. Unsigned. Presented in a white painted distressed wooden frame. On board.

Lombard painter active in the 17th century Infant Jesus Oil painting on canvas 70 x 82 cm. - In antique frame 78 x 91 cm. This painting depicts an unusual and pleasant iconographic...

A beautiful oil study of a Turkish performer playing folk music on the Oud. The lady wears an elegant wrap skirt with floral motifs, matched with a colourful waistcoat and silk blous...

Rare and important large landscape painting by Paul Esteban (Pablo) O'Higgins (1904 - 1983). Oil on canvas. Signed lower right. Framed. Image size, 23.25L by 33.25H image size al...

A stunning portrait of Mr John Gilbert. This original oil on canvas was painted by James Peter Quinn in 1929 and was exhibited at The Paris Salon of that year. A fine portrait, it is in excellent condition and framed in the original period frame. This is a fine painting by a noted Australian listed artist. Signed right. Provenance. Exhibited at the Paris salon 1929. Condition. Oil on canvas in very good condition, image size 40 inches by 30 inches. Housed in its original gallery frame, 47 by 37 inches framed. Excellent condition. James Peter Quinn (1869-1951) was born on 4 December 1869 at 60 Bourke Street, Melbourne. He was the third son of John Quinn, restaurant-keeper born in Antigua, West Indies, and his English wife Ann, née Long. Little is known of Quinn's childhood and early education; both parents died when he was young. His guardians apprenticed him to an engraver, but he undertook part-time studies at the school of design, National Gallery of Victoria, under Frederick McCubbin in 1887-89, and at the school of painting under George Folingsby and Bernard Hall in 1890-93. Awarded several student prizes, he won the gallery's travelling scholarship in 1893. Quinn went to London in 1894 but quickly left for Paris where he studied at the Académie Julian, at the Académie des Beaux-Arts under Jean Paul Laurens, and with Colarossi and Delécluse. He returned to London about 1902 and married fellow art-student Blanche Louise Guernier there on 29 September. By 1904 he had exhibited with the Royal Academy of Arts and went on to establish a reputation as a highly successful portrait painter. His finest and most sensitive work was produced before 1910. His family were the subjects of many paintings, including 'Mère et Fils', awarded an honourable mention at the Old Salon, Paris, in 1912. He also painted many self-portraits. His many commissioned works included portraits of Joseph Chamberlain, the Duchess of York and, later, the Duke of Windsor. In 1918-19 he was an official war artist with the Australian Imperial Force in France, and exhibited war paintings at the Grafton Galleries, London. In 1919, with George Coates he was an official artist to the Canadian War Records. He was a council-member of the London Portrait Society, and a member of the Royal Society of Portrait Painters and the Royal Institute of Oil Painters, exhibiting regularly with them and the Royal Academy, and in Paris with the Old and New salons. Quinn's sudden return to Australia in December 1935, alone, followed the death of his gifted artist-son René. He held exhibitions at the Fine Art Society's Gallery, Melbourne, in 1936 and the Royal South Australian Society of Arts Gallery next year. Quinn ostensibly returned as an acclaimed artist, was invited to rejoin the Victorian Artists' Society he had joined first in 1888, and was its president (but for one year) in 1937-50. Yet a coolness existed. Though he had little in common with the modernist painters of the period, his commitment to a tolerant brotherhood of artists found no allies among the aggressively conservative old guard. In 1937 he clashed publicly with (Sir) Robert Menzies who in opening a V.A.S. exhibition denigrated modern art. In spite of the affection felt for him by many artists and students, Quinn was somewhat isolated. He continued to exhibit, winning the Crouch prize, Ballarat Fine Art Gallery, in 1941. In the mid-1940s he taught briefly at the National Gallery school. A lover of good food, wine and conversation, Quinn delighted in mixing with all classes. Frequenting the haunts of journalists, writers and the more Bohemian fringe, he was easily recognizable with his bow tie, grey curly hair and cigarette dangling from the corner of his mouth. Survived by one son, he died of cancer on 18 February 1951 at Prahran and was buried in St Kilda cemetery. His war portraits are held by the Australian War...

A striking study of a woman a seated woman in a bold pose. Signed with a monogram to the lower right. On board.

Blue is painted in the style of American Realism. The painting is Representational Figurative art which is a time consuming process especially with portraits and figurative art. T...

Antique American modernist portrait oil painting. Oil on canvas. Framed.

Original acrylic painting on canvas. Hand signed on front by Peter Max. Canvas size 36 x 24 inches. Frame size approx 49 x 38 inches. Studio catalog number and stamp on verso. Ar...

Artwork on cardboard Brown wooden frame with light golden patina 55 x 47 x 4 cm

This lovely French Old Master portrait oil painting is attributed to the circle of Jean Auguste Dominique Ingres. Painted circa 1810 it is a head and shoulders profile of a beautiful woman, resting her head on one hand. There is superb attention to detail and vibrant colouring. An excellent example of a French Old Master portrait of the period. Unsigned. Provenance. London estate. Condition. Oil on canvas, 15 inches by 12 inches unframed and in good condition. Frame. Housed in a gilt frame, 20 inches by 17 inches framed and in good condition. Jean-Auguste-Dominique Ingres (1780-1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Picasso, Matisse and other modernists. Born into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from 1806 to 1824, he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman. He was finally recognized at the Salon in 1824, when his Raphaelesque painting of the Vow of Louis XIII was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France. Although the income from commissions for history paintings allowed him to paint fewer portraits, his Portrait of Monsieur...

17th Century Neapolitan Maestro Title: San Vincenzo Ferreri Medium: Oil on canvas Dimensions: without frame 63 x 48.5 cm - with frame 77 x 63.5 cm Original shaped, carved, sculpted a...

Oil Painting by Frank Moss Bennett "Portrait of John, Annabella and Augusta Annesley" 1874 - 1955 Popular painter of figurative scenes. Studied at the...

Modernist Portrait of St. Francis Compelling modernist oil on canvas portrait of St. Francis by Dr. Tarmo Pasto (American, 1906-1986). Presented in a taupe painted wood frame. Signed "Tarmo Pasto" bottom right, and titled "St. Francis" bottom center. Image size, 25.5"H x19.5"L. Dr. Pasto was a long-time contributor to the California art scene, as well as an art teacher and psychologist to many successful artists. He also authored a book on art, "The Space-Frame Experience in Art", published in 1964. He, however, was mainly known to the world for introducing the works of one of his patients, Martin Ramirez...

Charles d’Agar (1669-1723) (attrib.) Portrait of a lady in widow’s weeds, three-quarter-length, seated in an architectural setting Oil on canvas In an original carved and gilded Le...

Vintage impressionist oil painting by Pierre Eugène Duteurtre (1911 - 1989). Oil on canvas, circa 1970. Signed. Displayed in a period frame. ...

1950's Mid Century modern oil portrait of a nude black woman seated on a chair The artist was a portrait and figure painter active during the 1950s-1...

A charming oil study depicting two figures standing by the tall ionic columns of what appears to the the British Museum. Signed to the lower right and inscribed 'triptych' to the rev...

Vintage English Woman at a Seaside Beach Resort in Summer 1960's 1970's England entitled 'Summer Collection 1' by Retro Nostalgic Artist, Paul F Harding...

Lawrence G. Low (American, 1912 - 1992) Signed: L. G. Low (Lower, Center, Right) " My Wife Myrtle with Palette & Brush ", 1938 (Signed and Dated on Canvas Verso) Oil on Canvas 3...

Giovanni Maria Butteri (Florence, Italy, 1540 - 1606) Title: Portrait of Francesco I Medium: Oil on panel Dimensions: without frame cm. 47.7 x 39 - with frame cm. 55.2 x 46.5 Expertise by Carlo Falciani, art historian Fairs: The International Biennial of Antiques in Florence 2024 (BIAF, Biennale Internazionale dell’Antiquariato di Firenze) Publications: From Sacro to Profano, the Giorgio Baratti art collection from Milan, exhibition catalogue curated by Daiva Mitrulevičiūtė, Giovanni Matteo Guidetti and Ileana Maniscalco, (16 February – 27 September 2020), Vilnius, National Museum - Palace of the Grand Dukes of Lithuania, pp. 566-569. This valuable portrait, by the painter Giovanni Maria Butteri, an exponent of Mannerism and active mainly in Florence, portrays Francesco I de' Medici (1541 - 1587) eldest son of the Grand Duke of Tuscany...

Bernardino Detti (Pistoia, Italy, 1498 - 1572) Title: Face of Christ Medium: Oil on canvas Dimensions: without frame 41 x 32 cm - with frame 47 x 55.5 cm Antique box frame made of solid wood and walnut burl. Publications: unpublished The painting by Bernardino Detti (1498 - 1572) depicts the face of Jesus...

Black Panther Oil Painting There are more super hero painting Comes ROLLED in a tube Needs framing NY Artist Y.M. Lo oil painting. contemporary art in ...

Portrait of a clown in three quarter view, with expressive brushstrokes and use of color by Marjorie Blake (1920-1994). Unsigned, but was purchased with...

A delightful head and shoulders portrait of a young boy in a white collared shirt and buttoned brown jacket. Presented in a textured gilt-effect frame with internal slip. Indistinctl...

An original large Scottish portrait oil by noted Scottish artist William Oliphant Hutchinson. The work is a portrait of a gentleman, in a suit, with a rose in his lapel. This painting is a fine realist portrait. It dates to 1960 when he was at the height of his portrait career. This is a fine example of a mid 20th century Scottish portrait. Signed and dated upper left. Provenance. Scottish collection. Condition. Oil on canvas, image size 36 inches by 28 inches and in good gallery condition. Housed in a gallery frame, 43 inches by 35 inches framed and in good condition. William Oliphant Hutchinson (1889-1970), was born at Kirkcaldy, Fife, Scotland, fifth child in the family of four sons and two daughters, of Henry William Hutchison of Kinloch, a Kirkcaldy businessman, and his wife, Sarah Hannah née Key. Educated at Kirkcaldy High School, Cargilfield School, Edinburgh, and later at Rugby School. As a boy he showed considerable promise as an artist and wanted to become a painter but his family were set on him entering business. In 1911, he spent a period in Paris, primarily to perfect his French where he also took this opportunity to study at the Atelier Delecluse, striking up a lifelong friendship with Scottish artist, [Sir] James Gunn (1893-1964). On his return to Scotland he entered the family timber business but, with his father's permission, entered Edinburgh College of Art, having a portrait of his younger sister Nancy exhibited at the Royal Scottish Academy in 1911. Whilst studying in Edinburgh he came under the influence of watercolourist Edward Arthur Walton...

Incredible quality American school portrait painting. Oil on canvas. Framed. No signature found.

This absolutely charming exhibited British Victorian oil painting is by female artist Maria Louisa Angus. Painted in 1891, it was exhibited at the Royal Academy that same year. The composition is an interior scene with two young girls on a sofa, looking at a picture book and keeping 'out of mischief' as it is entitled. The room holds an exotic mix of oriental objects and a gorgeous umbrella plant in a gleaming terracotta pot. The girls themselves are sat on a beautifully detailed fur throw, looking at a book, with a marine painting on the wall behind them. The brushwork and colouring are superb and the pink of the older girl's dress is picked up throughout the room. A really lovely painting by a very talented Victorian female artist. Signed and dated M.L. Angus 1891 lower left. Provenance. Exhibited at the London, Royal Academy, 1891, no. 841 entitled Out of Mischief. Anonymous, sale, Doyle, New York, May 20, 1998, lot 161, illustrated. Private collection, Newport, Rhode Island. Condition. Oil on canvas, 27 inches by 20 inches unframed and in good condition. Frame. Housed in a gilt frame, 34 inches by 27 inches framed and in good condition. Maria Louisa Angus (1863 - 1934) was born in Southwark on 29th July 1863, the daughter of a printer. She studied at the Lambeth School of Art in 1886 and established a studio at 1a Cowley Street in Westminster, later she worked out of Powers Studio in Ruskin House, Rochester Row. She specialised in genre subjects and some landscapes. She exhibited 10 pictures at the Royal Academy between 1888 and 1893 as well as many London Galleries and Societies. In 1913 she exhibited in the Anglo German Exhibition...

A stunning British Post-Impressionist portrait oil painting by noted British artist William Lee Hankey. He was a very interesting painter who travelled widely throughout Europe capt...

Abstract Expressionist Self Portrait in Black and Grey Dynamic self portrait by Michael William Eggleston (American, b. 1948). Greyscale acrylic paint on paper. Unsigned, but acquire...

This lovely portrait was painted circa 1920 by the noted British Impressionist portrait painter Walter Ernest Webster. This painting depicts a beautiful young woman in an Impressioni...

Realistic mid century portrait of a boy playing with an antique toy car by Ralph Joosten (American, 1928-2009). Signed "R. Joosten" in the lower left ...

A large, original portrait of Clarissa. It depicts Olive Groves as Clarissa in Lionel and Clarissa at the Lyric Theatre in Hammersmith in 1926. Given to Olive Groves in 1966 by Sir G...

A characterful copy of Fred Barnard's illustration, Bill Sikes and Bullseye from the Charles Dickens novel 'The Adventures of Oliver Twist'. Much like Barnards character study, this ...

Natural Rustic Horse Oil Painting on Canvas, Equestrian Art 72 W X 48" H, Rolled Artist Irena Orlov. Signed Certificate for authenticity.