Portrait Paintings on Sale

‘’Mellow-out’’ is a captivating painting that captures the essence of relaxation and self-care. The woman is depicted in a relaxed pose, dressed in a flowing red robe, and exudes a s...

At the core of "Boy Bee," we encounter the symbol of the blue face cap. The blue color carries diverse connotations, representing tranquility, freedom, and a sense of calm. In this artwork, the blue face cap becomes a powerful symbol of the wearer's individuality and self-expression. It suggests that the young man is using his choice of headwear as a means of asserting his uniqueness and setting himself apart from societal norms or expectations. The face cap becomes a metaphorical shield, allowing the young man to navigate the world on his own terms, symbolizing his desire to create his own identity and carve his own path. By prominently featuring the blue face cap, John invites viewers to reflect on the significance of personal style as a form of self-expression and as a means of celebrating our distinctiveness. "Boy Bee" encourages contemplation of the intricate nature of identity and the journey of self-discovery. The young man in the artwork exudes a sense of confidence and self-assuredness, suggesting that he has embraced his unique qualities and is comfortable expressing them. His choice of the blue face cap hints at his exploration of various aspects of self and his willingness to experiment with different forms of personal style. John's portrayal of the young man invites viewers to consider their own journeys of self-discovery and the power of embracing individuality. The artwork encourages us to question societal expectations and norms, urging us to uncover and celebrate the diverse layers that make us who we are. "Boy Bee" serves as a reminder that true fulfillment and happiness come from authentically expressing ourselves, even if it means deviating from the conventional path. In "Boy Bee," Makama John...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Pillar of Strength” is a radiant fabric collage painting that pays homage to the unshakable resilience, grace, and dignity of the African woman. Composed entirely from intricately la...

A charming Victorian painting showing two girls, perched on a wooden countertop and table, one grasping a picture of napoleon. A chicken can be seen to the lower left of the composit...

After a long journey her paramour lover was killed during an intense firefight in the military service, she was shocked when she heard about this cause her dead lover had told her on...

Saint John the Evangelist French school of the eighteenth century Oil painting on canvas 82 x 64 cm. - in frame 102 x 84 cm. In this pleasant painting we see the portrait of the evangelist John, holding a pen in his hand while writing the pages of the Gospel, while behind him it is possible to recognize the profile of an eagle, his typical iconographic attribute. The graceful face, which still reveals the devout attitude, which gives the painting a more intimate and delicate, not excessive religiosity, is one of the typical characteristics for works intended for domestic devotion, as in the case of this Saint John. From the representation of the Saint the freshness of his features immediately stands out, he is in fact portrayed as young and handsome: and it is precisely this iconographic peculiarity that makes the work fascinating and very pleasant, probably commissioned for a private room. The painting presents the peculiarities of eighteenth-century French portraiture, characterized by a soft drawing and a wise use of light. The rather marked chiaroscuro and well-calibrated shades produce an excellent result thanks to the play of light on the face, highlighted by the dark background of the scene. The painting has been relined and is in an excellent state of conservation with the colors still bright and a very healthy pictorial layer. The painting is sold together with a nice golden frame. ADDITIONAL INFORMATION: The work is sold with a certificate of authenticity and a descriptive iconographic card. We take care and organize the transport of the purchased works, both for Italy and abroad, through professional and insured carriers. It is also possible to see the painting in the Riva del Garda...

In the context of African culture, a BOSS LADY typically refers to a strong, independent, and confident woman who is often successful in her career, someone who is self-assured and a...

This contemporary abstract expressionist woman's portrait "What she holds within "was created by the French artist Natalya Mougenot. With her hand gently resting against her chin and...

Original acrylic painting on wood. Hand signed and dated on front by Derek Aylward. Artwork is in excellent condition. Certificate of Authenticity inc...

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Leaning on a Pedestal Paul-César Helleu (1859-1927) JEUNE FEMME EN BUSTE, DE PROFIL À DROITE Black drypoint, circa 1900, on wove paper, signed and annotated 29 in pencil, with full ...

The edges are painted The painting was part of an exhibition 'Ancestral call' in Switzerland This canvas is infused with the energy and symbolism of tarot cards, especially the Star...

Painting Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Signed on the front side and accompanied by a Certificate of Auth...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, this is not a print or other type of copy. Accompanied by a Certificate of Authenticity.

Oil Painting by Erwin Eichinger "The Old Tyrolean Gentleman" 1892 - 1950 Member of the popular Austrian family of figurative artists who painted Tyrolean...

This painting by artist Ray Simonini titled "Savannah" is a 36x24 farm animal oil painting on canvas featuring a portrait of a brown and white...

‘Zulu Dancers’ Signed bottom right Hardman, titled on a sticker at the reverse and with address Walton End, Walton Lane, Bosham, Chichester, and Price 45 gns. Oil on board, 99 x 87...

Untitled "Jazz Musician", oil painting on canvas. Piece is signed by artist, or piece of title "Buruic"in bottom right corner. Overall, painting is in g...

Dutch School, Elegant Couple, Tavern Interior Scene, Cabinet Piece, A PAIR

In her solitude, she finds clarity. The world outside may move at an unforgiving pace, but here, in the quiet, she breathes. She sits with her thoughts, letting them rise and fall li...

A delightful portrait of a young lady in motion, umbrella in hand, with sure brushstrokes and wonderful mastery of color. Proudly presented by Guy Lyman Fine Art...

Peaceable Kingdom features more than 60 aminal portraits by famous illustrator Richard C. Hess. Impeccably rendered and designed. Signed lower center-left. R. Hess. His illustrati...

Original acrylic and spray paint on canvas. Hand signed, dated and numbered 1/1 on verso by Snik. Canvas size 84.5 x 47.25 inches. Frame size 86.75 x 49.5 inches (white floating f...

Mixed media with acrylic painting and color lithography on paper. Hand-signed in acrylic paint on front by Peter Max. A unique variation. Frame size 18 x 15.5 inches. Artwork siz...

"Daddy's Girl" is the artist's visual poetry of the unwavering bond between a father and daughter. Ani Izuchukwu Valentine painterly presents a heartwarming portrait of a curious g...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Original oil on canvas. Hand signed on front and signed, titled and dated on verso by the artist. Framed. Canvas size 40 x 32 in. Artwork is in excellent condition. Certificate of ...

Up for sale is a fabulous antique 19th-century or even earlier original oil painting on canvas depicting an interior scene with a seated female nude queen w...

The painting captures the bittersweet essence of post-graduation limbo. As I stood on the threshold, degree in hand, the initial euphoria of accomplishment slowly gave way to an unse...

Ornate, decorative oil painting. Illustration of Marie Potonie (born Sievers). Marie was the daughter of the royal Prussian court painter Johannes Sievers. Extremely fine painting....

Shipping Procedure FREE Shipping Worldwide Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authent...

Original acrylic painting on canvas. Hand signed on front; signed and titled on verso by Jozza. Canvas is stretched. Artwork is in excellent condition. Certificate of authentici...

Ortez (Modernist Family Portrait) is a vibrant 1947 abstract gouache on paper by American artist Lewis Lee Tilley (1921–2005). This dynamic composition captures a family of five seat...

Pair of decorative antique oil paintings, portraits. 19th century. Signed and dated. Dimensions with frame in cm EACH PAINTING 53 x 63

Saverio Dalla Rosa (Verona, Italy, 1745 - 1821) Title: Portrait of Angela Guggerotti Fracastoro Medium: Oil on canvas Dimensions: without frame 94 x 73 cm - with frame 105 x 94 cm Fr...

Mid 19th Century oil on canvas portrait of an Italian brigand, unsigned, in painted wood and gilt frame. The painting is a fine and fascinating rendition with plenty of wonderful character and detail to the costume, accessories, landscape and seascape. Very atmospheric and imposing much like the character it portrays. There is a trade stamp to the back of the canvas for the Paris firm of Susse Freres. The canvas is on a fine quality stretcher with 'keys'. There is an artist's name or title written on the top of the rear stretcher (see photo). Bands of brigands who populated the hills of southern Italy were steady fodder for the Romantic imagination, and their exploits were reported both factually, fancifully and artistically The painting dates from a period when France, under its then leader Napoleon III, was involved in the conflicts in the Italian states and the unification and eventual creation of the nation of Italy. An earlier and similar portrait exists of the infamous brigand Mazzocchi by Achille-Etna Michallony . Léon Cogniet...

Original acrylic on canvas. Hand signed, titled and dated on verso by the artist. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will ...

Frédéric-Christophe, Comte d'Houdetot (Paris, France, 1778 - 1859) Title: Portrait of Giovanni Antonio Filippini Medium: Oil on canvas Dimensions: without frame 72.50 x 42 cm - with ...

Dave Seeley's "Fiona #1" is an original, handmade oil painting that depicts a female model holding purple velvet fabric tightly around her form to reveal the curves of her figure. ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

The Warrior The Shield The Muse These paintings were inspired by ancient masks and statues and they are part of Neo-Mythology series. Painted with on round canvases (20cm / 8in) U...

She holds on to her integrity and purity. Lady in white captures a desire to be hidden, but her presence is revealed through her unquenched innermost beauty. Lady in white captures h...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

"The Badminton Player" French School, 19th century unsigned oil painting on canvas, framed painting: 24 x 14 inches framed: 28.5 x 18.5 inches Very rare early portrayal of a young ...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Shipping Procedure Ships in a well-protected tube from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gal...

Expressionist oil on canvas self portrait of the artist Stéphane LOVIGHI-BOURGOGNE. The painting is signed bottom right and is signed and dated to the back of the canvas. Presented i...

A fine Scottish portrait oil painting of a young girl in a red dress with pretty collar. This is a quality portrait and dates to circa 1900 and is housed in a fine Watts frame. A bea...

This contemporary abstract expressionist woman's portrait was created by the French artist Natalya Mougenot. With flowing long hair and no facial details, the figure is rendered in a...

America Martin "Good Luck Is A Lion Who Roars And Batts At The Moon" Oil & Acrylic on Canvas 72 x 36 in. Exploring the identity of both her namesake and country, LA-based America M...

“Wrinkles and Silk” is a visual meditation on the tension between tradition and transformation. This piece embodies the evolution of cultural identity through fashion, where the text...

America Martin "Woman in Yellow with Stripes" Pastel & ink on Japanese Paper 43" x 31" Image 50.25" x 37.75" Overall, Framed Exploring the identity of both her namesake and country...

"Meet A woman of unwavering self-worth and integrity. She proudly guards her virginity as a symbol of her value and autonomy, while unapologetically embracing her true self. With gra...

A striking portrait of a woman wearing a pink shirt, large hoop earrings, and a flamboyant hat. Presented in a dark-blue painted wooden frame. There is another painting to the revers...

Acrylic on canvas painting. Hand signed and titled on front by Theo Tobiasse. Frame size approx 33 x 41 inches. Artwork is in excellent condition. Certificate of authenticity incl...

Original painting on canvas. Initialed "TR" and dated "1993" on front by Tomasz Rut. Canvas size 52 x 65 inches. Canvas is stetched. Artwork is in excellent condition. Certificat...

Anne Siems has created this stunning watercolor on Strathmore Cold press paper. All archival materials. Paper size: 44x44 inches Silver wood Frame size: 50x50x1.25 inch ANNE SIEMS (b. 1965, Germany) Artist Statement I was born in Berlin, Germany. From 1969 to 1971 I lived near Buenos Aires, Argentina. My first extended stay in the US was as an exchange student in 1986. Then in 1991, after finishing my MFA in Berlin, I moved to Seattle, WA. My work has moved from semi-abstract, room-filling plant and insect drawings...

Sir Henry Raeburn (1756-1823) James Sinclair, 12th Earl of Caithness (1766-1823) Oil on Canvas 30 X 25 inches Unframed 37 X 32 inches framed Sir Henry Raeburn FRSE RA RSA (4 March 1756 – 8 July 1823) was a Scottish portrait painter and Scotland's first significant portrait painter since the Union to remain based in Scotland. He served as Portrait Painter to King George IV in Scotland. Raeburn was born the son of a manufacturer in Stockbridge, on the Water of Leith: a former village now within the city of Edinburgh. He had an older brother, born in 1744, called William Raeburn. His ancestors were believed to have been soldiers, and may have taken the name "Raeburn" from a hill farm in Annandale, held by Sir Walter Scott's family. Orphaned, he was supported by William and placed in Heriot's Hospital, where he received an education. At the age of fifteen he was apprenticed to the goldsmith James Gilliland of Edinburgh, and various pieces of jewellery, mourning rings and the like, adorned with minute drawings on ivory by his hand, still exist. Soon he took to the production of carefully finished portrait miniatures; meeting with success and patronage, he extended his practice to oil painting, at which he was self-taught. Gilliland watched the progress of his pupil with interest, and introduced him to David Martin, who had been the favourite assistant of Allan Ramsay the Latter, and was now the leading portrait painter in Edinburgh. Raeburn was especially aided by the loan of portraits to copy. Soon he had gained sufficient skill to make him decide to devote himself exclusively to painting. George Chalmers (1776; Dunfermline Town Hall) is his earliest known portrait. In his early twenties, Raeburn was asked to paint the portrait of a young lady he had noticed when he was sketching from nature in the fields. Ann was the daughter of Peter Edgar of Bridgelands, and widow of Count James Leslie of Deanhaugh. Fascinated by the handsome and intellectual young artist, she became his wife within a month, bringing him an ample fortune. The acquisition of wealth did not affect his enthusiasm or his industry, but spurred him on to acquire a thorough knowledge of his craft. It was usual for artists to visit Italy, and Raeburn set off with his wife. In London he was kindly received by Sir Joshua Reynolds, the president of the Royal Academy, who advised him on what to study in Rome, especially recommending the works of Michelangelo, and gave Raeburn letters of introduction for Italy. In Rome he met his fellow Scot Gavin Hamilton, Pompeo Girolamo Batoni and Byers, an antique dealer whose advice proved particularly useful, especially the recommendation that "he should never copy an object from memory, but, from the principal figure to the minutest accessory, have it placed before him." After two years of study in Italy he returned to Edinburgh in 1787, and began a successful career as a portrait painter. In that year he executed a seated portrait of the second Lord President Dundas. Examples of his earlier portraiture include a bust of Mrs Johnstone of Baldovie and a three-quarter-length of Dr James Hutton: works which, if somewhat timid and tentative in handling and not as confident as his later work, nevertheless have delicacy and character. The portraits of John Clerk, Lord Eldin, and of Principal Hill of St Andrews belong to a later period. Raeburn was fortunate in the time in which he practised portraiture. Sir Walter Scott, Hugh Blair, Henry Mackenzie, Lord Woodhouselee, William Robertson, John Home, Robert Fergusson, and Dugald Stewart were resident in Edinburgh, and were all painted by Raeburn. Mature works include his own portrait and that of the Rev. Sir Henry Moncrieff Wellwood, a bust of Dr Wardrop of Torbane Hill, two full-lengths of Adam Rolland of Gask, the remarkable paintings of Lord Newton and Dr Alexander Adam in the National Gallery of Scotland, and that of William Macdonald of St Martin's. Apart from himself, Raeburn painted only two artists, one of whom was Sir Francis Leggatt Chantrey, the most important and famous British sculptor of the first half of the 19th century. It has recently been revealed that Raeburn and Chantrey were close friends and that Raeburn took exceptional care over the execution of his portrait of the sculptor, one of the painter's mature bust-length masterpieces. It was commonly believed that Raeburn was less successful in painting female portraits, but the exquisite full-length of his wife, the smaller likeness of Mrs R. Scott Moncrieff in the National Gallery of Scotland, and that of Mrs Robert Bell, and others, argue against this. Raeburn spent his life in Edinburgh, rarely visiting London, and then only for brief periods, thus preserving his individuality. Although he, personally, may have lost advantages resulting from closer association with the leaders of English art, and from contact with a wider public, Scottish art gained much from his disinclination to leave his native land. He became the acknowledged chief of the school which was growing up in Scotland during the early 19th century, and his example and influence at a critical period were of major importance. So varied were his other interests that sitters used to say of him, "You would never take him for a painter till he seizes the brush and palette." In 1812 he was elected president of the Society of Artists in Edinburgh; and in 1814 associate, and in the following year full member, of the Royal Scottish Academy. On 29 August 1822 he was knighted by George IV and appointed His Majesty's limner for Scotland at the Earl of Hopetoun house. He died in Edinburgh. Raeburn had all the essential qualities of a popular and successful portrait painter. He was able to produce a telling and forcible likeness; his work is distinguished by powerful characterisation, stark realism, dramatic and unusual lighting effects, and swift and broad handling of the most resolute sort. David Wilkie recorded that, while travelling in Spain and studying the works of Diego Velázquez, the brushwork reminded him constantly of the "square touch" of Raeburn. Scottish physician and writer John Brown wrote that Raeburn "never fails in giving a likeness at once vivid, unmistakable and pleasing. He paints the truth, and he paints it with love". Raeburn has been described as a "famously intuitive"portrait painter. He was unusual amongst many of his contemporaries, such as Reynolds, in the extent of his philosophy of painting directly from life; he made no preliminary sketches. This attitude partly explains the often coarse modelling and clashing colour combinations he employed, in contrast to the more refined style of Thomas Gainsborough and Reynolds. However these qualities and those mentioned above anticipate many of the later developments in painting of the 19th century from romanticism to Impressionism. Sir Henry Raeburn died in St Bernard's House (17 St Bernards Crescent), Stockbridge, Edinburgh. He is buried in St. Cuthbert's churchyard against the east wall (the monument erected by Raeburn in advance) but also has a secondary memorial in the Church of St John the Evangelist, Edinburgh. James Sinclair, 12th Earl of Caithness was born at Barrogill Castle (Castle of Mey) on 31 May 1766. He was the son of Sir John Sinclair of Mey, Baronet who he succeeded in the baronetcy in 1774. He succeeded as 12th earl of Caithness in 1789. He was lord-lieutenant of the county of Caithness and lieutenant-colonel of the Ross-shire militia. He married at Thurso Castle on 2 January 1784 Jane, second daughter of Alexander Campbell...