Still-life Paintings on Sale

Painting, oil on canvas, measuring 82 x 67.5 unframed and 98 x 82 cm with frame, by the painter Nicolas Baudesson ( Troyes 1611 - Paris 1680 ). Born in Troyes to a family of artists ...

Represented By George Billis Gallery. As the practitioner of a non-verbal art, Jarvis Wilcox’s first objective is to intrigue the viewer into spending enough time with the painting t...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf...

Imported Goods is an exploration of environment, especially focusing on the wellness of the ocean and the consequences of human plastic consumption. There is beauty in appreciation and replication, but it becomes a tragedy when it fully devours natural creation. Samantha Van Heest...

Midsummer herbs 1988. Oil on canvas, 82x65 cm The focal point of the artwork is a vase filled with colorful flowers and herbs. The artist's portrayal captures the vibrancy and vari...

Mr. Brainwash Campbell’s , 2009 takes the world-famous image of Andy Warhol’s Campbell Soup cans and transforms it into an equally iconic, eye-catching, and surprising object: a pain...

We are a 1stdibs Platinum Seller with 100% 5-star reviews. From the Estate of Irving Zucker. Formerly exhibited at the Art Gallery of Hamilton. A beautiful example of Greck's semi...

Hyper Cube Series. 1978. Gouache on Acrylic on Canvas. 20 x 24 inches

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"I don’t do enough red paintings. I like red, but somehow it doesn’t end up in my work all that often, or it ends up pretty muted and earthy by the end. When I was lighting the sculpture upon which this painting is based, I knew I wanted to do something with the red lights I had. As with previous work, this painting explores entanglement as both a compositional structure and as an artistic idea. The representational part of the painting is pushed as close to a photographic rendering as I could at the time. Meanwhile, I’ve contrasted that with flat graphic elements. I also wanted to do something interesting with the cast shadow of the form: whereas in some previous works in the series the main form either had a traditional cast shadow grounding the it to the illusion of a ground plane, or no cast shadow which left it floating within the shallow depth of the image, in Untitled Construct 5 I wanted to do something more specific with the cast shadow. The idea came to me to invert it to be pure white. Technically this was a bit of a challenge because the whitest oil paints take months to dry – so this work had quite a bit of ‘sit and wait time’ between layers. Personally, I enjoy the composition of this painting because the red attracts the eye towards the bottom left of the painting, but the contrasting movements in black, gray and white pull the eye up and over...

Continuing a series of formal investigations that blur the lines between representational, flat, and abstract painting approaches, I created Untitled Construct 3. As with previous wo...

I have sketchbooks filled with small thumbnail drawings which I usually base compositional arrangements upon. These are non-representational: just lines, arcs, mass tones, etc – basically just playing with formal elements. I had an idea to recreate these doodles as small sculptures. I liked the results, and wanted to have it feed back into my painting work as an intermediate step. That idea grew and I began lighting the sculptures with colored lights...

Playfully riffing off of classical Dutch baroque still lives, this still life pulls my dream content outside of itself in a way that feels displaced without context. Dreams subjects ...

PIECES OF ME, FOR YOU by Victoria Sauer depicts a subway-tiled bathroom meticulously painted in a photo-representational way with the artist's own hair ...

Saxophonist. 2021. Oil on canvas, 80x60cm Nugzar Avtandilovich Kahiani was born in Poti, Georgia in 1952. He studied at the Art College named after Nikoladze. Then he went to serve in the Soviet Army from1970 to 1972. After completing his military service he entered the Stieglitz St. Petersburg State Academy of Art and Industry at the faculty of artistic metal, from which he graduated in 1986. During his studies, he has been actively engaged in painting. His favorite artists are Gauguin, El Greco, Botticelli, Turner and Picasso. Works of artistic stone He worked also with stone, cornelian and onyx. But his soul gravitated to bright and blustery color, and so he has became engaged in painting. At first his paintings were quiet, with muted tonal gamma. The color image was built on the play of hues and halftones. Such a careful elaboration of color educates the taste, sharpness and delicacy of vision. Gradually, the painter became more experienced, and his paintings acquired assurance and power of maturity, blooming in colorful brilliancy. Nugzar's color preferences The color of Nugzar’s paintings is deep and multi-layered. It is woven of infinite number of hues and filled with light. At first sight it may be difficult to recognize the shapes in the play of flickering color dabs. The figures appear gradually, they draw the first breath just before our eyes, crystallizing from the color heap. The painter is attracted by major tonality and motives that years ago could be called “the gallant feasts” - repasts, assiduities, music parties, and airings. After somewhat daemonic, infernal imagery of early paintings, it has appeared the theme of “Le joie de vivre,” the joy of life. Source of inspiration Born in the ancient Kolkhida, he keeps the blissful pagan feel of entirety and completeness of being. It is embodied almost literally in his favorite personage auroral gorgeous-bodied beauty of a girl. He grants these forms even to Olympian inhabitants - Aphrodite, Athene, Arthemide, let alone the Bacchants. I remember unwittingly that Niko Pirosmani similarly painted on his impoverished buckrams the luxurious prince repasts and languid, elephantine beauties. Working style But his style is not bounded by grotesque parody, as well as the irony is not the only aspect of his world outlook. In his landscapes we can catch the ecstatic admiration with Nature. In contradistinction to his favorite impressionists, he never paints from nature and never bears in mind the particular place. It is just a blooming Earth, studied very closely, so that the trees are cut by the edges of the painting, and at the same time it is a bird’s eye view revealing infinite, boundless spaces. Nougzar says that the landscape for him is first of all a color ensemble. He can just leaf through the illustrated journal, nourishing his eye with color in various combinations, and so get the impulse to create a ‘physical’ landscape image. Probably, his landscapes are no less fantastical than his figure compositions, but such is his talent, his mission - to make the world more beautiful and gentle than it is in reality. Exhibitions Nugzar Kakhiani is a matured and recognized master, as follows from the long list of his exhibitions and countries where his works reside. 1987 - Exhibition of Georgian Artists in the Museum of Ethnography, Saint-Petersburg, Russia 1989 - Exhibition of Artists of Leningrad-Lenexpo, Russia 1990 - Exhibition of Van Gogh's memory, "Palette" , Russia 1991 - Exhibition Gallery Palette 1991 - Festival of Leningrad galleries in Manege, Saint-Petersburg, Russia 1992 - Exhibition at Gallery Pinatin, Berlin. 1993 - Exhibition of Piraeus, Athens, Greece. 1993 - Exhibition Gallery 47...

Represented By George Billis Gallery. As the practitioner of a non-verbal art, Jarvis Wilcox’s first objective is to intrigue the viewer into spending enough time with the painting t...

Caravaggio motif. 2019. Oil on canvas, 40,5x50,5 cm

Still life with flowers and apple. 2020. Oil on canvas, 61x73 cm

Rosehip. 1989. Paper, watercolor, 44x38 cm Dzidra Bauma (1930) Dzidra Bauma works in watercolor technique. She paint figural compositions, portraits, landscapes, flowers and still ...

Lilies. 2004, oil on cardboard, 49,5x70 cm Valdis Bush (1924-2014) studied at the Art academy of Latvia (1945 – 1950), his favorite professors being A. S...

Flowers. 1990, oil on canvas, 92x81 cm Light still life with flowers in jug, in white and blue colors. In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art ...

Vanita. 2004, oil, collage on canvas, 100x120 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, paintin...

Inverted glass. 1998, oil, collage on cardboard, 45x59 cm In 1958 he graduated from the Riga Art School of J. Rosenthal, in 1964 Art Academy of Latvian State, painting department, Head of the diploma work "Working in the forest" E. Kalninsh. He participated in the exhibition since 1966. Member of Artists Union of Latvia since 1970. From 1993-2000 member of the Association "B13". He worked as a teacher at the Riga 19th school and in the 17th evening high school (1961-1965), in the Riga Art School of J. Rosenthal (1965-1981), worked at the Arts Academy of Latvia since 1981 - in charge of Department of Painting (1993- 1998), professor since 1993. From 1997- 2000 Professor at the Evangelical Lutheran Christian Academy of Latvia. At the end of the 60s, in the 70s painted many figurative compositions of the historical genre. Reborn impression of cubism, painted still lifes and landscapes. Paintings by Janis...

Oil on board Signed lower left Provenance: Everett Oehlschlaeger Galleries, Chicago, IL Exhibited: Everett Oehlschlaeger Galleries, Chicago, IL Ten portraits of plastic toys attach...

Apples with walnuts. 2019. Oil on canvas, 45x65 cm Realistic still life with apples and walnuts on white drapery Alyona Prokofyeva (1988) From 2016 surname Galaktionova. Alyona gr...

Purple poppies. 1982, watercolor on paper, 80x68 cm Still life with violet-white poppies Ilona Brekte (1952) - watercolor painter. Graduated Art Academy ...

Bouquet. 1995, oil on canvas, 44,5x42 cm

Flower. 2012, oil on wood, 60x39 cm Daylily on yellow background Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, currently lives and works at Tric...

Tulips night blossomed. 2012, oil on canvas, 30x30 cm Reddish-yellow tulips on silver background Kristine Kvitka (1983) Kristine Kvitka is a Latvian artist, born in Riga in 1983, c...

Otto Dill, "Deer", 1918, oil painting, two grazing fawns. Beautiful and rare motif of the world famous artist Otto Dill. Outstanding painting and colors. Signed and dated. Dimensi...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing.  Because you cannot appreciate it on a computer screen, our gallery has a unique policy.  When purchasing from us, the buyer has sixty days to determine if they want to keep the artwork.  If not, the buyer returns the piece to us for full refund, and we pay the shipping both ways! A collector should consider several factors when deciding from whom to purchase artwork online. Check the location of the seller. When one buys from a foreign seller, one also has to consider the problems of getting the piece through Customs. There are often delays and considerable fees to pay in order to import the item.  When purchasing from us, we ship the same day and you receive it via FedEx the next day, no problems or hassles. When one purchases from an auction house, one pays a buyer’s premium of anywhere from 23% to 28% over the “hammer price”.  So when one “wins” an auction for $20,000, the actual price paid is more like $25,000. By contrast, when purchasing from us, the price agreed to is the price paid by the buyer, no hidden fees. Secondly, when one purchases from an auction house, the buyer pays the packing and shipping fee, which are usually exorbitant.  By contrast, when purchasing from us, the price includes packing and shipping. Thirdly, when one purchases from an auction house, the sale is final.  If one receives the piece and is not 100% satisfied with it, there is nothing the buyer can do about it.  They are stuck with it.  By contrast, when purchasing from us, the buyer has sixty days to determine if they want to keep it.  If not, the buyer returns to piece to us for full refund, and we pay the shipping both ways. About Randy Ford Exhibitions of Ford’s work have taken place at Art Karlsruhe, Karlsruhe, Germany, Editions/Line Gallery, Marlton, NJ, Edward Hopper House Museum, Nyack, NY, Galería artelibre Zaragoza,Spain, Hughes Gallery, Boca Grande, FL, J. Willott Gallery...

A still life watercolor painting with Irises, Mary Cassatt & Goldfish by Cathy Folk-Williams ( American, 1948). The original work features vivid colors and conflicting patterns, a si...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf...

Decorative, antique still life with fresh fish, apples, lettuce and pewter jug. Oil on canvas. Unsigned. Dimensions with frame: 130 cm x 159.5 cm. Dimensions without frame: 91.5 cm...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf...

My paintings begin with a serious sense of play, both in the staging and the creating of the compositions. It is at this beginning stage that I operate under the Dadaist dictate that “anything can be art”, and at the same time I seek out a balanced and harmonious composition by way of line, shape, and color. I work according to my whimsy, sometimes seeking to assert some form of narrative however personal or ambiguous, and other times I am simply satisfied with the hint of a human presence. Once I have my compositions the paintings then very quickly become about work, a very labor intensive work that forces me to focus my mind and slow things down (which I feel is relevant especially in this day and age of high-speed everything). A great amount of effort is spent on trying to get to the highest level of finish that is possible according to my current skill level. For inspiration I have drawn from the past four centuries of object specific paintings, from the ontbijtjes (laid tables) of the 17th Century Dutch masters such as Willem Kalf...

One cannot appreciate this painting on a computer screen; in real life, it is absolutely amazing. Because you cannot appreciate it on a computer screen, our gallery has a unique pol...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

I’ve been an artist all my life. As a kid I was continually creating and was only happy, when I could. That condition persists. I was self taught until attending the University of Ut...

Original painting on canvas. Hand signed lower front by Fernando Fernandez. Canvas is sretched. Artwork is in excellent condition. Certificate of authenticity included. All reasona...

Hand signed by the artist on verso. Hand Painted Unique Silkscreen on Canvas. Artwork is in excellent condition. Canvas is stretched. Certificate of authenticity included. All rea...

Surrealist ad where a gloved human hand rises in pictorial height to the size of a chemical plant. Tension is created as Drafsman's Pencil is about to t...

In her colorful and saturated oil paintings, Lucy Reitzfeld explores the relationships she’s always had with land and sea. Born into an artistic theatrical family on the shoreline of...

Children's illustration of Ponies and Puppies Signed lower left Children’s Books Published by The Merrill Company

Unique hand painted with mixed media on serigraph print. Hand signed, dated, titled and numbered by the artist. Edition 1/1. Artwork is in excellent condition. Certificate of authen...