Still-life Sculptures on Sale

Lego, gold leaf (24k, 22.66k), copper wire, wood This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

After completing his studies at the Royal Catalan Academy of Fine Arts in Sant Jordi, Barcelona, Jorge Borrás moved to France1. His works, especially his bronzes, are sold in major auctions mainly in France (Versailles, Drouot, Saint Germain En Laye, Enghien les Bains, etc. June 30, 1992, two bronzes were sold at Christie's in London) 2. They are exhibited in Parisian salons such as the Salon d'automne3, the Salon des artistes français, the Salon des Independants the exhibitions of the National Society of Fine Arts, the Salon de l'école française [ref. necessary]. He received the Arts-Sciences-Lettresn 1 Medal and is a member of the International Association of Visual Arts (affiliated with UNESCO). In addition, he produced a series of medals and sculptures for the Monnaie de Paris, and various achievements such as the bust of Dr. Coll Colomé, a monument erected in Benicarlo (Spain) and publishing covers including the novel by Jean-Marc Roberts Vincent's friend. The work of Jorge Borrás is a tribute to the woman [ref. necessary]. Her favorite themes are ballerinas and bathers as well as women in everyday attitudes. Wild animals, some endangered, are also very present in the work of Jorge Borrás, especially in recent years where he takes great pleasure in capturing the wild moment of his attitudes. Passionate about drawing, he began painting at the age of ten and made his first exhibition at the age of twenty. At the School of Fine Arts in Barcelona, he discovered sculpture with Luisa Granero and studied painting and sculpture. The students the drawing section, of the great master of Spanish painting and portrait painter Francisco Ribera Gomez...

Gold leaf, concrete, wood, copper wire W220 × D65 × H40 mm + W60 × D35 × H75 mm (concrete) This collaborative work, which began with a common interest in Buddhism, explored the idea of expressing the sacred within everyday life. As artist and Zen monk...

This is a gorgeous hand-carved black marble tool set. The marble is polished and with an amazing tactile feel. KARTEL Founded, 2014, San Miguel de Allende, Mexico The KARTEL grou...

Linda Stein, Pumper 291 - Mixed Media Metal Wood Rubber Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incor...

Linda Stein, Loose Wire 295 - Mixed Media Metal Wood Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incorpor...

AMERICA MARTIN "Two Birds of Paradise Tall" Sand Blasted Pepper Marble Size: 22 x 13 x 6.5 Inches Edition: 1/1 Experimenting with line weight and function as a tool for two dimen...

Pedro's sculpture's are whimsical and sophisticated. The sailboat series is affordable for the work involved in creating them. His use of mixed media gives the sculptures a unique ...

AMERICA MARTIN "Flowers for Warhol Tall" Sand Blasted Pepper Marble Size: 21.5 x 17.5 x 7 Inches Edition: 1/1 Experimenting with line weight and function as a tool for two dimens...

Linda Stein, Female Flexible Propeller 273 - Mixed Media Metal Stone Contemporary Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works t...

Linda Stein, Blades 197 - Mixed Media Metal Wood Contemporary Art Museum Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incor...

Linda Stein, New York Tunnel 286 - Mixed Media Metal Wood Stone Contemporary Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that ...

White onyx sculpture. Incised artist signature with date. Size includes base. Additional images are available upon request. Certificate of Authe...

SUIT JACKET is a sculpture by Ray Padrón created in 2019 from burned poplar wood. The piece belongs to a series of work centering around clothing items and ...

Great king vulture on tree trunk Porcelain, Model by J.J. Kaendler 1734. This present porcelain sculpture was made after the model by Kaendler, in the 19th or 20th Century. There are no visible marks. Kaendler and Porcelain: Dresden in the 18th century owed its Europe-wide fame as a centre of courtly splendour to the elector Frederick Augustus I (1670-1733). 'August the Strong' had a distinct passion for collecting and was not only a patron and lover of the arts, but also an enthusiastic patron of science. His natural history cabinet was regarded as the most important collection of its kind in Europe and contained a large number of exotic animals. He financed expeditions, from which the researchers were to bring the 'most possible species of their animals alive or in skins and skeletons or even crushed' back to Dresden. Johann Joachim Kaendler had this extensive collection of partly living exhibits at his disposal when he was commissioned to design life-sized animal sculptures for the 'Japanese Palace...

Mixed media sculpture. Printed artist signature and hand numbered on the underside of the sculpture. Signed and numbered certificate of authenticity by the artist. Includes origin...

This cut out aluminum hand painted sculpture hangs on the wall functioning as both a painting, with the wall as a see through background, and a sculpture. It hangs on several small ...

This cut out aluminum hand painted sculpture hangs on the wall functioning as both a painting, with the wall as a see through background, and a sculpture. It hangs on several small ...

Linda Stein, Couple 209 - Mixed Media Metal Wood Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that incorp...

Linda Stein, Division 233 - Mixed Media Metal Wood Bone Stone Contemporary Art Wall Sculpture In the 1990s Linda Stein began to work on a series called Blades, sculptural works that...

Artist: Doug Coupland Title: Bottle No. 5 Downey Year: 2002 Medium: Hand-carved wooden and painted oversized bottle Description: ADDITION offers a rare opportunity to acquire "Bot...

A continuation of her evocative Venice Biennale's installation, Bertlmann creates this sculpture as a symbol of both attractiveness and strength. Knife-rose by Renate Bertlmann Murano glass and metal, protected by acrylic case Edition of 50, plus 20 APs In mint Condition, accompanied by Certificate of Authenticity Acquired directly from the manufacturer Signed, numbered and dated PLEASE NOTE: Edition numbers could vary from the one shown in the pictures. A continuation of her installation, 'Discordo Ergo Sum‘ ('I dissent, therefore I am‘); which consisted of 312 glass roses, Bertlmann represented the Austrian Pavilion, as the first female solo artist, at the 58th Venice Biennale in 2019, where she focuses on the dichotomy of the human existence. The focal point of Bertlmann´s practice lays within the playground of gender and social issues, as can be seen in Knife-rose, an edition of 50 hand-blown Murano glass roses. The flaming and voluptuous red rose may be inviting, but from its core a sharp knife penetrates its petals and is ready to defend itself, awaiting an attack. "Perhaps it was novel for me to focus from the very start on investigating and developing a new image of the male by the female and did not restrict myself to developing a new image of the female by the female."—Renate Bertlmann RENATE BERTLMANN Austrian feminist avant-garde artist, Renate Bertlmann´s multimedia practice explores the gender roles within societal conventions. Her provocative pieces challenge the way women are held back by societal conventions. Active since the 1970s Bertlmann, who was born in Vienna in 1943, has worked in a variety of mixed media; including collages, drawings, photographs, photo-films, performances, and sculptural objects. The fil rouge of her work is the ambivalence of the feminine and masculine relationship, pursuing, often also with humor, an interrogation on gender relations. "My main interest became the phenomenon of male abuse of power; power as disinhibiting aphrodisiac, especially within the realm of sexuality."—Renate Bertlmann In 1975, Bertlmann participated in the ground-breaking exhibition 'MAGNA. Feminismus: Kunst und Kreativität' [MAGNA. Feminism: Art and Creativity] curated by fellow feminist artist Valie Export...