Graphical Brutalist Credenza 1970s

An assortment of graphical brutalist credenza 1970s is available at 1stDibs. Each of these unique graphical brutalist credenza 1970s was constructed with extraordinary care, often using wood, oak and aluminum. Graphical brutalist credenza 1970s have long been popular, with older editions for sale from the 20th Century and newer versions made as recently as the 20th Century. Graphical brutalist credenza 1970s are generally popular furniture pieces, but mid-century modern style is often sought at 1stDibs. There have been many well-made graphical brutalist credenza 1970s over the years, but those made by De Coene Frères are often thought to be among the most beautiful.

Graphical brutalist credenza 1970s can differ in price owing to various characteristics — the average selling price at 1stDibs is $5,009, while the lowest priced sells for $2,715 and the highest can go for as much as $16,921.

The design of brutalist furniture encompasses that which is crafted, hewn and worked by hand — an aesthetic rebuke (or, at least, a counterpoint) to furniture that is created using 21st-century materials and technology. Lately, the word “brutalist” has been adopted by the realms of furniture design and the decorative arts to refer to chairs, cabinets, tables and accessory pieces such as mirror frames and lighting that are made of rougher, deeply textured metals and other materials that are the visual and palpable antithesis of the sleek, smooth and suave. 

ORIGINS OF BRUTALIST FURNITURE DESIGN

• Brutalism emerged during the mid-20th century
• Term coined by architecture critic Reyner Banham
• Originated in the United Kingdom
• Brutalist architecture gained popularity in the United States beginning in the early 1960s
• Inaugural brutalist projects include Unité d'habitation and the city of Chandigarh, India, both of which owe to influential architect Charles-Édouard “Le Corbusier” Jeanneret 
• Le Corbusier’s cousin, Pierre Jeanneret, designed hundreds of chairs, tables, cabinets and lamps for Chandigarh
• Informed by the Bauhaus, constructivism, modernism and the International Style; part of mid-century modernism
• Contrasted starkly with Beaux Arts style

CHARACTERISTICS OF BRUTALIST FURNITURE DESIGN 

• Use of industrial materials — tubular steel, concrete, glass, granite
• Prioritizes functionalism, minimalism and utilization of negative space
• Spare silhouettes, pronounced geometric shapes
• Stripped-down, natural look; rugged textures, modular construction
• Interiors featuring airy visual flow and reliance on neutral palettes

BRUTALIST FURNITURE DESIGNERS TO KNOW

• Le Corbusier
• Marcel Breuer
• Paul Evans
• Oscar Niemeyer
• Paul Rudolph
• Tom Greene

VINTAGE BRUTALIST FURNITURE ON 1STDIBS

The term brutalism — which derives from the French word brut, meaning “raw” — was coined by architecture critic Reyner Banham to describe an architectural style that emerged in the 1950s featuring monumental buildings, usually made of unornamented concrete, whose design was meant to project an air of strength and solidity.

Le Corbusier essentially created the brutalist style; its best-known iterations in the United States are the Whitney Museum of American Art, which was designed by Marcel Breuer, and Paul Rudolph's Yale Art and Architecture Building. The severe style might have been the most criticized architectural movement of the 20th century, even if it was an honest attempt to celebrate the beauty of raw material. But while the brutalist government buildings in Washington, D.C., seemingly bask in their un-beauty, brutalist interior design and decor is much more lyrical, at times taking on a whimsical, romantic quality that its exterior counterparts lack.

Paul Evans is Exhibit A for brutalist furniture design. His Sculpture Front cabinets laced with high-relief patinated steel mounts have become collector's items nonpareil, while the chairs, coffee table and dining table in his later Cityscape series and Sculpted Bronze series for Directional Furniture are perhaps the most expressive, attention-grabbing pieces in American modern design. Other exemplary brutalist designers are Silas Seandel, the idiosyncratic New York furniture designer and sculptor whose works in metal — in particular his tables — have a kind of brawny lyricism, and Curtis Jere, a nom-de-trade for the California team of Curtis Freiler and Jerry Fels, the bold makers of expressive scorched and sheared copper and brass mirror frames and wall-mounted sculptures.

Brutalist furniture and sculptures remain popular with interior designers and can lend unique, eccentric, human notes to an art and design collection in any home.

Find authentic vintage brutalist chairs, coffee tables, decorative objects and other furniture on 1stDibs.

Of all the antique and vintage case pieces and storage cabinets that have become popular in modern interiors over the years, dressers, credenzas and cabinets have long been home staples, perfect for routine storage or protection of personal items. 

In the mid-19th century, cabinetmakers would mimic styles originating in the Louis XIV, Louis XV and Louis XVI eras for their dressers, bookshelves and other structures, and, later, simpler, streamlined wood designs allowed these “case pieces” or “case goods” — any furnishing that is unupholstered and has some semblance of a storage component — to blend into the background of any interior. 

Mid-century modern furniture enthusiasts will cite the tall modular wall units crafted in teak and other sought-after woods of the era by the likes of George Nelson, Poul Cadovius and Finn Juhl. For these highly customizable furnishings, designers of the day delivered an alternative to big, heavy bookcases by considering the use of space — and, in particular, walls — in new and innovative ways. Mid-century modern credenzas, which, long and low, evolved from tables that were built as early as the 14th century in Italy, typically have no legs or very short legs and have grown in popularity as an alluring storage option over time. 

Although the name immediately invokes images of clothing, dressers were initially created in Europe for a much different purpose. This furnishing was initially a flat-surfaced, low-profile side table equipped with a few drawers — a common fixture used to dress and prepare meats in English kitchens throughout the Tudor period. The drawers served as perfect utensil storage. It wasn’t until the design made its way to North America that it became enlarged and equipped with enough space to hold clothing and cosmetics. The very history of storage case pieces is a testament to their versatility and well-earned place in any room. 

In the spirit of positioning your case goods center stage, decluttering can now be design-minded.

A contemporary case piece with open shelving and painted wood details can prove functional as a storage unit as easily as it can a room divider. Whether you’re seeking a playful sideboard made of colored glass and metals, an antique Italian hand-carved storage cabinet or a glass-door vitrine to store and show off your collectibles, there are options for you on 1stDibs.