Marble Sculptures

Beautiful and elegant shell on pure white marble pedestal It has an ornament of a bronze bird, but you can remove it if you don't like it and leave the shell alone. Its condition i...

Sculpture, high relief, bas-relief, ancient Roman bust, Roman art, high relief battle, classical art, Greek art, bust, white Carrara marble, classical sculpture, carved high relief, ...

ANTIQUE ORIGINAL MARBLE SINK 19th Century Interesting sink from the end of the 19th century, made by copying the Kaolin sinks that appeared between ...

Bronze sculpture in the Romantic style, 20th century. Bronze sculpture, marble base, 20th century, in the Romantic style of the Napoleon III period. H: 52cm, W: 22cm, D: 22cm

Large bronze sculpture by A.CARBIER from the 19th Century. Elegant sculpture by A.CARBIER in patinated bronze from the 19th century, Napoleon III period, signed A.CARBIER, stamped i...

Measures: Height: 5.9'' / Weight: 800 gr This is a work that symbolizes the depiction of the ideal female form. -Produced from pressed marble powder...

Roman Relief "Warrior" late 19th Century in Carrara Marble Italy 45cm x 19cm good condition for the time

1960s Abstract marble sculpture.

A beautiful Anthony Redmile large white composite marble bust of Napoleon Bonaparte as Caesar, dating from the last quarter of the 20th century. Napoleon is shown with a laurel crown round his head, the bust is stamped AR to the reverse, and NAPOLÉON is inscribed below the bust. The attention to detail throughout the piece is second to none and the figure is extremely lifelike. This model is inspired after an example by Antoine-Denis Chaudet (French, 1763–1810), who, in 1799, carved the archetypal Napoleon Bonaparte portrait...

Scultura, Torso maschile, arte classica, arte greca, Torso, marmo bianco Carrara, scultura classica, torso antico, torso discoforo Torso maschile scolpito su bellissimo marmo bianco ...

Sculpture, Egyptian bust, ancient bust, pharaoh bust, Roman art, classical art, Greek art, bust, white Carrara marble, classical sculpture, ancient sculpture, ancient bust, made in I...

Mid-Century Modern stock market bookend sculpture brass bear on a solid marble base. These iconic symbols of Wall Street presented majestically on a marble base that adds a solid (li...

YELLOW SIENA MARBLE ROUND OF ALEXANDER THE GREAT AMMON late 19th Century This roundel is part of a series of roundels inspired by wonderful ancient Greek coins. Freely reproduced f...

Horse, running horse, horse sculpture, marble horse, Italian sculpture, made in Italy, white marble horse. Valuable sculpture representing a running horse. Carved on white Carrara ma...

Striking Modernist Bronze and Marble Sculpture done in the manner of Lynn Chadwick..

Very beautiful and refined antique dark patinated solid bronze sculpture depicting a naked woman blowing bubbles It is of German origin and dates from around 1920. Unsigned. This b...

Captivating, original polychrome bronze sculpture on a pivoting black marble base entitled "Showtime" by artist duo, Jacques and Mary Regat. Sculpture features a single Puffin bird standing on a rock with its' wings outspread. This is a limited edition bronze of only 100 pieces made. Signed by both artists on the rock, dated 2004 and numbered 81/100. A similar Puffin bronze...

This remarkable horse sculpture depicts a head and shoulders study of a wild stallion and mare carved meticulously from figured and veined natural marble stone with colours ranging f...

A beautiful Grand Tour statuary marble torso of an athlete, after the antique. Probably Rome, 19th century. Raised on a later Nero Marquina ...

Cercle of Jacopo della Pila (Lombard, in Naples 1471-1502) Marble relief depicting a winged Cherub Naples, second half of15th century 40 x 57 x 12 cm Exquisitely carved, this relief portrays a winged cherub with cascading hair and delicate features. The cherub's plump, smooth countenance, rounded cheeks, outlined lips, and finely drawn nose emanate a sense of tenderness. The quadrangular module, is adorned with a carved frame. The relief ascends gradually, transitioning from the low relief of the wings to the high relief of the head. The rectangular frame and the subtly curved form of the artwork suggest that the relief likely adorned the upper part of an arch or a vaulted chapel. The type is that of the perspective room with a coffered ceiling decorated with figures of winged cherubs, which is found in various Neapolitan chapels of the 15th century. Coffered ceilings attest to the recovery of antiquity and the search for luxury in Renaissance architecture, first in Florence, then in Rome and Naples. The majority of the numerous family chapels and tombs built during the late fifteenth century in south of Italy employ the new formal vocabulary of the Florentine Renaissance in a self-confident manner that permitted a broad spectrum of variations. The escalating admiration for the classical world, coupled with the development of perspective, significantly contributed to the Renaissance endorsement of coffered ceilings. This artistic and constructive device drew inspiration from the intricate marble patterns observed in historical landmarks such as the Arch of Titus, the Temple of Vesta in Tivoli, the Pantheon, and the Basilica of Maxentius. A distilled product of both mathematical and artistic cultures, deeply scrutinizing the ancient world, the coffered ceiling plays a vital role in the perspective construction of space with its regular and directional geometry. The motif of the coffered ceiling decorated with cherubs in relief was introduced in Naples by Francesco Laurana in the plastic decoration of the Arch of Castelnuovo. Laurana's impact on the art scene in the south of Italy was profound. The introduction of the winged cherub into the region's artistic vocabulary bridged the gap between the classical and the contemporary, creating a synthesis that resonated with both aesthetic and spiritual sensibilities. His influence extended beyond the immediate visual appeal, shaping the cultural identity of the Renaissance in southern Italy. Although the plastic decoration of the Arch of Castelnuovo cannot certainly be ascribed to a mature Renaissance style, it was precisely on this occasion that the sculptors who worked there could get to know and export throughout the Italian peninsula that type of "Florentine classicism" which, even in the 15th century Naples, was conditioned by the Burgundian culture imported into the Kingdom by Alfonso of Aragon himself, with artists called from Spain and Northern Europe. The coffered ceiling, with its geometric patterns and Laurana's winged cherubs nestled within, became a symbol of refinement and cultural sophistication. The relief sculptures, carefully integrated into the overall design, transformed the ceiling into a celestial realm, inviting viewers to contemplate the divine while immersed in the grandeur of the Renaissance space. Similar winged cherubs appears also in the Naples cathedral. Within the renowned Succorpo Chapel, a mesmerizing marble coffered ceiling adorned with cherubs epitomizes the splendor of the Neapolitan Renaissance. The interplay of light and shadow on the textured surface of the marble coffered ceiling introduces an ethereal dimension, providing an immersive visual experience for observers. The geometric precision and the repeated patterns, reminiscent of classical motifs, establish a sense of harmony and balance that has become the hallmark of the Neapolitan interpretation of Florentine Renaissance aesthetics. Although probably intended to be admired from a distance, this cherub is intricately detailed and exquisitely rendered: the face and hair are elegantly outlined and the feathers are textured through juxtaposed lines. The marble, both figurative and decorative, adheres to the principles of balance and restrained ornamentation typical of the « Florentine Classicism ». Harmonious shapes and gracefully orchestrated curves , rooted in the classical repertoire, converge to evoke a sense of ethereal beauty. The surface displays the masterful use of a chisel to intricately carve the feathers and facial features, creating an almost abstract quality. This work is a testament to a sculptor of great skill and rich figurative knowledge, seamlessly blending classical firmness in contours with a refined treatment of the marble's surface. The combination of tradition and innovation point to a stylistic idiom from Lombardy, in particular we can find some comparaisons with the works of Jacopo della Pila, sculptor of Lombard origin working in Naples in the second half of the 15th century. He is documented there between 1471 and 1502, and is a protagonist of the Aragon Renaissance in the second half of the Quattrocento, together with the other great Northern sculptor active in the kingdom, Domenico Gagini. the first commission he received dates back to August 9, 1471, when Jacopo publicly committed to sculpting the funerary monument of Archbishop Nicola Piscicelli to be placed in the Cathedral of Salerno. The last known work is an altar ordered on July 29, 1502, by the noble Jacopo Rocco for the church of San Lorenzo Maggiore in Naples. Between these two chronological extremes (1471-1502), we must place the fervent activity of the artist, who had trained in Rome, perhaps under the guidance of Paolo Romano but also engaged in dialogue with other major artists of the city, especially Isaia da Pisa. He enriched his experience in Naples, initially drawing inspiration from the works of Domenico Gagini and later from the Tuscan masterpieces of Antonio Rossellino and Benedetto da Maiano destined for the church of Santa Maria di Monteoliveto. Jacopo della Pila's artistic personality is thus based on a complex interplay of influences, contributing to the definition of a highly personal style. Close comparaison can be made between our cherub and the winged angels reliefs...

This elegantly bold Mid-Century Modern Carrara Marble Abstract Sculpture originates from the United States, Circa 1970. Features an abstracted geometric form with a remarkable sense ...

A large 18th century or earlier statuary marble head of Venus, goddess of Love. Life-size and beautifully carved with superb detail to her hair & face. Probably Italian and an early ...

Salvador Dalí, born in 1904 in Spain, was an exceptional surrealist artist. His paintings feature dreamlike scenes, distorted forms, and intricate details. He collaborated with other...

Unique and wonderful hand carved grey marble angel head, France, circa 1780-1800. Beautiful weathered. Measurement includes the wooden base.

An abstract modern sculpture. Brass and marble.

This is a high quality solid marble bust, though one of a kind, is particularly finely composed and delicately carved. Although she does not wear a wreath of flowers, this young woma...

Egyptian Scarab Brass Beetle Figurine on stone stand after the Egyptian Museum antiquities.A unique and beautiful addition to any Egyptian Art Deco collection. This Vintage solid cast brass Egyptian scarab beetle sculpture figurine on a black stone stand could be used as a paperweight or just as a collectible Egyptian Museum decorative piece of history. The beautiful all-over antique patina of the bronze shows its age and history, adding character and depth to the piece. This Egyptian revival bronze scarab is a striking collector's item and a testament to the fascination with Egyptian culture timeless design and historical significance make it a valid addition to any collection. Dimensions: Height: 2 in Width: 3 in Depth: 2.25 in. About the Scarab in ancient Egypt: The scarab beetle held significant cultural, religious, and symbolic importance. The scarab beetle, also known as the dung beetle, played a central role in Egyptian mythology and daily life. Here are some key aspects of the scarab beetle beliefs in ancient Egypt: 1) Symbol of regeneration and rebirth: The scarab beetle was associated with the concept of regeneration and rebirth. This connection was primarily observed in the insect's behavior of rolling balls of dung in which it laid its eggs. Egyptians saw parallels between this process and the sun god Ra's daily journey across the sky, disappearing at night and re-emerging in the morning. 2) Representation of the sun god Ra: The scarab beetle became a symbol for the sun god Ra, who was one of the most important deities in the Egyptian pantheon. The rolling of the dung ball by the beetle was likened to Ra's journey across the sky, and amulets in the shape of scarabs were often worn as protective charms. 3) Protective amulets and jewelry: Scarab beetles were popular motifs in ancient Egyptian jewelry...

A detailed and beautifully carved marble bust of the Roman God Janus. The God of beginnings, endings, time, duality and boundaries, the openings of doorways, gates and passages. The two faces portray this duality. They are both expressively carved with different detail to the curled horns. The features are clearly carved in a expression of contemplation framed...

Italian Relief in Carrara marble late 19th Century Original condition 90cm x 29.5cm x 5cm With hook to hang on the wall

Stylish and fully marked Art Deco era table with portoro marble top. The stylish design of this 1920s table / stand makes it ideal for displaying all kinds of antiques and works of ...

A lovely and affectionate true pair of French 19th century Louis XVI st. Alabama Rose Marble, Ormolu, white Carrara marble, and Bisque Porcelain statues...

Scultura, altorilievo, bassorilievo, busto romano antico, arte romana, arte classica, arte greca, busto, marmo bianco Carrara, scultura classica, altorilievo scolpito, scultura antic...

ANTIQUE ORIGINAL ITALIAN CARRARA MARBLE SINK began 20th Century Italy Original antique white marble sink. Soundhole dimensions: 42cm x 33cm x 4cm. original condition WIDTH 57 cm LENG...

Sculpture, marble centaur, Roman art, classical art, Greek art, bust, white Carrara marble, classical sculpture, ancient sculpture, ancient bust, made in Italy Centaur carved on whit...

"Stag, doe and fawn" also know as "Deer family" Art deco bronze depicting a doe and its fawn on a black marble base. Weight 28 lbs - 13 kg.

A finely detailed and very impressive Italian 19th century Neo-Classical st. white Carrara marble statue of Ariadne on its original Verde Mare marble pedestal, signed signed F. Vichi...

Massive "Spirit of Ectasy" cast aluminum sculpture of the Rolls Royce hood ornament by Charles Sykes, circa 1970s. The piece is 30.5"H x 25.5"D x 19.5"W and sits on a 13"D round marb...

Exquisite Hand-Carved Marble Bust: Inspired by the 'Magical Statue' from Thorvaldsen Museum, Copenhagen. Elevate your space with this extraordinary marble bust, a testament to the m...

ANTIQUE ORIGINAL MARBLE SINK 19th Century Interesting sink from the end of the 19th century, made by copying the Kaolin sinks that appeared between ...

Gerda Gerdago's 'Cosmic Dance': Art Déco austrian patinated bronze chryselephantine (ivory and gold) sculpture manufactured by Arthur Rubinstein By: Gerda Gerdago Material: bronze, ...

Amazing huge German Shepherd sculpture by Louis-Albert Carvin, France, ca.1930. Spelter, marble and onyx. Spelter dog. Marble and onyx base. Height: 16.9"(43cm), width: 19.6"(49.8cm)...

An iconic Art Deco cold painted bronze sculpture of a female warrior holding a shield and sword in an energetic pose, exhibiting fine colour and detail, raised on a black marble base...

Antonia Gresiaga Kieff Abstract Bronze Sculpture on Black Marble Base, 1970's. Canadian/Spanish, Born 1936. Mounted on marble base which is signed and marked 1 of 5. Measures 33" tal...

A Fine Late 19th Century White Carrara Double Figure Marble Entitled “Tendresse” by Émile-André Boisseau Depicting an early Middle Eastern couple, the man with his arm around his wi...

The Mid-Century Modern Brass Ram Sculpture, crafted from solid brass and perched on a polished green marble base, embodies the raw power and untame...

ANTIQUE ORIGINAL MARBLE SINK began 20th Century Original antique white marble sink. WIDTH 39 cm LENGTH 70 cm INTERNAL DEPTH OF THE BASIN 8 cm THICKNESS 11 cm OVAL HOLE DIMENSIONS 40...

White marble floor sculpture with black marble base One of a kind sculpture Signed by the artist Jean Frederic Bourdier

Step into the elegance of the Roaring Twenties with this 1920s French Marble Bust of a Woman, a piece reminiscent of the renowned work "Vichy, Sourc...

An Art Deco sculpture with three deer on a marble base. Measures: Width:43 cm. Depth:15 cm. Height:37 cm. Weight:10 kg.

A wonderfully decorative pair of marble classical Greek style Centaurs. The polished marble is skilfully carved with intricate detailing to the t...

Classic female form beautifully rendered in Bronze atop a marble base signed and dated 1970 What's a fearless muse without a trusty cannon? This one gleams like old gold as it rests...

A pensive figure, evocative to the many depictions of Sappho produced during the Romantic Era, of a seated woman by the French sculptor Eugène Louis Lequesne (1815-1887). She and her...

"Nelumbo stands as a testament to the art of small sculpture, an exclusive masterpiece that seamlessly blends industrial precision with the grace of handcrafted techniques, resulting...

An antique Carrara marble sculpture “Venus Italica” after Antonio Canova (1757-1822) Made in Italy during the 19th century. When the Medici Venus was forcibly removed from the Tribu...

A vintage tabletop sculpture crafted by C. Jere and dated to 1978. The metal sculpture was constructed from chromed steel and brass in an abstract tapering spiral form with curved th...

Antique cold-painted bronze of a pulled rickshaw by Bergman Austrian, c. 1910 Height 19cm, width 37cm, depth 20cm This unusual cold-painted bronze depicts a running Arab man, who p...

Classic Italian sculpture Antonio Frilli Origin Italy Circa 1900 Reason: Beatrice Artist: Antonio Frilli (1860-1920) Mterialies: Alabaster W...

Thomas François Cartier, born on January 3, 1879, in Marseille, France, and passing away on December 27, 1943, was a notable French sculptor celebrated for his masterful depictions o...