1930s Sculptures

More of an indictment of the Spanish conquest of North America than a celebration, this quite extraordinary, large bronze inkwell depicts a Conquistador, holding sword and whip, seat...

Pair of 1930's French art deco bronze sculptures of dancing girls finished in Verdi green and black lacquered.

Mounted Bronze -Type Model of The SS Normandie at Sea. The commemorative of the SS Normandie (1932 - 1946) on the maiden voyage Circa 1935. Bronzed / spelter material with good det...

Fabulous simple yet elegant design by Walter Von Neesen for Chase circa 1935. Brass & copper stylized in the form of a arching cat. Rare find. In excellent vintage condition with min...

DIMENSIONS Height: 9.5 inches Width: 6.5 inches Depth: 3.75 inches MARKINGS Brown-patinated bronze, inscribed on base: H. Scholter

A rare tall bronze sculpture by Maurice Guiraud Rivière & Etling Paris representing the figure of a cowboy at the rodeo on a bucking bronco. S...

Art Deco bronze sculpture of a fish signed by De Roche. Bronze with silver patina on a Belgian Black marble base. France 1930.

Rare and excellent Goldscheider art ceramic figure of the 1930's: Young standing Japanese woman in traditional kimono with wide sleeves and colored floral decoration on dark blue ba...

Art Deco 1930 porcelain figure by Karl Tutter (1883-1969) for Hutschenreuther. This piece has been created in Bavaria, Germany back in the 1930. This was designed by the artist Karl Tutter-one of the premiere porcelain modelers of his day!-and made by the Lorenz Hutschenreuther depicting a naked women, with the arms open in direction to the sun, this pose called Sun Child. The main body is decorated with delicate skin cream color, with accents of black, red and light gilding. all mounted in a ball on a round pedestal base. This piece have a height measure of 12.75 inches (32.40 Cm) and the base have a diameter of 3 inches (7.6 Cm). Signed at the base, with the company maker's logo for "HUTSCHENREUTHER GERMANY" and the incised inscription "K TUTTER...

Signed: Depose No 98 J.B This stylish Bambi sculpture dates to the late 1930s and was Fabricated in France. The piece is in excellent condition and a ...

Art Deco style hand-carved oakwood owl sculpture, Germany, circa the 1930s. This beautiful naturalistically carved dark brown wooden owl with glass eyes, sitting on a wooden base wi...

A remarkable example of folk art sculpture influenced by the stylization of 1930s Art Deco, this bas relief sculpture depicts a man aiming a long harpoon toward his prey below, his b...

Demetre Chiparus (1888-1950) designed this gorgeous Art Deco fine terracotta sculpture. The artwork features a brown-red patinated Art Deco walking el...

Ercole Barovier for Barovier and Toso Rare Murano glass Sculpture of a Donkey in vibrant red with gold applied accents. The leg is up. Rare art deco sculpture. The nearly fifty y...

Exceptional Art Deco sculpture/lamp by Max Le Verrier (1891-1973) representing a monkey under an umbrella. It is titled La Pluie "The Rain" or Le Singe au Parapluie "Monkey with an U...

Raymonde Guerbe (1894-1995), Rare Art Deco Bronze Sculpture Lady With Cape Guillemard Edition is a remarkable piece of artwork from the Art Deco era. Created in France in the 1930s, ...

Louis Carvin Cubist bronze prowling panther silver-plated on a black marble base. Louis Carvin was a renowned French sculptor known for his contributions ...

South Africa, circa 1930 One Xhosa beaded medicine gourd. H 12 x Ø 10 cm

A masterfully touching and realistic depiction of 13th Century Italian poet Dante. Before we dive into the artist, Jose Luis Zorrilla de San Martin...

Primitive wood mold with fantastic patina Different shapes available - Priced separately but wonderful as a collection France circa 1940s.

A large and impressive art deco bronze study of an albatross on the wing above a crested wave, by Emile Dautrive circa 1930 This most eye catching and stylish large art deco bronz...

Lalique (French, founded 1888), 20th century. "Masque de Femme", originally modeled by Rene Lalique for the Coutard fountain in 1935, frosted colorless...

A beautiful ceramic vase in lovely Art Deco-style designed by Einar Luterkort, the vase is designed at Upsala Ekeby in the 1930s. It is 27 cm (10.8") high and about 15 cm (6") in di...

A rare bust of a Native American man in sculpted wood by Hagenauer Austria ca. 1930s.

This amazing original painted double rooster doorstop is in fine as found condition.Minor paint loss consistent with age and use.

Elegant Goldscheider Art Deco ceramic figure of the 1930's: Dancer with shoulder-length hair in a long, wide, gray skirt with floral decoration and a pink...

Heavy vintage devil wall mask in conrete, 1960s. Beatiful Patina, little.

Ceramic Sign: Made in Austria Keramos 2051 19/M Wiener Keramos, later Keramos AG or Keramos KG , was a Viennese ceramics manufacturer that made a name for itself especially in the interwar period . In addition to their own designs, designs from the dissolved Wiener Werkstätte were also produced from 1932 onwards. In over 60 years of company history, around 3000 model designs have been produced by around 60 ceramists. Keramos also carried out commissions from the Wiener Werkstätte, such as vases by Dagobert Peche . History The origins of the Keramos company lie in two companies with the same name. The company Keramos – Invalid Society for Viennese Art Ceramics was founded at the end of 1919 on the initiative of the three ceramists Rudolf Wolf, Heinrich Wolf and Ludwig Rys, who had become invalids in World War I. Production started in September 1920. Art-ceramic lamps, figures, vases and boxes were produced. The company Keramos – Viennese art ceramics and porcelain manufactory was founded in 1920. Josef Hoffmann was a shareholder of Keramos for a long time, as was the sculptor Rudolf Podany, who was engaged from the start and created a large number of designs. From 1921 Anton Klieber was employed, who was also responsible for most of the models. Around 1924 both companies were merged and converted into an AG, commercial director became Otto Köller, the technical directors were the brothers Rudolf and Heinrich Wolf. "Some war invalid ceramists founded a workshop with the help of some artists, which was subsequently financed by the state and later enlarged with its participation and converted into a joint-stock company." The company's headquarters were in the Hofburg , Schwarze-Adler-Stiege, the factory in the 10th district of Vienna, Schleiergasse 17. Artistic collaborators at that time were Eduard Klablena , Otto Prutscher , Karl Perl , Karin Jarl-Sakellarios , IDA Schwetz- Lehmann and Grete Fucik-Fischmeister. On February 23, 1928, the triangular mark was entered in the trademark register. It was now also produced for the Wiener Werkstätte. Difficulties for the company arose from the Great Depression . Around 1932, 50 people were employed and a large number of models from Eduard Klabena and the dissolved Wiener Werkstätte were taken over. The works created by Keramos were labeled with their company brands until after 1941. From 1939 the economic situation of the company was better managed by taking over the production of ceramic winter welfare organization badges, the so-called WHW badges. Before 1941 the company is converted into a KG named Keramos, Wiener Kunstkeramik und Porzellanmanufaktur Brüder Wolf KG . Otto Köller was no longer active from this point on. After the end of World War II, Robert Obsieger recommended Robert Mathis as the new head of Keramos, who took over the management of the ceramics manufactory in 1945. In 1949 Mathis introduced a new company logo, which was used alongside the existing triangle mark, the so-called coat of arms mark. Anton Klieber and Rudolf Podany continued to work as ceramists, and new artists such as Josef Lorenzl and Stephan Dakon , both of whom had previously worked for Goldscheider , as well as Rudolf Chocholka, Karl Grössl and Ina Eisenbeisser were engaged. New models such as dancers, children's figures, animals and nudes were created, as well as the well-known wall masks, young people and poodles from the mid-1950s, which corresponded to the trend at the time. In addition, however, traditional designs such as Madonna statues and busts, saints and angels were still made. Utility ceramics such as crockery, vases, lamp bases, candle holders and flower pots also became an important branch of production, and cooperation with the German manufacturer Carstens at the beginning of the 1960s was just as lucrative. In the course of the 1960s, the sales markets for figurative ceramics became increasingly difficult. So until 1982, production was increasingly shifted to everyday ceramics, since ceramic figures were no longer modern due to changing tastes and the spirit of the times. Ultimately, the economic situation at Keramos became more and more difficult and Klaus Mathis, the son of Robert Mathis and then director, who succeeded his father at the helm of the company at the beginning of the 1970s, initiated the liquidation of the company at the end of 1982 . Staff The following artistic collaborators have worked for Keramos over the years: Hans Adametz , Franz Barwig the Elder , Franz Barwig the Younger , Andreas Beck, Hans Bolek, Angelo Bortolotti, Hertha Bucher , Rudolf Chocholka, Stephan Dakon , Ferdinand Doblinger, Eckstein, Franz Eggenberger , Ina Eisenbeisser, English, Stephan Erdös, Alois Feichtinger, Feyslitz, Hans Friedberger, Grete Fucik-Fischmeister, Kurt Goebel, Anton Grath, Karl Grössl, M. Günther, Otto Hafenrichter, Arnold Hartig , Friedrich Herkner, Trude Hillinger, Leopold Hohl, Hostasch, Karl Jamök, Karin Jarl-Sakellarios , Eduard Klablena, Klar, Anton Klieber, Maria Klinger, Josef Kostial, Josef Lorenzl , Wilhelm Otto Lugerth, Viktor Matula, Gusty Mundt-Amman, Novotny, Carl Perl, Rudolf Podany, Friedrich Pollak, Hugo Postl, Adolf Prischl, Otto Prutscher , Max Rieder , Elisabeth Rieger-Hofmann, Walter Ritter , Willibald Russ, Karl Sailer, Schönberg, Schwarz, Ida Schwetz-Lehmann , Sult, Robert Ullmann , Otto Weigand, IDA Weiss-Moricz, Rudolf Wolf. Exhibitions • Jubilee exhibition of the Wiener Kunstgewerbeverein, Austrian Museum , Vienna 1924. • Arts and Crafts Exhibition, Paris, 1925. • Exhibition of Austrian arts and crafts...

Hand-carved wooden pipe holder with twelve slots for pipes (circa 1930s, USA). Crude design (figures themselves are ambiguously two dogs meeting at the jaws). Nice patina/age present...

Limousin Art Deco sculpture named "A Woman and her Two Dogs" was created circa 1930s. This very attractive sculpture by the French Art Deco master...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All...

Guido Cacciapuoti Italian Art Deco large ceramic animal figurine Depiction: Two parrots on a tree trunk Hand crafted and hand painted in strong ...

We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All...

Black panther on oak base signed L. Houzeaux Original Art Deco, France 1930s width: 65 cm Height: 20 cm Depth: 12,5 cm

This is an iconic art deco centerpiece from the famous French earthenware factory Saint Clément, established in 1758. The model was designed by the French sculpture Charles Lemanceau (1905-1980) and put into production in the mid-1930s. This specific piece has the advantage of being glazed in the the famous green "trademark" color of Saint Clément. The brown glazed version is more common and not so hard to find. Charles Lemanceau was one of the most popular sculptures of the art decor era and he was well-known for his stylized animal sculptures...

This woman bust is in Plaster. It is an Art Deco sculpture, made circa 1930, in France. In a white color.

Large expressive, naturalistic Art Déco sculpture "panther with cobra" by Felix Guis, 1930s. Signed by the artist F.Guis. The artist Felix Guis ( 1887 to 1972 ), born in Tunesia ha...

Rare Goldscheider Art Deco ceramic figurine: Depiction of a seated dancer in a blue, strapless ball gown with lace flounces, the right leg folded over the left and the left arm on the knee, holding a ball mask...

Art Deco bronze sculpture of two carp fish by Santiago Bonome, 1930. The sculptor was born in Spain and worked in France. Signed Bonome with Barbedienne Fondeur Paris. Bronze w...

French Art Deco iron floor lamp, in the manner of Edgar Brandt, French, circa 1930s. It has been rewired for US usage and is ready to use.

Depiction of a dancer in Spanish costume: she wears a mantilla, a veil cloth that covers the head and neck down to the shoulders. Often, as here, a high comb is also tucked underneath, the peineta. The cloth is still worn today for festive costumes and is mostly made in lace technique. In addition, the dancer wears an elaborately decorated with floral patterns asymmetrical ruffled skirt. On oval, black-beige marbled base in rare execution. This figure also exists as a group 'Spanish Dance' with dance partner, model number 7557, a more frequent version. Designed by Josef LORENZL (1892 - 1950), an Austrian sculptor and ceramic modeler. His bronze statuettes often show graceful dancers with long...

Pair of ceramics Sign: Ceramic with enamel : Catherine Barjansky Made in Belgica Boch Ceramic White: Sign: BFK made in Belgium The Boch manufacture was established in Belgian La Louvière by Jean-François Boch, one of main owners of another known company, Villeroy & Boch. The direction of Boch Freres SNC was in 1844 taken by Victor Boch. Production could be started immediately thanks to other Boch family ceramic businesses that sold Victor ready-to-use copperplates. This faience manufacture developed very fast. In 1847 the company won a gold medal at the exhibition of the Belgian industry. In 1855 they already employeed 300 workers in La Louvière (Keramis) and 100 in Tournai (Boch Freres) factory. Around 1860 the production of polychrome pieces was started. In 1904 the first in Europe tunnel kiln was launched. Problems started in 1970s. The company went bankrupt in 1985 and was reactivated as Novoboch and MRL Boch. In 2015 was started Keramis Center, just two rooms showing Royal Boch history. One of the most important designers for Boch Frères Keramis was Charles Catteau. He was French but in 1906 moved to La Louvière. Patterns designed by Catteau were created in following years: The Boch Frères Kéramis factory (Belgium, province of Hainaut, La Louvière) is now well known thanks to the work of the very dynamic Charles Catteau. That of the sculptor Catherine Barjansky is much less so, even if her career is international: Rome, Berlin, New York, Vienna, Paris, Brussels... Catherine is from Odessa, a Ukrainian city located in the Soviet Empire. At the age of twenty, she studied sculpture in Monaco where she met her husband, Alexandre Barjansky, the famous violinist whose name is now inseparable from a Stradivarius! Thanks to her husband's job, she travels a lot. Witnesses to his exchanges with the intellectual milieu of the time, his portraits of personalities dominate his work: a bust of Einstein, kept at the Solvay Institute in Brussels; a bust of Freud; or even Colette, author who prefaced her first exhibition in Brussels. She made a bust of Queen Elisabeth of Belgium...

French Model Propeller Airplane Wood Metal Art Deco. Mixed wood with lots of metalwork. Wings, propeller, tail, and windows. Fashioned after The Dewoitine which was an Art Deco 1930s...

Napoleone Martinuzzi, Bassotto Giallo (Yellow Dachsund) sculpture, white & gold Venini Murano 1930 Exceedingly rare example of a signed Venini large-scale Dachsund Dog Sculpture by N...

An Art Deco Bronze Statue by Armand Godard, produced by the Parisian foundry of Edmond Etling. This is an example of a high style rendered in the highest quality. Nothing is more emb...

French Majolica donkey with basket, circa 1930. Signed Beretta Barnoin Vallauris.

Spectacular sculpture by Pesce Scorfano made in the 1930s in blue glazed stucco attributed to the great Italian sculptor Guido Cacciapuoti (1892-1953).

Beautiful sculpture of a chinese girl. Signed by the french artist " Géo Maxim". .

Jean Bulio, bronze statue of Léon Gambetta, Prime Minister, France, 1930. Work signed on the back by the artist. Small signs of the time. We guarantee adequate packaging and will sh...

This is an exquisite pair of Italian Murano candle holders in the form on Nubian figures elegantly attired in early Venetian costumes. The figures are pr...

Henri Guingot Saint Clement France White Crackle Ceramic Dove, circa 1930s crackle glaze craqueles. This piece like many of the great ceramic seri...

Precious bronze medal designed by the master sculptor Godefroid Devreese and made by Fonson & Cie in Belgium in 1939, equal to the one acquired by the British Museum in 2003, in whic...

Dancer with hat and fan by Marcel Bouraine (1886-1948), signed on the base bronze, silver plated detailed decorated base made of Portor marble Original Art Deco, France 1930s...

This graceful dancer in bronze was done by the distinguished and highly regarded Austrian sculptor, Josef Lorenzl. Many of his other works are shown in the book "Art Deco and Other F...

Superb spelter sculpture of a pheasant over a marble base. Intricate detail in the sculpture and patina alternating silver and black to simulate the coat's patterns as well as gouges...

A delightful and finely made English Art Deco porcelain figure titled The Thief in Middle Eastern dress made by Royal Worcester and dated 1936. The figure of...

Very Rare Goldscheider Vienna Figurine of the 1930s: Standing young, unclothed lady with chin-length blond hair, loosely holding in front of her the leash of the German shepherd sit...

Italian Art Deco terracotta sculpture signed U. Cipriani. Italian Art Deco terra cotta sculpture of a male athlete artist signed, Ugo Cipriani. This terra cotta...