Murano Glass Chandeliers and Pendants

Fabulous 1930s chandelier by Barovier&Toso, Murano. Note that the beautiful chain is also made of glass. The light has 1bulb. Creator: Barovier & Toso,...

Beautiful Art Deco lantern manufactured in hand blown and worked Murano glass and brass hardware. The technique in which the glass is executed is known and attributed to be by Vetrer...

Glass Murano chandelier mod. Giogali designed by Angelo Mangiarotti for Vetreria Vistosi, 1970.

Fascinating Murano chandeliers. It is composed of 30 star-shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

Fascinating Murano chandeliers. It is composed of 30 star shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

Renato Toso and Noti Massari's original vintage Tinta pendant light is made of Murano glass in Italy. Hand blown glass with multicolor murrine. Leucos' original label. 1971. Cable length is adjustable. Very good vintage condition. No chips or cracks. Chandelier height with a cable: 90 cm (max height 220 cm). Width: 37 centimeters Height: 40 centimeters The lamp is 6.7 kg heavy. Renato Toso (1940) and Noti Massari (1939), both Venetians by birth, culture, and choice, received their architecture degrees from Carlo Scarpa's (1906-1978) class in 1967 and got hitched the following year. Since then, they have built an architecture, engineering, and design studio inside the Venetian Lagoon with the help of their kids. At the Fratelli Toso 1854 glass works, which was a pioneer in embracing art...

Using the same process as our totem floor lamps, we stacked different Murano glass parts in various colors and shapes, alternating with some brass d...

Marvelous Mid-Century Modern, stunning design, chrome & glass flowers fixture. This aesthetically pleasing and very rare design, Murano glass pendant is in good condition and read...

Black 8-armed Murano glass chandelier. A Mid-20th Century black ceiling light with 8 curling arms. A great looking vintage Italian chandelier or ceiling light with black murano glass details and chromed tube covers. With chain and suspension / canopy. Height included chain and hang up...

“Poliedri” chandelier designed by Carlo Scarpa and produced by the Italian manufacturer Venini in, 1958. Made of opaline Murano glass. Born in Venice on June 2nd, 1906, Carlo Scarpa began working at a very early age. Only a year after he had first qualified as an architect in 1926, he began working for the Murano glassmakers Cappellin & Co. in a consultative capacity; from 1927, he began to experiment with the Murano glass, and this research not only gave him excellent results here but would also inform his progress for many years to come. Between 1935 and 1937, as he entered his thirties, Carlo Scarpa accepted his first important commission, the renovation of Venice’s Cà Foscari. He adapted the spaces of this stately University building which stands on the banks of the Grand Canal, creating rooms for the Dean’s offices and a new hall for academic ceremonies; Mario Sironi and Mario De Luigi were charged with doing the restoration work on the frescos. After 1945, Carlo Scarpa found himself constantly busy with new commissions, including various furnishings and designs for the renovation of Venice’s Hotel Bauer and designing a tall building in Padua and a residential area in Feltre, which are all worth mention. One of his key works, despite its relatively modest diminished proportions, was the first of many works which were to follow in the nineteen fifties: the [bookshop known as the] Padiglione del Libro, which stands in Venice’s Giardini di Castello and shows clearly Scarpa’s passion for the works of Frank Lloyd Wright. In the years which were to follow, after he had met the American architect, Scarpa repeated similar experiments on other occasions, as can be seen, in particular, in the sketches he drew up in 1953 for villa Zoppas in Conegliano, which show some of his most promising work. However, this work unfortunately never came to fruition. Carlo Scarpa later created three museum layouts to prove pivotal in terms of how twentieth-century museums were to be set up from then on. Between 1955 and 1957, he completed extension work on Treviso’s Gipsoteca Canoviana [the museum that houses Canova’s sculptures] in Possagno, taking a similar experimental approach to the one he used for the Venezuelan Pavilion at [Venice’s] Giardini di Castello which he was building at the same time (1954-56). In Possagno Carlo Scarpa was to create one of his greatest ever works, which inevitably bears comparison with two other museum layouts that he was working on over the same period, those of the Galleria Nazionale di Sicilia, housed in the Palazzo Abatellis in Palermo (1953-55) and at the Castelvecchio in Verona (1957- 1974), all of which were highly acclaimed, adding to his growing fame. Two other buildings, which are beautifully arranged in spatial terms, can be added to this long list of key works that were started and, in some cases, even completed during the nineteen fifties. After winning the Olivetti award for architecture in 1956, Scarpa began work in Venice’s Piazza San Marco on an area destined to house products made by the Industrial manufacturers Ivrea. Over the same period (1959-1963), he also worked on renovation and restoration of the gardens and ground floor of the Fondazione Querini Stampalia in Venice, which many consider being one of his greatest works. While he busied himself working on-site at the Fondazione Querini Stampalia, Carlo Scarpa also began work building a villa in Udine for the Veritti family. To shed some light on the extent to which his work evolved over the years, it may perhaps be useful to compare this work with that of his very last building, villa Ottolenghi Bardolino, which was near to completion at the time of his sudden death in 1978. Upon completion of villa Veritti over the next ten years, without ever letting up on his work on renovation and layouts, Scarpa accepted some highly challenging commissions which were to make the most of his formal skills, working on the Carlo Felice Theatre in Genoa as well as another theatre in Vicenza. Towards the end of this decade, in 1969, Rina Brion commissioned Carlo Scarpa to build the Brion Mausoleum in San Vito d’Altivole (Treviso), a piece he continued to work on right up until the moment of his death. Nevertheless, even though he was totally absorbed by work on this mausoleum, there are plenty of other episodes which can offer some insight into the final years of his career. As work on the San Vito d’Altivole Mausoleum began to lessen from 1973, Carlo Scarpa began work building the new headquarters for the Banca Popolare di Verona. He drew up plans that were surprisingly different from the work he was carrying out at the same time on the villa Ottolenghi. However, the plans Carlo Scarpa drew up, at different times, for a monument in Brescia’s Piazza della Loggia commemorating victims of the terrorist attack on May 28th, 1974, make a sharp contrast to the work he carried out in Verona, almost as if there is a certain hesitation after so many mannered excesses. The same Pietas that informs his designs for the Piazza Della Loggia can also be seen in the presence of the water that flows through the Brion Mausoleum, almost as if to give a concrete manifestation of pity in this twentieth-century work of art. Carlo Scarpa has put together a highly sophisticated collection of structures, occupying the mausoleum’s L-shaped space stretching across both sides of the old San Vito d’Altivole cemetery. A myriad of different forms and an equally large number of different pieces, all of which are separate and yet inextricably linked to form a chain that seems to offer no promise of continuity, rising up out of these are those whose only justification for being there is to bear the warning “si vis vitam, para mortem”, [if you wish to experience life prepare for death] as if to tell a tale that suggests the circle of time, joining together the commemoration of the dead with a celebration of life. At the entrance of the Brion Mausoleum stand the “propylaea” followed by a cloister which ends by a small chapel, with an arcosolium bearing the family sarcophagi, the main pavilion, held in place on broken cast iron supports, stands over a mirror-shaped stretch of water and occupies one end of the family’s burial space. The musical sound of the walkways teamed with the luminosity of these harmoniously blended spaces shows how, in keeping with his strong sense of vision, Carlo Scarpa could make the most of all of his many skills to come up with this truly magnificent space. As well as a great commitment to architectural work, with the many projects which we have already seen punctuating his career, Carlo Scarpa also made many equally important forays into the world of applied arts. Between 1926 and 1931, he worked for the Murano glassmakers Cappellin, later taking what he had learned with him when he went to work for the glassmakers Venini from 1933 until the 1950s. The story of how he came to work on furniture design is different, however, and began with the furniture he designed to replace lost furnishings during his renovation of Cà Foscari. The later mass-produced furniture started differently, given that many pieces were originally one-off designs “made to measure”. Industrial manufacturing using these designs as prototypes came into being thanks to the continuity afforded him by Dino Gavina, who, as well as this, also invited Carlo Scarpa to become president of the company Gavina SpA, later to become SIMON, a company Gavina founded 8 years on, in partnership with Maria Simoncini (whose own name accounts for the choice of company name). Carlo Scarpa and Gavina forged a strong bond in 1968 as they began to put various models of his into production for Simon, such as the “Doge” table, which also formed the basis for the “Sarpi” and “Florian” tables. In the early seventies, other tables that followed included “Valmarana”, “Quatour” and “Orseolo”. While in 1974, they added couch and armchair “Cornaro” to the collection and the “Toledo” bed...

Collection of "Classic" inspiration made up of individual grouped pendants. Drawing from the decorative samples of the Classic Murano chandelier, blown and worked. Seen from this new point of view, this suspension is inspired by a flower that has just blossomed with a curved arm that wants to be the stem. We are direct manufacturers, based near Venice, Italy and specialized in custom decorative lighting for interior designers, so we will be happy to give you our best support for your custom or bespoke lighting projects. Customs fees...

A spectacular and elegant chandelier made of Murano glass tubes, Italy 1970s. Art-Nouveau, Art-Deco, neoclassique, Shabby-Chic. Measures: Diameter 24 inch - 62 cm. Height fixture...

Precious Murano blown glass lanterns, its colors are unique ranging from smoked color to black through red one. It is very elegant and refined objects, it can be placed in several pl...

We kindly suggest that you read the entire description, as with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Ori...

Italian mid-century style hand blown Venetian glass chandelier or pendants in milky white glass, with ten arms, in the modern neoclassical tradition. The height of the piece without...

Hanging lamp Material: bronze, murano Style: 50 Country: Italian To take care of your property and the lives of our customers, the new wiring has been done. We have specialized in t...

Huge multitier triedi crystal prism chandelier. Price is for 1 item. Available also a pair. Measures: Height 120 cm glass + 30 cm chain = total height 150 cm. Diameter 70 cm.

Murano Italian chandelier.

Rare circa 1970s brass and Murano glass multi arm chandelier with pineapple motif. Made in Italy. A beautiful timeless high quality chandelier that will enhance any setting.Good ...

A magnificent Murano glass unique chandelier, spiral shape, very elegant, 114 quadriedri on GOLD metal frame. The glasses have a particular color, transparent with pink shades. This ...

Mid-Century Modern brass and clear Murano glass pendant chandelier, by Mazzega, Italy 1970s The brass frame is in polished brass. The clear interlocking Murano glass elements are tex...

Stunning chandelier with handmade frozen glass murano leaf shaped glasses. Beautifully crafted and the chandelier emits a stunning light. Good condition 1970s - Italy Mea...

Playful pendant with stunning white Incamiciato glass shade. Lovely diffusion of the light. We have three in different shapes in our collection. Please...

rare "dahlia" model chandelier, 1563, design max ingrand for fontana arte , 1950 composed of 16 brass arms with amber colored murano glass ends It measures 130 cm in diameter by 55...

Doria Flush mount light with large volcanic Murano glass ball. High-quality materials give a wonderful light effect when it is on. Very good condition. Cleaned, well-wired, and r...

"Luce Scultura" Italian Post-Modern Sculpture Work of Art, entirely handcrafted, a contemporary organic lighting fixture, an architectura...

Fascinating Murano chandeliers. It is composed of 30 star-shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

Beaded Murano glass with chrome body, 1980s. The beaded glass bounces light throughout the room and illuminates the chrome frame. The Murano shades are h...

Fascinating Murano chandeliers. It is composed of 30 star-shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

Elegant flush mount ceiling fixture made of heavy blown Murano glass on a white metal frame and with floral brass finals. Manufactured by Kaiser Lighting, Germany in the 1960s. ...

Pineapple shaped Turquoise Murano glass pendant chandelier with 4 lights and Brass Structure. Perfect for placing on a dining table. It can be fixed directly on the ceiling of the dr...

This stunning and graphic modernist chandelier was realized in Murano, Italy- the islands off the coast of Venice renowned for centuries for their superlative quality glass. It featu...

Fascinating Murano chandelier. It is composed of 30 star shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will ...

Stunning vintage Murano glass chandelier made in Italy in the 1970s. Consists of 32 glass plates of Murano glass, made by Italian glassblowers. They follow the oldest Murano glassmak...

Beautiful mini Murano pendant light. Magnificent ice blue color on the glass. Wire is adjustable to ceiling. Details Creator: Murano Dimensions: Heigh...

Fascinating Murano chandelier.It is composed of 30 star shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will r...

A Space Age Pendant made in Italy between the 1960s and 1970s composed of a sphere in Murano glass shaded from teal to transparent with a diameter of 26 cm, wrapped and supported by ...

A Minimalist Italian structural lighting fixture in Mid-Century Modern design, entirely handcrafted recalling Gino Sarfatti style. The asymmetrically positioned four ovoid globes in ...

Beautiful and huge Italian Murano Chandelier composed of 41 splendid trasparent glasses that give a very elegant look. The glasses of this chandelier are real works of art, the weigh...

Number four Suspension lamps, produced with the ancient cage-blown glass technique: the master glassmaker blows the glass bubble into his mouth inside a metal cage, which only partially contains its natural expansion. In this way the final artifact is partly retained by the cage and partly escapes it, creating a play of tension that generates an object suspended in the act of coming out of its constraint; the cage is further embellished with a galvanic treatment that enhances its appearance, making it shiny and bright. Glossy white glass enclosed inside with transparent glass. Produced by the masters of Fontana Arte. The height of the pendant without chain...

Fascinating Murano chandeliers. It is composed of 30 star-shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

Fascinating Murano chandeliers. It is composed of 30 star shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

Fascinating Murano chandeliers. It is composed of 30 star-shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

Elegant and refined Murano chandelier. The warm amber color vibrates with shades of gold, the effect is magnetic and sophisticated. The height without chain is 72 cm.

Fascinating Murano chandeliers. It is composed of 30 star shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

Contemporary Italian Art Deco Design customizable round chandelier/pendant of drum shape, entirely handcrafted, with an antique bronze finish. The nicely scalloped airy brass structu...

This is an exclusive organic design, entirely handcrafted in Murano - Italy, in the shape of a lotus flower with textured white frosted reeded Murano glass leaves coming out of a cor...

Venini chandelier.

Add a touch of classic Italian craftsmanship to your home with this stunning Venini chandelier from the 1960s. The octagonal shape and chrome structure perfectly complement the four...

Fascinating Murano chandeliers. It is composed of 30 star-shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

A magnificent pair of Murano glass chandeliers, spiral shape, very elegant, 114 quadriedri on gold metal frame. This large midcentury Italian chandelier is truly a timeless Classic. ...

Fascinating Murano chandeliers. It is composed of 30 star shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...

Collection of "Classic" inspiration made up of individual grouped pendants. Drawing from the decorative samples of the classic Murano chandelier, blown and worked. The technique of m...

Murano "Alex" irradescent purple glass disc flush mount fixture with polished brass body. Italy. Custom dimensions, colors and finishes available. Please inquire with Venfield....

Luxury and genuine murano glass chandelier. Handmade in murano. It made by 58 murano pink glasses in a gold metal frame. The chandelier has also a murano glass ball in the end of the...

Lanterna suspension lamp by Marta Laudani & Marco Romanelli for Oluce. This lamp produces a soft beautiful diffused light with its transparent, sand-blasted Murano glass diffusers. T...

Splendid Murano glass chandelier with a particular 196 polychrome ranging from transparent to pink color. Its design is also very particular round but flattened in height. The chand...

Fascinating Murano chandeliers. It is composed of 30 star shaped panes of pure Murano glass. The height is adjustable according to the height of the ceiling. At no extra cost we will...