Romantic Animal Drawings and Watercolors

A delicate and poetic floral study by Olle Hjortzberg, where the vivid red of the poppies contrasts beautifully with the soft whites and yellows of the daisies. With masterful lightn...

France circa 1850 The Bohème artist in his workshop Watercolor on paper 15.5 x 21.5 cm In good condition except a small tear (visible on the photographs) on the upper right border. I...

Original Mid-Century Red Farmhouse Watercolor Landscape Painting Beautiful mid-century 1940's watercolor of a bucolic farmhouse scene - sunset, undul...

A pair of exquisite drawings by American Ashcan School artist Alexander Oscar Levy.

Paper paint charcoal collage fabric These collages were created first in the presence of a live model, working quickly, in charcoal and pastel, and again, later, alone in the studio...

This late 19th-century watercolour by Scottish artist George H Hay RSA (1831-1912) depicts four young ladies, wearing outfits synonymous with the 1820s, spinning wool within a simple...

Coloured Pencils and pastel on Hahnemühle paper - Realistic Figurative original Drawing, Colorful, Interior. Work Title : Intérieur Provence Artist : Gabriel Riesnert...

This is a beautiful and unique charcoal on paper drawing. The Fabriano paper is a high quality watercolour grade set in a custom white wood frame, all archival materials. Scottish ...

This late 19th-century gouache by British artist Joseph Knight (1837-1909) depicts a gentle moorland landscape with cattle. Knight was primarily known for his naturalistic depictions of North Wales. Raised amid the hurried industrious streets of Chorlton-Upon-Medlock in Manchester, Knight was obliged to pursue a career at one of its many cotton mills. His father, also Joseph Knight, was a mill engineer and would’ve expected his son to follow suit. It appears he was sent to work at the age of four - unthinkable today, but not uncommon in the 1840s. In around 1841, Knight was involved in an accident, which resulted in the loss of his right arm. This probably coincided with him being sent, together with his siblings, to stay with relatives, Thomas and Jane Knight, also of Chorlton. Evidently, following this, he undertook a change of direction, taking the first steps on a path to artistry. During the mid to late 19th century, landscape paintings grew in popularity partly due to the desires of a new middle-class buyer but also as a tonic for increasing urbanisation. And perhaps there’s no better example of an artist who understood the restorative qualities of nature than Joseph Knight. In his early teens, he gained employment at a photography studio, primarily assisting with portraiture. With a keen eye for composition, his skills flourished and were met with much approval from staff and customers alike. It was here that he first met with Mr. Henry Crowley who was so taken by the boy’s aptitude that he encouraged him to seek a career as a painter. Crowley funded his education, enrolling him at the Manchester Academy of Fine Arts, where the emphasis was on honing one’s draughtsmanship in a strict environment via diligent study and life drawing. With his technique now evolved, commissions were forthcoming - both as a painter and photographer. In the 1861 census, now married, he records his occupation as ‘Photographic artist and painter in oil’. It’s plausible that he was involved in adding tints to photographic portraits during this period while also working as a painter. As recognition of his development, in 1868, he was elected as a full member of the Manchester Academy of Fine Arts, and a year later debuted at London’s Royal Academy with ‘Evening, Near Quimper, Brittany’ and ‘Breton Peasants’. It was around this time that he came to the attention of several of his younger contemporaries who viewed his naturalistic approach as altogether fresher and entirely modern. In a quiet rebellion against their formulaic training, they undertook to paint directly from nature, ‘en plein air’, without the rigour of academic constraints. The group, which included Joshua Anderson Hague...

Early 20th century crayon and watercolour on paper views by American artist Edgar Alwin Payne, both signed A.E.Payne bottom right, one dated '18. Und...

Highly detailed depiction of a country kitchen by Alice Shaw (American, b. 1943). Full of details and vibrancy, this piece shows a vintage kitchen with a 19...

"Mushroom Magic" - Original Pen and Ink Illustration on Paper in the Style of Folk Art A charming illustration by California artist, Angela Stone (American, b. 1983), of a scene with three woodland animals - a fox, a bear, and a deer - cuddled up together on an armchair reading a book titled, "Mushroom Magic." A cat sleeps below the three in a basket full of yarn. The detailed ink gives such depth and texture to the artwork with patterns, stippling, and shading. The interior of the cabin gives an old-fashioned Alpine chic...