Diana Matthes Art

"Liber Mystia XLIII" is an original artwork by Henry Hablak made of gouache, ink, and colored pencil on paper measuring 16.25"h x 12.25"w framed and 14"h x 11"w unframed. Henry Habl...

"Fawn" is an original ink, colored pencil, and gouache on paper artwork by Henry Hablak measuring 30"h x 22"w. Henry Hablak is a tattoo artist and illustrator based out of Philadel...

Henri-Louis Dupray (1841-1909) Studies of military horsemen, two signed drawings Pencil on paper The first one figuring a partial study of two horsemen : 10.8 x 16.5 cm, bears a mo...

Voluptuous, ala Fernando Botero, female circus performer with spectators and cat. Haya Ran was born in Holon, Israel in 1948 on the same date as the State of Israel was founded. From 1968 to 1973 Ran lived on Kibbutz Sasa. After her stay on the Kibbutz, she took courses on Graphics at The Technion 1975-1978. Tel Hai Institute Ran paints with water colors, using a multilayer method, which creates an illusion of tempera. Ran came up with this technique herself, influenced medieval painters. Ran says that the reds, browns, and golds in most of her feminist works are inspired by the performing arts: the circus, clowns, acrobats, dancers, and the fantastic. Haya Ran doesn’t identify today with any particular artistic school. Her works are born out of personal experiences and feelings. They come from the remembrances of her past, of her life and her experiences as a child, and from the fantasies she entertains about them. Her subjects emanate from her private, inner world. Haya Ran focuses on the world of the female. Her women are a peculiar lot. Their dimensions are offer wide, distorted, and grotesque, yet their poses and settings are as enticing and charming as they are sexually arousing. Others of Haya Ran’s women remain attached to elements of a lost childish innocence; dolls, wooden horses, masks, and wooden birds. Her works are executed with watercolors on paper. Her technique resembles that of Renaissance tempera. She superimposes strata and blends them together to create the impression of a past era. She creates not by putting down on paper her sudden impulses, but by devoting painstaking attention to the smallest details over countless hours. Selected Solo Exhibitions “Izraeliyot” / Dwek Gallery, Adenauer Conference Center, Mishkenot Sha’ananim, “Plowing” / Gerstein Gallery, Tel Aviv. Curated by Ora Krauss. “Suricattas” / Seemann Contemporary Art Gallery, Tel Aviv. Curated by Hagai Segev. “Encrypting” / The Israeli Artists Gallery, Kabri. Curated by Drora Dekel. Tokyo, Japan Museum of Art “O” “Calligraphy” / HaGalleria, Moshav Shoevah. Curated by Tirtzah Yallon Kolton. ESPACE RACHI, Paris, France. Curated by Hana Landau. Brucke Gallery, Braunschweig, Germany Gallery Vandorn, Paris, France Goldman Gallery, Haifa, Israel Grafica 3 Gallery, Haifa, Israel Select Group Exhibitions: Group Exhibitions The Second Biennale for Israeli Ceramics Eretz Israel Museum, Ramat Aviv, Tel Aviv Stern Gallery, Tel Aviv Artists:Reuven Rubin, Chaya Graetz Ran, Dorit Feldman, Anna Ticho, Abraham Hadad. Israeli Portrait Wilfrid Israel Museum, Oriental Art and Studies, Kibbutz Hazorea Artists: Shoshana Heimann,Genia Berger, Avraham Ofek, Jean David, Jakob Steinhardt, David Sharir, Ruth Schloss Ruth Zarfati Rudi Lehmann and others With this Ring - Wedding Ceremonies in Contemporary Art Beit Hatfutsot, Tel Aviv Artists: Nelly Agassi, Lital Dotan, Shai Azoulay, Avraham Baron Gallery, Beer Sheva Artists: Miki Kratsman, Adi Nes...

Mary Carroll's (US based) "Nest" is an original, handmade graphite drawing that depicts green eggs nestled in a nest surrounded by a snake and two birds. Artist Biography: Born in ...

Tammy Liu-Haller's "Jersey Girl" is an original, handmade charcoal and graphite drawing that depicts a cow in profile.

Mixed media drawing on paper Dated and signed on the back In the plastic work of Geneviève Seillé, the word, like a sign, reigns supreme. An object of fascination, only its visual a...

Early 20th century watercolour of a gentleman on horseback with other riders in the background apparently signed or titled 'Count A de Monthaus'. Signed or titled bottom left. Presented in fine period gilt frame under glass. The artist has captured a moment of pause, the gentlemen rider in his fine clothes and bowler hat regarding his surroundings as his fellow riders continue the chase behind him, possibly a 'point to point'. Monthaus has captured the stance of the standing horse as well as the movement of the other horses. He has used white to give light and definition to the costume of the rider and the background. A lovely atmospheric and dynamic watercolour very much of its period and in the spirit of equine portraiture made famous by the likes of Sir Alfred Munnings. Sir Alfred James Munnings, KCVO PRA RI (8 October 1878 – 17 July 1959) was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War...

Bull engaging the muleta (Bull Fight) Signed with the Estate stamp lower left (See photo) Provenance: Estate of the Artist Marbella Gallery Inc., NYC Refer...

Antique Horse Study "Legs and Rumps, 1838" Wouterus Verschuur l (Dutch, 1812-1874) Pencil on paper Signed and Dated "W Verschuur 1838" 10 x 6 1/2 (17 1/2 x 14 frame) inches In his time Wouterus Verschuur was an acclaimed and celebrated painter of horses. Through careful observation he learned to capture their physique and movement to perfection. As a true-born romanticist he was also interested in their character, thereby painting powerful carthorses in their stable, thoroughbred saddled horses during an afternoon ride or harnessed horses in action. He was born to an Amsterdam jeweler and received his training from the landscape and cattle painters Pieter Gerardus van Os and Cornelis Steffelaar. As part of this education Verschuur had to copy works by the 17th century painter Philips Wouwerman. Like Wouwerman, Verschuur's subjects consist mostly of stable scenes, landscapes with horses and coastal landscape. These works reflect the enduring influence of the northern Baroque masters on nineteenth century art, revealing the artist's close study of his Dutch and Flemish predecessors harking back to Peter Paul Rubens. Showing talent from a very early age, at 15 Verschuur had a painting exhibited at the "Exhibition of Living Masters" at Amsterdam in 1828. In 1832 and 1833 he won the gold medal at the annual exhibition at Felix Meritis. In 1833 he was appointed a member of the Royal Academy in Amsterdam. In 1839 he joined the artists' society, Arti et Amicitiae. His reputation was also considerable abroad. He was often featured in the annual exhibitions which travelled the large European cities at that time. In 1855 Napoleon III purchased one of his paintings at the Exposition Universelle in Paris. The Verschuur horse revels in its physicality, like a quintessential Baroque horse...

César Baldaccini Original Watercolor and ink pencil on paper dedicaced and signed in red Dimensions: 27 x 26 cm Signed César Baldaccini was born in Marseille in 1921. At the age of 12, he left the school to help his father, cooper. At 15 years old, he studied at the Art college of Marseille. He took evening drawing teachings, and then was interested in sculpture until 1939. In 1942, César received a scholarship and went to Paris. He studied ten years at the School of Beaux-Arts; he worked in the studios of Gaumont and Alfred Jeanniot and was named “Grand Massier” (teacher) of this school. At that time, he was living in the same house as Alberto Giacometti. In 1944, short of resources, he went to Marseille, then return to Paris, next year. With the 50s, he made discovered his work through his first exhibitions. One of its works (« The fish ») obtained a place in the Museum of Modern Art in Paris (1955). Henceforth, he exhibited ceaselessly, participating in numerous “Salons” in France and abroad. César received numerous prices there. He got personal exhibitions everywhere (Japan, the United States, Holland, France, Italy, etc.). Important retrospectives came, later. In 1970, he was named professor a foreman to the School of Beaux-Arts in Paris. During his all life, Caesar was stimulated by « the love of the profession » and by an extraordinary will to innovate. The humor of the man did not miss and was noticed through his work. Pablo Picasso was his major reference, also Alberto Giacometti, Germaine Richier, Pablo Gargallo and Julio Gonzales...

Works on paper Lot of numbered works No. 97: 9 x 13.5 cm No. 98: 9 x 15 cm