Ink Figurative Drawings and Watercolors

Duchándome en Cuerpo Ajeno, May 29th, 2018 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

circa 1750. Gouache and ink with heightening in gold on brown laid paper, 12 1/2 x 8 1/4 inches (317 x 210 mm), with a floral-motif border painted in blue and gold, the full sheet. With extensive inscriptions in Persian written in black ink on the verso. In good condition with extraordinary color. We see Empress Nur Jahan making an offering to a sage in his hut, as Emperor Jahangir looks on from a tree stand. Nur Jahan was fond of hunting and often went on hunting tours with her husband and was known for her boldness in hunting ferocious tigers. She is reported to have slain four tigers with six bullets during one hunt. According to Sir Syed Ahmad Khan this feat, inspired a poet to declaim a spontaneous couplet in her honor: "Though Nur Jahan be in form a woman, In the ranks of men she...

Melissa Chalhoub, a 2014 graduate of Saint Joseph University in Beirut, seamlessly navigates the realms of cinema and visual art. With a background in directing and sound design for ...

The present illustration by husband-and-wife team Alice and Martin Provensen is a study for Leonardo da Vinci's illustrated Book, executed c...

Daniel Johnston was a prolific visual artist and musician. He gained a cult following in the 1990s when Kurt Cobain wore a T-shirt with the artist’s frog illustration from his Hi, Ho...

Players  is a drawing artwork realized by Gabriele Galantara in early 20th century  China ink on paper Hand-written note on the rear "Brusson (torrente di) Large a quota shocca uel...

Manjit Bawa - Self Portrait - 14.75 x 10.75 inches (unframed size) Pen & Ink on Paper. About the Artist 7 his works : Born : July 30, 1941, Dhuri, Punjab. Died : December 29, 2008 New Delhi. Education : 1958-63 Studied at the School of Art, Delhi Polytechnic, New Delhi Exhibitions : Selected Posthumous Exhibitions 2013-14 'Transition', 20th Anniversary Show, Centre of International Modern Art (CIMA), Kolkata 2013 'Ideas of the Sublime', presented by Vadehra Art Gallery at Lalit Kala Akademi, New Delhi 2013 'The Sahmat Collective: Art and Activism in India since 1989', Smart Museum of Art at University of Chicago, Chicago 2012 'Art for Humanity', Coomaraswamy Hall, Chhatrapati Shivaji Maharaj Vastu Sangrahalaya, Mumbai 2012 'Contemporary: A Selection of Modern and Contemporary Art', prsented by Sakshi Gallery at The Park, Chennai 2012 'Crossings: Time Unfolded, Part 2', Kiran Nadar Museum of Art (KNMA), New Delhi 2011 'The Path of the Lotus: Indian Art', Grosvenor Gallery, London 2011 'Lets Paint the Sky Red', India Habitat Centre and Vadehra Art Gallery, New Delhi 2011 'Anecdotes', Sakshi Gallery, Mumbai 2011 'High-Light', presented by Sakshi Gallery, Mumbai at The Oberoi, Gurgaon 2011 'Time Unfolded', Kiran Nadar Museum of Art (KNMA), New Delhi 2011 'Roots in the Air, Branches Below: Modern & Contemporary Art from India...

Duchándome en cuerpo Ajeno May 30th, by Celso Castro-Daza From the Duchándome Series Watercolor and ink on paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Ink on paper Signed and dated, l.c. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now...

"At Home Abroad" 1935 Broadway Play NY Times Published Illustration 20th Century Al Hirschfeld (1903 - 2003) At Home Abroad 9 1/2 x 17 inches (sight) Ink on board Signed upper right...

Amate Bark Painting - Harvest Dance with Giant Rabbits In this scene, people are carrying baskets to the village, through dense foliage. There are...

Movies, TV and magazines are constant source of inspiration. Fame, as fleckring and shallow it can be sometimes, is very intriguing to him. The worlds of fashion, society and pop cu...

This beautiful British Art Deco 1930's water colour and ink painting on paper is by well respected artist Averil Mary Burleigh. Painted circa 1935 the composition is of three female figures with flowing robes and head dresses with slender tree trunks beyond them and vivid blue of the sky meeting the sea. (Caerula pertains to the colour of the sky and sea). They are playing between them with two balls or globes. A beautiful painting full of fun and movement and that amazing blue. Signed lower left, and inscribed on a label verso. Provenance: Surrey estate. Condition. Water colour and ink on paper. Image size is 24 inches by 16 inches and in excellent condition. Frame. Housed in a gilt frame. Framed size is 30 inches by 22 inches and in good condition. Averil Mary Burleigh born Averil Mary Dell (1883 – 1949) was a British artist and painter. Based in Sussex, Burleigh was known for painting in egg tempera with the subject usually involving a central figure. Her husband and daughter also painted but she is the best regarded of the three. Burleigh was born in 1883 in Hassocks in West Sussex and went on to study at the Brighton School of Art. She married the painter Charles Burleigh and they lived and worked together as artists in Hove and Sussex. They designed a house with a large sun-lit top floor studio. Their daughter Veronica, who would also become a notable artist, was born there in 1909. The family never became rich from their works, and often relied on Burleigh's flair for buying and selling shares. In 1911 Burleigh illustrated a book of John Keats' poetry and went on to illustrate plays by Shakespeare. In 1913 she was featured in Studio magazine. In 1927 Burleigh illustrated Thistledown by Leolyn Louise Everett. From 1939 she was a member of the Royal Society of Painters in Watercolours. Burleigh became very ill in the 1940s, dying in 1949. Shortly before she died, Burleigh was elected an associate of the Royal Watercolour Society. Burleigh specialised in tempera painting, although she also worked in chalk and watercolour. Her works tend to have a bright colour palette with contrasting colours to lead the eye around the picture. A sharp luminosity and strong sense of design govern Burleigh's tempera and watercolour paintings. Frequently, her works portray decorative renaissance subjects, usually dominated by a female figure who is regularly modelled on her daughter, Veronica Burleigh...

Cattle Louis De Mayo, American (1926–2016) Ink on paper, signed in pencil lower right Size: 8.25 x 6.25 in. (20.96 x 15.88 cm) Frame Size: 16.25 x 14.25 inches

'Mgnaminia' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

'Napoli' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

A fascinating orientalist art deco composition. Pen and brownish brown ink with gouache on cream wove paper, 9 5/8 x 7 1/2 inches (245 x 190 mm), the full sheet. In good condition w...

The work is signed on the lower right by Gromaire. One of Gromaire's favorite subjects were men "of the people,” whether they worked in the fields or at sea, were construction worke...

Figure being Comforted (Job?) circle of Willem Drost (Dutch 1633-1659) *See notes below ink and wash drawing on paper (Arms of Amsterdam watermarked) Dutc...

Attributed to Marc Chagall – “L’Homme à la Lampe” Ink Drawing on paper/ card Documented History - Christie’s South Kensington Ltd Auction Estimate: £4,000 in April 2001 L’Homme à...

The Hunger is a drawing artwork realized by Gabriele Galantara in early 20th century  Pencil and china ink on paper Good condition.

The Figures is a drawing artwork realized by Gabriele Galantara in the early 20th century. China ink on paper Good condition.

This miniature drawing may be displayed on a wall or worn on a chain. Bio // ROBERT KRAIZA (pronounced: cry-zuh) is an illustrator and fine artist who lives and works in Philadelphia, Pennsylvania. He studied Media Arts and Animation at the Art Institute of Philadelphia. Interested in many media, he often paints in monochrome watercolor on a small scale, inspired by the Victorian era and whimsical dreams in both his art and personal aesthetic. Depicting fantasy worlds from the hidden life of nineteenth century witches to miniature children...

Charming ink and pencil fashion sketch of a long pink overcoat with clasp by Paris fashion house Création Corine Marie, circa 1980. Includes original fabric swatch and designer's sta...

Duchándome, May 22nd / Duchandose, May 27th-Duchandome/Duchandome En Cuerpo Ajeno 2018 by Celso Castro-Daza From the Duchándome Series Watercolor and ink on an archival paper Individual size: 19.5 in. H x 13.75 in. W Overall Size: 39 in. H x 27.5 in. W Both works are one of a kind Unframed Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo foray into the underbelly of Colombia’s drug world. Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride their erect penises...

Room with a View Male nude, made with ultramarine blue tempera, inspired by Matisse. 70x50cm / 27.5x19.5in Shipped rolled in a tube directly from Florida. Part of Nude Men series. T...

“On the Beach”, tempera pencil charcoal on blue paper, frame included. Framed size 35.8x24in shipped framed. Check 1stDibs free shipping code for items over $500. This drawing is a d...

Ink and gouache with gold heightening on fibrous, brown laid paper with a Jaipur Court Fee tax stamp in purple ink, 13 3/8 x 8 3/4 inches (340 x 222 mm). Toning, handling creases and...

Interior design paintings. The work was done with ink and watercolor on watercolor paper 300g. The work is 11 by 15 inches in size framed (gold) with a styrene face on a double mat b...

Stamped with the signature 'chAgAll' (lower left), inscribed '8 90-44 Passy.' (center left) and inscribed 'Carnot 35.40' (lower right) Pen and India ink on paper Executed circa 192...

Expressionist ink drawing of wheat stalks There is an inscription "Happy New Year" on verso Hand signed Framed it measures 7.75 X 5.75 The actual paper is 3 X 3.5 Born in 1897, Ben-...

Original mixed media work on paper by Adam Baranello. Mixed media, acrylic, spray paint on canvas. Size 17 x 14 in. Offered unframed. Ships rolled Multidisciplinary artist Adam Ba...

"King & I" Orig 1951 Broadway Drawing Published NYT Tony Awards Mid 20th Century Al Hirschfeld (1903 – 2003) "The King and I," 14 3/4 x 30 inches. Ink on board. Signed lower right. ...

Illustration of the Garden of Eden done with Mexican Amate Bark Drawing in Ink Vibrant illustration with Adam and Eve in the Garden of Eden by Cristino Florez Medina (Mexican, 1937-...

Family Group Drawing in Chinese white, sepia and bistre ink, c. 1790 Signed lower left: G. Morland (see photo) The present work appears to be a preliminary study for two Morland paintings where the artist uses portions of this preliminary study in finished exhibition paintings. The strongest association is with the painting entitled The Cottage Door (1790), now in the collection of Royal Holloway College, University of London. Morland uses the same small girl (on left side of this sheet) holding a doll on a chair in the exact same pose. The second painting entitled The Tea Garden (Tate Gallery, London, c. 1790) incorporates similar poses and gestures of the three other figure studies on this sheet. Provenance: Colnaghi, London (Stock # D25924, see photo) Maynard Walker Gallery, New York ( see photo of label) Davis Galleries, New York, their Eagle stamp and stock number (see photo) Ms. Gloria Kaplan (1930-2011) New York City Regarding Maynard Walker: Maynard Walker New York Times obit: "Maynard Walker, an art dealer in New York City for nearly 40 years who was among the first to show the works of leading American regionalist painters, died of pneumonia Tuesday at St. Joseph's Hospital in Carbondale, Pa. He was 89 years old and lived in Lake Ariel, Pa. In 1933, while working at the Ferargil Gallery in New York, Mr. Walker organized an exhibition for the Kansas City Art Institute that for the first time brought together the work of the regionalist painters Grant Wood, Thomas Hart Benton and John Steuart Curry. After Mr. Walker opened his own gallery, at 108 East 57th Street, in 1935, these artists joined him and showed regularly there. The gallery was also among the first to show the work of George Grosz, the German painter and caricaturist, who moved to the United States in 1932. The gallery moved to 117 East 57th Street after the war." Condition: Aging to paper Slight fading to ink Tiny spotting in image All consistent with the age of the drawing Image size: 6 3/8 x 9 1/2 inches Frame size: 14 1/4 x 17 1/4 inches George Morland was born in London on 26 June 1763. He was the son of Henry Robert Morland, and grandson of George Henry Morland, said by Cunningham to have been lineally descended from Sir Samuel Morland, while other biographers go so far as to say that he had only to claim the baronetcy in order to get it. Morland began to draw at the age of three years, and at the age of ten (1773) his name appears as an honorary exhibitor of sketches at the Royal Academy. He continued to exhibit at the Free Society in 1775 and 1776, and at the Society of Artists in 1777, and then again at the Royal Academy in 1778, 1779 and 1780. His talents were carefully cultivated by his father, who was accused of stimulating them unduly with a view to his own profit, shutting the child up in a garret to make drawings from pictures and casts for which he found a ready sale. The boy, on the other hand, is said to have soon found a way to make money for himself by hiding some of his drawings, and lowering them at nightfall out of his window to young accomplices, with whom he used to spend the proceeds in frolic and self-indulgence. It has been also asserted that his father, discovering this trick, tried to conciliate him by indulgence, humouring his whims and encouraging his low tastes. He was set by his father to copy pictures of all kinds, but especially of the Dutch and Flemish masters. Among others he copied Fuseli's Nightmare and Reynolds's Garrick between Tragedy and Comedy. He was also introduced to Sir Joshua Reynolds, and obtained permission to copy his pictures, and all accounts agree that before he was seventeen he had obtained considerable reputation not only with his friends and the dealers, but among artists of repute. A convincing proof of the skill in original composition which he had then attained is the fine engraving. It is said that before his apprenticeship to his father came to an end, in 1784, Romney offered to take him into his own house, with a salary of £300, on condition of his signing articles for three years. But Morland, we are told, had had enough of restraint, and after a rupture with his father he set up on his own account in 1784 or 1785 at the house of a picture dealer, and commenced that life which, in its combination of hard work and hard drinking, is almost without a parallel. Morland soon became the mere slave of the dealer with whom he lived. His boon companions were "ostlers, potboys, horse jockeys, moneylenders, pawnbrokers, punks, and pugilists." In this company the handsome young artist swaggered, dressed in a green coat, with large yellow buttons, leather breeches, and top boots. "He was in the very extreme of foppish puppeyism", says Hassell; "his head, when ornamented according to his own taste, resembled a snowball, after the model of Tippey Bob, of dramatic memory, to which was attached a short, thick tail, not unlike a painter's brush." His youth and strong constitution enabled him to recover rapidly from his excesses, and he not only employed the intervals in painting, but at this time, or shortly afterwards, taught himself to play the violin. He made also an effort, and a successful one, to free himself from his task-master, and escaped to Margate, where he painted miniatures for a while. In 1785 he paid a short visit to France, whither his fame had preceded him, and where he had no lack of commissions. Returning to London, he lodged in a house at Kensal Green, on the road to Harrow, near William Ward, intercourse with whose family seems for a time to have had a steadying influence. It resulted in his marriage with Miss Anne Ward...

*PLEASE NOTE UK BUYERS WILL ONLY PAY 5% VAT ON THIS PURCHASE. Jonas by Marc Chagall (1887-1985) Indian ink on paper 35.6 x 26.9 cm (14 x 10 ⅝ inches) Signed with Estate stamp lower ...

'Africa' Italian School, 18th century ink and wash drawing on paper, framed within a light oak wood frame (behind glass) image size: 10.5 x 7 inches overall framed: 17 x 13 inches co...

Latvia-born William Sanderson became a contributor to the New Yorker and New Masses magazines during the 1930s. He was drafted into the Army during World Wa...

Jean-Henri Cless (1774-1812) Portrait of a young woman in a landscape signed "Cless fec" for fecit on the lower left Brown ink and brown ink wash on paper Size of the sheet : 31.5 x 22 cm Size of the motive : 24.5 x 17 cm very simply framed under glass without actual frame 32 x 22.5 cm This pre...

Title: Mid Century French Expressive Ink Illustration of a Man Standing Artist: Josine Vignon (French 1922-2022) Medium: Ink and Paper on paper Size: 7 (height) x 5.25 (width) S...

Waterline Fine Art, Austin, TX is pleased to present the following work: Chinese ink and acrylic on rice paper, stretched on canvas. Artist's stamp upper left. 71 x 38.25 in. 72.25...

“Pleasure Principle”, tempera pencil charcoal on blue paper Check 1stDibs free shipping code for items over $500. Shipped rolled in a tube, well packed. This bold and expressive dra...

The Lady is a drawing artwork realized by an Anonymous artist in mid-20th century. Pencil and watercolor on paper Good condition.

"Blue Nudes I" (2019) by SarahGrace Ink on Paper Drawing, Blue & White, Women Posing, Faces, Poses, Yoga, Dancing, Figurative Study Drawing / Nude / Human Figure / Flora / Figurativ...

A magnificent and sensitively treated line drawing in coloured ink, heightened with white. It depicts Argan, the hypochondriac from Molière's play of the same name. Dating from circa...

The Thinker is a drawing artwork realized by an Anonymous artist in late 19th century Ink and watercolor on paper Good condition.

The artwork is in simple wooden black frames behind glass. The full signature is on the back of the drawing. Hanna Banaszczyk is a graduate of the Faculty of Painting and Drawing ...

The Profile is a drawing artwork realized by an Anonymous artist in late 19th century Ink and watercolor on paper. Handwritten note below; Session of the Institute of August 5, 71....

Violin Player 1960/65 work size 11x29, with frame 18x36 inches, artist signed. Chaim Gross (1904 Austria–1991 USA) will always be remembered as one of the foremost American artist : ...

A new series inspired by architecture, décor and stylish personalities of the world of interior design. The worlds of fashion, society and pop culture are captured in the illustrati...

"Behold" by Halsey Chait India Ink on 250 Lenox 100 Cotton Rag Paper Halsey Chait's drawings develop according to the rules and mathematics that govern the growth processes of life ...

Ink and pencil on paper Signed and dated in pencil, c.r. This artwork is offered by ClampArt, located in New York City.

Jan Goeree (Middelburg 1670 – Amsterdam 1731) Interior of the Nieuwe Kerk, Amsterdam (c. 1724) Red chalk for the architecture, pen and black ink, grey wash on paper Composition reversed in preparation for engraving 25 × 17.5 cm Watermark: Hunting horn, Churchill 318 (dated 1724) Unsigned Provenance Private collection, France Context & Attribution Trained in the studio of Gérard de Lairesse, Jan Goeree was among the finest Dutch engravers of the early eighteenth century, celebrated for his architectural views of Amsterdam. This drawing is a preparatory study for an engraving of the same subject now preserved in a major public collection. The final print—slightly larger—closely follows the reversed composition of this sheet. Subject In the center of the Gothic nave, five bearers carry a catafalque toward a freshly dug grave—a tribute to the naval heroes often buried in the Nieuwe Kerk. This funerary motif, familiar from Dutch painting (e.g. Emanuel de Witte, 1657), evokes the vanitas theme and the transience of earthly life. Technical Analysis Goeree’s use of red chalk for the architecture and ink for the figures reveals his working method: the chalk lines could be used to produce a counterproof restoring the correct orientation of the architecture, while the inked figures remained adjustable before the design was transferred to the copper plate. Place within the Oeuvre Drawings of church...

Title: Mid Century French Ink Drawings of Interior Scene with Woman Resting in Bed Artist: Josine Vignon (French 1922-2022) Medium: Ink on paper Size: 4.75 (height) x 7.25 (width)...

The Old Man from the last expo, 2016 by Celso Castro-Daza Crayon pencil on archival paper Paper size: 59 H in. x 43 in. W Image size: 54 H in. x 40 in. W On The back of the painti...

Domenick Capobianco (American, b. 1928) Minotaur and Woman, Mixed Media on Paper, 1968, signed and dated lower right, white acrylic frame. Image: 18" H x 23" W; frame: 19" H x 24" W....

Composition is an original contemporary artwork realized in the 1980s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in mixed media (watercolor, ink...

From the Duchándome Series Watercolor and ink on archival paper Image size: 19.5 in. H x 13.75 in. W Unframed ____________ Undefined by medium, Celso Castro’s works each carry the presence of the artist’s hand through the transparency of their process. Castro’s oeuvre is strongly divided between his photomontage assemblies and watercolor paintings: the prior is marked by the labor-intensive deconstruction of portrait photographs and the latter, by the seemingly frenzied recreation of a past encounter rendered in the drips and scribbles of paint and ink. Both discriminating in what they reveal of the subject, his photomontage and watercolor portraits exude raw sexuality through the combination of Castro’s mark-making and gaze. Celso Castro’s work is a bare-bulb erotic photo...

Frida Willis (Swedish, born 1971) "Two Palms" 2024 Watercolor, Ink, Paper The artist signed the bottom right of the artwork. "Two Palms" by Frida Willis is a stunning minimalist wat...