Ink Figurative Drawings and Watercolors

Lighthearted Illustration of Outdoor Pursuits This one being a Skiing scene, a boy and a girl on skis. signed W. Steig Provenance: from Mrs. Joseph B. Ryan, Commissioned by Joe Ryan for the bar at his ski resort, Mount Tremblant Lodge, in 1938. Mont Tremblant, P.Q., Canada Watercolor and ink on illustration board, sights sizes 8 1/2 x 16 1/2 in., framed. In 1938 Joe Ryan, described as a millionaire from Philadelphia, bushwhacked his way to the summit of Mont Tremblant and was inspired to create a world class ski resort at the site. In 1939 he opened the Mont Tremblant Lodge, which remains part of the Pedestrian Village today. This original illustration is on Whatman Illustration board. the board measures 14 X 22 inches. label from McClees Galleries, Philadelphia, on the frame backing paper. William Steig, 1907 – 2003 was an American cartoonist, sculptor, and, in his later life, an illustrator and writer of children's books. Best known for the picture books Sylvester and the Magic Pebble, Abel's Island, and Doctor De Soto, he was also the creator of Shrek!, which inspired the film series of the same name. He was the U.S. nominee for both of the biennial, international Hans Christian Andersen Awards, as a children's book illustrator in 1982 and a writer in 1988. Steig was born in Brooklyn, New York in 1907, and grew up in the Bronx. His parents were Polish-Jewish immigrants from Austria, both socialists. His father, Joseph Steig, was a house painter, and his mother, Laura Ebel Steig, was a seamstress who encouraged his artistic leanings. As a child, he dabbled in painting and was an avid reader of literature. Among other works, he was said to have been especially fascinated by Pinocchio.He graduated from Townsend Harris High School at 15 but never completed college, though he attended three, spending two years at City College of New York, three years at the National Academy of Design and a mere five days at the Yale School of Fine Arts before dropping out of each. Hailed as the "King of Cartoons" Steig began drawing illustrations and cartoons for The New Yorker in 1930, producing more than 2,600 drawings and 117 covers for the magazine. Steig, later, when he was 61, began writing children's books. In 1968, he wrote his first children's book. He excelled here as well, and his third book, Sylvester and the Magic Pebble (1969), won the Caldecott Medal. He went on to write more than 30 children's books, including the Doctor DeSoto series, and he continued to write into his nineties. Among his other well-known works, the picture book Shrek! (1990) formed the basis for the DreamWorks Animation film Shrek (2001). After the release of Shrek 2 in 2004, Steig became the first sole-creator of an animated movie franchise that went on to generate over $1 billion from theatrical and ancillary markets after only one sequel. Along with Maurice Sendak, Saul Steinberg, Ludwig Bemelmans and Laurent de Brunhofff his is one of those rare cartoonist whose works form part of our collective cultural heritage. In 1984, Steig's film adaptation of Doctor DeSoto directed by Michael Sporn was nominated for the Academy Award for Best Animated Short Film. As one of the most admired cartoonists of all time, Steig spent seven decades drawing for the New Yorker magazine. He touched generations of readers with his tongue–in–cheek pen–and–ink drawings, which often expressed states of mind like shame, embarrassment or anger. Later in life, Steig turned to children's books, working as both a writer and illustrator. Steig's children's books were also wildly popular because of the crazy, complicated language he used—words like lunatic, palsied, sequestration, and cleave. Kids love the sound of those words even if they do not quite understand the meaning. Steig's descriptions were also clever. He once described a beached whale as "breaded with sand." Throughout the course of his career, Steig compiled his cartoons and drawings into books. Some of them were published first in the New Yorker. Others were deemed too dark to be printed there. Most of these collections centered on the cold, dark psychoanalytical truth about relationships. They featured husbands and wives fighting and parents snapping at their kids. His first adult book, Man About Town, was published in 1932, followed by About People, published in 1939, which focused on social outsiders. Sick of Each Other, published in 2000, included a drawing depicting a wife holding her husband at gunpoint, saying, "Say you adore me." According to the Los Angeles Times, fellow New Yorker artist Edward Sorel...

John Rosa "Cubist Figure Lounging" 2000 Ink on paper 11"x8" unframed Signed and dated in ink lower left

The Figure is an Original Drawing in ink and watercolor on cream-colored paper realized by Mino Maccari in the mid-20th century. Good conditions. Mino Maccari (1898-1989) was an It...

For your consideration, we have a pen and ink drawing of an interpretation of The Three Graces, who strike a pose for a 1930s fashion ad. In Greek mythology, they were goddesses w...

Portraits is an original modern artwork realized in the 1950s by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989). Original Colored Ink and Watercolor on Paper. Hand-sign...

Figure is an original drawing in watercolor and china ink on paper realized in 1957 by Henri Espinouze (1915-1982). Hand-signed on the lower right and dated. The state of preservat...

La Mezzana (The Mizzen) is an original drawing on paper, realized around the 1960s by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989). Original black Chin...

"Landscape" is an original China Ink drawing on ivory-colorated cardboard by Socrate Foscato. In very good conditions. Hand-signed and printing of his atelier, on the lower left. ...

Hunters is an original drawing in china ink on paper, realized in the Mid-20th Century by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989). Signed "Maccari...

The Boss is an original drawing in China ink realized in the mid-20th Century by Bernard Bécan (1890-1943). Hand-signed on the lower right. In good conditions, except for some fold...

Nude of Woman is an Original Pen Drawing realized by Marcel Spranck (1896-1978). The little artwork is in very good condition, included a yellow cardboard passpartout (50x32.5 cm). ...

Truth is an original painting in mixed media, ink tempera and watercolor, realized by Sergio Barletta in 1962. Applied on passepartout: 65 x 50 cm. Hand-signed and dated at the top...

Nude is original artwork in mixed media, ink and tempera applied on cardboard, realized by Sergio Barletta in 1994. Hand-signed on the lower right, dated on the lower left. Image Di...

Figures - Labor Study is a drawing in China ink on paper, realized by Herta Hausmann. Atelier stamp on the lower right corner on the rear. Very good conditions. The artwork repres...

Woman and Dog is an original drawing in Original Ink and Watercolor, realized by Leo Guida in the 1970s. The status of preservation Good. The artwork i...

The Circle is an original china ink Drawing on paper realized by Mino Maccari in mid 20th Century. Hand-signed on the lower. Good conditions. Mino Maccari (1898-1989) was an Itali...

Demons is an original drawing in china Ink by an anonymous artist in the mid-20th Century. Good conditions. The artwork is depicted through confident strokes in a well-balanced com...

Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May...

Interesting and well-drawn French late 19th-century landscapes sketch, in pen and ink . Emile Cagniart was born in Paris where he would remain for his sixty years. Like many young a...

Landscape is an original drawing in china ink realized by Eugen Drăguțescu. Hand-signed Good conditions with some stains. The artwork represents a landscape in a well-balanced com...

Abandoned Dog is an original pen and pencil drawing on paper by Gabriele Galantara (1865-1937). In good conditions except for a cutaway on the top margin. Sheet dimension: 26 x 10....

Conversation is an original modern artwork realized in the mid-XX Century by an unknown artist.. Original Black China Ink and watercolor on paper. The signature of the artist appea...

Nude is an original modern drawing in China ink on creamy paper realized in 1950 ca. by an Anonymous artist of the 20th Century. Good conditions. The artwo...

Portrait of Man is an original drawing in Cina ink realized by Umberto Casotti in 1947. signed on lower . sheet dimension: 30 x 22 cm. The state of preservation is good except for...

The present work by pioneering female artist Helen Dryden was most likely a cover assignment for Vogue Magazine. It is deftly rendered in a tight linear art nouveau style with flat c...

Landscape is an original drawing in watercolor and China ink on paper realized by the French contemporary artist Gérard Guyomard. Hand-signed on the l...

L’amour Croise des Races (Agence matrimoniale) is an original drawing with watercolor, Ink, pencil, realized by Jean-Jacques Grandville in 1833, from provenance by descent from Lou...

Feet is an original China Ink and Watercolour realized by Mino Maccari in mid-20th century. Good condition except for a torn margin on the colored cream paper. Hand-signed by the a...

The biker is an original artwork realized in the half of 20th century by the artist Mino Maccari. Mixed colored china and watercolor drawing. Hand signed by the artist on the lower...

Bearnice Fisher "Contour Nude" c.1950s Ink on paper 14"x16.75" gold gilt frame with black fillet 20.5"x23.75" Signed lower right in ink Came from artist e...

Sketch for a Sign is a very graceful drawing representing the sign of a bar. This artwork made by an anonymous artist in the first half of the 20th century was applied on a slightly ...

Landscape is an original drawing in china ink, watercolor and white lead on paper realized by an Anonymous artist of XX century. In good condition with the trace of time. Sheet dimension:19x25 cm. Included a green passepartout...

Denis Auguste Raffet (1804-1860) Studies of a Tiroler Kaiserjäger, Signed and dated 1849 lower right Ink on paper 16.5 x 25.5 cm In a nice period frame : 33 x 42 cm Raffet had the occasion to draw studies of austrian soldiers as he took part as observer to the first Italian Independance War (1848-1849). It was the the first of many conflicts between the Kingdom of Sardinia , which later became the Kingdom of Italy , and the Austrian Empire. The Kaiserjäger (imperial hunters) were founded in 1815 by Emperor Franz I. It was a great honor to enter the Kaiserjäger as they were the only ones to be honored with the term "imperial". However, only Tyrolese, Voralbergers and Welschtirolers were allowed. They wore this characteristic hat as a parade headdress, it was made of matte black, waterproof felt. It consisted of a crown and brim adorned with a circular, green cord, the Jäger emblem and a plume of black rooster feathers. The hat cord was made of sheep's wool, and had a button and an acorn covered with a green wool. These two studies clearly evoke the interest of the artist for this part of their uniform. Denis Auguste Marie Raffet (2 March 1804 – 16 February 1860) was a French illustrator and lithographer. He was a student of Nicolas Toussaint Charlet, and was a retrospective painter of the Empire. At an early age he was apprenticed to a wood turner, but took up the study of art at evening classes. At the age of 18 he entered the workshop of Cabanel, where he applied his skill to the decoration of china, and where he met Rudor, from whom he received instruction in lithography, in the practice of which he was to rise to fame. He then entered the École des Beaux-Arts, but returned to lithography in 1830 when he produced on stone his famous designs of Lützen, Waterloo, Le bal, La revue, and Les adieux de la garrison, by which his reputation became immediately established. Raffet's chief works were his lithographs of the Napoleonic campaigns, from Egypt to Waterloo, vigorous designs inspired by ardent patriotic enthusiasm. In this endeavor he was a contemporary of other French artist-lithographers of Napoleon and the French army including Hippolyte Bellangé, Horace Vernet, and Nicolas Toussaint Charlet. As an illustrator his activity was prodigious, the list of works illustrated by his crayon amounting to about forty-five, among which are Béranger's poems, the History of the Revolution by Adolphe Thiers, the History of Napoleon by de Norvins, the great Walter Scott by Auguste Defauconpret, the French Plutarch and Frédéric Bérat's Songs. He went to Rome in 1849, and was present at the siege of Rome, which he made the subject of some lithographs, and followed the Italian campaign of 1859, of which he left a record in his Episodes de la campagne d'Italie de 1859. His portraits in pencil...

Ganesh Pyne - Untitled - 8.25 x 11 inches (unframed size) Pen & Ink on Paper Inclusive of shipment in roll form. Style : Initially, Pyne painted watercolo...

Judith Brenner Sophie Dancing 2 Original Nude Drawing Mixed Media on Paper Sheet Size: H 84.1cm x W 59.4cm x D 0.1cm Sold Unframed (Please note that in situ images are purely an indi...

Official Palettes is an original drawing on paper, realized by the great Italian artist and journalist, Mino Maccari (Siena, 1898 - 1989) around the 1930s. Black China Ink (fountain...

The Outbreak is an original artwork realized by an unknown artist signed "Piulis". Original China ink and watercolor drawing on ivory cardboard...

Chinese New Year paintings (nian hua) are colorful folk paintings created to celebrate the annual Spring Festival. Drawn or printed by folk artists in regional studios, nian hua paintings featured exaggerated characters with bright and contrasting colors. Put up around the home to beckon luck and happiness in the coming year, most paintings depicted mythical guardians, scenes from folk operas, or auspicious symbols of good luck. This New Year painting depicts a young woman with a child and is hand-painted in a palette of red, blue, and purple. Belonging to a genre known as 'beauties and babies,' the painting represents a harmonious family life. The early 20th century painting is from the town of Yangliuqing, one of the leading producers of traditional New Year's paintings known for its combination of woodblock printing...

Nude of Woman 1946 is an original china ink drawing realized by Tibor Gertler in 1946. Good conditions, mounted on a brown cardboard passpartout (52.7x38). Image Dimensions: 43x26....

Porcelain Box, 1890s, is a china ink and watercolor drawing on ivory-colorated paper by Anonymous French Artist of the end of 19th Century. In excellent conditions: As good as new. ...

Female Figure is an original china ink drawing on ivory paper made by Herta Haausmann (1892-1972). Black marker pen on paper. In good condition. This is an original drawing represe...

Nudity of Woman is an original china ink drawing realized by Toti Scialoja, born Antonio Scialoja (Roma, 1914 – 1998) in 1943. The conditions of th...

Embracing the Death is original black China ink drawing on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hallman arou...

The Face is an original drawing in China ink on cardboard realized by Sergio Barletta in 1958. Applied on passepartout: 65 x 50 cm. Hand-signed and dated on the lower left. In ver...

Internal Nude is an original china ink drawing on ivory paper, realized by Tibor Gertler, in 1950s. In good conditions. This artwork represents a figure of a nude woman. Not signed.

Porcelain Vase, 1890s, is an original china ink and watercolor drawing on ivory-colorated paper by an Anonymous French Artist of the end of 19th Century. In excellent conditions, wi...

Epicuro is an original drawing in china ink realized as study for a book cover by Gabriele Galantara The state of preservation of the artwork is good. This artwork represents a cent...

"Cup" is an original China ink and watercolor drawing on ivory-colorated paper by unknown French Artist of XIX Century. In excellent conditions: As good as new. Sheet dimension: 2...

Figures is an original drawing in pencil and pen realized by Gabriele Galantara, the state of preservation of the artwork is good and aged, with hand-writing of the artist on it, app...

Jean Dupas (French, 1882 – 1964) The angel of light Pen and ink and charcoal on paper 14.3/4 x 12.1/2 in. (37.5 x 31.8 cm.) One of the leading artists of the Art Deco period, Jean Théodore Dupas was the son of a merchant marine captain and began his adult life as a merchant seaman. Poor health meant that he had to abandon this career and he enrolled in art school instead, first in his native Bordeaux and later in Paris. He won the Prix de Rome in the category of painting in 1910 and studied at the Académie de France in Rome, from where he sent several paintings to the Paris Salons, although his studies were interrupted by the outbreak of war. Dupas’s work came to public prominence on the occasion of the seminal Exposition des Arts Décoratifs in Paris in 1925. He was chosen by the furniture designer Jacques-Emile Ruhlmann to provide paintings for the latter’s Maison d’un collectionneur, alongside furniture by Ruhlmann and objects by many of the leading Art Deco craftsmen of the day, while other paintings by Dupas were also displayed to great effect elsewhere in the Exposition. In the late 1920’s and 1930’s Dupas won a number of important and prestigious commissions. In 1926 he worked alongside Ruhlmann and the sculptor Alfred Jeanniot on the decoration of the tearoom of the ocean liner Ile-de-France; the first of the grand transatlantic ships to be built in France after the First World War. By this time Dupas had firmly established his reputation. Writing in 1927, his fellow artist George Barbier could already note that ‘Few artists have at such an early age attained such a degree of success, or gathered around them such swarms of imitators and disciples.’ Dupas reached the height of his fame in the mid 1930’s, and in 1934 he received his most important commission to date; a series of large glass murals...

Interesting and well-drawn French late 19th-century landscape sketch in pen and ink . Emile Cagniart was born in Paris where he would remain for his sixty years. Like many young asp...

We would like to thank Juliette Parmentier-Courreau of the Custodia Foundation for her welcome and support during the consultation of Glomy’s Journal des Ouvrages. This spectacularly large "feuille de desseins ajustés" commissioned by François Boucher from Jean-Baptiste Glomy is emblematic of the painter's art and mastery of rocaille. It is also fully representative of the taste of this period in the field of decorative arts. The largest of these three drawings, placed at the bottom of the composition, is particularly interesting: dating from around 1756, it constitutes a modello (apparently unpublished) for the frontispiece of the "Catalogue des tableaux de Monsieur de Julienne"), preserved in the Morgan Library in New York. 1. François Boucher, the master of French rocaille The extraordinary career of Francois Boucher was unmatched by his contemporaries in versatility, consistency and output. For many, particularly the writers and collectors who led the revival of interest in the French rococo during the last century, his sensuous beauties and plump cupids represent the French eighteenth century at its most typical. His facility with the brush, even when betraying the occasional superficiality of his art, enabled him to master every aspect of painting – history and mythology, portraiture, landscape, ordinary life and, as part of larger compositions, even still life. He had been trained as an engraver, and the skills of a draftsman, which he imbued in the studio of Jean-Francois Cars (1661 – 1738), stood him in good stead throughout his career; his delightful drawings are one of the most sought-after aspects of his oeuvre. As a student of Francois Lemoyne (1688 - 1737), he mastered the art of composition. The four years he spent in Italy, from 1727-1731, educated him in the works of the masters, classics and history, that his modest upbringing had denied him. On his return to Paris in 1734, he gained full membership of the Royal Academy of Painting and Sculpture with his splendid Rinaldo and Armida (Paris, Musée du Louvre). Although, throughout his career, he occasionally painted subjects taken from the Bible, and would always have considered himself first as a history painter, his own repertoire of heroines, seductresses, flirtatious peasant girls and erotic beauties was better suited to a lighter, more decorative subject matter. His mastery of technique and composition enabled him to move from large scale tapestry...

There is the aesthetics of the female body. The contrasting silhouette adds to the effect of a bronze sculpture, but the expressive graphic treatment adds emotionality to the image.

Paysanne d’Egypte (Portrait of Egyptian Woman) is a beautiful drawing realized by the French artist Simone Leclercq-Beuvart, active in the second half of the 20th century. The artwo...

Contemporary drawing work that combines the use of colored pencils and ink on a layer made with natural dyes from leaves and flowers. It is a surreal and fantastic drawing that seeks...

A set of four works 15 x 11 each (unframed size) Prasanta Sahu - Mock Practice Japanese ink on acid free paper Inclusive of shipment in roll form. Style : Commingling pictures and ...

English School, circa 1900 In the ten acre pasture Ink and bodycolour on paper 4.5/8 x 13.5/8 in. (11.8 x 34.7 cm.)

Karol Drzewiecki (born in 1987) He studied at the Academy of Fine Arts (University of Arts) in Poznań (2006-2011) at the department of Graphics and Visual Communication. In 2011 grad...