Filippo Palizzi Art

"Gathering the Mares," by Lani Vlaanderen, is a secondary market oil painting on canvas with one previous owner. This work is unframed and will require a frame. We can frame it for y...

German Realist painter (19th century) - Two children training a dog. 56.5 x 46.5 cm (without frame) - 69 x 59 cm (with frame). Oil on canvas, in a gilt wood frame. Signed indistin...

W. Richards (British, late 19th century) — Scottish Highland Landscape with Cattle. 51 x 76 cm. Oil on canvas, unframed. Signed lower right: “W. "Richards." A Scottish Highland l...

The Bustling of Time captures one of Bruno Surdo’s recurring strengths: his ability to turn an ordinary public moment into something quietly theatrical and emotionally resonant. At t...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

This charming naivist painting by Swedish artist Olof (Olle) Casimir Ågren (1874–1962) depicts a horse standing gracefully beside a tree. Executed with bold, textured brushstrokes an...

About this work: Before he became the celebrated chronicler of Montmartre’s nightlife, Lautrec was surrounded by a different kind of spectacle. At his family’s estates, the young art...

A complex composition of interlocking pyramids defines Cornwell not only as a great storyteller but a master of painting fundamentals and design. There is no living artist today who can paint and draw at a level comparable to Dean Cornwell. Published in Cosmopolitan magazine: "The Short Happy Life of Francis Macomber" by Ernest Hemingway Reproduced in Dean Cornwell, Dean of Illustrators (Broder) The work is rendered in the painterly style of a school of impressionism. Dean Cornwell was Normam Rockwell's favorite Illustrator. He was a student of Harvey Dunn, he in turn taught artists and developed talents for a generation. Oils for Cosmopolitan, Redbook, True, American Weekly, Life, Good Housekeeping. Book art for Man from Galilee and others. Ad contracts for GM, Eastern, Pennsylvania Railroad, Paul Jones Whiskey, Aunt...

Sydney Kendrick British, (1874-1955) Going for a Walk Oil on canvas, signed Image size: 25.75 inches x 19.5 inches Size including frame: 32.75 inches x 26.5 inches Provenance: Jack & Boyle, 23 Market Street, Brighton, Sussex A lovely genre painting of a woman outside a country house with a dog by Sydney Kendrick. A young woman can be seen dressed for a wintry day in a green velvet cloak over a brown dress and holds a fur muffler in her hands. She is shown walking down the snow covered stone steps of a country house followed by a black and tan rough collie. Sydney Percy Kendrick was born on 17 September, 1874. Little is known about his early life, however he is believed to have studied art in Paris. By the early 1900’s he was living in London where he set up a studio at 3D Warwick Avenue, Maida Vale known as Fulthorpe Studios. He began exhibiting at the Royal Academy in 1903 and later at the New Society of Artists in Suffolk Street. Kendrick became known for his genre paintings featuring women and also painted portraits of well-known people including the Duke of Devonshire, Marquess of Lansdowne, Dame Sybil Thorndike, Cecil John Rhodes...

Gwen Wong's work is both painterly and allegorical, caught somewhere in the middle between the representational painter and the narrator. "I am inspired by the idea of a childhood re...

About the Artist: Claudia Griesbach- Martucci was born in Monmouth New Jersey, 1990. She attended the School of Visual Arts undergrad in 2008 and went on to obtain her Master's Degr...

Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right. - a little bit stained, with a light water stain at lower right About the artwork Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits. The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up. While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level. About the artist Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him. In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting. From 1861-64 Deiker had his own studio in Karlsruhe, then moved to Düsseldorf, where his brother Johannes followed four years later. Deiker married a daughter of the landscape painter Karl Hilger and remained in Düsseldorf until his death. In 1868 he finally achieved international fame with his painting 'Pursued Noble Deer' and was regarded as a virtuoso new founder of animal painting. "Deiker brought for the first time a truly great artistic quality to animal painting [...]". - Hans Vollmer From 1870 he participated in the academic art exhibitions in Berlin, Dresden, Munich and Hanover. He was also very busy as an illustrator. He drew for the Gartenlaube, the Salon, the Universum, and produced many of the finely illustrated hunting and animal books of the period. He also worked as a printmaker, while his oil paintings circulated as reprints by Franz Dinger. From 1865 to 1892 Deiker was a member of the artists' association Malkasten. Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892. His son Carl Deiker, born in 1879, also became a painter. Selection of art museums that own works by Carl Friedrich Deiker: Hamburger Kunsthalle / Kunsthalle Karlsruhe / Kunstmuseum Düsseldorf / Wallraff Richartz Cologne. Selected Bibliography H. Schmidt: Johannes and...