Pastel Figurative Drawings and Watercolors

Charcoal, pastel lace Audrey Anastasi states: "The paper doll series was created first in the presence of a live model, working quickly, in charcoal an...

Gouache, pastel & oil on paper Ilia Balavadze is a Georgian artist born in 1968 who lives and works in Tbilisi, Georgia. From 1987 to 1993, he studied the painting at the Tbilisi St...

Stephen Basso's highly original pastels and oil paintings are romantic, yet thought provoking fantasies. His whimsical works are alive with boundless imagination, wry wit and fear...

Amy Londoner Beach at Atlantic City, circa 1922 Signed lower right Pastel on paper Sight 23 x 18 inches Amy Londoner (April 12, 1875 – 1951) was an American painter who exhibited at the 1913 Armory Show. One of the first students of the Henri School of Art in 1909. Prior to the Armory Show of 1913, Amy Londoner and her classmates studied with "Ashcan" painter Robert Henri at the Henri School of Art in New York, N.Y. One notable oil painting, 'The Vase', was painted by both Henri and Londoner. Londoner was born in Lexington, Missouri on April 12, 1875. Her parents were Moses and Rebecca Londoner, who moved to Leadville, Colorado, by 1880. In 1899, Amy took responsibility for her father who had come to Los Angeles from Leadville and had mental issues. By 1900, Amy was living with her parents and sister, Blanche, in the vicinity of Leadville, Denver, Colorado. While little was written about her early life, Denver City directories indicated that nineteenth-century members of the family were merchants, with family ties to New York, N.Y. The family had a male servant. Londoner traveled with her mother to England in 1907 then shortly later, both returned to New York in 1909. Londoner was 34 years old at the time, and, according to standards of the day, should have married and raised a family long before. Instead, she enrolled as one of the first students at the Henri School of Art in 1909. At the Henri School, Londoner established friendships with Carl Sprinchorn (1887-1971), a young Swedish immigrant, and Edith Reynolds (1883-1964), daughter of wealthy industrialist family from Wilkes-Barre, PA. Londoner's correspondence, which often included references to Blanche, listed the sisters' primary address as the Hotel Endicott at 81st Street and Columbus Avenue, NYC. Other correspondence also reached Londoner in the city via Mrs. Theodore Bernstein at 252 West 74th Street; 102 West 73rd Street; and the Independent School of Art at 1947 Broadway. In 1911, Londoner vacationed at the Hotel Trexler in Atlantic City, NJ. As indicated by an undated photograph, Londoner also spent time with Edith Reynolds and Robert Henri at 'The Pines', the Reynolds family estate in Bear Creek, PA. Through her connections with the Henri School, Londoner entered progressive social and professional circles. Henri's admonition, phrased in the vocabulary of his historical time period, that one must become a "man" first and an artist second, attracted both male and female students to classes where development of unique personal styles, tailored to convey individual insights and experiences, was prized above the mastery of standardized, technical skill. Far from being dilettantes, women students at the Henri School were daring individuals willing to challenge tradition. As noted by former student Helen Appleton Read, "it was a mark of defiance,to join the radical Henri group." As Henri offered educational alternatives for women artists, he initiated exhibition opportunities for them as well. Troubled by the exclusion of work by younger artists from annual exhibitions at the National Academy of Design, Henri was instrumental in organizing the no-jury, no-prize Exhibition of Independent Artists in 1910. About half of the 103 artists included in the exhibition were or had been Henri students, while twenty of the twenty-six women exhibiting had studied with Henri. Among the exhibition's 631 pieces, nine were by Amy Londoner, including the notorious 'Lady with a Headache'. Similarly, fourteen of Henri's women students exhibited in the groundbreaking Armory Show of 1913, forming about eight percent of the American exhibitors and one-third of American women exhibitors. Of the nine documented works submitted by Londoner, five were rejected, while four pastels of Atlantic City beach scenes, including 'The Beach Umbrellas' now in the Remington Collection, were displayed. Following Henri's example, Londoner served as an art instructor for younger students at the Modern School, whose only requirement was to genuinely draw what they pleased. The work of dancer Isadora Duncan, another artist devoted to the ideals of a liberal education, was also lauded by the Modern School. Henri, who long admired Duncan and invited members of her troupe to model for his classes, wrote an appreciation of her for the Modern School journal in 1915. She was also the subject of Londoner's pastel Isadora Duncan and the Children: Praise Ye the Lord with Dance. In 1914, Londoner traveled to France to spend summer abroad, living at 99 rue Notre Dames des Champs, Paris, France. As the tenets of European modernism spread throughout the United States, Londoner showed regularly at venues which a new generation of artists considered increasingly passe, including the annual Society of Independent Artists' exhibitions between 1918 and 1934, and the Salons of America exhibition in 1922. Londoner also exhibited at the Morton Gallery, Opportunity Gallery, Leonard Clayton Gallery and Brownell-Lambertson Galleries in NYC. Her painting of a 'Blond Girl' was one of two works included in the College Art Associations Traveling Exhibition of 1929, which toured colleges across the country to broad acclaim. Londoner later in life suffered from illnesses then suffered a stroke which resulted in medical bills significantly mounting over the years that her old friends from the Henri School, including Carl Sprinchorn, Florence Dreyfous, Florence Barley, and Josephine Nivison Hopper, scrambled to raise funds and find suitable long-term care facilities for Londoner. Londoner later joined Reynolds in Bear Creek, PA. Always known for her keen wit, Londoner retained her humor and concern for her works even during her illness, noting that "if anything happens to the Endicott, I guess they will just throw them out." Sprinchorn and Reynolds, however, did not allow this to happen. In 1960, Londoner's paintings 'Amsterdam Avenue at 74th Street' and 'The Builders' were loaned by Reynolds to a show commemorating the Fiftieth Anniversary of the Exhibition of Independent Artists in 1910, presented at the Delaware Art Center, Wilmington, DE. In the late 80's, Francis William Remington, 'Bill Remington', of Bear Creek Village PA, along with his neighbor and artist Frances Anstett Brennan, both had profound admiration for Amy Londoner's art work and accomplishments as a woman who played a significant role in the Ashcan movement. Remington acquired a significant number of Londoner's artwork along with Frances Anstett Brenan that later was part of an exhibition of Londoner's artwork in April 15 of 2007, at the Hope Horn...

Signed lower left

A Striking, 1945 Mid-Century Modern Figure Study of a Standing Female Nude African-American Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A beautifully drawn and i...

Modern pastel drawing of a sumo wrestler resting after a match with a kimono or blanket draped over his shoulders. Signed by the artist in the front lower right corner. Currently hun...

Modern pastel drawing of a sumo wrestler wearing a mawashi as he prepares for a match. Signed by the artist in the front lower right corner. Currently hung in a black frame with a li...

Modern pastel drawing of a pair of sumo wrestlers in the middle of a match wearing green and blue mawashi set against an orange floor. Signed by the artist in the front lower right c...

A pastel portrait of the Scarecrow from The Wizard of Oz against a vibrant red background Sally Evans is an American artist that paints a wide range of subjects, focusing on landsca...

An Intimate, 1940s Modern Portrait Drawing of a Young Woman by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). A finely drawn, introspective portrait in pastel and charcoal o...

Les Parasols Blancs - Montmartre by H. Claude Pissarro (b. 1935) Pastel on card 51 x 37 cm (20 ⅛ x 14 ⅝ inches) Signed lower middle, H. Claude Pissarro This work is accompanied by a...

Johnson, Lester (American, 1919-2010). MEN IN BOWLER HATS. Drawing, watercolor, wash, and pastel on paper, 1973. Signed, lower right. 26 1/2 x 40 1/2 inches...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a boy Signed lower left Pastel on paper 28 x 23 cm Framed : 63 x 58 cm Guirand de Scévola is particularly renowned for hi...

Sul cartoncino applicato nella cornice è riportata l'annotazione, a penna e in grafia Kurrent, "Urgroßvater Ludwig Fr(ei)h(e)r(r) von Keller" "Urgroßmutter ...

American Impressionist

"Self Portrait in N.Y., 20th St." is an original gouache, ink, and pastel drawing by Dan Muller. The artist signed the piece lower right. This artwork features a seated, abstracted f...

Pencil and pastel drawing realized by Mino Maccari, on recto and verso of the sheet, in 1934 ca. Hand signed. Very good condition.

THEO VAN RYSSELBERGHE Gent 1862-1926 Saint-Clair, Var LES RUBANS VERTS Portrait of Marquerite Mommen-Ithiers 1897 Pastel on paper 90 x 65 cm. Signed and dated: lower right with mo...

Tammy Liu-Haller presents "Green Sunset," an original mixed media painting on encaustic panel created in 2023. This intimate artwork measures 5 x 5 x 0.87 inches (12.70 x 12.70 x 2.2...

Pastel drawing on paper realized by Sirio Pellegrini in 1960s. Very good condition. Hand signed in pencil lower right. Includes a contemporary wooden frame 108.5x84.5 cm. Sirio Pe...

Leon Dolice New York Harbor Nocturne Signed lower right Pastel on paper 12 x 19 inches The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...

Little Deer, work on paper by Rick Bartow, red, white, pink, blue, black, green,

'Chez Maxim's', pastel and gouache on fine art paper, by André Meurice (circa 1950s - 60s). The artist depicts the glamorous clientele at the entryway to...

La Promenade by Georges Manzana Pissarro (1871-1961) Charcoal and pastel on paper 49.5 x 63.5 cm (19 ⅜ x 25 inches) Signed lower left, Manzana Executed circa 1920 This work is accom...

Leon Dolice New York Harbor (Brooklyn Bridge), circa 1939-1940 Signed lower left Pastel on paper 12 x 19 inches Exhibited Roslyn Harbor, New York, Nassau County Museum of Art, Deco ...

Place Vendôme by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a certificate of ...

Duchándome and Pity June 4th, by Celso Castro-Daza From the Duchándome Series Watercolor, ink, and pastel on archival paper. NUDES 2D Overall image size: 19.5 i...

A Striking Mid-Century Modern Portrait of a Handsome Young Black Man by Noted Chicago Artist, Harold Haydon (Am. 1909-1994). A wonderful executed studio figure study portrait depict...

This compelling pastel portrait depicts an older man wearing a well-worn trucker hat, capturing the character and stories etched into his face. The artist skillfully uses pastels to ...

This is a soft pastel on archival black toned paper signed and dated by the artist on the bottom right corner. This work requires framing under glass for long term preservation.

Les Jardins de Monte-Carlo by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower right, H. Claude Pissarro This work is accompanied by a ce...

Artist: Raphael Soyer (1899-1987) Title: Two Reclining Nudes Year: Circa 1987 Medium: Watercolor & Pencil Drawing on Archival paper Size: 17 x 14 inches Condition: Excellent Inscript...

Cubist influence mixed with soft warm colors is on full display in this charming work. Signed twice. 6 Gallery Tags on verso Sotheby's Kennedy Galleries Barbara Mathes Gallery Sid Deutsch Gallery The Downtown Gallery University of Arizona Art...

This side profile portrait features an Asian man with a neatly tied ponytail, capturing a moment of quiet contemplation. The artist skillfully emphasizes the graceful lines of his pr...

soft pastel on toned archival sanded paper signed and dated bottom left this work is part on an ongoing series bt the artist depicting women with floral bouquets

Marseille by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⅝ x 20 ⅛ inches) Signed lower left, H. Claude Pissarro This work is accompanied by a certificate of authentic...

Pastel and India ink on cardboard Created in 2018 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and wo...

This artwork "The Model" 1939 is a pastel on paper by noted California (German/American) artist Ernst Stolz, 1901-1989. It is signed and dated at the lower right corner by the artist...

West Virginia native Grace Martin Taylor, artist for the brightly colored pastel (TownView), attended the Pennsylvania Academy of Fine Arts and the Art S...

Lucien Lévy-Dhurmer 1865-1953 French Le fondeur de bronze Signed "Levy Dhurmer" (lower right) Pastel on paper French painter Lucien Lévy-Dhurmer was one of the leading artists of...

Open field with tree and building

Hans Burkhardt frequently used live models for his figural pastels, which he maintained an interest in throughout his long career. Untitled (1972) Pastel on paper, 25" x 19" 28" x 2...

This artwork "Otavalo Andean Flute Player" C.1970, is a pastel on paper by Ecuadorian artist Arturo Nieto Checa, 1933-1995. It is signed at the lower le...

Ink and pastel on canvas Created in 2019 in Paris, France Unique work Signed by the artist Parmis Sayous was born in 1982 in Teheran, Iran. Since 2015, She has lived and worked in P...

"Standing Figure" Nude in Charcoal and Color Pencil on Paper Beautiful modern figure drawing of a nude woman by Bay Area Artist George Wishon (A...

This layered paper and drawing collage titled "House Studies Series II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood. Through a...

Phil May Kurman (American, 1911-1953) Untitled, 20th century Pastel on paper Sight: 7 x 4 1/2 in. Framed: 15 1/4 x 10 1/4 x 1 in.

Gahn Portrait 39, Darren Vigil Gray Apache dancer, work on black paper

Les Tilleuls de L'Avenue de la Mer by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanied ...

Pastel, Pencil, Petal Flowers, Color and Ink on Paper. The base of this drawing is 120g/m2 Fabriano paper. I use natural dyes from flowers, herbs, leaves, and tree bark as the first...

Quang Ho's "Untitled" (2023) is an original handmade charcoal drawing done on paper. This piece depicts an abstracted portrait of nude women. Artist's Statement "Realism and abstrac...

Augmented Meteorite I is a unique pastel, 23k gold leaf, cotton paper drawing by contemporary English sculptor Oliver Ashworth-Martin, dimensions including oak frame are 120 × 120 cm...

“I know not with what weapons World War III will be fought, but World War IV will be fought with sticks and stones.” ― Albert Einstein. Always working with graphite and charcoal, Ro...

Norman Gorbaty (1932-2020) Untitled, 1996 Pastel on paper 19 1/2 x 27 1/2 in. Framed: 32 1/2 x 40 x 1 in. Signed and dated lower right After graduating from Amherst College, Gorbaty...

Les Équipages de l'Allée Acacias by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanied by...

Les Autobus du Boulevard Bonne-Nouvelle by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompa...

Carlos. Martes 24 de Mayo, 2016 by Celso Castro Pastel on archival paper Image size: 59 H in. x 40 in. W On The back of the painting: Poncho Jueves 26 de Mayo, "Requiem por la con...

Thelma Frazier Winter (American, 1905-1977) On the Balcony Pastel on paper Signed lower right 20 x 16 inches Thelma Frazier Winter was an American enamelist, ceramic sculptor, and p...

Image of a woman seated in front of the warm glow of a fire with a book beside her. Date: 1940 Medium: Pastel Dimensions: 30.00" x 24.00" Signature: Signed Lower Left