1970s Figurative Drawings and Watercolors

Portrait Of Lady With Hat is an original artwork realized by Olga Klein Astrachan. Pastel and felt on paper stuck on canson paper (26 x 20 cm) Hand-signed by the artist on lower ...

Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina

The iconic Canadian image of a moose— ‘the Monarch of the North’ is captured in this early serigraph by Charles Pachter. The black outline of a moose is viewed plunging off a cliff i...

Painted by Norha Beltran (Bolivian-American, 20th century). Accompanied by old label from Hourian Gallery, San Francisco and with comprehensive artist bi...

Charcoal and watercolor drawing realized by Mino Maccari in 1975 ca. Hand signed lower right. Very good condition.

"Marc Chagall" Original Drawing Illustration Caricature William Saroyan book This drawing was published in the 1976 edition of William Saroyan's SONS ...

Painted by Dawn O'Malley (American, 20th century), circa 1975 and with certification of authenticity stamped verso. A bright and harmonious figural painting in the Mycenaean style ...

Realistic pencil drawing of a man using a flying contraption. Inspired by Robert Altman's 1970 dark comedy film Brewster McCloud. The film follows a young recluse (Bud Cort, as the t...

An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted (1934-2011) was a painter and sculptor. He was born in Buffalo, New York, and was a distant relative Frederick Law Olmsted...

The Black Panther Trials - In this historically significant work, African American Artist Vicent D. Smith functions as an Art Journalist/ Court Reporter as much as a Artist. Here, he depicts, in complete unity, 21 Black Panther Protestors raising their fist of defiance at the White Judge. Smith's composition is about utter simplicity, where the Black Panther Protestors are symmetrically lined up in a confrontation with a Judge whose size is exaggerated in scale. Set against a stylized American Flag, the supercilious Judge gazes down as the protesters as their fists thrust up. Signed Vincent lower right. Titled Panter 21. Original metal frame. Tape on upper left edge of frame. 255 . Panther 21. Framed under plexi. _____________________________ From Wikipedia In 1969-1971 there was a series of criminal prosecutions in New Haven, Connecticut, against various members and associates of the Black Panther Party.[1] The charges ranged from criminal conspiracy to first-degree murder. All charges stemmed from the murder of 19-year-old Alex Rackley in the early hours of May 21, 1969. The trials became a rallying-point for the American Left, and marked a decline in public support, even among the black community, for the Black Panther Party On May 17, 1969, members of the Black Panther Party kidnapped fellow Panther Alex Rackley, who had fallen under suspicion of informing for the FBI. He was held captive at the New Haven Panther headquarters on Orchard Street, where he was tortured and interrogated until he confessed. His interrogation was tape recorded by the Panthers.[2] During that time, national party chairman Bobby Seale visited New Haven and spoke on the campus of Yale University for the Yale Black Ensemble Theater Company.[3] The prosecution alleged, but Seale denied, that after his speech, Seale briefly stopped by the headquarters where Rackley was being held captive and ordered that Rackley be executed. Early in the morning of May 21, three Panthers – Warren Kimbro, Lonnie McLucas, and George Sams, one of the Panthers who had come East from California to investigate the police infiltration of the New York Panther chapter, drove Rackley to the nearby town of Middlefield, Connecticut. Kimbro shot Rackley once in the head and McLucas shot him once in the chest. They dumped his corpse in a swamp, where it was discovered the next day. New Haven police immediately arrested eight New Haven area Black Panthers. Sams and two other Panthers from California were captured later. Sams and Kimbro confessed to the murder, and agreed to testify against McLucas in exchange for a reduction in sentence. Sams also implicated Seale in the killing, telling his interrogators that while visiting the Panther headquarters on the night of his speech, Seale had directly ordered him to murder Rackley. In all, nine defendants were indicted on charges related to the case. In the heated political rhetoric of the day, these defendants were referred to as the "New Haven Nine", a deliberate allusion to other cause-celebre defendants like the "Chicago Seven". The first trial was that of Lonnie McLucas, the only person who physically took part in the killing who refused to plead guilty. In fact, McLucas had confessed to shooting Rackley, but nonetheless chose to go to trial. Jury selection began in May 1970. The case and trial were already a national cause célèbre among critics of the Nixon administration, and especially among those hostile to the actions of the FBI. Under the Bureau's then-secret "Counter-Intelligence Program" (COINTELPRO), FBI director J. Edgar Hoover had ordered his agents to disrupt, discredit, or otherwise neutralize radical groups like the Panthers. Hostility between groups organizing political dissent and the Bureau was, by the time of the trials, at a fever pitch. Hostility from the left was also directed at the two Panthers cooperating with the prosecutors. Sams in particular was accused of being an informant, and lying to implicate Seale for personal benefit. In the days leading up to a rally on May Day 1970, thousands of supporters of the Panthers arrived in New Haven individually and in organized groups. They were housed and fed by community organizations and by sympathetic Yale students in their dormitory rooms. The Yale college dining halls provided basic meals for everyone. Protesters met daily en masse on the New Haven Green across the street from the Courthouse (and one hundred yards from Yale's main gate). On May Day there was a rally on the Green, featuring speakers including Jean Genet, Abbie Hoffman, Jerry Rubin, and John Froines (an assistant professor of chemistry at the University of Oregon). Teach-ins and other events were also held in the colleges themselves. Towards midnight on May 1, two bombs exploded in Yale's Ingalls Rink, where a concert was being held in conjunction with the protests.[4] Although the rink was damaged, no one was injured, and no culprit was identified.[4] Yale chaplain William Sloane Coffin stated, "All of us conspired to bring on this tragedy by law enforcement agencies by their illegal acts against the Panthers, and the rest of us by our immoral silence in front of these acts," while Yale President Kingman Brewster Jr. issued the statement, "I personally want to say that I'm appalled and ashamed that things should have come to such a pass that I am skeptical of the ability of a Black revolutionary to receive a fair trial anywhere in the U.S." Brewster's generally sympathetic tone enraged many of the university's older, more conservative alumni, heightening tensions within the school community. As tensions mounted, Yale officials sought to avoid deeper unrest and to deflect the real possibility of riots or violent student demonstrations. Sam Chauncey has been credited with winning tactical management on behalf of the administration to quell anxiety among law enforcement and New Haven's citizens, while Kurt Schmoke, a future Rhodes Scholar, mayor of Baltimore, MD and Dean of Howard University School of Law, has received kudos as undergraduate spokesman to the faculty during some of the protest's tensest moments. Ralph Dawson, a classmate of Schmoke's, figured prominently as moderator of the Black Student Alliance at Yale (BSAY). In the end, compromises between the administration and the students - and, primarily, urgent calls for nonviolence from Bobby Seale and the Black Panthers themselves - quashed the possibility of violence. While Yale (and many other colleges) went "on strike" from May Day until the end of the term, like most schools it was not actually "shut down". Classes were made "voluntarily optional" for the time and students were graded "Pass/Fail" for the work done up to then. Trial of McLucas Black Panther trial sketch...

Two Boys (one standing, the other seated and drawing) Graphite and colored pencils on wove paper, 1975 Signed and dated lower left center (see photo) Condition: Excellent Slight waviness visible only on reverse Image size: 11 1/2 x 13 3/4 inches Sheet size: 14 x 17 3/4 inches Provenance: Estate of the Artist By descent Mary Spain (Colie) (1934-1983) Mary Spain was born in Raleigh, North Carolina. She taught art in Chagrin Falls...

An original animation drawing from the CBS-TV broadcast of Sendak's "REALLY ROSIE" - (this was the first time "Rosie" appeared anywhere other than Sendak's original book) - this cel is from the PIERRE, "I DONT CARE" sequence. this is the original pencil drawing from the 1970s. it is from the estate of the film producer Dan Hunn. Maurice Bernard Sendak, June 10, 1928-2012 Dubbed by one critic “the Picasso of children’s literature” and once addressed by former President Bill Clinton as “the King of Dreams,” Maurice Sendak illustrated nearly a hundred picture books throughout a career that spanned more than 60 years. Some of his best known books include Chicken Soup...

Untitled (Seated Young Woman) Graphite on Veritable Papier d'Arches wove paper, 1970 Signed and dated lower right (see photo) Condition: Excellent Image/sheet size: 15 x 11 1/4 inch...

Artist: Ian Hornak (1944-2002) Title: Untitled (Angel, Gabriel) Year: 1973 Medium: Ink on heavy archival paper Size: 22 x 30 inches Condition: Good Provenance: Estate of Ian Hornak, ...

from the Padoli Monotypes III

Linda Stein, Profile Palette 426.030 - Signed Feminist LGBTQ+ Colorful Acrylic on Paper Drawing Profile Palette 426.030 is from Linda Stein's Profiles series--drawings, collages and...

Landscape is a drawing in watercolor realized in 1971 by Louttre Bissière. Hand signed lower right. Good conditions. The artwork is represented through soft pencil strokes.

Linda Stein, Profile Solid 383.071 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.071 is from Linda Stein's Profiles series--drawings, collages an...

Art: 30-1/8 x 22-3/8 inches Lithograph, from Portfolio Signed and numbered ‘80’, from the edition of 100” Famed worldwide for giving graphic definition to the postwar age, Saul Ste...

Famed Puerto Rican Fashion Illustrator Antonio Lopez creates an oversized illustration for Vogue Patterns Magazine 1971. He uses a variety of media whic...

Signed, dated and titled lower left. Felix Waske was born in Vienna in 1942. From 1958 to 1967, he studied at the University of Applied Arts under Prof Eduard Bäumer and at the Acad...

Tree is a Pencil Drawing realized by Reynold Arnould (Le Havre 1919 - Parigi 1980). Good condition on a little sheet of a notebook. No Signature. Re...

Anne Diggory (b. 1951) Five at the Rail, Saratoga Springs Racecourse, New York, circa 1978 Watercolor on paper 4 3/4 x 6 inches Initialed lower right: Dig...

Woman's Profile is a violet marker Drawing realized by Mino Maccari in 1970. Hand-signed in the lower margin. Good condition on a little yellowed cardboard. Mino Maccari (Siena, ...

Beautifully executed watercolor painting by Joanna Ballard that depicts a nude angel standing over a resting figure. The composition includes many diverse hues that range in opacity....

Anne Diggory (b. 1951) Out of the Sun (Under the Racetrack Grandstand), 1978 Watercolor on paper 7 x 10 inches Signed and dated lower left Provenance: Ac...

Johnson, Lester (American, 1919-2010). MEN IN BOWLER HATS. Drawing, watercolor, wash, and pastel on paper, 1973. Signed, lower right. 26 1/2 x 40 1/2 inches...

Figure is an original Contemporary artwork realized in 1970 by the italian Contemporary artist Leo Guida (1992 - 2017). Original drawing in colored pencil and pastel on ivory-col...

The Crow is an original Contemporary artwork realized in 1972 by the italian artist Leo Guida. Hand-signed and dated in pencil on the lower right corner: Leo Guida '72. Original P...

Landscape is an original drawing oil pastel on paper realized by Tibor Gertler, one of the most important landscape artists of the XX century. Hand-signed on the lower right. The ...

Linda Stein, Profile Solid 383.063 - Signed Feminist LGBTQ+ Acrylic and Goauche on Paper Drawing Profile Solid 383.063 is from Linda Stein's Profiles series--drawings, collages an...

Linda Stein, Profile Flying 446.002 - Signed Feminist LGBTQ+ Graphite on Paper Drawing Profile Flying 446.002 is from Linda Stein's Profiles series--drawings, collages and painting...

Dead Rat is an original Contemporary pencil drawing realized in 1971 by Leo Guida. Original Drawing on paper. Dimensions: cm 28 x 33. Hand-signed and dated on the lower right corn...

Figures is an original modern artwork realized by the Italian artist Mino Maccari (Siena, 1898 - Rome, 1989) in 1970s. Original drawing on paper. Hand-signed in pencil by the artis...

Artist : Raphael Soyer Title : Woman Year: 1979 Drawing in Pencil Signed in pencil Drawing Size 11½" x 16 Inches Matted Size : inches 16" x 20" inches Born in 1899, Raphael So...

The Skull-and-Crossbones flag flies atop this illustration of a Pirate Ship. Two palm trees flank it, and it floats in a cropped stylized sea. A single hatted figure is seen looking ...

Claudio Bravo (1936-2011) is a renowned Chilean artist, best known for his meticulous hyperrealist artworks. Bravo is celebrated for his intricate precision which captures his distin...

Oil pastel and watercolor on paper realized by Sirio Pellegrini in 1975. Hand signed and dated. Includes a wooden frame realized by the Artist cm. 49x39. Sirio Pellegrini, born in...

Oil pastel on paper realized by Sirio Pellegrini in 1975. Hand signed and dated. Includes a contemporary wooden frame cm. 49x39. Sirio Pellegrini, born in Rome on March 1, 1922, o...

Untitled (Joe and Patsy LoGuidice at the Casa Luna) Pastel, charcoal and colored pencil, 1970-1975 Signed lower right in pencil: Larry Rivers Inscribed on the rabbit of the original white frame: LOGUIDICE in ink Provenance: Private Collection, New York (Westchester County) Condition: Excellent Image size: 31 1/2 x 24 1/2 inches Frame size: 39 1/2 x 32 1/2 inches Note: The image depicts Ciprian “Joe” LoGuidice (d. 2008) and his wife Patsy with their dog (Golden Retriever?) in their famous house Casa Luna, located in Zihautenajo, Mexico. Joe LoGuidice had a most colorful life as stated in his memorial posting by Pam Barkentin: Ciprian "Joe" LoGiudice, of Los Angeles and Zihautanejo, Mexico Art Dealer, Political Activist, Environmentalist, Film Producer, and Executor of the Terry Southern Estate died at home in Los Angeles on September 3, 2008. A major benefactor of the Chicago Seven, he hosted a benefit for the anti-war activists at his Ontario Street Gallery in Chicago and later harbored the fugitive Abbie Hoffman in Zihautenajo where Joe designed and built the famous Casa Luna, the house without walls, in a compound that included Larry River's Studio as well as the garden where Julian Schnabel painted with the assistance of Ramon Pedrazo, Joe's gardener and the husband of his faithful housekeeper, Concha Pedrazo. Here at Casa Luna, from the early seventies on, Joe and his wife, Patsy, generously hosted friends and enemies alike with great enthusiasm and humor.Most recently, through his participation in "Save the Bay", Joe was instrumental in preventing cruise ships from anchoring in the Bay of Zihautanejo. He was also producing "Five Easy Steps to Metaphysical Fitness", a documentary about the philosopher/comic, Emily Levine. Christo's first wrapping of a building in the United States, the Chicago Museum of Art, was produced by LoGiudice. Other artists he represented, in both his Chicago and New York Galleries, included John Chamberlin, Larry Poons, Mark de Suvero, Leon Golub and Jules Olitski. Joe is survived by his wife of 25 years, Patsy Cummings. An important work by Rivers showing his friend and art dealer in their famous house, Casa Luna, in Mexico. The cultural import of LoGuidice cannot be understated. He was a major figure in the New York, Chicago, and Los Angeles art cultures. The artist’s who were his friends and guests were many of the leading icons of late 20th century art. Larry Rivers Larry Rivers in 1961 Born Yitzroch Loiza Grossberg August 17, 1923 Bronx, New York, U.S. Died August 14, 2002 (aged 78) Southampton, New York, U.S. Nationality American Education Hans Hofmann School Known for Painting, sculpture Movement East Coast figurative painting, new realism, pop art Spouse(s) Augusta Berger (m. 1945; div. 1946) Clarice Price (m. 1961; sep. 1967) Larry Rivers (born Yitzroch Loiza Grossberg, August 17, 1923 – August 14, 2002) was an American artist, musician, filmmaker and occasional actor. Rivers resided and maintained studios in New York City, Southampton, Long Island, and Zihuatanejo, Mexico. Early life Larry Rivers was born in the Bronx to Samuel and Sonya Grossberg, Jewish immigrants from Ukraine. From 1940–1945 he worked as a jazz saxophonist in New York City, changing his name to Larry Rivers in 1940 after being introduced as "Larry Rivers and the Mudcats" at a local pub. He studied at the Juilliard School of Music in 1945–46, along with Miles Davis, with whom he remained friends until Davis's death in 1991. Training and career Larry Rivers in 1961 Rivers is considered by many scholars to be the "Godfather" and "Grandfather" of Pop art, because he was one of the first artists to really merge non-objective, non-narrative art with narrative and objective abstraction. Rivers took up painting in 1945 and studied at the Hans Hofmann School from 1947–48. He earned a BA in art education from New York University in 1951. He was a pop artist of the New York School, reproducing everyday objects of American popular culture as art. He was one of eleven New York artists featured in the opening exhibition at the Terrain Gallery in 1955. During the early 1960s Rivers lived in the Hotel Chelsea, notable for its artistic residents such as Bob Dylan, Janis Joplin, Leonard Cohen, Arthur C. Clarke, Dylan Thomas, Sid Vicious and multiple people associated with Andy Warhol's Factory and where he brought several of his French nouveau réalistes friends like Yves Klein who wrote there in April 1961 his Manifeste de l'hôtel Chelsea, Arman, Martial Raysse, Jean Tinguely, Niki de Saint-Phalle, Christo, Daniel Spoerri or Alain Jacquet, several of whom left, like him, some pieces of art in the lobby of the hotel for payment of their rooms. In 1965 Rivers had his first comprehensive retrospective in five important American museums. His final work for the exhibition was The History of the Russian Revolution, which was later on extended permanent display at the Hirshhorn Museum and Sculpture Garden in Washington, DC. During 1967 he was in London collaborating with the American painter Howard Kanovitz. In 1968, Rivers traveled to Africa for a second time with Pierre Dominique Gaisseau to finish their documentary Africa and I, which was a part of the groundbreaking NBC series Experiments in Television. During this trip they narrowly escaped execution as suspected mercenaries.[citation needed] During the 1970s Rivers worked closely with Diana Molinari and Michel Auder on many video tape projects, including the infamous Tits, and also worked in neon. Rivers's legs appeared in John Lennon and Yoko Ono's 1971 film Up Your Legs Forever. Personal life Rivers married Augusta Berger in 1945, and they had one son, Steven. Rivers also adopted Berger's son from a previous relationship, Joseph, and reared both children after the couple divorced. He married Clarice Price in 1961, a Welsh school teacher who cared for his two sons. Rivers and Clarice Price had two daughters, Gwynne and Emma. After six years, they separated. Shortly after, he lived and collaborated with Diana Molinari, who featured in many of his works of the 1970s. After that Rivers lived with Sheila Lanham, a Baltimore artist...

Watercolor on paper realized by Sirio Pellegrini in 1970s. Hand signed. Includes a wooden frame realized by the Artist cm. 60x45 Sirio Pellegrini, born in Rome on March 1, 1922, o...

Nude is an original artwork realized in the 1970s by the Italian Contemporary artist Leo Guida (1992 - 2017). Original drawings in China Ink, Charcoal and Watercolor on paper. Go...

Linda Stein, Profile Solid 383.049 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.049 is from Linda Stein's Profiles series--drawings, coll...

Lester Johnson untitled charcoal, conte crayon, and spray enamel on board from 1972. Framed.

Nude is an original artwork realized in 1972 by the italian Contemporary artist Leo Guida (1992 - 2017). Original pencil drawing on ivory-colored paper. Hand-signed and dated on...

Linda Stein, Profile Solid 383.054 - Signed Feminist LGBTQ+ Colorful Acrylic and Gouache on Paper Drawing Profile Solid 383.054 is from Linda Stein's Profiles series--drawings, coll...

Casimiro Martinez Tarrassó (1900-1979) - Seated Woman - Pencil Drawing measures 31x21 cm. Frame measures 47x37 cm. MARTINEZ TARRASSO, Casimiro – Barcelona 1900 - 1979 Casimiro Martínez Tarrasó, known as TARRASSO, trained at the La Lonja school in Barcelona, ​​completed his studies in Paris where he was able to see first-hand the Fauvist works that were shaking the Parisian artistic environment at this time. He cultivated still life and Catalan and Mallorcan landscapes and held his first exhibition in 1928 at the Galerías Layetanas in Barcelona and since then his shows have followed one another in Barcelona, ​​Madrid, Palma de Mallorca and Bilbao. His awards include the Pollença in 1962 and the Santiago...

Watercolor on paper by Sirio Pellegrini in 1969. Hand signed and dated. Drawing made up of several fragments joined together. Includes a contemporary wooden frame 97x89 cm. Sirio ...

José Luis Cuevas, Mexican (1934 - 2017) - Antonio Liarte con modelos, Year: 1979, Medium: Ink and Watercolor on Paper, signed, titled and dated in ink, Size: 7 x 9.75 in. (17.78 x...

Ink on paper Signed and dated, l.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now...

Michael Leonard, (British b.1933), Chimera I, 1975, Graphite pencil on paper, initialled (lower left), signed and dated (lower right), 15cm x 14cm, (35cm x 32cm framed) Michael Leon...

African American Artist Vincent D Smith makes a statement about racial justice. In this work from 1972, he depicts three African American prisoners with their faces pushed up agains...

Hans Burkhardt frequently used live models for his figural pastels, which he maintained an interest in throughout his long career. Untitled (1972) Pastel on paper, 25" x 19" 28" x 2...

Claudio Bravo, (Chilean 1936-2011), Torso, 1978, Screenprint on paper, signed and dated (lower right) and numbered '28/50' (lower left), 18cm x 30cm (image size), 34cm x 46cm (sheet ...

Ben Macala (1938 - 1997) - Four Faces, Year: 1976, Medium: Charcoal on Paper, signed and dated lower right, Size: 24.5 x 28.5 in. (62.23 x 72.39 cm)

Signed lower right, "Louis La Barbera" and tilted lower left, "Mother and Child". Louis La Barbera first studied at San Jose State University, receiving his Master’s Degree in Fine ...

Graphite on paper Signed, c.l. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now live...

An intense and powerful study of five undernourished and perhaps starving African children partly superimposed and partly integrated into the silhouette of the African continent...

Kachina Figures, by Dan Namingha, green, black, framed, Hopi, drawing, katsina

Abstract expressionist CoBrA style chalk on paper of a human figure attributed to French artist, A Nuchy. The work is unsigned but was acquired along with ...

Child on armchair is a modern artwork realized by Antonio Mellone in 1970s. Mixed colored oil painting Hand signed on the lower margin Includes frame

Redheaded model wearing Traina Sport by Kay Unger and Jesper Nyeboe. Illustration published on the cover of Women's Wear Daily, February 25, 1971. Gouache o...

Conté crayon on paper Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City. Mark Beard, born in 1956 in Salt Lake City, now lives in New York City. ...

Signed lower left 'Creech PSWC' and created circa 1975 A compelling pastel study showing the subject dressed in brightly-colored ceremonial robes and gazing past the viewer. An eleg...

Vivid watercolor by Lucien Peytong (b.-1950) depicting a French racehorse Winning Home Art Sz: 11"H x 15" W Frame Sz: 14 1/2"H x 18 1/2"W w/ linen m...

Original watercolor on archival paper of a gesturing old man by the well known American artist Benjamin Stahl. Condition is very good. Two spots of foxing or staining to the left of the figure. Very slight wrinkling of paper. Otherwise, no other issues. Circa 1970. Gallery wide linen matted and framed with a thin silver leaf frame. Overall framed measurements are 19.5 by 20 inches. Provenance: A Nokomis, Florida collector. Ben Stahl Biography Born in Chicago in 1910, Ben Stahl was introduced to the world of art by his grandmother. She took him on visits to the Chicago Art Institute and other galleries beginning when he was six years old and continuing until he was fifteen. After these adventures she would buy him oilcloth, brushes, and paints, and he would create “masterpieces” on the front porch of the family home. Stahl also read voraciously, which did not translate into academic excellence. However, when he was in seventh grade, he received a scholarship to attend Saturday morning lectures at the Chicago Art Institute. He would spend his Saturday afternoons drawing live animals at the Lincoln Park Zoo and the stuffed variety at the Field Museum, honing his knowledge of animal anatomy. After high school, Stahl got a job as an apprentice at a commercial art studio. One of the partners, realizing Stahl was ambitious and talented, encouraged him to draw and paint to create a portfolio. It was the contents of this portfolio that landed him a job at Chicago’s most prestigious art studio. During his time there and at other studios, plus a stint as a journalist for the Chicago Daily News, Stahl continued to develop a unique style, influenced by the Impressionists, which he felt would carry the mood and the emotional impact of commercial illustrations. Ironically, Stahl’s first assignment for The Saturday Evening Post was to illustrate a sea story – this for an artist who had never seen either the Atlantic or Pacific Oceans! The editors liked his work, and there followed four years of marine-themed assignments. Eventually Stahl asked for a change, so his next assignment was set in the desert – which he had also never seen. He was being noticed, however, and eventually he decided to move to New York and become a freelance illustrator. He illustrated over 750 stories for the Post along with a number of other magazines, and he continued to explore new approaches in his easel painting. In 1951, Stahl was commissioned to paint "The 14 Stations of the Cross...

Mechanical Body In Colours is an artwork realized by Richard Lindner in the 1970s. Mixed media artwork, pencil and watercolor on paper. Hand-signed on the lower. Very good conditi...