Zainab Reddy

Composition With Figures. Figurative Gouache Painting

1971

Just released form the artists studio a 1997 Gouache.

John Emanuel embarking on a series of works using new life models. Unusual for a artist who has over the last 40 years only had 3 previous sitters. Now working with Sarah Jane...

We are pleased to sell works on behalf of Celia RobertsBorn 1950 in Stafford Educated at Oxford University 1969-1973 BA Hons in Hebrew. She has exhibited in the Arterie Gallery in ...

Like Swimming In A Quarry - 120 feet and dark in the middle. One of Wadsworth's celebrated & innovative Black Cloth series. His sitters pose with a large black cloth & talk about wha...

Less is more from the studio of John Emanuel Image 21" x 15" Originally from Bury, in the North of England, John Emanuel works in Porthmeor, Cornwall. He has received no formal art...

Sax Berlin is unique in using this natural material in this way - beautiful Italian slate. Created in the tranquil Japanese gardens and tea house which serve as his summer studio. This image could almost be a form of meditation in itself; gaze at the face and be drawn into the tranquility and depth of the Lotus Buddha...

Glassblowers WPA American Scene Mid- 20th Century Modern Figurative Workers. Dated and signed "32 Harry Gottlieb" lower right. Sight: 13 1/8" H x 18 1/4" W. Harry Gottlieb, painter, screenprinter, educator, and lithographer, was born in Bucharest, Rumania. He emigrated to America in 1907, and his family settled in Minneapolis. From 1915 to 1917, Gottlieb attended the Minneapolis Institute of Arts. After a short stint as an illustrator for the U.S. Navy, Gottlieb moved to New York City; he became a scenic and costume designer for Eugene O"Neill's Provincetown Theater Group. He also studied at the Philadelphia Academy of Fine Arts and the National Academy of Design. He was one of America's first Social Realist painters, influenced by that Robert Henri-led movement in New York City where Gottlieb settled in 1918. He was also a pioneer in screen printing, which he learned while working for the WPA. He married Eugenie Gershoy, and the couple joined the artist colony at Woodstock, New York. He lectured widely on art education. In 1923, Gottlieb settled in Woodstock, New York and in 1931, spent a a year abroad studying under a Guggenheim Fellowship. In 1935, he joined the Federal Art Project...

Donald Stacy "Mark" c.1950s Oil pastel and gouache paint on paper 14x17" unframed Unsigned Came from artist's estate Donald Stacy (1925-2011) New Jersey Studied: Newark School of ...

Gloria Dudfield Driver with Hard Hat 1960s Gouache and Oil Pastel on Paper 27"x36" unframed $700 *Custom framing available for additional charge. Please expec...

Adolf Arthur Dehn Haitian Scene #7, ca. 1951 Watercolor gouache, hand signed; framed with AAA Gallery label verso Signed on the front bearing the origina...

An ink drawing Judaic painting by modern artist Ben-Zion Weinman. It depicts a portrait of an old Jewish man. Coming over from Europe on a ship crossing. The work is signed "Ben-Zion". Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. In 1920 he settled in America, where he found little interest in his writing. He began teaching Hebrew to support himself and then in the early 1930s returned to painting. He used his art to comment on the rise of fascism in Europe, events he felt could not be adequately explored with words. Largely self-taught, Ben-Zion visited the museums of New York City to learn his new trade. His first painting on a large scale, Friday Evening (1933, Jewish Museum, New York), depicts a Sabbath dinner table as recalled from his family home. Ben-Zion supported himself by working odd jobs until the establishment of the Works Progress Administration's Federal Art Project. Under the auspices of the wpa, Ben-Zion thrived and galleries began to show his work. In 1936, after his first one-man show at the Artists' Gallery in New York Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s...

William Gropper Original Gouache on Paper depicting man carrying an axe and woman carrying basket walking together. Hand signed lower right Fra...