Interior Drawings and Watercolors

Black and white naturalistic interior scene pencil drawing by artist Douglas Schneider. The work features a young woman laying on an intricate bedspread in a highly decorated room. S...

Monotype on paper Dramatic imagery from Tom Bennett’s series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett creates representational images of human figures and animals, emphasizing movement in a manner reminiscent of Lucien Freud, Edgar Degas and the photographer Eadweard Muybridge. Elongated and blurry, the horse racing up a hill (Canter Fritz, 2002) and the sinister cat landing a leap (Chien Blanc, 1998) elicit a sense of foreboding enhanced by Bennett’s somber palette; his female figures too reflect a grim sense of humor with their distorted nude bodies. The face of Untitled Figure (1997), for example, is obscured by layers of dark paint. Classically trained as a painter, he initially worked in oil on canvas but discovered that monotype printing enabled him to “literally push the image around,” creating an essential element of motion. To overcome the limited scale of monotypes, however, he switched to painting on slick-surfaced plastic. Tom Bennett’s practice is rooted in the classical tradition where painting and drawing from life is highly regarded. Bennett’s work is heavily influenced by Francis Bacon, Frank Auberbauch and foremost his father, Harry Bennett, who was also an artist. Tom’s time living abroad in Spain and traveling through Eastern Europe and Africa provided the artistic freedom to explore many of the techniques and subject matter that continue to define his practice. Bennett was born and raised in Connecticut. His mediums include monotypes, oil on paper, canvas or styrene board. In a technique that Tom started over 4 years ago, several of his monotypes have been painted over with oil paint using a palette knife, brush, or his fingers to re-purpose the underlying image. These works are a testament to Bennett’s ability to quickly and concisely compose an image with expressive brush strokes, foreshortened figures and expertly rendered light. Tom’s work has been featured in group and solo exhibitions worldwide. Bennett lives and works in Brooklyn, New York. He is currently represented by Tabla Rasa...

Medium: Charcoal Drawing Signature: Signed Lower Right Framed 40.00" x 32.00" Bad glare in photos taken. Piece is in perfect condition. Please let me know if you would like to see a...

Artist: Dan May (American, 1955-) Title: "The Apartment Building" *Signed by May lower left and dated lower right Year: 2001 Medium: Original White Chalk...

The Room is a drawing realized by Tony Johannot in the early-20th Century. Pencil and watercolor on paper. Good conditions with slight foxing. The artwork is realized through deft...

Roof Garden in Snow (Holland Park Road), Painting by Guy Malet 1900-1973, circa 1950 Additional information: Medium: Watercolour 48.3 x 34.5 cm 19 x 13 5/8 in Provenance Estate of ...

Ink drawing of library stacks of books on paper.

Work on watercolor paper Golden wooden frame with glass pane 48 x 57 x 2.7 cm

Andrew Loomis (American, 1892-1959) Signed: Andrew Loomis (Lower, Right) " Mosaic Tiles " 1930 16 1/2" x 21" Watercolor with Graphite and Gouache on Illustration Board Overall S...

Adolph Eduard Otto von Faber du Faur (1828 Ludwigsburg - 1901 Munich). Man sitting in the studio. Watercolour painting, 43 x 27 cm (visible size), 73 x 53 cm (frame), monogrammed at lower right, estate stamp. Upper right corner neatly repaired, small tear in the wall to the left of the sitter. - Thinking about art - About the artwork The sitter, an elderly man, is seated in a studio on a pedestal reminiscent of an academy hall. The earthy, dark tones give the scene a weighty quality. The lightest tones are found in the incarnate parts of the figure, which do not stand out from the other colours of the picture, but are linked to them. As a result, the sitter's face is both part of and the highlight of the colour references in the picture. The colour of the sitter's skin is reflected in his pink coat, while his white-grey hair matches the colour of the wall next to him. This almost monochrome wall surface, in turn, is connected across the portrait to the framed picture standing on the floor, which seems to have been erased by this correspondence with the empty wall surface. Through the palette, which is positioned directly behind the sitter's head, the reference to painting, which is already given by the studio space, is explicitly linked to the sitter, who thus seems to be contemplating the question of the meaning of art. This raises the question of whether Faber Du Faur, who had become lonely in his old age, might have painted a self-portrait here in his later years. In addition to the studio setting, the sitter's explicit reference to the palette and the fact that the picture was part of his estate, the only summary elaboration of the body suggests a self-portrait, while the representation of the face is concretised with the wide-open eyes typical of a self-portrait. This concentration on the face gives the impression of the artist's melancholy introspection, captured by the palette and related to the meaning of painting, whose dark character is reinforced by the concealment of the palette hanging on the right of the picture in the light tones so characteristic of Faber Du Faur. In the course of this resignation, Faber du Faur advises his son Hans, who has also become a painter: "Promise me one thing: never move to Munich, they'll kill you here!" Whoever the sitter may be, the references to painting make the portrait a resigned self-contemplation by Faber Du Faur, focused on art. About the artist After leaving school, Otto Faber du Faur entered the service of the Württemberg army, at the same time cultivating his artistic talent. In 1851, on the recommendation of his father Christian Wilhelm, who was himself a battle painter, he spent six months in Munich as an apprentice to Alexander von Kotzebue. In 1852 he was granted a year's leave of absence from military service to study battle painting in the studio of Adolphe Yvon...

Susan Manchester’s drawings of feathers and flora are meditations on the ephemeral nature of life, and they reflect the artist’s fascination with beau...

George Grosz (German, 1893-1959), "In der Loge" [In the Lodge], Pen and Ink on Paper, circa 1913, signed in pencil "Grosz" and titled lower lower left, Achim Moeller, Ltd. label to v...

Philip Laughlin (American, 1936-2024), Atelier Scene with Nude Figure, Pastel on Board, 1986, signed and dated lower left, signed and with Art Students League of New York label to re...

Art Week Poster Design American Scene Modern c. 1930s WPA Era Illustration Antonio Petruccelli (1907 - 1994) Art Week 22 X 17 inches Gouache on board, c. 19...

Interior Design is a beautiful drawing on paper, realized in 1948 by the French architect  Victor Courtray (1897-1971). Ink and watercolor on paper. Hand-signed and dated on the low...

pastel on toned suitable for framing under glass.

Meryl Streep, John Lithgow and others starred in the Phoenix Theatre Company's Off-Broadway production of "Secret Service." This original 14 x 29 inch drawing by Sam Norkin was published in the New York Daily news on April 11, 1976. Samuel Norkin (1917-2011) was a Brooklyn, New York-born cartoonist who specialized in theatre caricatures for more than seven decades. His drawings of theatre, opera, ballet and film celebrities appeared in Variety, Backstage, The Philadelphia Enquirer, The Washington Post, Los Angeles Times, The Boston Globe and many other publications. Norkin learned composition and anatomy from the muralist Mordi Gassner...

'Camelia no.2' original watercolor painted in 2021 in beautiful shades of pink and green from Cleveland-born and educated Gary Bukovnik who has lived in California for over 40 years....

Dorothy Varian (1895-1985) was based in New York City and Woodstock, NY. This is a courtroom scene that captures the intensity of the situation. It is s...

Landscape is an artwork realized  in the 20th Century. Drawing.  The artwork is in good conditions . The artwork is depicted skillfully through confident strokes with a dynamic co...

"Firefighting" is a dramatic monotone watercolor painting by William Thomas Smedley, depicting the intense efforts of firefighters battling a high-rise building fire. The unique L-shaped composition draws the viewer's eye from the scene of action below to the perilous situation above. At the base of the painting, firefighters are shown bravely combating the flames, with water hoses...

"Afternoon Daisies," Modernist Still Life Original in Watercolor on Paper Still life watercolor by C. Borda (American, 20th C.) A beautiful vase filled with daisies in calming, neutr...

Deco Dancing Hungarian Expressionism European Drawing Modernism Figurative Dance. 22 1/2 x 16 inches. Signed lower left. Framed. BIO Hugó Scheiber was born in Budapest in 1873. At the age of eight, he moved with his family from Budapest to Vienna. In 1898, to help support his family after they had returned to Budapest. He started working during the day, attending painting classes at the Commercial Art School in the evening. In 1900, he completed his studies. Scheiber showed an early interest in German Expressionism and Futurism. In 1915 he met Marinetti, who invited him to join the Futurist movement. Because Scheiber's paintings conflicted with academic style of the Hungarian art establishment, his work was virtually ignored in his own country. In 1919, he and his friend Béla Kádár held an exhibition organized by Hévesy in Vienna, which was a great success, so much so that the Budapest Art Museum purchased two of his drawings. In 1920, Scheiber returned to Vienna. A turning point in his career came in 1921 when Herwarth Walden, founder of Germany's leading avant-garde periodical, Der Sturm...

David Becker Exhibitions 2017 Coming Attractions, Gallery Victor Armendariz, Cicago, IL 2012 Eye Teeth Group Show, Paint Creek Center for the Arts, Rochester, MI 2011 Art Chicago 2011, Merchandise Mart, Chicago, IL 2010 Art Chicago 2010, Merchandise Mart, Chicago, IL 2009 David Becker Retrospective, Ann Nathan Gallery, Chicago, IL Art Chicago 2009, Merchandise Mart, Chicago, IL The 184th Annual Exhibition of Contemporary American Art, National Academy Museum, NYC Selections, Ann Nathan Gallery, Chicago, IL 2008 Art Chicago 2008, Represented by Ann Nathan Gallery, Merchandise Mart, Chicago, IL 2007 Unruly Muse, Ann Nathan Gallery, Chicago, IL SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago, Merchandise Mart, Ann Nathan Gallery, Chicago, IL 2006 Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2005 SOFA NY (Sculptural Objects Functional Art), Ann Nathan Gallery, 7th Regiment Armory, NY, NY Art Chicago in the Park, Butler Field, Ann Nathan Gallery, Chicago, IL Ann Nathan Gallery, Chicago, IL Palm Beach³, Ann Nathan Gallery, Palm Beach, FL 2004 Contemporary Prints: National Academy Museum Collection, National Academy of Design, NYC Art Chicago 2004, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange, Manning, Riddoch, & Ballart Gallery, Australia Return of the Men, Peltz Gallery, Milwaukee, WI 2003 Art Chicago 2003, Ann Nathan Gallery, Chicago, IL Fantastic & Visionary Art, touring exhibit: Orange Regional Gallery, New South Wales, Australia National Academy of Design 178th Annual Exhibition, NY, NY 2002 Art Chicago 2002, Ann Nathan Gallery, Chicago, IL Art of the 20th Century, Ann Nathan Gallery, Park Ave. Armory, NY, NY Outsider Art Fair, The Puck Building @ Houston & Lafayette Sts., NYC Self and Other Portraits, Wisconsin Artists, Charles Allis Art Museum, Milwaukee, WI Return of the Men, Peltz Gallery, Milwaukee, WI 2001  Beyond the 50's, May 4 - July 1, Exhibit A, A Gallery of Art & Design, Birmingham, Michigan Outsider Art Fair, January 26-28, The Puck Building @ Houston & Lafayette Sts., NYC "FANTASTIC ART", April/May, Orange Regional Gallery, Orange NSW, Australia. David Becker: Etchings and Engravings, Ann Nathan Gallery, Chicago, solo exhibition of prints, February. 2000  Four person exhibition, Columbus State University, Columbus, Georgia, Oct. 31 - Nov. 27, 2000. 1999 National Academy 174th Annual Exhibition, NY University of Wisconsin-Madison Faculty, Elvehjem Museum of Art, Madison, WI Treasures Revealed: 19th and 20th Century American Works on Paper, National Academy, NY 1995 Bharat Bhavan International Biennial of Prints, Bhopal, India Contemporary Prints, Selections from John Szoke Gallery, NYC, Drew University, Madison, NJ Collection Update, 1994, National Academy of Design Museum, NY 1994 David Becker and Robert Sholties, Peconic Gallery, Suffolk Community College, Riverhead, NY In Black and White: Works by Four Printmakers, Atrium Gallery, University of Connecticut, Storrs Aesthetics of Athletics: Sports, Games, and Exercise, Charles A. Wustum Musem, Racine, WI GMI IX Award Winners, Art Center Gallery, Central Missouri State University, Warrensburg 1993 Take Home a Nude benefit auction, NY Academy of Art Graduate School Of Figurative Art, NY 1993 American Prints: Last Half 20th Century, Jane Haslem Gallery, Washingtion, DC Outstanding American Prints, Anderson Arts Center, Kenosha,WI National Academy of Design 168th Annual Exhibition, NY David Becker: Etchings, Davidson Galleries, Seattle, WA Portraits, Davidson Galleries, Seattle, WA 1992 The Print Fair, 7th Regiment Armory, NY 1991 166th Annual Exhibition, National Academy of Design, NY Alma College Collection, Detroit Institute of Arts, Detroit, Michigan Modes of Expression, Potsdam College, SUNY, Potsdam, NY 1990 With Nothing On, Prints and Drawings of the Nude, New Orleans Museum of Art, LA Prints by Printmakers, Staller Art Center, SUNY-Stonybrook, NY Publications/Reviews 2007 November 60 Years of North American Prints: 1947-2007, Boston U. Art Gallery, Boston, MA 2003 July 11 Isthmus, Madison, “Welcome to My Nightmare,” by Robert Cozzolino. 2001 March 14 The Wall Street Journal, "Time Off: A Week of Diversions." Review of Progressive Printmakers (LVM) exhibition. 2001 February Isthmus, Madison, "America's Printland," by Jennifer Smith. 2001 February Capital Times, "The Crowned Prints," by Kevin Lynch. 1999 July Progressive Printmakers: Wisconsin Artists & the Print Renaissance. 1995 – 1999 Who’s Who in America. 1993 Summer The Journal of the Print World, review. March 14 The New York Times, review. March 12 The Daily Oklahoman, review. 1990 Dec. 13 The Capital Times, review. April 28 The Washingtion Post, review. March 25 The New York Times, review. Summer The Journal of the Print World, review. Selected Collections - additional collections available on requestArkansas Arts Center Foundation, Little Rock, AR Art Institute of Chicago, Chicago, IL Brooklyn Museum, NYC Butler Institute of American Art, Youngstown, OH Detroit Institute of Art, Detroit, MI Elvehjem Museum of Art, U of Wisconson-Madison Honolulu Academy of Arts, Honolulu, HI Library of Congress, Washington, DC Metropolitan Museum, Miami, FL Museo de Arte Moderno, Cali, Columbia National Academy, NY, NY National Museum of American Art, Washington, DC New York Public Library, NY Portland Art Museum, Portland, Oregon Rose Art Museum, Brandeis University, MA United States Information Agency, Prague, Czech. Alberta College of Art, Alberta, Canada Albion College, Albion, MI Alma College, Alma, MI Art Center, South Bend, IN AT&T Corporate HQ, Plainfield, NJ Boston Printmakers, Boston, MA Bradley University, Peoria, IL Columbia Green Community College, Hudson, NY Columbus State University, Columbus, GA Davidson College, Davidson, NC Dickinson College, Carlisle, PA Georgia State University – Atlanta Hope College, Holland, MI Hunterdon Art Center, Clinton, NJ Kansas State University, Manhattan, KS Madison Art Center, Madison, WI Marui Imai Inc., Sapporo, Japan Milwaukee Art Center, Milwaukee, WI Minot Art Association, Minot, ND North Carolina Print/Drawing Society, Charlotte, NC North Texas State University – Denton Ohio University – Athens Oklahoma Art Center, Oklahoma City, OK Oklahoma State University, OK Quad Graphics, Milwaukee, WI Silvermine Guild of Arts, New Canaan, CT Springfield College, Springfield, MA St. Lawrence University, Canton, NY State University of New York – Fredonia State University of New York – Potsdam Trenton State College, Trenton, NJ University of Arizona Museum of Art, Tucson, AZ University of Colorado-Boulder University of Dallas, TX University of Louisville, Louisville, KN University of Manitoba, Winnipeg, Canada University of North Dakota – Grand Forks University of South Dakota – Vermillion University of Tennesse – Knoxville West Chester State College, West Chester, PA Western Kentucky University – Bowling Green Private Collections Carla Leighton, New York, NY Marc Hauser, Chicago, IL Michael John Hofer, Chicago, IL Drs. Mark & Helene Connolly, River Forest, IL Jamie Kalikow, New York, NY Dianne & Jim Blanco, Chicago, IL Denise Roberge, Palm Desert, CA Tish & Philip Messinger, Creskill, NJ Brian Wesphal & Michael McVicker, Chicago, IL Ralph Privoznik, Lafayette, IN Candice Groot, Evanston, IL Shomaker/Ruud Collection, Chicago, IL Braden Berkey and Robert Bartlett, Chicago, IL Bill and Karyn Silverstein, Highland Park, IL Steve Weitz, Lovettsville, VA Mary Allice Wimmer, Madison, WI Ann & Robert Avery...

"In the Artist's Studio" was painted in the realistic style in the late 19th century by the Scottish artist, George Clark Stanton. Stanton was a painter, watercolorist, goldsmith and...

Five original watercolor stage set designs by Lane Halteman, for a lover of theatre, your favorite thespian or just something very unusual and attenti...

Price and size includes frames (maple wood with white mats). Artwork 58" x 38" Her pastel-on-sandpaper series, "Domestic Threats" and "Black Paintings", both use cultural objects as surrogates for human beings acting in mysterious, highly charged narratives.[9][10] Rachko also has created a series of photographs entitled "Gods and Monsters".[11] In these chromogenic prints, she is "painting with a camera," creating variations that free the camera from being a mechanical recording device of what lies before it. She prints all of these images by hand. The earlier "Domestic Threats" pastel-on-sandpaper paintings used her West Village apartment or her 1932 Sears house in Virginia as a backdrop. The "Black Paintings" series grew directly from "Domestic Threats". In the "Black Paintings," the figures (actors) take center stage. All background details, furniture, rugs, etc. have been eliminated and replaced by intense dark black pastel. Each painting takes months to complete as she slowly builds up as many as 30 layers of soft pastel. Her long-standing fascination with traditional masks progressed in the spring of 2017 when she visited the National Museum of Ethnography and Folklore in La Paz, Bolivia where one exhibition included more than fifty festival masks. The resulting series is entitled “Bolivianos”.[12] She has also written an e-book, From Pilot to Painter[13] and writes a regular blog, Barbara Rachko...

My Room is a Drawing on paper realized by an Anonymous artist in the 1948. Watercolour on paper. Hand-signed, illegible, dated. Good conditions. Included a Passepartout: 47 x 59 c...

"Vase of Chrysanthemums" is an original watercolor painting by Alicia Czechowski. It depicts a vase of flowers in front of a mirror. Signed by Czechowski in the lower right corner. ...

Sketch of an Interior is a Pencil Drawing attributed to Gustave Bourgogne and realize in the Mid-20th Century. Good condition on a yellowed paper. No signature.

Urban Landscape is an original artwork, pencil on paper. Is not signed and dated but we can attribute it to the french artist Paul Garin. This beautiful modern artwork representin...

Figures is an original Drawing on paper realized by painter Pierre Georges Jeanniot (1848-1934). Drawing in Pencil. Hand-signed on the lower. Good conditions. Pierre-Georges Jean...

Cleaning Of the House is an original Drawing on paper realized by the painter Pierre Georges Jeanniot (1848-1934). Drawing in pencil and watercolor. Hand-signed on the lower. Good...

Horace Vernet (French, 1789-1863) Lady and Her Maid with a Dress, 1814 Watercolor on paper, 8 1/4 x 6 1/4 inches Framed: 15 x 13 inches (approx.) Signed and dated at lower right: "H...

Horace Vernet (French, 1789-1863) Two Ladies Standing, 1814 Watercolor on paper, 8 x 6 1/4 inches Framed: 15 x 13 inches (approx.) Signed and dated at lower right: "H.Vernet--1814."...

People in a room is an original pencil sketch drawing on paper realized in the 19th Century by Tony Johannot (1803 – 1852). Good condition, minor cosmetic wear.. Hand-signed by the artist on the lower margin. Tony Johannot (1803 – 1852) was a famous French painter, illustrator and engraver. Among his most famous illustrations: those of the Histoire du roi de Bohême et de ses sept châteaux by Ch. Nodier (1830), by Don Quichote...

People in room with dog in the middle is an original pencil sketch drawing on paper realized in ink and pencil in the 19th Century by Tony Johannot (1803 – 1852). Good condition, minor cosmetic wear.. Hand-signed by the artist on the lower margin. Tony Johannot (1803 – 1852) was a famous French painter, illustrator and engraver. Among his most famous illustrations: those of the Histoire du roi de Bohême et de ses sept châteaux by Ch. Nodier (1830), by Don Quichote...

People in the room is an original drawing Sketch in blue ink signed with the stamp "L.A. GROS 1845-1913", realized by Lucien Alphonse Gros. Hand-signed by the artist. Good conditio...

Interior is a drawing in pencil on paper realized by Jeanne Daour. The state of preservation is good except for some foxings and stains. Sheet dimension: 21.5 x 31.5 cm The artwor...

"Girl in a Room" is an original black China ink drawing on paper glued on ivory-colored cardboard, signed and dated by Burt Riley. In excellent conditions: as good as new. Sheet di...

The Bridge is a drawing in pastel on paper, realized by R. Cazanove in the Mid-20th Century. The state of preservation is very good. Light and brilliant scenery of the bridge with ...

Interior is an original drawing in ink and pencil on paper realized by Jeanne Daour. The state of preservation is good except for some foxings and stains. Sheet dimension: 36.5 x 2...

Nude is an original drawing in pencil and watercolor on paper realized by Jeanne Daour. The state of preservation is good except for some foxings and stains. Sheet dimension: 42 x ...

Dancers is an original drawing in pen and pencil on paper realized by Jeanne Daour. The state of preservation is good except for some foldings and two rips on the right margin. Han...

Nude is an original drawing in pencil on paper realized by Jeanne Daour. The state of preservation is good except for some foxings and stains. Sheet dimension: 50 x 32.5cm On both...

Interior of a Chapel is an original contemporary artwork realized by the French artist Pierre Segogne in the second half of the XX Century. Original colored pastel on paper. Hand-signed by the artist on the lower right corner: P.Segogne. Mint conditions. Beautiful work on paper depicting the interior of a gothic chapel...

Women is a series of four original drawings in pen by an anonymous French artist of the XX century. The state of preservation is good and aged, one of them with the signs of time on ...

Lying Woman is a charcoal drawing realized by Adolphe-Félix Cals (1810 - Honfleur 1880) in the late 19th Century. The artwork represents a woman lying on a...

Concertino is a graceful sketch in pencil realized by the French painter, illustrator, designer, and cartoonist Auguste Jean Baptiste Roubille. The monogr...