Jean Dreyfus-Stern Art

Lucien-Victor Guirand de Scevola (1871-1950) A Man writing at his desk, 18th century interior scene Pastel on paper Signed upper right 20.5 x 15.8 cm Framed under glass : 37 x 31.5 cm It is known that Guirand de Scevola was very interested in the Palace of Versailles and its Old Regime atmosphere, that he often painted it and that he participated in the Versailles Revival movement at the beginning of the century. This probably led him to paint scenes in the 18th century style, for which he was particularly well known and which are still sought after. What is striking is the modernity of the execution of our pastel, which obviously contrasts with its subject in the style of the 18th century. Guirand de Scevoal is a great colourist and he proves it here with eclat, by building up his composition with white pastel highlights, contrasting with brown and black. There is something of the northern painters in this treatment of light. All this, as always with him, is very subtle. The light radiating from the window is almost an abstract notation, but it gives meaning to this interior scene. Lucien-Victor Guirand de Scévola ( 1871 – 1950) was a French painter. He was student of Fernand Cormon and Pierre Dupuis...

Stanley Spencer (British, 1891-1959) Study for The Apotheosis of Hilda Pencil 19.3/4 x 30 in. (50 x 76 cm.) Provenance: Christie’s South Kensington, Stanley Spencer studio sale, 1998...

EDUARDO ALVARADO b. Spain, 1972 EDUCATION 1990-95 Licenciado en BB AA La Facultad de BB AA de la UPV, Bilbao La Facultad de BB AA de San Fernando, Madrid SOLO EXHIBITIONS 2018 Casa del Libro, Logroño 2016 Casa de Cultura. Miranda de Ebro 2015 Casa de Cultura. Miranda de Ebro Galería Espiral, Noja 2014 Galerie d´Art Anne Broitman. Biarritz, France 2013 Galería de Arte-Centro Cultural (junto a Vesna Pavlovic). Novi Sad, Serbia Centro Cultural La Vidriera, Maliaño The Gallery of Contemporary Fine Arts (junto a Vesna Pavlovic). Nis, Serbia 2012 Gallery Seasons (junto a Vesna Pavlovic). Sofia, Bulgaria Gallery SKC (junto a Vesna Palovic). Belgrado, Serbia Manos para qué os quiero. Logroño Galería Espiral. Feria Internacional de Arte Contemporáneo, Santander Sala Asociación Artistas de Guipuzcoa (junto a Juan Carlos Cardesín), San Sebastian 2011 Galería Espiral, San Miguel de Meruelo Galería Jovan Popovic (junto a Vesna Pavlovic). Opovo, Serbia Galería Veciti Trkac (junto a Vesna Pavlovic). Nis, Serbia Exit Art Gallery (Fundación Adolfo Dominguez...

A Striking 1940s Cubist, Mid-Century Modern Drawing of a Seated Woman Artist, Sketch Class by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Pastel and charcoal on paper. A...

Figurative abstract cubist style drawing in an antique wood frame, inspired by artwork by Graham Sutherland “Sutherland Project VII” by Hudson Valley artist, David Dew Bruner, made ...

Graphite and grayish ink wash on bluish wove paper, 7 x 10 1/2 inches (177 x 265 mm) (matrix). Scattered surface soiling, adhesive residue, dog-eared corners, and scattered edge tears along left margin, outside of image area. Paper is braced on the verso with two pages from a mid 19th century book with illustrations by C.Perrin. One image depicts a scene of a group of soldiers representing the Holy Roman Empire...

Jean Auguste Dominique INGRES (Montauban 1780 – 1867 Paris) Apelles holding his palette and brushes Stumped pencil and white heightening on light brown laid paper, laid down on thin card 11 3/4 x 7 1/8 in 30 x 18 cm Signed lower left: “à Mr Visconti / Ingres” This drawing relates to Ingres’s painting The Apotheosis of Homer, completed in 1827 for the decoration of the Musée Charles X in the Louvre (Paintings Department, inv. 5417)—a composition which the artist later revisited in a drawing he worked on for over twenty years (the number of assembled historical figures nearly doubled in the meantime, increasing from forty-two to eighty-two), and which he only completed in 1865: Homer Deified (Louvre Museum, Department of Drawings, inv. RF 5273). It specifically depicts the figure of Apelles, placed on the left in both works, holding Raphael’s hand and presenting the epic Greek poet with a palette and brushes. In the Louvre painting...

Charcoal and graphite on grayish laid paper, 10 1/2 x 7 3/4 inches (265 x 195 mm), the full sheet. Scattered light, minor and unobtrusive foxing, several non-archival cellophane tape...

A late-Boroque study of relief-style carvings adorned with scrolling acanthus leaves, mythical figures, and floral swags. Graphite on cream laid paper, 6 x 4 1/2 inches (154 x 115 m...

Figurative abstract cubist style drawing inspired by the Infanta Margarita in an antique gold frame “Infanta IV” by Hudson Valley artist, David Dew Bruner, made in 2015 23 x 18 inch...

Born in Szeged, Hungary, he became one of the better known and successful illustrators of the Golden Age of Illustration, completing over 100 books. Among them are "A Treasury of Verse for Little Children," "The Rubaiyat of Omar Khayyam," and "The Rime of the Ancient Mariner." He is probably best known for pen and ink drawings of mythology subjects geared towards children. He studied at Budapest Technical University and attended art schools in Munich and Paris before moving to London at age 23. In 1907, he began illustrating children's books and did a series of annual gift books...

Mid 19th century pastel drawing view of the Royal Palace, Monte Carlo, Monaco by British artist Hercules Brabazon Brabazon. The work is titl...