Paper Landscape Drawings and Watercolors

Graphite on paper. Framing included

Pencil and acrylic on watercolor paper. Framing is an additional $630.

Pastel on paper Image size: 13 3/4 x 18 3/4 inches (35 x 48 cm) Gilt frame Unsigned The scene depicts three woman working in a field in the afternoon. Pastel had fallen out of fash...

Watercolor on paper Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approach to this ...

Watercolor on paper, Diptych Atmosphere -masses of evaporating water in the air- describes Ekaterina Smirnova's paintings best. Working in watercolour, Smirnova has a unique approac...

Watercolor on paper

Watercolor on paper

Watercolor on paper

Watercolor on paper

Watercolor on paper

A colorful painting depicting the sunset views from Pic Paradis, the highest point on the island of St. Martin. The painting depicts a rainbow-colored sky with earth-tone water flowing in the foreground. Single Sunset Pastel, 2020, 9 x 12” (unframed), Pastel on Bugra Hahnenmühle paper Brechneff was born in the Belgian Congo in 1950, raised in Switzerland and later came to study in the United States. In 1975 he received a Masters of Art degree from London’s College of Art. Known internationally for his exuberantly expressive pastel and oil landscapes as well as his ruddy ink flower...

A series of paintings depicting the sunset views from Pic Paradis, the highest point on the island of St. Martin. The paintings capture nature untamed in purple sea, blue sky, and strands of sun light in between. Single Sunset Pastel, 2020, 9 x 12” (unframed), Pastel on Bugra Hahnenmühle paper Brechneff was born in the Belgian Congo in 1950, raised in Switzerland and later came to study in the United States. In 1975 he received a Masters of Art degree from London’s College of Art. Known internationally for his exuberantly expressive pastel and oil landscapes as well as his ruddy ink flower...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

A Collection of Botanical Watercolours: Drawings of British Plants Emily Stackhouse (1811-1870) perfectly illustrates the Victorian fascination with the countryside in this remark...

Deauville is a French coastal town that has been a popular travel destination since the 1800s. The resort town is home to a grand casino, golf courses, and—as depicted here by Raoul Dufy—horse...

This scene by French artist Maurice Vlaminck features a regular subject of the artist's practice. Rendered in gouache, acrylic, and India ink on paper, Vlaminck shows a solitary snow...

Lake And Monument By Laurence Stephen Lowry Laurence Stephen Lowry (1887–1976) was an English painter known for his distinctive depictions of industrial landscapes and urban scene...

"Courtyard" Figurative Watercolor Painting 10" x 12" inch by Inji Efflatoun Not signed. Stamped by artist's estate. Inji Eflatoun pursued free studies in art. Since 1942, she has p...

Edward Bawden The Cathedral, Frascati, 1952 Signed and dated 'Edward Bawden/1952' (lower right); further signed, titled and dated 'The Cathedral/Frascati/Edward Bawden/1952' (on she...

Golfers, 1928 Fred Conway (American, 1900-1973) Signed and Dated Lower Right 18.5 x 24.5 inches 30.5 x 37 inches with frame A member of the faculty of the Washington University Art ...

Watercolour and graphite on paper Image size: 15 1/4 x 11 1/4 inches (38.75 x 28.5 cm) This wonderful 20th century watercolour painting depicts a small boat yard that is filled with fishing and pleasure vessels. It is possible that this work was created by Dring just after World War Two, when he travelled extensively around Britain and spent some time painting subjects in Portsmouth and the surrounding area. William Dring Dring was born with the forenames Dennis William, but was known colloquially as John. He was the brother of the artist James Dring. He married the painter Grace Elizabeth...

This coastal scene features a woman standing on a hill looking at the ocean and a beached, broken down row boat in the grass in the foreground. Seagulls fly above the scene. By Charl...

This desert landscape features a railroad extending away from the viewer. Brown grass and shrubs cover the landscape. The mountains in the distance glow purple with the sunset. 8.5" ...

"Fishermen in Matanzas" Watercolor Painting 29.5" x 22" inch by Anna Antonova Watercolors on cotton paper ABOUT: Anna is a contemporary figurative pai...

A Beautiful Day, 1978 by Nellie Mae Rowe (American, 1900-1982) Unframed: 9" x 12" Framed: 11.25" x 14.25" Signed and Dated Lower Left Nellie Mae Rowe ...

Wilhelm Heine (Dresden 30 January 1827-Löbnitz 5 October 1885) ‘Funeral of Robert Williams in the cemetery of the Temple Gyokusen-ji at Shimoda in April 1854’ With a sticker on the reverse of the frame by Coupil & Co. 1855 Watercolour on paper, H. 57 x W. 92 cm Depicted is the Bay of Shimoda with seven American ships including the two paddle-wheel warships USS Mississippi and Susquehanna. On the Gyokus- en-ji temple grounds on the right is the coffin in the middle with the remains of US marine Robert Williams, ready to be lowered into the grave. Looking on from the left are the Buddhist monks and Japanese officials who joined the first Christian funeral on Japanese soil. Around the grave are US marines, Commodore Perry...

Village Scene, Crickets in November, New Albany, Ohio, 1919 By Charles E. Burchfield (1893-1967) Signed and Dated Bottom Right Without Frame: 17.5" x 17.5" With Frame: 29" x 29" Bor...

Maurice Utrillo (1883-1955) "L'Eglise" (Petrides No 25.562) Created 1937 Signed and Dated Lower Right Without Frame: 11" x 8.75" With Frame: 21" x 17.5" Provenance: Galerie Gilbert ...

Lightning My Load (2020), surreal abstract dream-like landscape, sky, skyscape, blue and orange "Lightning My Load" by Shamona Stokes portrays a dream...

A beautiful example of work by Gen Paul. 'The Harbour' is vibrant and colourful, sure to bring a splash of colour to any interior setting. The red boat in the foreground is the focal...

Liquid acrylic on archival paper, framed. "Settle In" (2019) by figurative wildlife artist, Gigi Chen. The square artwork measures 8 inches high by 8 ...

Steven L. Anderson 162 Years, 2015 marker and pen on paper 60 x 60 inches The Tree Rings artworks are made on paper which is torn and reassembled, scratched...

Hopeful Spring, 2020, watercolor, oil pastel, green, landscape, fantasy, trees. Hand signed by artist Certificate of Authenticity included Framing available

Gift, 2020, watercolor, oil pastel, pink, orange, ink, fantasy, rabbit. Hand signed by artist Certificate of Authenticity included Framing available

Watercolor on paper, framed. Dark Night, 2020, watercolor, oil pastel, black, frame, landscape, fantasy, blue, creature. Framed and matted, frame size measures 24" x 35.75" x 1.25" ...

Watercolor on paper, framed. Pond Friend, 2020, watercolor, oil pastel, green, frame, landscape, fantasy, blue, creature. Framed and matted, frame size measures 24" x 35.75" x 1.25" ...

Louis Ritman (1889-1963) "Rolling Country" c. 1945 Original Watercolor on Paper Signed Lower Left Provenance: Milch Galleries, NY (original label verso) ...

LUDOMIR SŁUPECZAŃSKI (b. 1934, d. 2012) graduated from the Faculty of Architecture after studies accomplished at the atelier of professor Jan Bogusławski in 1959. Since 1955, he has ...

Dong Kingman "Chinese Theater, Los Angeles" 1965 Watercolor on Paper Sheet Size: 15 x 22 inches Framed Size: approx 19 x 26 inches Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer. Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975. In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor." His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum. Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet. When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success. From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945. In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East. During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn. He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy. In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine. One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists." Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...

Cassilly Adams (American 1843-1921) "Medicine Man" c. 1860s Watercolor on Paper Unsigned Provenance: Questroyal Gallery, NYC Site Size: approx. 14.5 x 8....

Cassilly Adams (1843-1921) "On the Lookout" c. 1860s Watercolor on Paper Signed Site Size: approx 8.5 x 14.5 inches Framed Size: approx. 16 x 22 inches A...

Ink and watercolor on paper 13.5 x 7.5 inches This artwork is offered by ClampArt, located in New York City. Bill Rice was considered by such luminaries as Rene Ricard to be one of the most important painters of urban life from his generation. Rice’s depictions of inner city gay men...

Hughes Claude Pissarro "Katia en Rose, au Jardin de Marras" 1989 Pastel on Paper approx 14 x 18.5 inches approx. 23 x 26.75 inches framed Signed Lower Left

Dong Kingman "New York Harbor" c. 1940s watercolor on paper Signed *This is fully illustrated in the book, "Dong Kingman An American Master" (see attached images). Sheet Size: 22 x 30 inches Framed Size: approx. 33.5 x 40.5 inches This is a wonderful painting by the legendary artist, Dong Kingman (1911-2000). Great period for the artist, with his bold color and whimsical approach. The following obituary is from Dong Kingman Jr., son of the artist: Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer. Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975. In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor." His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum. Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet. When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success. From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945. In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East. During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn. He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy. In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine. One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists." Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...

Ogden Minton Pleissner is known for his landscapes of the American West, as well as images of the Canadian Maritimes and New England. Growing up, Pleissner spent summers in Wyoming w...

Katerina-Papazissi The Fall, 2016 Pasel on paper Her work constructs a universe where the body and nature, as well as inner reality, an inexplicable, overwhelming, material but...

Michael Ricardo Andreev Plasma Flares with Contrails at Dusk 3, 2013 Ink on paper 28 x 50 cm (diptych)

Michael Ricardo Andreev Plasma Flares with Contrails at Dusk 2, 2013 Ink on paper 28 x 50 cm (diptych)

Michael Ricardo Andreev Plasma Flares with Contrails at Dusk 1, 2013 Ink on paper 28 x 50 cm (diptych)

Dimitris Foutris Perhaps in the right track towards the Infinite, 2015 mixed media on paper 69 x 200 cm (diptych)

Panos Familis Black Sky (The Cave Series), 2015 graphite on paper 77 x 112 cm