Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Louis Ritman
Rolling Country

c. 1945

About the Item

Louis Ritman (1889-1963) "Rolling Country" c. 1945 Original Watercolor on Paper Signed Lower Left Provenance: Milch Galleries, NY (original label verso) Exhibited: Milch Galleries, NY, Feb. 1945 Site Size: approx 14 3/8 x 20 3/8 inches Framed Size: aprrox. 22 1/2 x 37 1/2 inches Known primarily for his sunny, Impressionist landscape paintings, often with figures, Louis Ritman earned much of his reputation for the work he produced during the time he was in Giverny, France, home of Claude Monet, a key Impressionist. Born in Kamenets-Podolsky, Russia, he emigrated with his family to Chicago in 1903, and first travelled from his home in Chicago to Paris in 1910 when he could afford the art training there that so many American artists felt was crucial to professional achievement. He enrolled at the Ecole des Beaux Arts and the Academie Julian, but the turning point in his career was meeting Impressionist Frederick Frieseke at a cafe in Paris. Frieseke invited him to Giverny, where he first went in 1911, and from that time his style changed from Academic to Impressionist. The small town with beautiful gardens and landscape vistas and quaint rural scenes was full of American artists including Frieseke and Richard Miller, with whom he painted. The atmosphere was one of encouraging artists to experiment with various styles of painting, and Ritman returned each year until 1929. His style is both Impressionist and "Intimist," genteel and reserved in tone, with single figures, especially attractive young women, in confined landscapes and interiors. He painted "en plein aire" but often within his own walled garden.
  • Creator:
    Louis Ritman (1889 - 1963, American)
  • Creation Year:
    c. 1945
  • Dimensions:
    Height: 14.38 in (36.53 cm)Width: 20.38 in (51.77 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Missouri, MO
  • Reference Number:
    1stDibs: LU74735074101

More From This Seller

View All
Les Usines En Banlieue
By Maurice Utrillo
Located in Missouri, MO
"Les Usines En Banlieue" 1926 Gouache 31 x 40cm/approx. 12.5 x 16.75 inches Signed and Dated Lower Right Catalogue Raisonne: Petredies, Plate AG166, Page 190-191
Category

1920s Impressionist Landscape Drawings and Watercolors

Materials

Gouache

Katia en Rose, au Jardin de Marras
By Hughes Claude Pissarro
Located in Missouri, MO
Hughes Claude Pissarro "Katia en Rose, au Jardin de Marras" 1989 Pastel on Paper approx 14 x 18.5 inches approx. 23 x 26.75 inches framed Signed Lower Left
Category

1980s Impressionist Landscape Drawings and Watercolors

Materials

Rag Paper, Pastel

L'Eglise
By Maurice Utrillo
Located in Missouri, MO
Maurice Utrillo (1883-1955) "L'Eglise" (Petrides No 25.562) Created 1937 Signed and Dated Lower Right Without Frame: 11" x 8.75" With Frame: 21" x 17.5" Provenance: Galerie Gilbert ...
Category

Late 19th Century French School Landscape Drawings and Watercolors

Materials

Watercolor, Paper, Gouache

Village Scene, Crickets in November, New Albany, Ohio
By Charles E. Burchfield
Located in Missouri, MO
Village Scene, Crickets in November, New Albany, Ohio, 1919 By Charles E. Burchfield (1893-1967) Signed and Dated Bottom Right Without Frame: 17.5" x 17.5" With Frame: 29" x 29" Bor...
Category

Early 20th Century Modern Landscape Drawings and Watercolors

Materials

Watercolor, Paper, Gouache

Golfers
By Frederick Conway
Located in Missouri, MO
Golfers, 1928 Fred Conway (American, 1900-1973) Signed and Dated Lower Right 18.5 x 24.5 inches 30.5 x 37 inches with frame A member of the faculty of the Washington University Art ...
Category

1920s American Modern Figurative Drawings and Watercolors

Materials

Paper, Watercolor

New York Harbor
By Dong Kingman
Located in Missouri, MO
Dong Kingman "New York Harbor" c. 1940s watercolor on paper Signed *This is fully illustrated in the book, "Dong Kingman An American Master" (see attached images). Sheet Size: 22 x 30 inches Framed Size: approx. 33.5 x 40.5 inches This is a wonderful painting by the legendary artist, Dong Kingman (1911-2000). Great period for the artist, with his bold color and whimsical approach. The following obituary is from Dong Kingman Jr., son of the artist: Dong Kingman, the world-renowned artist and teacher, died in his sleep on May 12, 2000 at age 89 in his home in Manhattan. The cause was pancreatic cancer. Long acknowledged as an American watercolor master, he has received an extraordinary number of awards and honors throughout his 70-year career in the arts. Included are two Guggenheim fellowships in 1942 and 1943; the San Francisco Art Association First Purchase Prize, 1936; Audubon Artist Medal of Honor, 1946; Philadelphia Watercolor Club Joseph Pennel Memorial Medal, 1950; Metropolitan Museum of Art Award, and the National Academy Design 150th Anniversary Gold Medal Award, 1975. In 1987, the American Watercolor Society awarded Dong Kingman its highest honor, the Dolphin Medal, "for having made outstanding contributions to art especially to that of watercolor." His work is represented in the permanent collections of 50 museums and universities, including the Boston Museum of Fine Arts, M.H. deYoung Memorial Museum of Art, the Metropolitan Museum of Art, the Whitney Museum, Museum of Modern Art, Art Institute of Chicago, Pennsylvania Academy of Fine Arts, Sheldon Memorial Art Gallery and Sculpture Garden, Des Moines Art Center, Columbus Museum of Arts and Crafts, Brooklyn Museum and Hirshhorn Museum. Born in Oakland, California in 1911 of Chinese descent, Kingman moved to Hong Kong at age five. He studied art and calligraphy in his formative years at the Lingnan School. The painting master Szeto Wai had recently studied art in Paris and took a keen interest in young Dongs precocious talents. He taught him both Chinese classical and French Impressionist styles of painting. Kingman returned home to Oakland when he was 18 at the height of the Depression. He worked as a newsboy and dishwasher to make ends meet. When he was employed as a houseboy for the Drew family in San Francisco, he painted every spare moment. In a year, he created enough pictures to have a one-man show at the Art Center. It attracted the attention of San Francisco art critics who raved about Kingmans unique style. Wrote Junius Cravens of the San Francisco News: "That young Chinese artist is showing 20 of the freshest and most satisfying watercolors that have been seen hereabouts in many a day Kingman already has developed that universal quality which may place a sincere artist work above the limitations of either racial characteristics or schools. Kingmans art belongs to the world at large today." Dong Kingman became an overnight success. From 1936 to 1941, he was a project artist for WPA and became a pioneer for a new school of painting, the "California Style." His two Guggenheim fellowships enabled him to travel the country painting American scenes. His first one-man show in New York at Midtown Galleries in 1942 was well received in the media, including Time, Newsweek, the New Yorker and American Artist. M.H. de Young Memorial Museum in San Francisco held a major exhibit of his watercolors in 1945. In 1951, Midtown presented a 10-year retrospective of his work. Time Magazine wrote, "At age 40, Kingman is one of the worlds best watercolorists." Other retrospectives, including Corcoran in Washington,D.C. an d Witte Memorial Museum in San Antonio, were held for the artist. Kingman moved to Wildenstein (1958-1969) where he had successful exhibits in New York, London and Paris. Hammer Galleries exhibited his paintings in the 70s, and then the artist expanded his venues to the West Coast and Far East. During World War II, he served with the OSS in Washington, D.C. where he was a cartographer. After his honorable discharge, Kingman moved to Brooklyn Heights from San Francisco when he became a guest lecturer and then art instructor at Columbia University (1946-1958). Hunter College also appointed him instructor in watercolors and Chinese Art (1948-1953). His teaching career continued with the Famous Artists School, Westport, CT in 1953, joining such distinguished artists on the faculty as Will Barnet, Stuart Davis, Norman Rockwell and Ben Shahn. He also became a teaching member for 40 years for the Hewitt Painting Workshops, which conducts worldwide painting tours. He taught at the Academy of Art College in San Francisco, was a member of its board, and received an honorary doctorate from the Academy. In 1954, the U.S. Department of State invited Kingman to go on a cultural exchange program tour around the world to give exhibitions and lectures and to meet local artists. When he came home, he presented the State Department with a 40-foot long report on a scroll, which later appeared in LIFE Magazine. One of Kingman's most treasured experiences was his invitation by the Ministry of Culture of the Peoples Republic of China to exhibit in that country in 1981. He was the first American artist to be accorded a one-man show since diplomatic relations resumed. More than 100,000 visitors attended his exhibitions in Beijing, Hangzhou and Guangzhou and the retrospective received critical acclaim from the Chinese press. Noted the China Daily Mail, "Just as the master painters of the Song Dynasty roamed about mountain and stream to capture the rhythm of nature, Dong Kingman traveled the world capturing the dynamism of modern lifefamiliar scenes have been transformed into a vibrant new vision of life through color schemes with rhythms that play over the entire surface of the picture. The wind swept skies which enliven his watercolors remind us of the pleinairism of the French Impressionists." Kingman, who has been fascinated with movies since seeing his first film "The Thief of Baghdad...
Category

1940s American Modern Landscape Drawings and Watercolors

Materials

Watercolor, Paper

You May Also Like

“The Mountains of St. Maurice”
By Dodge Macknight
Located in Southampton, NY
Original watercolor on archival paper of the mountains of Saint Maurice in Switzerland by the well known American artist, Dodge MacKnight. Signed lower left and titled and dated 189...
Category

1890s American Impressionist Landscape Drawings and Watercolors

Materials

Watercolor, Archival Paper

Mount Monadnock
By Frank Weston Benson
Located in Milford, NH
An exceptional watercolor of Mount Monadnock snow capped in winter in New Hampshire by American artist Frank Weston Benson (1862-1951). Benson was born in Salem, Massachusetts and went on to study in Boston at the Museum School of Fine Arts and later with Julian Lefebvre and Gustave Boulanger at the Academie Julian in Paris. Benson was well known for his impressionist landscapes and seascapes, and etchings of hunting scenes. Watercolor on paper, signed lower left F.W. Benson with inscription “To Mrs Bush,” titled on Vose Galleries...
Category

Early 20th Century American Impressionist Landscape Drawings and Waterco...

Materials

Paper, Watercolor

Malcolm Edwards. Welsh Sheepdog, Shepherd And Herding Sheep. Mountain Landscape.
Located in Sutton Poyntz, Dorset
Malcolm Edwards. Welsh ( b.1934 ). Welsh Sheepdog, Shepherd & Sheep. Watercolor. Signed Lower Right. Image size 8.9 inches x 19.7 inches ( 22.5cm x 50cm ). Frame size 16.7 inches x ...
Category

Late 20th Century American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

'Moss Beach, Monterey, California', Pacific Coastal Landscape, ASL NYC, Benezit
By Elmer Wachtel
Located in Santa Cruz, CA
An early-20th-century, landscape showing a view of the coastline at Moss Beach in Monterey County with slate-blue skies overhead and a view towards a stand ...
Category

Early 1900s American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

'Torrey Pines Beach, San Diego', Carmel Art Association, Monterey Museum of Art
By Edwin Adamson
Located in Santa Cruz, CA
A view of the famous San Diego state park beach, shown at sunset with figures walking on the shore. Signed lower right, 'Edwin Adamson', titled verso, 'Torrey Pines Beach' and painted circa 1965. An alumnus of Hamlin University and the University of Minnesota, Adamson maintained his interest as an amateur watercolorist while pursuing a military career. Retiring with honors in 1978, he expanded his interest in painting and was elected a member of the Carmel Art...
Category

1960s American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor

'Taos', American Watercolor Society, Chouinard, New York, Art Student's League
Located in Santa Cruz, CA
Signed lower right, 'James Vance, AWS', (American, 1919-2007), titled 'Taos' and painted circa 1950. James Vance grew up in Los Angeles and first applied ...
Category

1950s American Impressionist Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Recently Viewed

View All