Watercolor Landscape Drawings and Watercolors

A wonderful mid-century watercolour depicting the magnificent bell & clock tower of Saint Martin's with the exterior of Saint-Martin's church visible in the distance. Well presented ...

Sanjay Bhattacharya - Untitled - 15 x 22 inches (unframed size) Watercolour on Paper ( FRAMED ALL IN DOOR DELIVERED ) Style : Sanjay's first ...

To find our other views of Oxford and Cambridge scroll down to and click on 'view more from this seller'. Sir Hugh Casson CH, KCVO, PRA, RDI (1910-1999) St John’s College, Oxford, C...

An impressive watercolour study by listed British artist James Vivien de Fleury (1847-1902). The scene shows a group of labourers returning from a days work on the fields. Precise an...

Vibrant watercolor painting of a house at the end of a hill by Doris Ann Warner (American, 1925-2010). Doris Ann Warner began as an Abstract Expressionist painter, but was primarily ...

Watercolor on heavy paper realized by Carlo Ravagnan in 1991. Hand signed and dated lower right. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911, died i...

Vibrant watercolor still life of primroses and fruit by Les (Leslie Luverne) Anderson (American, 1928-2009). Signed "Les Anderson" bottom left. Unframed. Image size: 15"H x 23"W Le...

My work is about something I wish I could have seen, imaginary worlds, a commentary on awe that is inspired by nature, science, and history. Objects in my work are a stand in for the...

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...

Two Men on a Street Early 20th Century w/c Fauvism Social Realism American Scene Note: We have three similar in style works from 1911 available now on 1stDibs. All are framed identi...

[CHINESE SCHOOL]. Two Watercolour Scenes. Possibly Canton ca.1820]. Very impressive large scale watercolours of Chinese scenes, presumably executed for the Western market by an an...

Michaela Jean is an accomplished painter, devoted gardener, and mother from Southern California (USA). Her lifelong passion for art and nature began in childhood, inspired by her gra...

Bright watercolor landscape of a sailboat drifting in a small cove ringed by red rock mountains by artist M. Balestié, circa 1930. Titled lower left and signed lower right. Original...

Dorothy Rivo Untitled (Bridge Tower), c. 1960s–70s Acrylic on paper, floated in a mat Framed dimensions: 30 in. H × 24 in. W Contemporary walnut or black wood frame with white archiv...

To see our other Architectural Drawings, scroll down to "More from this Seller" and below it click on "See all from this Seller." V A Hards (British, c. 1930-c. 2012) Design for Game Keeper...

Watercolor on heavy paper realized by Carlo Ravagnan in 1970s. Hand signed lower right. Titled on rear. Excellent condition. Carlo Ravagnan was born in Udine on September 4, 1911,...

Title: Coastal Harbour View with Boat Sheds and Marina British Watercolour Landscape By Tony Herbert (1927-2024) Medium: Watercolor on artists paper Size: 11 x 14.75 inches Condition...

A finely detailed landscape view by the listed artist John Hamilton Glass SSA (fl.1890-1925), depicting an idyllic river landscape. The artist has captured the tranquil beauty of thi...

Title: Southwold Harbour Fishing Boats and Jetty Coastal Watercolour Scene 1995 By Tony Herbert (1927-2024) Inscribed: “Southwold Sept 95” Medium: Watercolor on artists paper Size: 1...

'Row of Plane Trees In Winter - Maussane-les-Alpilles', Provence, watercolour and pencil on art paper, by Yves Brayer (1946). A line of Plane trees greets visitors to almost every vi...

Represented by George Billis Gallery, NYC & LA --RUSS HAVARD Artist Statement I'm drawn towards nature imagery that depicts isolated elements in their continual struggle to flourish ...

This illustrative watercolour has been painted in the delicate style of renowned genre artist, Myles Birket Foster (1825-1899). The scene carefully depicts a mother teasing a mischie...

Framed 13.25 x 14.13 in Signed to margin

A simplistic watercolour scene with pencil detail attributed to Henry Birtles RA (1838-1907), depicting a small group of cattle drinking from a river, in a vast open landscape. A parent and child...

Ghost Ranch Encantado 22 x 22" image size watercolor, unframed. Shrink-wrapped on poster board. I document the essence of the landscape everyday. I am interested in those untouched...

A delightful watercolour scene depicting cattle grazing before a winding river. Signed to the lower right. Well presented in a slim gilt frame On paper.

A charming watercolour landscape by artist F. Vincent, depicting a church by the riverside. Signed and dated to the lower right. Presented in a elaborate shabby chic cream frame, with decorative...

I've included a photo here of the blue sticker a movie studio put on the back of this beautiful old German pastel when they rented it from my Magazine Street gallery for the shoot of...

We acquired a series of designs for stained glass windows from the TW Camm studios that had not been seen for decades. To see more of them scroll down to "More from this Seller" and below it click on "See all from this seller". Further designs will be listed in due course, please send us a message if you would like to see them. Florence Camm (1874-1960) Sir Lancelot...

Anonymous King's College Cambridge with the River Cam and Bridge to foreground 51x63.5cm Watercolour c. 1920s A fine, and large, view of King's College. The...

A wonderful 19th century watercolour study depicting a rural landscape with two figures. A small village is visible in the distance and a lake beyond. With delicate graphite detail. ...

Title: Woodbridge Tide Mill with Thames Sailing Barge Suffolk River Scene By Tony Herbert (1927-2024) Signed: Botton right Medium: Watercolor on artists paper Size: 11.25 x 15.25 inc...

The watercolor landscape painting "Two in the Mountains" is created in the most modern watercolor technique on "liquid paper" (on a special primer applied to a regular canvas). It wa...

This artwork titled "St Emilion" c.1970, is a watercolor by American artist Wayne Ensrud, b.1934. It is signed at the lower right side by the artist. The artwork size is 19 x 24 inches, framed size is 22.75 x 27.5 inches. Custom framed in a wooden ornate gold frame. It is in excellent condition. About the artist:. Wayne Ensrud was born in Minnesota where he received his BFA from the Minneapolis Institute of Art. As a student he met Oskar Kokoschka, the artist-in-residence at the Institute, who profoundly influenced Ensrud's work and has remained his friend and mentor ever since. When Pablo Casals conducted his Master Class Series at Berkeley. Wayne Ensrud had the honor ot being invited to execute drawings of the great cellist during those sessions. and this year when the New York Chamber Society celebrated its 10th anniversary.Ensrud was asked to sit in on rehearsals and sketch the world famous violinists ltzhak Perlman and Pinchas Zukerman. Actress Jayne Mansfield, novelist Alex Waugh, wine connoisseur Alexis Lichine are among others who have been portrayed by Ensrud. Mr. Ensrud has been a free-lance art director and animator for ABC, CBS, and IRM IBM contracted him to he the series, "Computer and the Mind of Man", which has been translated into 18 languages and won several international awards. For ABC he created the film animations for the Gemini Space Programs. He taught film animation at Pratt Institute for tour years. Ensrud was Art Director at the University of California at Berkeley for the Department of Motion Pictures and Television and he was Executive Art Director of Channel 13-TV, New York City. Mr. Ensrud has art directed over 30 films and lust completed a film for television starring Richard Basehart. He has illustrated the writings of Odgen Nash, John O'Hara, and John Fowles...

A charming watercolour study of a village street in autumn. Well presented in an elegant gilt effect frame with acanthus ornamentation at the corners. Signed to the lower right. Date...

A bright watercolour painting with graphite details, depicting a village scene in Tuscany, Italy. Signed and dated to the lower right-hand corner, however, artist's last name is ille...

To see our other Modern British Art, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the artist you want. We also have several more ship drawings...

Title: French Impressionist Watercolor of a Coastal Landscape with Cliffs By Maurice Mazeilie (French 1924-2021) Medium: Watercolor on paper, unframed Size: 4.75 x 6.5 inches (Height...

A charming watercolour painting by Frederick Tucker (1860-1935), depicting a large bail of straw scattered between two thatched cottages, with sleeping pig nestled within. Monogramme...

Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...

An expressionistic view of St Vincent under the snow. Captured in a fun palette of pastel colours. The contemporary frame compliments the painting very well with a fine grey and whit...

Eizo Kato: 1906-1972. Well listed Japanese artist with auction records for watercolors over $8500. This is a magnificent tropical scene, probably in Japan or another pacific island. ...

"Patch of Light" is a watercolor by award-winning L.A. artist and architect Thomas W. Schaller. The painting depicts the weathered facade of a historic building in Havana, Cuba draped with sporadic cast-shadows and a tangle of powerlines stretched across the foreground. Look closely to see the dog peering from the doorway. This watercolor painting of architecture is primarily painted in tan, brown, purple, and navy colors. For more works by Thomas Schaller...

A delightful watercolour scene by Charles Parsons Knight (1829-1897), depicting a European farmer herding a small group of cattle down a scenic lakeside path. The watercolour has been monogrammed by the artist to the lower right. Well-presented in a rustic gilt...

Contemporary organic abstract watercolor painting by Texas-based artist Tina Ruyi. The work features red, blue, and yellow cylindrical shapes in a wavy pattern reminiscent of a rolli...

We acquired a series of designs for stained glass windows from the TW Camm studios. To see more of them scroll down to "More from this Seller" and below it click on "See all from thi...

A wonderful architectural study by British artist Benjamin J. M. Donne (1831-1928), depicting the magnificent theatre of Marcellus with peasant gathere...

Clara Deike (American, 1881-1965) Capri, 1927 Watercolor on paper Signed and dated lower right 11 x 10 inches 14.25 x 13.25 inches, framed A graduate of the Cleveland School of Art ...

Christina Haglid Monolith No. 5 watercolor and gouache on paper 8h x 9w in 20.32h x 22.86w cm CMH071 Artist's Statement Tiny Sanctuaries There has always been an intersection betwee...

Watercolor on heavy paper realized by Carlo Ravagnan in 1985. Hand signed lower right. Date and titled on rear. Excellent condition.

Watercolor on heavy paper realized by Carlo Ravagnan in 1975. Hand signed lower right. Dated on rear. Excellent condition.

Watercolor on heavy paper realized by Carlo Ravagnan in 1978. Hand signed lower right. Dated on rear. Excellent condition.

A fine early 20th century watercolour depicting inquisitive cattle grazing by the river. The pastoral landscape looks luscious and green, situated behind a long manor farm...

Max Kuehne (1880 - 1968) Train Station, circa 1910 Watercolor on paper 8 1/4 x 10 1/4 inches Signed lower right Provenance: Private Collection, Illinois Max Kuehne was born in Halle, Germany on November 7, 1880. During his adolescence the family immigrated to America and settled in Flushing, New York. As a young man, Max was active in rowing events, bicycle racing, swimming and sailing. After experimenting with various occupations, Kuehne decided to study art, which led him to William Merritt Chase's famous school in New York; he was trained by Chase himself, then by Kenneth Hayes Miller. Chase was at the peak of his career, and his portraits were especially in demand. Kuehne would have profited from Chase's invaluable lessons in technique, as well as his inspirational personality. Miller, only four years older than Kuehne, was another of the many artists to benefit from Chase's teachings. Even though Miller still would have been under the spell of Chase upon Kuehne's arrival, he was already experimenting with an aestheticism that went beyond Chase's realism and virtuosity of the brush. Later Miller developed a style dependent upon volumetric figures that recall Italian Renaissance prototypes. Kuehne moved from Miller to Robert Henri in 1909. Rockwell Kent, who also studied under Chase, Miller, and Henri, expressed what he felt were their respective contributions: "As Chase had taught us to use our eyes, and Henri to enlist our hearts, Miller called on us to use our heads." (Rockwell Kent, It's Me O Lord: The Autobiography of Rockwell Kent. New York: Dodd, Mead and Co., 1955, p. 83). Henri prompted Kuehne to search out the unvarnished realities of urban living; a notable portion of Henri's stylistic formula was incorporated into his work. Having received such a thorough foundation in art, Kuehne spent a year in Europe's major art museums to study techniques of the old masters. His son Richard named Ernest Lawson as one of Max Kuehne's European traveling companions. In 1911 Kuehne moved to New York where he maintained a studio and painted everyday scenes around him, using the rather Manet-like, dark palette of Henri. A trip to Gloucester during the following summer engendered a brighter palette. In the words of Gallatin (1924, p. 60), during that summer Kuehne "executed some of his most successful pictures, paintings full of sunlight . . . revealing the fact that he was becoming a colorist of considerable distinction." Kuehne was away in England the year of the Armory Show (1913), where he worked on powerful, painterly seascapes on the rocky shores of Cornwall. Possibly inspired by Henri - who had discovered Madrid in 1900 then took classes there in 1906, 1908 and 1912 - Kuehne visited Spain in 1914; in all, he would spend three years there, maintaining a studio in Granada. He developed his own impressionism and a greater simplicity while in Spain, under the influence of the brilliant Mediterranean light. George Bellows convinced Kuehne to spend the summer of 1919 in Rockport, Maine (near Camden). The influence of Bellows was more than casual; he would have intensified Kuehne's commitment to paint life "in the raw" around him. After another brief trip to Spain in 1920, Kuehne went to the other Rockport (Cape Ann, Massachusetts) where he was accepted as a member of the vigorous art colony, spearheaded by Aldro T. Hibbard. Rockport's picturesque ambiance fulfilled the needs of an artist-sailor: as a writer in the Gloucester Daily Times explained, "Max Kuehne came to Rockport to paint, but he stayed to sail." The 1920s was a boom decade for Cape Ann, as it was for the rest of the nation. Kuehne's studio in Rockport was formerly occupied by Jonas Lie. Kuehne spent the summer of 1923 in Paris, where in July, André Breton started a brawl as the curtain went up on a play by his rival Tristan Tzara; the event signified the demise of the Dada movement. Kuehne could not relate to this avant-garde art but was apparently influenced by more traditional painters — the Fauves, Nabis, and painters such as Bonnard. Gallatin perceived a looser handling and more brilliant color in the pictures Kuehne brought back to the States in the fall. In 1926, Kuehne won the First Honorable Mention at the Carnegie Institute, and he re-exhibited there, for example, in 1937 (Before the Wind). Besides painting, Kuehne did sculpture, decorative screens, and furniture work with carved and gilded molding. In addition, he designed and carved his own frames, and John Taylor Adams encouraged Kuehne to execute etchings. Through his talents in all these media he was able to survive the Depression, and during the 1940s and 1950s these activities almost eclipsed his easel painting. In later years, Kuehne's landscapes and still-lifes show the influence of Cézanne and Bonnard, and his style changed radically. Max Kuehne died in 1968. He exhibited his work at the National Academy of Design, the Art Institute of Chicago, the Carnegie Institute in Pittsburgh, the Memorial Art Gallery of the University of Rochester, and in various New York City galleries. Kuehne's works are in the following public collections: the Detroit Institute of Arts (Marine Headland), the Whitney Museum (Diamond Hill...

A fine and delicate watercolour painting by John Wilson Hepple (1886-1939), depicting a rocky river scene with mountains in the distance. Signed and date...

Title: 1977 Watercolour of St. Teath Village Street, North Cornwall with Esso Sign By Tony Herbert (1927-2024) Medium: Watercolor on artists paper, on board Size: 9.75 x 13.75 inches...

A wonderful landscape study by the artist Albert Stevens, depicting a panoramic view of rolling hills and a distant coastline. Well presented in a double card mount and frame. Signed...

A modern British landscape depicting snow coveredfields on a clear winter's day. Presented in a complimenting contemporary frame with a crisp white mount. Signed with initials and da...

A dramatic mountain view near the settlement of Garynahine on the Isle of Lewis, Scotland. Unsigned. Presented in a washline mount with a gold window and...

A view of a silver birch in an autumnal landscape. Presented glazed in a white and gold double mount and a distressed gilt-effect wooden frame. Signed to the lower-left corner. On wa...