Skip to main content

1940s Landscape Drawings and Watercolors

to
23
122
82
28
6
4
Overall Width
to
Overall Height
to
76
962
5,501
1,851
93
88
156
250
384
369
302
242
233
58
75
64
9
8
7
3
1
1
1
190
52
96
45
37
36
27
27
24
23
22
19
19
17
17
15
13
13
12
11
10
10
186
177
90
44
32
22
13
5
5
3
79
58
156
77
Period: 1940s
The Family - Original Drawing by George-Henri Tribout - 1940
Located in Roma, IT
The Family is an original artwork realized by Georges Henri Tribout in about 1940. Ink, pencil drawing and watercolor; hand signed on the left ma...
Category

Modern 1940s Landscape Drawings and Watercolors

Materials

Paper, Ink, Pencil

'Napoleonic Guard at the Cathedral of Uspensky Sobor', Moscow, French Militaria
Located in Santa Cruz, CA
Initialed lower left, 'C.H.' for Charles Constantine Hoffbauer (French, 1875-1957) and painted circa 1900. Accompanied by the original artist-signed mat, original backing with inscription and newspaper clipping from Los Angeles Times' review of Hoffbauer's 1949 Legion of Honor Exhibition. Mat dimensions: 12.75 x 13.5 Inches An exceptionally fine and detailed, cabinet-sized gouache showing members of the Napoleonic guard relaxing in the courtyard of the Cathedral of Uspensky Sobor during France's brief occupation of Moscow during the fall of 1812. Born in Paris in 1875, Charles Hoffbauer studied at the Ecole des Beaux-Arts under Fernand Cormon and Gustave Moreau and, during his studies, became acquainted with Matisse, Rouault, and Marquet. He was the recipient of numerous prizes, medals and juried awards including an Honorable Mention in the Salon of 1896, and prizes at the Salons of 1898 and 1899. He was awarded a bronze medal at the Paris Universal Exposition of 1900 and, in the same year, a French government scholarship, the Prix National du Salon, that allowed him to travel and study in Italy, Greece and Egypt. In 1902, he won the Prix Rosa Bonheur. At the Salon of 1904, the French government purchased 'Champs de Bataille' for the Musée du Luxembourg and Hoffbauer was elected a member of the Legion of Honor. Hoffbauer served in the French Army as an official war artist during the first world war, winning the Croix de Guerre and acting as liaison officer to the American camouflage section. On the recommendation of the mural painter, James Wall Finn, Hoffbauer received the 1935 commission to paint the murals for Battle Abbey, the Confederate memorial in Richmond, Virginia. He revisited America to accept a commission for the mural in the Missouri State Capitol, and was appointed to membership of the jury of the 1937 International Exposition. Two years later, he became an American citizen and settled in Rockport, Massachusetts. Charles Hoffbauer's work may be found in the permanent collections of numerous national museums including the Museum of Modern Art in Paris. Reference: Who Was Who in American Art 1564-1975: 400 Years of Artists in America, Peter Hastings Falk, Sound View Press 1999, Vol. 2, p. 1585; Thieme-Becker Allgemeines Lexikon der Bildenden Künstler von der Antike bis zu Gengenwart, Ulrich Thieme and Felix Becker, Deutscher Taschenbuch Verlag 1992, Vol. 17/18, p. 246; E. Benezit, Dictionnaire des Peintres, Sculpteurs, Dessinateurs, et Graveurs, Jacques Busse, 1999 Nouvelle Édition, Gründ 1911, Vol. 7, p. 105; Biographical Encyclopedia of American Painters, Sculptors & Engravers of the U.S.: Colonial to 2002, Bob Creps, Dealer’s Choice Books, Inc. 2002, Vol. 1, p. 643; Steen, James T. "The Story of a Painting," Carnegie Magazine 31/32 (February 1957): 57-59; Charles Hoffbauer (1875-1957). Drawings, Temperas & Oil Paintings. Exh. cat. Somerville, MA: Gropper Art Gallery, 1977; Glueck, Grace. New York: The Painted City. Salt Lake City: Peregrine Smith Books...
Category

Realist 1940s Landscape Drawings and Watercolors

Materials

Paper, Gouache

"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism
Located in New York, NY
"Good Health Week" WPA American Scene Mid 20th Century Modern Social Realism Jo Cain (1904 – 2003) Good Health Week 10 ½ x 15 1/2 inches Oil on pape...
Category

American Realist 1940s Landscape Drawings and Watercolors

Materials

Paper, Oil

1940s WPA Era American Modern Colorado Mountain Landscape Watercolor Painting
Located in Denver, CO
This original watercolor painting by American artist Edgar Britton captures the serene beauty of a Colorado mountain landscape. Created in 1946, this piece showcases soft, airy tones...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Watercolor

The Port Of Terragon. Watercolor. Circa 1940-1950.
Located in Firenze, IT
The port of Terragon. Watercolor on paper. Circa 1940-1950. Painted on rough watercolor paper, Canson & Montgolfier, old French paper manufacturer. The chromatic range is played in ...
Category

Neo-Constructivist 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Watercolor Painting American Modern Painting Bridge Harbor Female Artist 1950
Located in Buffalo, NY
Dorothy Rivo Untitled (Bridge Tower), c. 1960s–70s Acrylic on paper, floated in a mat Framed dimensions: 30 in. H × 24 in. W Contemporary walnut or black wood frame with white archiv...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Archival Ink, Watercolor, Archival Paper, Acrylic

Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern
Located in New York, NY
Reginald Marsh "Brooklyn Bridge" NYC Modernism WPA Mid-Century Watercolor Modern Reginald Marsh (American, 1898-1954) Brooklyn Bridge, 1940, Signed and dated Reginald Marsh May 1940 (lr), Watercolor over traces of pencil on paper , 15 x 22 inches sight. Reginald Marsh was born in Paris, France in 1898, the child of artist parents. He was born over a small cafe on Paris' Left Bank. He was brought to the United States in 1900 and was drawing before he was three. He studied art at Yale University and the Art Students League, during which time he worked primarily as an illustrator for New York newspapers and magazines. After studying in Paris in 1925 and 1926, he turned seriously to painting. In 1929 he was introduced to the egg-tempera medium, which he used extensively the rest of his life. Marsh's gusto for painting the bottom crust of society contrasted curiously with his background. His parents, both well-known artists, were steeped in academic traditions. He attended Lawrenceville Academy and Yale; perhaps this elite background made it possible to paint the earthy people he did with a journalist's objectivity. An admirer of Rubens and Delacroix, he disliked modernist art; indeed, his lifelong preoccupation was with people - enjoying themselves at beaches, at amusement parks, or on crowded city streets. Marsh was a second-generation Ash Can School painter and printmaker, best known as an urban regionalist. He spent his days sketching in small notebooks...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Row of Plane Trees In Winter - Maussane-les-Alpilles
Located in London, GB
'Row of Plane Trees In Winter - Maussane-les-Alpilles', Provence, watercolour and pencil on art paper, by Yves Brayer (1946). A line of Plane trees greets visitors to almost every vi...
Category

Expressionist 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Pencil

'St Mark's Square, Venice', Paris, Post-Impressionist, Charlottenborg Palace
Located in Santa Cruz, CA
Signed lower right, 'V. Isbrand' for Victor Isbrand (Danish, 1897-1989) and titled, 'Venedig' (Venice). Precocious as a child, Victor Isbrand painted professionally from a young age...
Category

Post-Impressionist 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Cardboard

"New York City Skyline View from the East River, " Lionel Reiss, Jewish Artist
By Lionel Reiss
Located in New York, NY
Lionel S. Reiss (1894 - 1988) New York City Skyline View from the East River Watercolor on paper 13 x 19 inches Signed lower left In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.” Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo. After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.” In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality. A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

untitled (Maine Landscape near Mt. Desert Island)
Located in Fairlawn, OH
untitled (Maine Landscape near Mt. Desert Island) Watercolor on paper, c. 1945-1955 Signed by the artist lower left (see photo) Provenance: Estate of the artist Condition: Excellent ...
Category

American Impressionist 1940s Landscape Drawings and Watercolors

Materials

Watercolor

Canal, Impressionist Watercolor by Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Canal (P2.51), Year: 1947, Medium: Watercolor on Paper, Size: 13 x 12 in. (33.02 x 30.48 cm), Description: Viewed through the shimmer...
Category

Impressionist 1940s Landscape Drawings and Watercolors

Materials

Watercolor

Flushing Armory, Impressionist Watercolor by Eve Nethercott
Located in Long Island City, NY
Eve Nethercott, American (1925 - 2015) - Flushing Armory (P6.6), Year: 1949, Medium: Watercolor on Paper, Size: 15 x 19.5 in. (38.1 x 49.53 cm), Description: Looking up throu...
Category

Impressionist 1940s Landscape Drawings and Watercolors

Materials

Watercolor

Vaulted Bridge, French Landscape Oil on Masonite Painting by Vincent Mazzocchini
Located in Atlanta, GA
Vincent Mazzocchini, French Landscape with Medieval Bridge – Oil on Wood This captivating original oil painting created by French artist Vincent Mazzocchini (20th Century) is a rare...
Category

Expressionist 1940s Landscape Drawings and Watercolors

Materials

Oil, Paint

Watercolor Painting American Modern Painting Gloucester Harbor Female Artist
Located in Buffalo, NY
Dorothy Rivo Gloucester Harbor, c. 1950s Watercolor and ink on paper Framed dimensions: 34 in. H × 30 in. W Contemporary black frame with white archival mat In Gloucester Harbor, Dorothy Rivo captures the gritty beauty of a working port with expressive brushwork and tonal depth. The scene unfolds in loose washes of ochre, rust, and charcoal, where weathered boats float before a jagged row of fishing sheds and coastal structures rendered in gestural lines. Rather than striving for topographic precision, Rivo offers a painterly impression of the harbor—moody, atmospheric, and undeniably alive. The smudged foreground, dripping masts, and clouded sky convey both movement and memory, as if the harbor were emerging from a dream or dissolving into one. Executed in watercolor and ink, this piece shows Rivo's command of mixed media and her deft ability to balance structure with spontaneity. It is a standout example of mid-century American waterfront painting...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Archival Ink, Watercolor, Archival Paper

View of the Canals of Venice - Drawing by Alcione Gubellini - Mid-20th Century
Located in Roma, IT
Ink and watercolor on cardboard realized by Alcione Gubellini in the mid-20th century. Hand signed. Includes a wooden frame cm. 53x47. Very good condition.
Category

Modern 1940s Landscape Drawings and Watercolors

Materials

Ink, Watercolor

The Blitz: A Civil Defence Firefighter before St Paul's Cathedral, London 1940
Located in London, GB
To see our other World War Two art, scroll down to "More from this Seller" and below it click on "See all from this seller." The Blitz: A Civil Defence Firefighter In Action before St Paul's Cathedral with Search Lights...
Category

Realist 1940s Landscape Drawings and Watercolors

Materials

Charcoal

Le Pont du Vey by Paulémile Pissarro - Charcoal drawing
Located in London, GB
Le Pont du Vey by Paulémile Pissarro (1884-1972) Charcoal on paper 24.5 x 31.5 cm (9 ⁵/₈ x 12 ³/₈ inches) Signed with Estate stamp lower centre and upper right Executed circa 1940s ...
Category

Post-Impressionist 1940s Landscape Drawings and Watercolors

Materials

Paper, Charcoal

Watercolor Painting American Modern Cubist Landscape Boats Mountains Blue White
Located in Buffalo, NY
Dorothy Rivo Untitled (Boats and Peaks) Acrylic on panel Framed dimensions: 22 in. H × 28 in. W Contemporary black frame In Untitled (Boats and Peaks), Dorothy Rivo renders a mariti...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Acrylic, Board

Vintage French Watercolor Landscape - Village of Bruyères, France
Located in Houston, TX
Featuring a vast country field dotted by cottages, this vintage French watercolor depicts the farming town of Bruyères, France by M. Kesseler, 1945. Bruyères, located in northeastern...
Category

1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

'Pacific Coast', California Post-Impressionist, Modernism, San Francisco
Located in Santa Cruz, CA
Signed lower right, 'Michel Kady' and dated 1948. A substantial watercolor on Arches paper showing a coastal scene with figures walking beside the Pacific Ocean beneath imposing cli...
Category

Post-Impressionist 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Harbor Scene - Golden Gate Bridge, Mid-Century Illustration, Female Illustrator
Located in Miami, FL
Original mid-century illustration for the children's book "Good Work" by John G. McCullough, Young Scott Books, N.Y. It depicts a busy harbor filled with commercial and leisure traffic. Notice all the charming little people, busy at work - dotting the docks and boats. Ipcar masterfully designed the work so that your eye effortlessly travels from more prominent foreground elements to more minor elements in the distance. But her color scheme limited only to two colors sets "Harbor Scene" apart from the humdrum and elevates it to a sophisticated children's book illustration. The suspension bridge in the back of the composition is modeled after the Golden Gate. The illustration bears the hallmarks of modernism with its flat shapes and quick painterly style. "Harbor Scene" represents the artist's early style. By the '60s and '70s, her work began to take on a new direction with intricate patterns and depicting animals. Signed lower right with the artist's label on verso. Dahlov Ipcar...
Category

Contemporary 1940s Landscape Drawings and Watercolors

Materials

Watercolor, Pencil

Horses Leaving the Barn
Located in Fairlawn, OH
Horses Leaving the Barn Watercolor on paper, 1940 Signed and dated lower left corner (see photo) Condition: Excellent Image: 14 1/2 x 21” Frame: 25” x 31” Provenance; Associated American Artists, New York (see photo of label) Mamdouha and Elmer Holmes Bobst Displayed in an original wormy chestnut frame with OP3 Acrylic. Most probably from the AAA Dehn watercolor exhibition of 1940. Vintage original framing chosen by the artist. Note: Elmer Holmes Bobst (1884–1978) was an American businessman and philanthropist who worked in the pharmaceutical industry. His wife, Mamdouha, was also well known philanthropist. Bobst was born in Lititz, Pennsylvania. He aspired to become a doctor, but instead, he taught himself pharmacology. After his wife Ethel composed his interview letter, he became manager and treasurer of the Hoffman-LaRoche Chemical Works by 1920. When Bobst retired from the company in 1944, he was one of the nation's highest paid corporate executives. In 1945 he took charge of the ailing William Warner Company (later Warner–Lambert) and he remained board chairman until his retirement. Bobst had close connections to President Dwight Eisenhower, but was also a close friend of President Richard Nixon. Note: In 1940, the year of this watercolor, Dehn and Elizabeth Timmerman visited Waterville, MN on their way to Colorado Sprint, Colorado where Dehn was to teach lithography and watercolor. This watercolor is obviously a view of the area around Waterville. Adolf Dehn, American Watercolorist and Printmaker, 1895-1968 Adolf Dehn was an artist who achieved extraordinary artistic heights, but in a very particular artistic sphere—not so much in oil painting as in watercolor and lithography. Long recognized as a master by serious print collectors, he is gradually gaining recognition as a notable and influential figure in the overall history of American art. In the 19th century, with the invention of the rotary press, which made possible enormous print runs, and the development of the popular, mass-market magazines, newspaper and magazine illustration developed into an artistic realm of its own, often surprisingly divorced from the world of museums and art exhibitions, and today remains surprisingly overlooked by most art historians. Dehn in many regards was an outgrowth of this world, although in an unusual way, since as a young man he produced most of his illustrative work not for popular magazines, such as The Saturday Evening Post, but rather for radical journals, such as The Masses or The Liberator, or artistic “little magazines” such as The Dial. This background established the foundation of his outlook, and led later to his unique and distinctive contribution to American graphic art. If there’s a distinctive quality to his work, it was his skill in introducing unusual tonal and textural effects into his work, particularly in printmaking but also in watercolor. Jackson Pollock seems to have been one of many notable artists who were influenced by his techniques. Early Years, 1895-1922 For an artist largely remembered for scenes of Vienna and Paris, Adolf Dehn’s background was a surprising one. Born in Waterville, Minnesota, on November 22, 1895, Dehn was the descendent of farmers who had emigrated from Germany and homesteaded in the region, initially in a one-room log cabin with a dirt floor. Adolf’s father, Arthur Clark Dehn, was a hunter and trapper who took pride that he had no boss but himself, and who had little use for art. Indeed, during Adolf’s boyhood the walls of his bedroom and the space under his bed were filled with the pelts of mink, muskrats and skunks that his father had killed, skinned and stretched on drying boards. It was Adolf’s mother, Emilie Haas Dehn, a faithful member of the German Lutheran Evangelical Church, who encouraged his interest in art, which became apparent early in childhood. Both parents were ardent socialists, and supporters of Eugene Debs...
Category

American Realist 1940s Landscape Drawings and Watercolors

Materials

Watercolor

Study for « Paysage de Fribourg » - 1943 a drawing by Balthus (1908 - 2001)
Located in PARIS, FR
Provenance: Frédérique Tison, Château de Chassy (Burgundy-Franche Comté - France) Bibliography: J. Clair, V. Monnier Balthus, catalogue raisonné of the complete works, Gallimard, Pa...
Category

Modern 1940s Landscape Drawings and Watercolors

Materials

Paper, Pencil

'Rainy Day, Pool and Billiards', Laguna Beach Art Association, Solvang, Moure
Located in Santa Cruz, CA
Signed lower left, 'Marshall Thomas' for Marshall F. Thomas, (American, 1916-2011), and painted circa 1945. An elegantly composed and atmospheric view of a California Main Street sh...
Category

Post-Impressionist 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor, Gouache

Provencal Plane Trees in Winter
Located in London, GB
'Provencal Plane Trees in Winter', gouache on art paper, by Max Escalon de Fonton (1946). The plane trees found in Provence in the South of France are a hybrid of the Asian and Ameri...
Category

1940s Landscape Drawings and Watercolors

Materials

Paper, Gouache

A 1940s Noire Inspired Street Scene, Lower Wacker Drive, Chicago, Urban Realism
Located in Chicago, IL
A 1940s Noire Inspired City Street Scene, Lower Wacker Drive, Chicago, Urban Realism by Noted Chicago Modern Artist, Harold Haydon (Am. 1909-1994).. A boldly executed charcoal study...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Paper, Charcoal

Children Snow Sledding in Central Park - New Yorker Cover Study
Located in Miami, FL
Hungarian/American artist/illustrator depicts a charming scene of sledding in the snow in Central Park. The work is abstract in its design as it's functional in its narrative - Unpublished New Yorker...
Category

Modern 1940s Landscape Drawings and Watercolors

Materials

Charcoal, Ink, Watercolor, Gouache, Pencil

"Cheyenne Wyoming Frontier Days"
Located in San Antonio, TX
Pepper Brown (1926-1999) Alpine Artist Image Size: 9 x 13 Frame Size: 16 x 20 Medium: Ink Drawing Dated 1942 "Cheyenne Wyoming Frontier Days" Harry Hart W...
Category

Impressionist 1940s Landscape Drawings and Watercolors

Materials

Ink

Lakeside Watercolor - Sailboats on the Lake
By Erika Schob
Located in Houston, TX
Classic lakeside watercolor of a small sailboats docked on a late afternoon by artist Erika Schob, 1941. Displayed on a white mat with a gold border and fits a standard-size frame....
Category

1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Children on Beach, Modern Watercolor on Paper by Pearl Finkel
Located in Long Island City, NY
Pearl Finkel - Children on Beach, Year: 1945, Medium: Watercolor on Paper, signed and dated lower right, Size: 12 x 16 in. (30.48 x 40.64 cm), Frame Size: 20 x 23.5 inches
Category

Modern 1940s Landscape Drawings and Watercolors

Materials

Watercolor

Seascape, Abstract Expressionist Acrylic Painting on Paper by Arnold Hoffmann
Located in Long Island City, NY
Arnold Hoffmann, Sr., Russian (1886 - 1966) - Seascape, Year: 1949, Medium: Acrylic on Paper, signed and dateed in pencil lower right, Image Size: 10.25 x 19 inches, Size: 14.25 ...
Category

Abstract Expressionist 1940s Landscape Drawings and Watercolors

Materials

Acrylic

German Expressionist Watercolor Painting Jerusalem Landscape Bezalel Israeli Art
Located in Surfside, FL
This is a great Judaica Israel landscape. The Old City of Jerusalem during the British Mandate in Palestine. 24.5 x 31 image 16 x 22.5 Isidor Ascheim (איזידור אשהיים; 1891-1968) wa...
Category

Expressionist 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Architectural Illustration of Cape Cod Style Barn House with Dormers in Gouache
Located in Soquel, CA
Architectural Illustration of Cape Cod Style Barn House with Dormers in Gouache Detailed, idyllic illustration of a two story suburban house by F. Knowles (20th Century). A house wi...
Category

Photorealist 1940s Landscape Drawings and Watercolors

Materials

Paper, Gouache

Ecole de Paris Mid 20th Century Paris: Atelier Studio French Watercolour
Located in Cirencester, Gloucestershire
Paris: Atelier Rue Alain Chartier by Henri Miloch (1898-1979) unsigned but inscribed by Miloch verso watercolour and graphite painting on artist's paper, unframed sheet: 11 x 14 inc...
Category

Impressionist 1940s Landscape Drawings and Watercolors

Materials

Watercolor, Graphite

Landscape in Provence Watercolor Painting by Francois Pascal, circa 1940
Located in Atlanta, GA
Step into the serene charm of southern France with this captivating watercolor landscape artwork by François Pascal (France, 19th century–1948). Expertly painted on paper, this work ...
Category

Academic 1940s Landscape Drawings and Watercolors

Materials

Watercolor

Ecole de Paris Mid 20th Century Paris Shops
Located in Cirencester, Gloucestershire
Paris: Colourful Shops by Henri Miloch (1898-1979) signed lower right watercolour and gouache painting on artist's paper, unframed Sheet:: 9.75 x 12.5 inches Very pretty painting b...
Category

Impressionist 1940s Landscape Drawings and Watercolors

Materials

Watercolor, Gouache

Mid Century Country House Landscape
By Rene Weaver
Located in Soquel, CA
Vivid watercolor of a country house and grove of trees in a rural landscape of rolling green hills, with farm animals in the distance, by California artist Rene Weaver (American, 189...
Category

American Impressionist 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Watercolor Called "A Värmland Landscape, 1941" Racksta Group Artist Ture Ander
Located in Stockholm, SE
"A Värmland Landscape" is a watercolor painting by Ture Ander, an artist who was a member of the Racken Group. This artwork, incorrectly titled "Vår i Värml...
Category

Realist 1940s Landscape Drawings and Watercolors

Materials

Watercolor

Jardin du Luxembourg
Located in Cotignac, FR
Mid 20th Century sketch drawing on paper by the Dutch artist Wim Oepts for his painting Jardin du Luxembourg from 1948 (SK115 Monografie en Oeurvr...
Category

Realist 1940s Landscape Drawings and Watercolors

Materials

Paper, Carbon Pencil

Autumn Forest - Mid Century Abstracted Fauvist Landscape
Located in Soquel, CA
Gorgeous mid century fauvist watercolor landscape with lush, vivid trees and distant houses by Emily Shotwell Goeller-Wood (American, 1887-1965). Presented in a rustic giltwood frame...
Category

Fauvist 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Ecole de Paris Mid 20th Century, Back Streets of Paris
Located in Cirencester, Gloucestershire
Paris, France by Henri Miloch (1898-1979) signed and double sided watercolour and gouache painting on artist's paper, unframed sheet 12.5 x 15.5 inches Nicely executed study over ...
Category

Impressionist 1940s Landscape Drawings and Watercolors

Materials

Watercolor, Gouache

'Fremantle Harbor, Perth', Western Australia, Post Impressionist, SFAA, MoMA
Located in Santa Cruz, CA
Signed lower left, 'Byron' for Byron Randall (American, 1918-1999), dated 1947 and titled, 'Aus'. A dramatic, Post-Impressionist view of the Western Australian port of Fremantle wit...
Category

Modern 1940s Landscape Drawings and Watercolors

Materials

Paper, Acrylic, Gouache, Pastel

Snowy roofs
Located in Genève, GE
Work on cardboard Brown wooden frame with glass pane 40 x 46.5 x 1.5 cm This work depicts a snowy village with remarkable precision, capturing the essence of a serene winter. The roo...
Category

Modern 1940s Landscape Drawings and Watercolors

Materials

Gouache

Untitled (Boat Repair)
Located in Dallas, TX
Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Second World War painting, Anti-Aircraft Battery
Located in London, GB
Vivan Bewick Anti-aircraft battery Gouache 28 x 20 cm Signed and dated in bottom left hand corner. This striking gouache depicts an anti-aircraft battery in action: shots are be...
Category

Realist 1940s Landscape Drawings and Watercolors

Materials

Gouache, Pencil

'Oregon Coast', Art Institute of Chicago, AIC, Works Project Association, WPA
Located in Santa Cruz, CA
Signed lower left, 'A. Vincent' for Andrew McDuffie Vincent (American, 1898-1993); inscribed verso with title, 'Oregon Coast' and dated 1945. A vibrant w...
Category

Post-Impressionist 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Sailboats at Dock Watercolor by Carl Broemel Original Arts and Crafts Frame
Located in Buffalo, NY
Original watercolor of sailboats at dock by well listed artist Carl Broemel. This work is stunning with wonderful colors and movement. This piece is also housed in the original hand carved arts and crafts frame. Carl William Broemel...
Category

Impressionist 1940s Landscape Drawings and Watercolors

Materials

Watercolor

Untitled (Industrial Street)
Located in Los Angeles, CA
This work is part of our exhibition - America Coast to Coast: Artists of the 1940s Untitled (Industrial Street), c. 1940s, watercolor on paper mounted on illustration board, estate stamp verso (signed by Peter Corbridge, the artist’s son); 14 x 21 inches; unframed Edgar Corbridge was a Massachusetts-based precisionist painter who mainly worked in watercolor. In 1916, three years after immigrating from England, Corbridge completed a course of study in sign painting at the Fall River, Massachusetts Technical High School and obtained an apprenticeship with the Armour Sign Shop. Throughout his career, Corbridge was mainly self-taught as a fine artist. In 1918, Corbridge received his first recognition as an artist for his entry in a Fall River Women’s Club poster competition. During much of his professional life, Corbridge worked as a self-employed window trimmer and operator of the Corbridge Display Service, supplemented by income from the occasional sale of his paintings. Corbridge gleaned the subjects for his works in and around his home in Fall River, Massachusetts, as well as Provincetown. In the 1940s, Corbridge began to exhibit frequently, including at the annual exhibitions at the Jordan Marsh Company...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Watercolor, Board

"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance
Located in New York, NY
"Barns" Watercolor Mid-20th Century Modern Abstract Realism Excellent Provenance Arthur Dove (1880-1946) "Barns" 5 x 7 inches Watercolor on paper, 19...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Blitz Site with St Paul's Cathedral, drawing by Hubert Finney
Located in London, GB
Hubert Finney (1905 – 1991) Blitz Site with St Paul's Cathedral Charcoal, coloured pencil and pastel 35 x 52 cm A reclusive figure whose work has remained largely unseen, Finney stu...
Category

Modern 1940s Landscape Drawings and Watercolors

Materials

Charcoal, Pastel, Color Pencil

Landschap te St Tropez, Landscape at St Tropez
Located in Cotignac, FR
Mid 20th Century drawing study on paper of a Provencale landscape by the Dutch artist Wim Oepts. Possibly an atelier sketch for the painting Landschap te St ...
Category

Realist 1940s Landscape Drawings and Watercolors

Materials

Paper, Crayon

Ecole de Paris Mid 20th Century Paris Street Cafes & Figures
Located in Cirencester, Gloucestershire
Paris: Street Cafe Society by Henri Miloch (1898-1979) signed lower right watercolour and gouache painting on artist's paper, unframed Sheet:: 9.75 x 12.5...
Category

Impressionist 1940s Landscape Drawings and Watercolors

Materials

Watercolor, Gouache

French Watercolor - Tropical Village
Located in Houston, TX
Bright and airy watercolor of a figure in a small tropical village by French artist Stephane Magnard, circa 1950. Original artwork on paper displaye...
Category

1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Monhegan Path, Summer
Located in Greenwich, CT
Albert Wein had a retrospective and he was called a classical modernist by art critics. He is primarily regarded as one of America's great sculptors but he loved doing drawings, wat...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Watercolor

"Pigs"
Located in Lambertville, NJ
Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...
Category

American Impressionist 1940s Landscape Drawings and Watercolors

Materials

Charcoal

Abandoned Wharf
Located in Los Angeles, CA
This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness. Crayon on paper, 20 x 12 (image), 22 x 14 inches (sheet), Signed lower right, Matted, but not framed Ex...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Crayon, Paper

Geneva countryside
Located in Geneva, CH
Work on paper without frame Good condition
Category

Modern 1940s Landscape Drawings and Watercolors

Materials

Gouache

A 1940s American Scene Watercolor of a Chicago Street Scene by Grace Spongberg
Located in Chicago, IL
A 1940s American Scene watercolor depicting a snowy Chicago Street Scene by artist Grace Spongberg. Image size: 12 1/2" x 17". Framed size: 18 1/2" x 22 1/2". This painting come...
Category

American Modern 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Charles Culver Landscape "Late Afternoon Landscape" Watercolor on Paper
Located in Detroit, MI
“Late Afternoon Landscape” is set in the golden light of evening painted in the mid-west town of Utica, Michigan. It has the atmosphere of when work is done and peace and quiet blanket the countryside. The The farm machinery has ceased its racket as has the family dog wandering about for one last sniff. This piece has been professionally reframed with acid-free matting and conservative glass. In a 1952 Detroit Free Press article, entitled “Artist Explains His Work,” Culver was asked why he painted the way he did. He stated: “I try to ‘see’ though not too exactly; I try to think though not too ponderously; I feel emotion yet I try not to become overwrought. I interpret rather than describe, and design rather than depict. I work with values, not light and shade; hence, when I am successful, I achieve substance rather than three-dimensional form, and this satisfies me as being wholly sufficient. In my work I wish to be serious without becoming a bore, exuberant without being frivolous, humorous without being silly. I believe that good paintings are conceived, not contrived; and I am interested in art much more than in pictures.” Charles Culver...
Category

Naturalistic 1940s Landscape Drawings and Watercolors

Materials

Paper, Watercolor

Recently Viewed

View All