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Style: American Modern
Beachside Village, Maine, 20th century landscape watercolor, Cleveland School
Located in Beachwood, OH
George Gustav Adomeit (American, 1879-1967)
Beachside Village, Maine
Watercolor on paper
Signed lower right
10 x 14 inches
17.75 x 21.75 inches, framed
A major painter of American ...
Category
Mid-20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor
New York Street Movement and Figure - Architecture
By John Marin
Located in Miami, FL
This work by John Marin depicts an image of lower Manhattan which was Marin's more iconic subject matter. The work has a stellar provenance as well.
Provenance:
Kennedy Galleries
Richard York Gallery
ACA Galleries...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Crayon
California Lake Landscape Original Watercolor on Paper
Located in Soquel, CA
California Lake Landscape in Watercolor on Paper
Serene landscape by Donna N. Schuster (American, 1883-1953). The viewer stands at the edge of a lake, under a few trees. At the far ...
Category
Early 20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Laid Paper
Cows in a Field, Early 20th Century American Modernist Landscape Watercolor
Located in Beachwood, OH
William Sommer (American, 1867-1949)
Cows in a Field
Watercolor on paper
Signed lower left
11.5 x 15.5 inches
17.5 x 21.5 inches, framed
William Sommer is seen as a key person in br...
Category
Early 20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor
1940's California Hills Landscape
By Erle Loran
Located in Soquel, CA
Substantial and period mid-century modern American Scene watercolor of the Oakland, California countryside by Erle Loran (American, 1905-1999), 1944. Signed lower right "Earl Loran...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Archival Paper
Edward Laning, Sketch for Sheraton East Hotel Mid-Century Mural of Ancient Myths
Located in New York, NY
This mural depicting ancient myths was designed for the Hotel Ambassador, a skyscraper at 345 Park Avenue, NYC; the building was converted to the Sheraton East in 1958. It was demolished in 1966. It could only be mid-century American!
Signed, titled, and annotated, 'Scale 2" = 1' in ink.
Edward Laning is largely known as a mural artist. His series The History of the Printed Word is installed at the New York Public Library at 42nd Street, New York City, and Building of the Transcontinental Railroad Mural, is in the Railroad Museum, Ogden, Utah. Laning was briefly a student of Kenneth Hayes Miller at the Art Students League, New York. They were lifelong colleagues and had studios on Union Square near friends Isabel Bishop, Yasuo Kuniyoshi, Reginald Marsh, and Raphael Soyer. As a group they were the Fourteenth Street School...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
A Unique Mid-Century Modern 1960s Chicago Harbor Scene Watercolor by Rudolph Pen
Located in Chicago, IL
A Unique, Mid-Century Modern 1960s Chicago Harbor Scene Watercolor by Noted Artist, Rudolph T. Pen. Artwork is formatted in a trapezoid shape, an innovative compositional device for...
Category
Mid-20th Century American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
A Stunning Mid-Century Modern Watercolor, Harbor Scene & Rooftops by Rudolph Pen
Located in Chicago, IL
A Stunning Mid-Century Modern Cubist Watercolor, Harbor Scene & Rooftops by Noted Chicago Artist, Rudolph T. Pen. A vivid European harbor scene, depicting the whitewashed buildings ...
Category
Mid-20th Century American Modern Landscape Drawings and Watercolors
Materials
Paper, Charcoal, Watercolor
Upper Tuscany — Mid-century expressionism
By William Thon
Located in Myrtle Beach, SC
William Thon, 'Upper Tuscany', a two-sided watercolor, c. 1955. Signed, lower right; titled verso. A fine, expressionist work, with fresh colors, on cream watercolor paper; the image...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Blizzard in Woods
Located in Fairlawn, OH
Blizzard in Woods
Graphite on paper, c. 1945-1963
Unsigned
Provenance: Sid Deutsch Gallery, New York
Annotated with notes for completing the drawing. Deutsch Gallery has handled Bur...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Graphite
A 1940s American Scene Watercolor of a Chicago Street Scene by Grace Spongberg
Located in Chicago, IL
A 1940s American Scene watercolor depicting a snowy Chicago Street Scene by artist Grace Spongberg. Image size: 12 1/2" x 17". Framed size: 18 1/2" x 22 1/2". This painting come...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
NYC Cityscape American Scene Social Realism Mid-Century
Located in New York, NY
NYC Cityscape American Scene Social Realism Mid-Century
Max Arthur Cohn (1903-1998)
New York City Skyline
14 x 21 1/2 inches
Watercolor on paper, c. 1...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Plowman, Brecksville, Ohio, Early 20th Century Farm Landscape, Cleveland School
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887–1964)
Plowman, Brecksville, Ohio, c. 1922
Watercolor on paper
Signed lower right
22.5 x 27.75 inches
27.75 x 34.5 inches, framed
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian.
In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery.
In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College.
Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country."
Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
A Sandstorm on the Little Colorado River, Arizona
Located in Storrs, CT
A Sandstorm on the Little Colorado River, Arizona. 1920. Watercolor on watercolor board. Study for Seeber 189. 10 3/8 x 14 1/4. Signed lower left; titled verso. An exquisitely subtl...
Category
Early 20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Abandoned Wharf
Located in Los Angeles, CA
This drawing is part of our exhibition Charles Goeller: A Wistful Loneliness.
Crayon on paper, 20 x 12 (image), 22 x 14 inches (sheet), Signed lower right, Matted, but not framed
Ex...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Crayon, Paper
“New York at Night”
By Leon Dolice
Located in Southampton, NY
Very well executed original pastel on archival paper of New York City at night with beacon by the well known American artist, Leon Dolice. Signed lower right. Circa 1930. Condition is excellent. Beautifully gallery framed with stained mahogany wood frame. Under glass. Overall framed measurements are 21 by 30 inches. Birham Wood Galleries, East Hampton, New York provenance. Exhibited artwork. See photo gallery labels verso.
Leon Dolice was born in Vienna, Austria on August 14, 1892, the son of a machinest/welder. He went on to study art in Europe and viewing the works of the Masters. Dolice immigrated to the United States in 1920, finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects. Concentrating on etching and with the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan.
A decline in popular favor for etchings led him to put aside his plates in the late 1930s and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes, and even experiments with Abstract Expressionism at the height of its new found favor in the 1940s punctuated his career.
In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit.
Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Oil Pastel, Archival Paper
Flight to Egypt
By Anna Walinska
Located in New York, NY
Oil on paper. Signed and dated 'Walinska 57' (lower left).
image size 20 x 13 1/2 in.
framed size 28 1/3 x 22 1/2 inches
Provenance
Martha Jackson Gallery
Anderson Gallery, Buffalo...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Paper, Oil
Shops in a Small Town - Original Watercolor on Paper
Located in Soquel, CA
Shops in a Small Town - Original Watercolor on Paper
Beautiful watercolor painting a small town main street by Ken L. Stephens (American, 20th Century). There are several colorful b...
Category
21st Century and Contemporary American Modern Landscape Drawings and Watercolors
Materials
Ink, Watercolor, Laid Paper
Richfield
Located in London, GB
Exceptional rare sketch by American modernist Oscar Bluemner. Very, very good condition. Framed beautifully.
Category
Early 20th Century American Modern Landscape Drawings and Watercolors
Materials
Carbon Pencil
"Sheepshead, Brooklyn, Long Island" Oscar Bluemner, Modernist Watercolor
Located in New York, NY
Oscar Bluemner
Sheepshead, Long Island, 1907
Signed with the artist's conjoined initials "OB" and dated "4-30 - 5 - 30" / "Aug 3, 07"
Watercolor on paper
6 x 10 inches
Provenance:
J...
Category
Early 1900s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Untitled (Tree)
By Fred Nagler
Located in Dallas, TX
Fred Nagler was born in 1891 in Springfield, Massachusetts, where he first studied wood carving. From 1914 to 1917, he studied at The Art Students League of New York, where his prof...
Category
20th Century American Modern Landscape Drawings and Watercolors
Materials
Graphite, Paper, Watercolor
Villa Giardino, 20th Century Charcoal Drawing by Cleveland School Female Artist
Located in Beachwood, OH
Clara Deike (American, 1881-1964)
Villa Giardino
Charcoal on paper
Signed and titled verso
17.75 x 12.5 inches
A graduate of the Cleveland School of Art in 1912, Clara Deike was pa...
Category
20th Century American Modern Landscape Drawings and Watercolors
Materials
Charcoal
"New York City Harbor" Leon Dolice, Downtown Skyline, East and Hudson River
By Leon Dolice
Located in New York, NY
Leon Dolice (1892 - 1960)
New York Harbor Skyline at Twilight (Searching), circa 1930-40
Pastel on paper
12 x 19 inches
Signed lower left
Provenance:
Spanierman Gallery, New York
The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the young man who was someday to be spoken of as showing promise of becoming "one of the greatest etchers of all time". Leon Dolice, born in Vienna on August 14, 1892, even as a young boy, preferred the lure of painting to the scholastic studies which his early years had expected of him. His father was a machinist, which exposed the boy to welding and metal crafts.
However, his interest in art led him to abandon a secure future in the family business, and he spent most of his late teens and early twenties traveling through the capital cities of Europe studying the works of the Masters.
As with many itinerant artists, he made his way in a variety of fashions metalworker, chef, designer somehow always managing to give vent to his creative instincts. Lured by the adventure of crossing the great Atlantic and by the freedoms of the New World, he came to America in 1920. There he was greeted by the turbulence of New York in the Roaring Twenties. Finding a retreat in the European Bohemianism of Greenwich Village, he picked the streets of this landmark neighborhood as his first subjects.
With the encouragement of new found friends and artists such as George Luks and Herb Roth, he soon ventured out and devoted all his time to chronicling the architecture, back streets, dock scenes and other nostalgia that was fast disappearing from the face of Manhattan, mainly in copperplate etchings. A favorite subject for him was the Third Avenue El near one of his New York City studios on Third Avenue. He won accolades for his work, and although he traveled the East Coast recording landmarks in other cities including Washington DC, Baltimore, Chicago and Philadelphia, he always returned to his new home Manhattan.
A decline in popular favor for etchings led him to put aside his plates in the late 1930's and devote some ten years to pastels, linocuts and painting. His subject matter was almost exclusively New York City street scenes, but figurative works, country scenes and even experiments with Abstract Expressionism at the height of its new found favor in the 1940's punctuated his career.
In 1953, after learning of the forthcoming demise of the Third Avenue El, in the shadow of which he had maintained his studio for over a decade, he once again took to his plates and press and created a final series of Third Avenue and or other New York City landmarks that were then threatened with extinction. His work brings to light aspects of nostalgic New York that survives today only in small part, whether in architecture or in spirit.
Dolice's works are in a number of notable museums and private collections, including the Museum of the City of New York; The New York Public Library Print Collection; The New York Historical Society; Georgetown University Lauinger Library; The Print Club of Philadelphia and others. In the past few years, his work has been exhibited at Hofstra Museum, Long Island, NY; with the Montauk...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Pastel
Untitled (Industrial Street)
Located in Los Angeles, CA
This work is part of our exhibition - America Coast to Coast: Artists of the 1940s
Untitled (Industrial Street), c. 1940s, watercolor on paper mounted on illustration board, estate stamp verso (signed by Peter Corbridge, the artist’s son); 14 x 21 inches; unframed
Edgar Corbridge was a Massachusetts-based precisionist painter who mainly worked in watercolor. In 1916, three years after immigrating from England, Corbridge completed a course of study in sign painting at the Fall River, Massachusetts Technical High School and obtained an apprenticeship with the Armour Sign Shop. Throughout his career, Corbridge was mainly self-taught as a fine artist. In 1918, Corbridge received his first recognition as an artist for his entry in a Fall River Women’s Club poster competition. During much of his professional life, Corbridge worked as a self-employed window trimmer and operator of the Corbridge Display Service, supplemented by income from the occasional sale of his paintings. Corbridge gleaned the subjects for his works in and around his home in Fall River, Massachusetts, as well as Provincetown. In the 1940s, Corbridge began to exhibit frequently, including at the annual exhibitions at the Jordan Marsh Company...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Board
Half Dome in Pastel Colors, Yosemite National Park Fauvist Landscape Watercolor
By Karen Druker
Located in Soquel, CA
Bright Fauvist landscape of Half Dome in Yosemite National Park, with beautiful use of color by Karen Druker (American, 1945). Signed "Druker" in the lower right corner. Presented in...
Category
21st Century and Contemporary American Modern Landscape Drawings and Watercolors
Materials
Paper, Pastel, Watercolor
Twilight on the Balcony - Original Watercolor by Rachel Mason Burger
Located in Soquel, CA
Twilight on the Balcony, Original Watercolor
This minimalist architectural painting, by Rachel Mason Burger (English-American, 20th Century) creates wonderful line in 1-point perspe...
Category
21st Century and Contemporary American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
'Modernist Seascape', San Diego Watercolor Society, Dallas
By Robert Landry
Located in Santa Cruz, CA
Signed lower right, "Robert Landry" (American, 1921-1999) and painted circa 1965.
Watercolor seascape showing a view of a rocky inlet with sailboats on the ocean.
Robert Landry attended high school on the East Coast then went into the service during World War II. After the war, he studied art in Washington, D.C. and Minneapolis on the G.I. Bill. This led to work as a commercial illustrator for the United States Air Force Graphic Arts Division at the Pentagon, and as an art director for the Federal Aviation Agency and Convair Astronautics.
After the late 1940s, he began a serious painting career and started exhibiting fine art watercolors...
Category
1960s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Home in the Village, Mt. St. Michel, France, Early 20th Century Cleveland School
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887–1964)
Home in the Village, Mt. St. Michel, France, c. 1926
Watercolor on board
Signed lower right
21.75 x 28 inches
30.5 x 36.5 inches, framed
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian.
In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery.
In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College.
Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country."
Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Charles Burchfield Preparatory Sketch, Early 20th Century
Located in New York, NY
Charles Burchfield (1893-1967)
Untitled (Preparatory Drawing for Skyscape), Early 20th Century
Pencil on paper
12 1/4 x 18 3/4 in.
Inscribed: blue / white / blue / RV
Born in Ashtab...
Category
Early 20th Century American Modern Landscape Drawings and Watercolors
Materials
Paper, Pencil
Cityscape Reflections - Study No. 1
Located in Storrs, CT
Cityscape Reflections - Misty Morning. 1980. Lithograph with pastel coloring. Czestochowski 42. Edition 40. 14 x 10 3/16 (sheet 18 x 14). Tape stains in the margins, not affecting th...
Category
Late 20th Century American Modern Landscape Drawings and Watercolors
Materials
Pastel
"New York City Skyline View from the East River, " Lionel Reiss, Jewish Artist
By Lionel Reiss
Located in New York, NY
Lionel S. Reiss (1894 - 1988)
New York City Skyline View from the East River
Watercolor on paper
13 x 19 inches
Signed lower left
In describing his own style, Lionel Reiss wrote, “By nature, inclination, and training, I have long since recognized the fact that...I belong to the category of those who can only gladly affirm the reality of the world I live in.” Reiss’s subject matter was wide-ranging, including gritty New York scenes, landscapes of bucolic Bucks County, Pennsylvania, and seascapes around Gloucester, Massachusetts. However, it was as a painter of Jewish life—both in Israel and in Europe before World War II—that Reiss excelled. I.B. Singer, the Nobel Prize winner for Literature, noted that Reiss was “essentially an artist of the nineteenth century, and because of this he had the power and the courage to tell visually the story of a people.”
Although Reiss was born in Jaroslaw, Poland, his family immigrated to the United States in 1898 when he was four years old. Reiss's family settled on New York City’s Lower East Side and he lived in the city for most of his life. Reiss attended the Art Students League and then worked as a commercial artist for newspapers and publishers. As art director for Metro-Goldwyn-Mayer, he supposedly created the studio’s famous lion logo.
After World War I, Reiss became fascinated with Jewish life in the ‘Old World.’ In 1921 he left his advertising work and spent the next ten years traveling in Europe, the Middle East, and North Africa. Like noted Jewish photographers Alter Kacyzne and Roman Vishniac, Reiss depicted Jewish life in Poland prior to World War II. He later wrote, “My trip encompassed three main objectives: to make ethnic studies of Jewish types wherever I traveled; to paint and draw Jewish life, as I saw it and felt it, in all aspects; and to round out my work in Israel.”
In Europe, Reiss recorded quotidian scenes in a variety of media and different settings such as Paris, Amsterdam, the Venice ghetto, the Jewish cemetery in Prague, and an array of shops, synagogues, streets, and marketplaces in the Jewish quarters of Warsaw, Lodz, Krakow, Lublin, Vilna, Ternopil, and Kovno. He paid great attention to details of dress, hair, and facial features, and his work became noted for its descriptive quality.
A selection of Reiss’s portraits appeared in 1938 in his book My Models Were Jews. In this book, published on the eve of the Holocaust, Reiss argued that there was “no such thing as a ‘Jewish race’.” Instead, he claimed that the Jewish people were a cultural group with a great deal of diversity within and between Jewish communities around the world. Franz Boas...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Stevedores, Ohio River, Early 20th Century Cleveland School Artist
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Stevedores, Ohio River, c. 1920
Watercolor on paper
Signed lower right
21.5 x 29. 5 inches
"The trip Otto Ege and I made from Pittsburgh to Marietta by riverboat and then by train to Mammoth Cave, was the next high spot in my artistic explorations. We saw something of the Old Southern river life on the way - the roustabouts, the showboat and river town life at Point Pleasant, and then to the sombre tonal mysteries of the Cave. These sights added much to my pictorial vocabulary..." - Frank Wilcox
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Old Door
Located in New York, NY
Richard Anuszkiewicz
Old Door, 1953
Watercolor on paper
Signed and dated by the artist on the lower right front
20 × 14 inches
Unframed
This unique and extre...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Ocean Liner and Sailboats in Holland - Original Gouache & Watercolor painting
Located in Paris, IDF
Frank Myer BOGGS (1855-1926)
Ocean Liner and Sailboats in Holland
Original Gouache & Watercolor painting
Signed bottom left
On paper 35 x 53 cm (c. 14 x 20 in) at view
Presented in...
Category
Early 20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Gouache
Barns in the Helderberg, New York (rural 1930s American scene with vintage car)
By Martin Lewis
Located in New Orleans, LA
"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Chalk, Charcoal
Vibrant Mountain Road Landscape
Located in Soquel, CA
Beautiful mountain road in vibrant tones, a watercolor landscape painting by Eva Ellen Dean (American, 1871-1954). Presented in a wooden frame. Signed "Eva Dean" lower left. Image si...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Laid Paper
Untitled
Located in Dallas, TX
Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...
Category
Mid-20th Century American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Monhegan Path, Summer
Located in Greenwich, CT
Albert Wein had a retrospective and he was called a classical modernist by art critics. He is primarily regarded as one of America's great sculptors but he loved doing drawings, wat...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Untitled (Boat Repair)
Located in Dallas, TX
Francis Chapin was one of the most celebrated painters in Chicago during his lifetime. When he was a young art student, Valley House founder, Donald Vogel, painted with "Chape" on th...
Category
1940s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Dining Room Interior, Impressionist Pastel Drawing by Joseph Barber
Located in Long Island City, NY
Artist: Joseph Barber, American (1915 - 1998)
Title: Dining Room Interior
Year: circa 1945
Medium: Watercolor and Pastel on Paper, signed l.l.
Size: 15 x 21 inches (38 x 53.5 cm)
Fra...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Oil Pastel, Archival Paper
"Elkhorn Slough" - Cyanotype / Watercolor Landscape
Located in Soquel, CA
Soft watercolor accents add to the beauty of this cyanotype and watercolor titled "Elkhorn Slough" by Cheryl Trotter (American, 20th century), c.1980's....
Category
1980s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Laid Paper, Photographic Paper
1950s Cubist Watercolor "Dry Dock, Burrard Shipyard, Vancouver" by Rita Duis
Located in Chicago, IL
A Cubist watercolor on paper, titled "Dry Dock, Burrard Shipyard, Vancouver" by Chicago and New York artist Rita Duis (Astley-Bell). Image size: 14 3/4" x 22". Archivally matted t...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Paper
White Poppies - Botanical Watercolor on Paper
Located in Soquel, CA
White Poppies - Botanical Watercolor on Paper
Detailed floral watercolor by Harry Federico (American, 1922-2022). Several white poppies ...
Category
21st Century and Contemporary American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Laid Paper
Abstracted Forest Landscape
Located in Soquel, CA
Brightly colored abstract forest by unknown artist Dersham (20th Century). The trees in this piece are light in color, standing out from the saturated background. Multiple layers of ...
Category
Late 20th Century American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Mountain Vineyard Landscape Watercolor
Located in Soquel, CA
Beautiful watercolor landscape of a white farmhouse beside a colorful California vineyard with tall mountains fading into the distance Henry Hank Volle (American, 20th Century). This scene was painted on Hecker Pass in the Santa Cruz mountains...
Category
Late 20th Century American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Riverwash
Located in San Francisco, CA
This artwork titled "Riverwash" 1985 is an original watercolor on Arches watermarked paper by noted American artist Anne Popperwell, born 1948. It is signed at the lower right corner by the artist. The artwork size is 22 x 30 inches, framed is 28.25 x 36.25 inches. It is custom framed in a metal bronze color frame. It is in very good condition.
About the artist.
Anne Popperwell was born in Oakland, California, in 1948 and studied art at the San Francisco Art Institute from 1968-1970 with a major in painting and a minor in photography. She has been painting and exhibiting her work in both private and public galleries, primarily in Canada, since 1981. She paints in watercolour on paper and acrylic on canvas, though not exclusively, using nature-based imagery. Shortly after her arrival in Canada in 1976, Anne moved to an island off the West Coast to paint a particular landscape, the eroded sandstone shoreline. In the course of this eight-year series of paintings, she experimented with point of view, scale and colour, developing a method of working that creates the effect of light coming from within the subject itself. Her paintings are included in private, corporate and public collections in Canada and in private collections in the United States, Mexico and Europe.
Solo Exhibitions:
2016 "Shades of Saturna", Artlink Canada, Jaydon Gallery, Vancouver, British Columbia
2009 “Beauty” Casa Dahlia Galeria, San Jose del Cabo, Mexico
2008 “Tropical Flowers” Casa Dahlia Galeria, San Jose del Cabo, Mexico
996- "Why Don't You Just Leave?" paintings and video installation
1998 tour to 11 British Columbia regional galleries,
originating at the Art Gallery of Greater Victoria
Victoria, British Columbia
1993 Fran Willis Gallery, Victoria, British Columbia
1991 Fran Willis North Park Gallery, Victoria, British Columbia
1990 Fran Willis North Park Gallery, Victoria, British Columbia
1986 Robert Vanderleelie Gallery, Victoria, British Columbia
Thomas Gallery, Winnipeg, Manitoba
1984 Grace Gallery, Vancouver, British Columbia
Winchester Galleries, Victoria, British Columbia
1982 Kyle's Gallery, Victoria, British Columbia
1981 Kyle's Gallery, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Burnaby Art Gallery, Burnaby, British Columbi1980 Kamloops Public Art Gallery, Kamloops, British Columbia
Selected Group Exhibitions:
2014 Insight Art Gallery, Galiano, B.C
2012 The Field Gallery, San Jose del Cabo, Mexico
2002 “European Media Arts Festival”, Osnabruck, Germany
1997 “Open House”, Canadian Cultural Centre, Paris, France
1994 "Spring Run", Baux-Xi Gallery, Vancouver, British Columbia
1994-1996 Government House, Victoria, B.C.
1992 "Hanging Gardens", Fran Willis Gallery, Victoria, British Columbia
1990 "Bumbershoot Festival 1990", Seattle, Washington
1986 "Images B.C." The British Columbia Pavilion, Expo 86
Vancouver, British Columbia
1985 "Hot Water Colour", Harbourfront, Toronto, Ontario
"B.C. Women Artists"
Art Gallery of Greater Victoria, Victoria, British Columbia
1983 "National Watercolour Exhibition"
Contemporary Art Gallery, Vancouver, British Columbia
1981 “Painter’s Day”, Kyle’s Gallery, Victoria, B.C.
Public Collections
British Columbia Art Collection, Victoria, British Columbia
Art Gallery of Greater Victoria, Victoria, British Columbia
Maltwood Art Museum, Victoria, British Columbia
City of Vancouver, Vancouver, British Columbia
Esso Resources Canada, Ltd., Calgary, Alberta
Canada Council Art Bank, Ottawa, Ontario
Grants and Awards
1995 British Columbia Cultural Services Branch grant
1973 City of Vancouver Purchase Grant
Exhibition Reviews, Catalogues and Articles
"A Sense of Place", Aqua magazine, Salt Spring Island, B.C. (Summer 2014) illus.
“Why Don’t You Just Leave?”, Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (April, 1996) illus.
Cover, Preview Magazine, Vancouver, B.C., (May/June 1990)
Waterman, Jennifer A. “Planetary Visions, Sacred Images of the Earth” Herizons, Winnipeg, Manitoba (Volume 4 #8, December, 1986) p. 44, illus.
“B.C. Women Artists”,Exhibition Catalogue, Art Gallery of Greater Victoria, Victoria, B.C. (October, 1985) illus.
Orford, Emily Jane, “Anne Popperwell’s Intimate Earth”, Victoria Times-Colonist, Victoria, B.C. (October 7, 1984) p. 8
Hartog, Diana, “Body Landscapes...
Category
Late 20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Paul Simon's Live Concert Setup - Technical Drawing in Pen on Heavy Cardstock
Located in Soquel, CA
Paul Simon's Live Concert Setup - Technical Drawing in Pen on Heavy Cardstock
Detailed, accurate drawing of musical equipment for a live concert. The instruments and equipment are r...
Category
Late 20th Century American Modern Landscape Drawings and Watercolors
Materials
Postcard, Felt Pen, Laid Paper
Lou's Landing - Original Watercolor On Paper
Located in Soquel, CA
Lou's Landing - Original Watercolor On Paper
Original watercolor on paper by Ray Skelton (American 20th c.), depicting a boat harbor with numerous boats tied up, some sailing. Lou's...
Category
1960s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
The Fly Fisherman, Figurative Landscape Watercolor
By Harvey Eckert
Located in Soquel, CA
Delicate depiction of a fly fisherman in the rain by Harvey Eckert (American, 1946-2018). This highly detailed landscape watercolor depicts a man fishing in the rain, wading into the water as he smokes a pipe under a tree.
Signed and dated in the lower right corner.
Presented in a wood frame with a double mat and anti-glare glass.
A check from the original purchase is attached to verso (blurred for privacy).
Image size: 14"H x 18"W
Harvey Eckert (American, 1946-2018) was an American artist from Kansas. He attended Colby Community College, Hays Emporia State and graduated from Wichita University with two degrees. While living in Montana, he was employed by Bob Wards, Fran Johnson’s Sporting Goods and Cashell Engineers as a surveyor and draftsman. Eckert illustrated three books, Caddisflies by the late Gary LaFontaine, Montana Trout Flies and The Master Fly Weaver by the late George Grant. He did illustrations for the following publications: Montana Outdoors, Colorado Streamside, The River Rat published by Trout Unlimited, Fly Fisherman, Rod and Reel...
Category
1980s American Modern Landscape Drawings and Watercolors
Materials
Paper, Watercolor
Circus Lot at Toledo, Ohio, Early 20th Century Cleveland School Artist
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Circus Lot at Toledo, c. 1920
Watercolor on Whatman board
Signed lower right
22 x 30 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian.
In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery.
In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College.
Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country."
Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Watercolor
Crashing Waves on Atlantic Coast, Mid-century Seascape, Cleveland School Artist
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Crashing Waves on the Atlantic Coast, 1957
Watercolor and graphite on paper
Signed and dated lower right
22 x 29 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian.
In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery.
In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College.
Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country."
Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category
1950s American Modern Landscape Drawings and Watercolors
Materials
Graphite, Watercolor
Richard Haas, (View of the Brooklyn Bridge, NYC)), about 1980, pastel
By Richard Haas
Located in New York, NY
A classic Richard Haas (born 1936) New York City view. Signed in pencil lower right. The fact that it is signed within the image, the drawn-upon area, leads me to think the artist wa...
Category
Late 20th Century American Modern Landscape Drawings and Watercolors
Materials
Pastel
"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
By Leon Dolice
Located in New York, NY
Leon Dolice
New York Harbor Nocturne, circa 1930-40
Signed lower right
Pastel on paper
12 x 19 inches
The romantic backdrop of Vienna at the turn of the century had a life-long inf...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Pastel
Cows by Woodland Pond, Toledo, Ohio, Early 20th Century Cleveland School
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Cows by Woodland Pond, Toledo, Ohio, c. 1920
Watercolor and graphite on board
Signed lower right
22 x 30 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian.
In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery.
In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College.
Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country."
Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category
1920s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Graphite
"New York Harbor Nocturne" Leon Dolice, Mid-Century New York Nocturnal Landscape
By Leon Dolice
Located in New York, NY
Leon Dolice
New York Harbor Nocturne
Signed lower right
Pastel on paper
12 x 19 inches
The romantic backdrop of Vienna at the turn of the century had a life-long influence upon the...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Pastel
Women's Corner, Along the Cuyahoga River, Early 20th Century Landscape
By Frank Wilcox
Located in Beachwood, OH
Frank Nelson Wilcox (American, 1887-1964)
Women's Corner, Along the Cuyahoga River, c. 1916
Watercolor and graphite on paper
21 x 29 inches
Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School painters," though some sources give this appellation to Henry Keller or Frederick Gottwald. Wilcox was born on October 3, 1887 to Frank Nelson Wilcox, Sr. and Jessie Fremont Snow Wilcox at 61 Linwood Street in Cleveland, Ohio. His father, a prominent lawyer, died at home in 1904 shortly before Wilcox' 17th birthday. His brother, lawyer and publisher Owen N. Wilcox, was president of the Gates Legal Publishing Company or The Gates Press. His sister Ruth Wilcox was a respected librarian.
In 1906 Wilcox enrolled from the Cleveland School of Art under the tutelage of Henry Keller, Louis Rorimer, and Frederick Gottwald. He also attended Keller's Berlin Heights summer school from 1909. After graduating in 1910, Wilcox traveled and studied in Europe, sometimes dropping by Académie Colarossi in the evening to sketch the model or the other students at their easels, where he was influenced by French impressionism. Wilcox was influenced by Keller's innovative watercolor techniques, and from 1910 to 1916 they experimented together with impressionism and post-impressionism. Wilcox soon developed his own signature style in the American Scene or Regionalist tradition of the early 20th century. He joined the Cleveland School of Art faculty in 1913. Among his students were Lawrence Edwin Blazey, Carl Gaertner, Paul Travis, and Charles E. Burchfield. Around this time Wilcox became associated with Cowan Pottery.
In 1916 Wilcox married fellow artist Florence Bard, and they spent most of their honeymoon painting in Berlin Heights with Keller. They had one daughter, Mary. In 1918 he joined the Cleveland Society of Artists, a conservative counter to the Bohemian Kokoon Arts Club, and would later serve as its president. He also began teaching night school at the John Huntington Polytechnic Institute at this time, and taught briefly at Baldwin-Wallace College.
Wilcox wrote and illustrated Ohio Indian Trails in 1933, which was favorably reviewed by the New York Times in 1934. This book was edited and reprinted in 1970 by William A. McGill. McGill also edited and reprinted Wilcox' Canals of the Old Northwest in 1969. Wilcox also wrote, illustrated, and published Weather Wisdom in 1949, a limited edition (50 copies) of twenty-four serigraphs (silk screen prints) accompanied by commentary "based upon familiar weather observations commonly made by people living in the country."
Wilcox displayed over 250 works at Cleveland's annual May Show. He received numerous awards, including the Penton Medal for as The Omnibus, Paris (1920), Fish Tug on Lake Erie (1921), Blacksmith Shop (1922), and The Gravel Pit (1922). Other paintings include The Trailing Fog (1929), Under the Big Top (1930), and Ohio Landscape...
Category
1910s American Modern Landscape Drawings and Watercolors
Materials
Watercolor, Graphite
"New York City Harbor (Brooklyn Bridge), " Leon Dolice, East River, Mid-Century
By Leon Dolice
Located in New York, NY
Leon Dolice (1892 - 1960)
New York Harbor (Brooklyn Bridge), circa 1930-40
Pastel on paper
12 x 19 inches
Signed lower right
Provenance:
Spanierman Gallery, New York
The romantic b...
Category
1930s American Modern Landscape Drawings and Watercolors
Materials
Paper, Pastel
Blanche Grambs, Autumn Leaves
Located in New York, NY
Signed in pencil. Blanche Grambs, whose career started with the WPA, later developed a career in illustration. Her botanical illustrations are especiall...
Category
Mid-20th Century American Modern Landscape Drawings and Watercolors
Materials
Watercolor
American Modern landscape drawings and watercolors for sale on 1stDibs.
Find a wide variety of authentic American Modern landscape drawings and watercolors available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add landscape drawings and watercolors created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, green, orange, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Frank Wilcox, Dong Kingman, Alfred Bendiner, and Francis Chapin. Frequently made by artists working with Paint, and Watercolor and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Modern landscape drawings and watercolors, so small editions measuring 6.75 inches across are also available. Prices for landscape drawings and watercolors made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $132 and tops out at $950,000, while the average work sells for $2,800.