Nature Landscape Drawings and Watercolors

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PAMELA MARY SPENCER (1924-2012) The Hen Coop Signed and dated 1946 Watercolour and pencil, unframed in conservation mount only 30 by 28 cm., 11 ¾ by 11 in. Provenance: The artist’s estate. Pamela Spencer was the niece of Sir Stanley Spencer RA and Gilbert Spencer...

Contemporary acrylic painting on paper by Polish artist Wlodzimierz Karczmarzyk. The title is 'In a fragrant space'. Main colors are blue, green and yellow. Artwork's style is sketch...

An original watercolor painting by Westley "Wes" Olmsted. This work is currently featured in the exhibition Man of Extremes at Benjaman Gallery in Buffalo, NY. Westley G. Olmsted ...

Artist: Ken Burton (English, 1946-) Title: "Broadway, Worcestershire" *Signed by Burton lower left Year: 1988 Medium: Original Watercolor on heavy wove paper Framing: Not framed, but beautifully matted with hand decorated archival French matting Matted size: 21.25" x 26" Image size: 12" x 18" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: Provenance: acquired directly from the artist Burton himself in the 1980's. Broadway is a large village and civil parish within the Cotswolds, located in the county of Worcestershire, England. Its population was 2,540 in the 2011 census, a small increase on the 2,496 in the 2001 census. Biography: Born in Peterborough in 1946, Ken Burton's interest in art began at school and led him to an initial choice of career in design and engraving, in which he trained with Joseph Hules, in London. He left in 1970 to enter public service (The British...

Blue mountain. 1975. Watercolor on paper, 14x19 cm Herberts Mangolds (1901-1978) Graphic, army officer. In 1920 he graduated from the Artillery Cadet School of Latvian and many mili...

Paesaggio di Gamogna, 2024 Ink on Toned Paper, 4.5 x 3.75 inches With a gentle pastoral view, “Paesaggio di Gamogna,” is a simple, heartfelt pen-and-ink rendering by Justas Varpuca...

A group of moss draped fir trees dance together as if they were a coven of witches weaving incantations... "When your eyes have little information, your imagination takes over and fills in the gaps." - Jasper Goodall...

Figures is a Pastel and Charcoal drawing realized by Jaques Hesvalle in the Mid-20th Century. Hand-signed. Good conditions with slight foxing.

RANDOLPH SCHWABE, RWS, NEAC (1885-1948) Chickens, Cerne Abbas Inscribed Cerne Abbas and dated 1937 Watercolour and pen and ink over traces of penci...

Evening at the sea. 2020. Watercolor, paper, 46,5 x 67,5 cm Sea with waves in red-brown and blue colors Zigmunds Šņore was born in 1942 in Latvia. His...

An original antique watercolor by American artist Amos Sangster featuring a dramatic allegorical composition and spectacular hand carved frame.

The loose hash marks come together in this colored pen and conte crayon drawing of the Tuscan countryside with a view into Siena with its fabulous Duomo. This piece is matted with a buttery hued mat and framed in a simple oak colored wooden frame measuring 15h x 18w inches. Christopher Ganz View of Siena with the Duomo colored pens & conte crayon 11h x 14w in 27.94h x 35.56w cm CG0052 -ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey, and Michael Mazur. Christopher is now an associate professor of printmaking and drawing at Indiana-Purdue University Fort Wayne. Christopher drawings are represented by Ann Nathan Gallery in Chicago, and he shows his prints across the nation. -CV- EDUCATION MFA 2001 Printmaking Indiana University-Bloomington BFA 1995 Drawing and Printmaking University of Missouri-Columbia TEACHING/PROFESSIONAL EXPERIENCE 2002-13 Associate Professor, Printmaking and Drawing Indiana University–Purdue University Fort Wayne (IPFW), Fort Wayne, IN 2002 Adjunct Professor: Lithography (instructor of record) Indiana University-Bloomington 1998-00 Associate Instructor: Beginning Drawing (instructor of record) Indiana University-Bloomington 1998 Artist’s Assistant, Assisted Distinguished Professor Emeritus Rudy Pozzatti in the production of an intaglio edition, Bloomington, IN SOLO OR SMALL GROUP EXHIBITIONS 2013 Multiplicities: Drawings and Prints by Christopher Ganz, Franklin College, Franklin, IN Feb. 5 – Feb. 21 2012 Dramatis Personae: Drawings and Prints by Christopher Ganz, University of South Carolina-Columbia, Jan 16. – Feb. 16, 2012 2011 Christopher Ganz; Prints and Drawing Hendrix College, Hendrix, Arkansas, March 5 - 18 2009 Fall Season Exhibition, six drawings displayed Ann Nathan Gallery, Chicago. Oct 16 – Nov. 24 South Bend Museum of Art Biennial 25 - regional juried exhibition for artists in all media, six large drawings displayed; 14 artists selected from over 200 submissions; May 30-Aug. 23 Juror: William Lieberman, Director of Zolla/Lieberman Gallery, Chicago 2007 Christopher Ganz: Drawings, The Carnegie Visual and Performing Arts Center Covington, KY, March 9 - April 6 Alter Egos: Drawings and Prints by Christopher Ganz Trisolini Gallery, Ohio University, Athens, OH, Jan. 9 - Feb.17 2005 The Two-Way Mirror: Self - Portraits by Christopher Ganz Fort Wayne Museum of Art, Fort Wayne, IN, Aug.20 - Oct. 23 2004 Works on Paper: Christopher Ganz and Paul Schumann Robert E. Wilson Gallery, Huntington College, Huntington, IN, Sept. 2 - 25 2002 Images by Christopher Ganz - Visual Arts Gallery Indiana University-Purdue University Fort Wayne, Fort Wayne, IN, Sept. 3 – Oct. 11 2001 M.F.A. Thesis Exhibition - School of Fine Arts Gallery Indiana University, Bloomington, IN, March 27 - April 7 SELECTED ADJUDICATED OR INVITATIONAL GROUP EXHIBITIONS 2012 International Expositions of Sculpture Objects and Functional Art (SOFA) Chicago, Drawing, “The Initiation” on display in Ann Nathan Gallery space, Nov. 2-4 Reverse Watching...

“Anne Weary, who grew up as a Texas cowgirl, is at home in the outdoors and knows its ways and its language. There is a sort of very quiet but very powerful mysticism in her work, a sense of presence that goes quite beyond words,” writes poet and University of Texas at Dallas professor Frederick Turner in the American Arts Quarterly. Dallas born Weary studied under Olin Travis, Octavio Medellin and Chapman Kelley...

Watercolor on paper, 1976 Painted in South Bristol, Maine Signed by the artist lower left Condition: Excellent

"Light #104" is an original graphite drawing on paper by Bill Teeple, signed on the mat in the lower right corner. This small image of a sunrise over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own. Art size: 1 7/8" x 1 7/8" Frame size: 14" x 11" "I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years." In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...

"Wolf Lake A-11" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right and titled in the lower left, both in pencil. The work is framed and matted with a white acid-free mat board. Though it seems contrary to the title, the main focus of the image is not a lake, but a yellow and gold field of grass that leads to a distant dark green treeline. The cloudy blue sky meets the horizon, and perhaps the darker line of blue above the trees is the far-off lake. With its restrained palette of yellow, green, and blue, it creates a send of calm. Art size: 22" x 22" Frame size 36 1/4" x 36 1/4" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

pastel on paper b. 1964 I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor. I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings...

Artist: Ken Burton (English, 1946-) Title: "Naunton, Gloucestershire, UK" *Signed by Burton lower right Year: 1988 Medium: Original Watercolor on heavy wove paper Framing: Not framed, but beautifully matted with hand decorated archival French matting Matted size: 18" x 21" Image size: 10.75" x 14.25" Condition: Never framed, has been professionally stored away for decades. In mint condition Notes: Provenance: acquired directly from the artist Burton himself in the 1980's. Naunton is a village in Gloucestershire, England. It lies on the River Windrush in the Cotswolds, an area of outstanding natural beauty. Stow-on-the-Wold is about 6 miles to the east. Biography: Born in Peterborough in 1946, Ken Burton's interest in art began at school and led him to an initial choice of career in design and engraving, in which he trained with Joseph Hules, in London. He left in 1970 to enter public service (The British Police...

Edmond PELLISSON Last View of a Great Departure, c. 1899 Original watercolor painting Handsigned bottom right On vellum 18 x 26 cm (c. 7 x 10.5in) Excell...

Warm Water, Framed Original Contemporary Impressionist Seascape Painting 12" x 24" (HxW) Pastel on Paper 15.5" x 27.5" x 1" (HxWxD) Framed Hand-signed by the artist. A soft color palette of blues, greens, and purples is used to depict the clear ocean water as it begins to curl over, cresting into a subtle wave, just enough to make a satisfying crashing sound of water-on-water. The entire artwork is overtaken by the water of the sea, with no land or sky to divert your focus from the vastness of the ocean's depths. Artist Commentary: As an artist, I just love being able to take creative license and paint what my mood dictates. The photo reference for this painting was of New England waters and the day I painted this it is was cold and rainy. I was looking for warmth, not 20 degree temps! I took out my set of pastels that remind me of warmer climates and painted this in that palette. The luminosity of pastels really comes through in this painting and just like that, I'm transported under a palm tree watching...

This painting depicts the entrance to a farm with old barn and a windmill marked with a "For Sale" sign. This framed watercolor painting was created by R...

"Canadian Rockies - Misty Morning Calgary, Alberta, Canada" is an original watercolor painting on Kilimanjaro watercolor paper. These petite watercolo...

Artist: Harry George Theaker (English, 1873-1954) Title: "Moors, Yorkshire, UK" *No signature found Circa: 1935 Medium: Original Watercolor on watercolor paper Sheet size: 9.75" x 13.75" Condition: In excellent condition Notes: Provenance: private collection - Corsham, UK. "GAC" and "H.G. Theaker" pencil inscribed upper left and center on verso. Biography: Born January-March 1873 in Wolstanton, Staffordshire. He was the son of George Theaker (1835-1902, born in Sheffield, Yorkshire), headmaster (principal) of the School of Art in Burslem from 1869-94 and designer for pottery. His younger brother, Charles Edmund (1875-1903) was an apprentice designer modeller and then a teacher at the Wedgwood Institute in Burslem around 1900. Harry George was an apprentice pottery decorator and then a teacher. He settled in London c.1900-05 and was in charge of design at the Polytechnic in Regent Street from about 1906 onwards, where he also taught courses in 'modelling from design'. Theaker remained at the Polytechnic and is listed in prospectuses as headmaster (principal) between 1931-2 and 1937-38. Theaker was also a successful illustrator, particularly of children's books. His first known published works date from about 1911, and most of his illustrations date from the 1920s and 1930s. Amongst the books he illustrated are 'The Ingoldsby Legends' by Sir Thomas Ingoldsby, London, 1911; 'Children's Stories from 'The Arabian Nights', by Rose Yeatman Woolf, 1914 (and later editions); 'The Adventures of Don Quixote', c.1920 and 1929; 'Gulliver's Travels', 1928; 'The Water Babies', 1930; 'Grimm's Fairy Tales', 1930; 'Stories of King Arthur', 1925 and 'Long, long ago: stories from the classics' both retold by Blanche Winder, the latter probably in the 1930s (see National Art Library catalogue...

Signed and monogrammed by the artist lower left

Pastel on paper Elena Borstein currently lives and works in New York City and the Adirondack Mountains. Born in Hartford, Connecticut, She received her B.S. Degree from Skidmore Col...

Depiction of Town Lake in Austin, Texas from the shore by Tom Shefelman 20" x 28" Watercolor on Paper

"Storm Watch 2" is an original pastel drawing on paper by Victoria Ryan. The artist signed the piece. This piece features an idyllic farm landscape with ro...

Ink and gold on paper silk mounted to hanging scroll Brush wash scroll Signed Torei sha, sealed Hirokuni and Torei Painting size: 42 x 16" Scrol...

This artwork "Winter Landscape" 1975, is a watercolor on paper by Latvian artist Paul Duskins, 1928-1996. It is signed and dated at the lower right corner by the artist. The artwork ...

Barr, Wyatt. NEWRY. Drawing, Charcoal and ink wash on Arches 300lb. Hot Press Watercolor paper, 2014. The subject is a hillside next to Step Falls in Newry, Maine. Signed and dated. ...

"Big Sky Country" - Landscape Original in Watercolor on Paper A cool and calming landscape watercolor in which the artist uses long, loose brushstrokes to create large, nebulous clo...

Artist: Gillie Cawthorne (English, 1963-) Title: "Knarsdale, South Tyne Valley, UK" *Signed and dated by Cawthorne lower right Year: 2003 Medium: Original Watercolor on paper Framing...

This is by the stage designer, Walter Kubbernuus, for the opera Katyusha by Franco Alfano. After Tolstoi. See attached image of the writing of the verso. Monogrammed Lower Right. ...

pastel on paper b. 1964 I became interested in landscape painting because there were no confines, except the edge of the paper and an ever-changing display of color, rhythm, and texture outside my front door. Landscape painting is a method that expresses my inner response to and reverent feelings for nature. I look for connections between things—how one color flows into another, forms engage and separate, how one point in space influences another. The changes focused along the horizon are constant; they are governed by the seasons, the weather, or the cyclical nature of the agrarian landscape. There are no grand gestures, just subtle variations that, when combined, create a certain splendor. I convey in my paintings what is most pleasurable to me, such as discovering tenuous beauty in spontaneous cloud formations, and the repetition of endless corn and soybean rows captured on a rolling landscape. The process begins with a "drive-by-shooting" and a sketchbook. I make large pastel paintings...

By Tom Shefelman 13" x 19" Watercolor on Paper

"Sand, Sea & Sky" is an original watercolor painting by David Barnett. The artist signed the piece in the lower right. This piece features a waterscape in teal with brown sand bars and a deep blue sky...

CHARLES TUNNICLIFFE 1901-1979 Cutting Wheat Watercolour with body colour Image size: 9 ½ x 7 inches (25 x 18 cm) Gilt frame

A western watercolor depiction of a farm with a cow grazing in front of a brown barn. Created by Rick Morris Patterson, measuring 21" x 29".

"Wolf Lake I-5" by Janet Richardson-Baughman is a pastel drawing on paper. It is signed in the lower right and titled in the lower left, both in pencil. The work is framed and matted with an off-white acid-free mat and museum glass. This view of the edge of a forest is unique for its vibrant use of color. The field bears a spot of orange, while the mostly-blue sky includes a streak of violet just above the treeline. The trees blend together in yellows and greens with delicately-made lines to indicate their trunks and branches. Art size: 22" x 22" Frame size: 36 1/4" x 36 1/4" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply with her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Signed lower left: H. Gasser / Demonstration / 1951 Provenance Private collection Painter, lecturer, teacher, illustrator and author, Henry Gasser was born in Newark, New Jersey on...

Painter and teacher Jesse France was born in Ohio, and lived and painted along the eastern seaboard in New York City, New Haven, CT and on Higgins Beach, Maine. After studying art at...

"Colmar CA-3" is a pastel drawing on paper by Jan Richardson-Baughman. It is signed in pencil in the lower right corner and titled in the lower left, both of which are visible in the matting. The work is framed and matted with acid-free mat board. The image depicts rolling hills in shades that range from chartreuse to a dark forest green, dotted with trees and accented by a cloudy blue sky. Art size: 22 1/2" x 36" Frame size: 36 1/4" x 49 3/4" A move to an eighty-acre farm in Western Michigan from Detroit suited Janet Richardson Baughman to a tee. She and her three siblings loved country life, and relished the many humorous adjustments to their new surroundings. The one-room schoolhouse she attended, for example, contrasted sharply to her earlier city school. Sports programs had been fairly sophisticated in the city. Rural sports consisted of her teacher piling everyone in her car, including the trunk, and then driving the children to another one-room schoolhouse for games. When Janet reached the sixth grade, a chapter in American history closed because all of the one-room schoolhouses were annexed by the nearest cities, but that unusual educational experience is something Janet fondly remembers. Growing up in a family that was very artistic, it is not surprising that Janet loved drawing. She and her brothers and sisters would make Christmas decorations for the Christmas tree and had ongoing art projects all year long. Her architect father was an artist in his free time. As the children have become adults, they are all involved in artistic endeavors from carving to sculpture. Janet's high school years were spent riding and showing her horses. "That was my life," she says. Living on the farm allowed her freedom to indulge her love of animals including the dogs that were so special to her. Active in 4H, Janet became an accomplished seamstress and an excellent cook. She took no art classes in high school although she sometimes helped her father with drafting. Starting college with the intention of majoring in speech and drama, Janet took an art class only because it was required. She found the art classes so appealing that she took one after another. Eventually, having taken every art class offered, the university had to design independent studies for her. With her beloved horses back on the farm, Janet discovered a new passion, and that was ceramics. First working as a waitress during college to earn income, Janet later became a Student Assistant and lived at the Ceramics Studio. As an assistant, she would make clay and glazes, fire the kiln, and assist the instructor however she could. At first, she had planned to become a high school teacher, but she was encouraged to earn her graduate degree and pursue her artistic endeavors, in addition to teaching. Janet graduated in 1975 with a BFA in Ceramics and Weaving from Central Michigan University in Mt. Pleasant, MI. Following her mentor's advice, she went to Indiana State University in Indiana for her graduate work where she studied under Dick Hay...

Garden Portico, Original Impressionist Floral Garden Painting, 2018 11" x 14" (HxW) Watercolor on Paper Hand-signed by the artist. A loosely pa...

David Blackwood, Canadian, 1941-2022 Untitled watercolour on paper 22 x 28 in signed and dated 1981 lower right framed

A Walk in the Woods - Original Watercolor Painting 1983 A watercolor of lush, variegated greens make up this forested trail of cypress and oak trees, a natural wonderland for any co...

Original watercolor painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Evocative and moody painting of Malibu and the Santa Monica Mountains with th...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a so...

"Florida Gulf Coast - Sanibel Island Sunset" is an original watercolor painting by David Barnett, signed in the lower right corner. With impressionistic...

Original watercolor painting by celebrated, twentieth-century California landscape painter, Ronald Shap. Vibrant scene of the Arroyo Seco Stables in Pasadena, CA with the York Boulev...

"Light 2010 #3" is an original graphite drawing on paper by Bill Teeple, signed in pencil in the lower right. This small image of a sunrise over the water is surrounded by a large white mat, isolating this intimate work so that it may be viewed on its own. Art size: 2 3/4" x 1 1/2" Frame size: 11" x 14" "I am the Director of Iowa Contemporary Art (ICON) and Bill Teeple Fine Art, in Fairfield. I have been serious about making art for 50 years, with a degree in art from the University of California at Berkeley. I have taught art in Fairfield for the past 15 years." In the ’70s, Bill and his artist partner Lynn Durham were living in California. Their fantasy/fairy art...

This watercolour is hand signed and dated in pencil by the artist "Heckel 22" [1922] in the lower left image. It is also hand titled in pencil “Grauer Tag” [Grey Day] in the lower l...

Roman Bridges on the Tiber is an original Contemporary artwork realized by Nazareno Gattamelata in the 1970s. Original colored oil pastels on paper. Hand signed by the artist on t...

Tiber is an original Contemporary artwork realized by Nazareno Gattamelata in the 1975. Original colored oil pastels on paper. Hand signed by the artist on the lower central margi...