Attrib. Mary Clare Sherwood (1868-1943) - 1935 Gouache, Summer Hay

1935

Bright gouache highlights bring this delicate watercolour study of a spring woodland to life. The artwork is signed and dated in the lower right-hand corner and is well presented in ...

Impastoed gouache is used to depict a quiet river leading to a countryside cottage on a still evening. The artwork is unsigned and well presented in a gilded wood frame with a white ...

Subtle impastoes are combined with a dry brush technique to render a cosy study of a country cottage in the late evening to brilliant effect. The artwork is unsigned and well represe...

Subtle impastoed depict a tranquil study of a rural cottage. The artwork is unsigned and well presented in a gilded wood frame with a blue and white double mount. On wove.

In this gouache study, Williams depicts a late summer woodland with a bright palette and compelling brush strokes. The artwork holds a calming, immersive ambiance, and is signed in t...

A wonderful mid 20th century landscape by the listed artist Laurence H.F. Irving. Here the artist has captured an idyllic Italian scene with a river and small town beyond. With water...

Wilhelm Heine (Dresden 30 January 1827-Löbnitz 5 October 1885) ‘Funeral of Robert Williams in the cemetery of the Temple Gyokusen-ji at Shimoda in April 1854’ With a sticker on the reverse of the frame by Coupil & Co. 1855 Watercolour on paper, H. 57 x W. 92 cm Depicted is the Bay of Shimoda with seven American ships including the two paddle-wheel warships USS Mississippi and Susquehanna. On the Gyokus- en-ji temple grounds on the right is the coffin in the middle with the remains of US marine Robert Williams, ready to be lowered into the grave. Looking on from the left are the Buddhist monks and Japanese officials who joined the first Christian funeral on Japanese soil. Around the grave are US marines, Commodore Perry...

FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839) 'Le Negrito à l’ancre. Dans le port de la havanne' Indistinctly signed lower left Titled on the mount Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm Literature: The present watercolour will be illustrated in: - Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”. - Prof. Micael Zeuske’s forthcoming Global history of slave trade. Exhibited: Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108 Note: Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...

Marine Dutch School, 18th Century Coastal Scene with ships in a storm Gouache on prepared paper

Southern Landscape with View of a Castle and Ships passing by Pen and brush in brown and black over pencil, brown and grey wash, 17,5 x 22,7cm Plain black moulding with golden pearl ...

"Rejuvenation" by Don Athay, gouache, 10 1/2 X 14 1/2 inches "At this point in my life as an aspiring artist, I find myself composing paintings that reflect my feelings, when standi...

This very modern drawing presents a view of Ariccia, a small town 25 kilometres south-east of Rome. The Palazzo Chigi (in which the film-maker Luchino Visconti would film a large part of The Leopard a century later) and the adjoining church are seen from the bottom of the ravine that surrounds the town. This drawing is a moving testimony to the attraction of the city for artists of the Romantic period, who established in Ariccia a vivid artists' colony. 1. Achille Bénouville...