Color Pencil Nude Drawings and Watercolors

Iris 7 [2021] original Coloured pencil on 150gsm paper Image size: H:30 cm x W:20 cm Complete Size of Unframed Work: H:30 cm x W:20 cm x D:0.01cm Sold Unframed Please note that insi...

Yves Saint Laurent ( 1936-2008 ) " Débardeur bleu " circa 1973 . from le Prince de Babylone color pencil , Felt-Tip pen , colored pencil and graphite on paper . 27 X 21 cm . NUDE & UNIQUE .. Marrakech . private collection FRANCE . " Yves Saint Laurent led a revolution in women's fashion in the 60's " born in Oran , Algeria , in 1936 , Saint Laurent was a keenly intelligent child , he fell in love with fashion at an early age ... By his late teens , Saint Laurent was in Paris and a rising star of couture. after the sudden death of hid mentor Christian Dior in 1957, he became the head the illustrious fashion housesat the age of just 21 . It was, after all , the golden era of YéYé Pop , his clothes became the uniform joyful bohemian dissent . "Yves Saint Laurent and Andy Warhol " In 1970 Andy Warhol came to Paris to film" L'amour " his transgressive travel movie featuring , somewhat surprisingly Karl Lagerfeld as a German aristocrat . Warhol spend much of hid time with Yves ... In 1961 , Saint Laurent founded his own label , bringing an insouciant elegance to his clean , minimal designs .the designs were playful and witty and Saint Laurent paid hommage to his artistic heroes Piet Mondrian and Tom Wesselman ... " Saint Laurent and Marrakech " In 1966 the designer travelled to Morocco with his lover and business partner Pierre Bergé .it was the beginning of fascination with the city of Marrakech that lasted for the rest of Saint Laurent's life . At the center of Marrakech scene was the American oil heir John Paul...

"Untitled 28" (FRAMED) Pencil Drawing 21" x 18" inch by Antonio Pelayo Size unframed: 15.5" x 13.5 inch Medium: Pencil on Paper Artist Antonio Pelayo, born in Glendale, California...

Seated nude figure study by Joseph Yeager (American, 20th Century). This piece is unsigned, but was acquired with a collection of Yeager work directly from the estate. This piece is on heavy bond paper with ragged edges and is unfinished. No frame. Joseph "Joe" Yeager (American, 20th Century) was raised in Cleveland Ohio, where he went to art school at night and started his art career at 19. He was a commercial artist for the Cleveland Press...

Figurative drawing with graphite, charcoal, and conte crayon on Arches paper 30 x 19 inches, unframed One piece of 30 x 19 inch Arches paper. Two drawings on opposite sides. These u...

Drawing on paper is his basic work tool, some are sketches of his surviving works, others are sketches of moments he documents. Undefined by medium, Celso Castro’s works each carry...

This work was intentionally torn and mended. It predates the artist's full immersion, years later into torn and re-pasted collages, using ripped previous drawings and paper-based materials from media. These recently discovered 1984 oversize drawings on archival papers were created working quickly, from a live model. The series shows the last existing observational drawings prior to the artist's switch to working with her non- dominant left hand. As a feminist, Anastasi's main focus is presenting other women. Unlike the often objectified male gaze...

"The Dance" by Ludovico Lipparini is a beautifully rendered work on paper in the classical tradition using graphite and gouache and created in the f...

Pencil, coloured pencil and chalk on paper, titled (lower left), signed (lower right), 31cm x 46cm, (51cm x 68cm framed). John Koch was an American painter and teacher, and an impo...

Green Nude Woman's Torso in Watercolor on Paper Vibrant nude torso watercolor by artist David Stephens (American, 20th century). A nude woman with arms raised is shown against a viv...

Signed lower left, 'Marguerite Bordet' (French, 1909-2014) and painted circa 1965. Titled, on old label, 'Le Modele'. Previously with: Crocker Galleries, CA From an early age, Marguerite Bordet avidly pursued both drawing and painting. In the late 1930's and early '40s, she attended the Académie de la Grande Chaumière in Paris where she studied with the sculptor, Antoniucci Volti (Italian, 1915-1989). After several years, and feeling increasingly disconnected with the academic atmosphere of the Salon, she left to develop her independent artistic style. Bordet's first public exhibition took place at the Galerie Claude (1947) and, for the next forty years, she continued to exhibit widely with success, both throughout France and internationally, including in Cairo (1955), Geneva (1960) and the United States (1966). A 1962 exhibition of her work showed a thematic rejection of the Academy's influence and the artist's shift to a more personal and spiritually driven style. Bordet continued to take frequent study trips to Italy, especially to Florence, where she was inspired by the Renaissance Masters. She also visited England (1975-76) where the works of J.M.W.Turner and John Martin at the Tate Museum had a pronounced impact on her development. In an interview with Hervé Serane, Marguerite Bordet described her artistic process in these words: "I start my painting with spots. Sometimes I cover it completely and everything is dark. But then it's stronger than me, I can't bear that there isn't an opening. Immediately, I place a Light. I need the shadow to bring out the Light. So I start with the shadow to create this Light. I cannot define why I need this Light so much. It's stronger than me. It's something that dominates me without my being able to explain it intellectually. It is for me an absolute necessity to seek the Light in the darkness.. You have to open like you open a window. You have to reveal. I remove the stains that obscure my painting to find the luminous background of the canvas.... I only paint with transparent colors and I apply several layers of glaze to preserve this light." Partial Exhibition Record: 1947 Paris, Galerie Claude 1951 Paris, Galerie Breteau - Cairo, Galerie Adam - Alexandria, l'Atelier 1954 Paris, Galerie Simone Bdinier 1955 Cairo, l'Atelier 1959 Paris, Galerie A. Weil 1960 Geneva, Galerie Motte 1962 Paris, Marignan Gallery 1964 Paris, Ror Volmar Gallery 1966 San Rafael (U.SA) International Museum 1966 Cagnes-sur-Mer, Castle Gallery...

Charcoal drawing on light gray-blue colored paper. The drawing depicts a young man sitting with the hand on forehead. the position is probably meant to express the feeling of regret,...