1930s Portrait Drawings and Watercolors

A Fine, 1930s Modern Academic Figure Study of a Seated Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s cha...

A Fine, 1930s Modern Academic Figure Study of a Standing Young Male Nude Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1930s c...

Study of an peasant woman. Red pastel. Signed. This work will be recorded in the catalogue raisonné of the work of the artist currently in preparation. ...

'The Cabaret Dancer', crayon on art paper, by Kolomon Moore (circa 1930s). The Crazy Years (les Années Folles) of Paris in the 1920s hit an abrupt end in...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a Lady Signed upper right Pastel on paper 46 x 38 cm Framed under glass: 57.5 x 50 cm The vintage frame is not in perfect ...

An original Art Deco illustration hand-painted with ink and gouache on paper. The drawing features two elegant women with large windows and drapery in the background. This image was ...

'Man Smoking Shisha in Istanbul', watercolour on art paper, by Yves Brayer (1933). So many historic elements grace this stunning depiction by celebrated French artist and world trave...

A stylized cat named Babette is depicted licking her paw. It is rendered in black and white, which bears the influence of Asian art in its simplicity of line, use of wash, and bleedi...

This interesting seated woman pencil study is by French artist Wouyart (20th Century). This unique representation captures the model's expression through trace lines and shadows that...

This watercolour portrait by Finnish artist Hugo Backmansson depicts an Arab man from the Rif region of Morocco. Created during Backmansson’s journey to Morocco in 1939, the work cap...

A lovely gouache on cardboard painting featuring an Art Deco singer with a typical stylish outfit. Utilizing the contrast of black and white components against primary colors like y...

original drawing by Jean Cocteau , certified and signed . exceptionnel "Oedipe " drawing 27,7 x 22, 6 cm .

A Fine, 1930s Modern Academic Figure Study of a Seated Young Male Nude Model (Torso) by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well executed early 1...

Sold without the frame. Léon Laurent Galand is a French painter and illustrator born April 18, 1872 in Montpellier (Hérault) and died November 4, 1960 in Clichy (Hauts-de-Seine). L...

Jean Cocteau ( 1889-1963 ) " Morceaux Choisis " est un dessin à l'encre brune et légère estompe au crayon noir , exécuté en 1932 , il représente un profil de femme . 19 x 11 cm . si...

Octave Denis Victor Guillonnet (1872 - 1967) A naked young woman seated Charcoal and red chalk on thin paper transfered on cardboard 49 x 39 cm Framed : 55.5 x 45.5 cm Octave Denis...

Framed Cuban Artist/Caricaturist Conrado Walter Massaguer presents Hollywood star Adolphe Menjou in a satirical dual portrait. In the foreground, the subject is seen in a dapper top hat, tux, fashionable cigarette and boutonnière, and is shown as being the epitome of being stylishly debonair. To make a larger point about this subject, Massaguer paints a cast shadow of Menjou as a burning red devil who studies his alter ego from above. Keeping with the artist's sarcasm, we see the good and bad in one image. Works by Massaguer are rare and this work is in keeping with his signature style. This work was most likely done on assignment for Life Magazine, Cosmopolitan, The New Yorker or Vanity Fair. Signed upper right. Inscribe lower right. Titled on verso. Unframed, Slight bend to board; toning to board; scattered faint foxing; pin point abrasions to margins, not affecting image. 19-1/2 x 15-1/8 inches board size. Conrado Walter Massaguer y Diaz was a Cuban artist, political satirist, and magazine publisher. He is considered a student of the Art Nouveau. He was the first caricaturist in the world to broadcast his art on television.He was first caricaturist to exhibit on Fifth Avenue. He was the first caricaturist in the world to exhibit his caricatures on wood. He, and his brother Oscar, were the first magazine publishers in the world to use photolithographic printing. Self portrait of Conrado Walter Massaguer, depicted on a carrousel ride, with the devil over his left shoulder and an angel over his right. (1945) He created the magazine Social with his brother Oscar to showcase Cuban artistic talent. The duo later created the magazine Carteles, which became for a period the most popular magazine in Cuba, which was purchased by Miguel Ángel Quevedo in 1953. In his life, he met and drew caricatures of Franklin D. Roosevelt, Walt Disney, Albert Einstein, the King of Spain, and many others.[ In sum total, he was the author of more than 28 thousand caricatures and drawings.Ernest Hemingway once had to refrain himself from punching Massaguer in the face after the artist drew an unflattering caricature of him. The dictator Gerardo Machado, however, did not punch Massaguer for his own unflattering caricature - he had the artist deported. He was one of the most internationally renowned Cuban artists of his day, and his art is still regularly featured in galleries across the Western Hemisphere and Europe. Early life Massaguer was born on October 18, 1889, in Cárdenas, Cuba.[In 1892, his family moved to Havana. When the Cuban War of Independence broke out, Massaguer's family escaped the country. From 1896 to 1908, he lived in Mérida, Mexico. However, during this time, his parents enrolled him in the New York Military Academy, where he stayed during school years. In 1905, after graduating the military academy, he briefly attended the San Fernando school in Havana, where he was tutored by Ricardo de la Torriente and Leopoldo Romañach. In 1906, less than a year later, he returned to the family home in Mexico. Career as artist Early career While living in Yucatán, Mexico, Massaguer published his first caricatures in local newspapers and magazines. These included La Campana, La Arcadia, and the Diario Yucateco. In 1908, he moved back to Havana. After returning to the island in 1908, Massaguer began mingling with Havana's aristocratic circles, forming close friendships with some of the city's most powerful and influential men, as well as winning the favor of many women who were quickly charmed by him. Massaguer, largely self-taught, honed his style using the avant-garde techniques he studied from the European and American magazines that were widely available in Cuba at the time. Cover of the immensely popular Cuban magazine El Figaro, drawn by Massaguer in 1909. This cover depicts two bumbling, incompetent American tourists to the island. He started drawing for El Fígaro, and was featured prominently on the cover in 1909. After two years of refining his craft, Havana announced a poster contest aimed at attracting North American tourists to stay in the city during the winter months. Notable figures like Leopoldo Romañach, Armando Menocal, Rodríguez Morey, Jaime Valls, and others also entered the competition. The jury was particularly impressed by the modern execution and creative solution of one piece, signed by Massaguer, who was relatively unknown at the time. The jury deliberations caused a great controversy.[5] The prize was ultimately awarded to the Galician painter Mariano Miguel, who had recently married the daughter of Nicolás Rivero, the wealthy owner of the conservative newspaper Diario de la Marina. Although Massaguer received only an honorable mention, the fraud scandal caused such an uproar that his name quickly entered the public spotlight, and he became an overnight sensation. In 1910, he became co-owner of the advertising agency Mercurio, with Laureano Rodríguez Castells. At Mercurio, he led the Susini cigar campaign, and earned substantial wealth. Massaguer has been described as a restless man, in both mind and body.After earning enough money from his art to begin traveling, he was almost always doing so. He constantly traveled between New York City and Havana, Mexico and France, Europe and the Americas. In 1911, his reputation among the Havana socialites solidified when he organized his own first public caricature exhibit, and also the first Caricature Salon ever held in the Americas, hosted at Athenaeum of Havana (the Ateneo), and the Círculo de La Habana. Other exhibitors here included Maribona, Riverón, Portell Vilá, Valer, Botet, Barsó, García Cabrera, Carlos Fernández, Rafael Blanco, and Hamilton de Grau. "Messaguer Visits Broadway." Caricatures of theatrical and literary figures. Elsie Janis, Raymond Hitchcock, S. Jay Kaufman (columnist), Ibanez, author of The Four Horsemen, and Frances White In 1912, in the New York American Journal, he published his first Broadway drawings. From 1913 to 1918, he was an editor for Gráfico. Social Main article: Social (magazine) Cover of the magazine Social, July 7, 1923 In 1916, he created the magazine Social with his brother, Oscar H. Massaguer. Social's contributors included Guillén Carpentier, Chacón y Calvo, Enrique José Varona and others.Social has been described as Massaguer's great love in the magazine industry, and was the property that historians say he cared the most about. Social was an innovative magazine, being the first magazine in the world to use a modern printing process called photolithographic printing. Social set cultural trends, not only in the fashion of Cuba, but in art, politics, and Cuban identity.[11] Social catered to a certain aesthetic in Cuba - that of the sophisticated elite socialite - but Massaguer would also use this magazine to ridicule and jibe against that same class of society when he found their personalities worthy of his contempt. In Social, readers could find a variety of content, including short stories, avant-garde poetry, art reviews, philosophical essays, and serialized novels, as well as articles on interior design, haute couture, and fashion. Occasionally, the magazine also featured reports on sports such as motor racing, rowing, tennis, and horse riding.The cultural promotion efforts of both Massaguer and Emilio Roig de Leuchsenring are evident in the magazine. Notably, this period overlaps with their involvement in the Minorista Group, which was then at the forefront of the country's intellectual life.[5] Many contributors were devoted members of the group, leading some experts to consider Social as the cultural voice of the Minoristas. One of the features of Social magazine was its section called "Massa Girls," which was a play on his own name, and pronounced with a glottal 'g' in a similar fashion to the letter in Massaguer.[12] Massaguer drew women as independent and free-thinking, and never drew the woman celebrity as a caricature of herself, but as a free agent surrounded by caricatures.[11] However, Massaguer himself has been described as a womanizer in his personal life, and hesitant to fully embrace every facet of women's liberation. In 1916, he also established la Unión de Artes Gráficas and the advertising agency Kesevén Anuncios.[9] The art critic Bernardo González Barroa wrote: “Massaguer has solved the problem of working hard, living comfortably off what his art produces and not missing any artistic, sporting or social event. His broad, childish laugh, of a carefree individual who carries his luck hidden in a pocket, appears everywhere for the moment, disguising the pranks of pupils that lurk, mock and, finally, flash with satisfaction at finding the characteristic point after having analyzed a soul... Massaguer's personality is beginning to solidify now. He has been the best-known and most popular caricaturist for a long time, but his technique had not reached the security, the mastery of values that he presents in his latest works, which is very natural and explainable”[5] Carteles Main article: Carteles Cover of the magazine Carteles, November 29, 1931 In 1919, Massaguer and his brother created the magazine Carteles.[9] Carteles gained the widest circulation of any magazine in Latin America, and the most popular magazine in Cuba for a time, until that title was claimed by Revista Bohemia. Carteles remained in print until July 1960.This magazine showcased Cuban commerce, art, sports, and social life before the revolution. In 1924, Carteles took a more political turn, with articles criticizing Gerardo Machado's government. it became a prime example of the humor and graphic design employed by artists like Horacio Rodríguez Suria and Andrés García...

Violet Oakley (1896-1961). Portrait of a Baby, ca. 1930. Conte crayon and pencil on laid paper, sheet measuring 11 x 14 inches. Framed measurement: 13.5 x 16.5 inches. Signed low...

Women illustrators were alive, well, and quite active in the early 20th century. Most of their production was associated with topics that dealt with the home, children or fairy tales. In this masterfully rendered work in pen and ink, Jacobs displays great technical skill in presenting three maidens dressing a beautiful female member of the Court wearing a tiara. Signed in a cartouche lower right From: Stella Mead, Great Stories from Many Lands, London: James Herbert and Co, 1936, page 78 " Red and White Roses" Provenance: Chris Beetles Work is elegantly matted and not framed. Helen Mary Jacobs was born in Ilford, Essex, the sister of the writer W.W. Jacobs; she studied art at the West Ham...

Landscape in Lagny is an Original Pastel and Watercolour realized by Paul Alouard-Carny (1884-1961) in 1936. Good condition on a yellowed paper. Hand-signed by the artist on the lo...

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

A Charming, Vintage 1930s Charcoal Drawing of a Saxophone Player, Jazz Musician, by Notable Chicago Modern Artist, Harold Haydon (Am. 1909-1994). A striking and lively figure study ...

An Intimate, 1930s Modern Charcoal Study of a Seated Young Male Figure by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Most likely completed circa 1932 at a summer lake ho...

Original magazine cover illustration for The Saturday Evening Post, published January 24, 1931. Pastel portrait features a fashionable young woman Artwork Dimensions: 39" x 30" Me...

Edith Piaf on stage watercolor and pencil on paper, mongrammed K for Charles Kiffer (1902-1992), Workshop stamp. Charles Kiffer is well known for his figures, paintings, prints, pos...

"Mademoiselle X" story illustration for Vogue February 1, 1934, watercolor and ink, reverse signed in pencil "Benito for Madame X," pencil inscription "Feb.1, 1934 / Page 51 / 316," ...

A Charming, 1930s Modernist Portrait Study of a Seated Young Male Bather by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). Most likely completed at a summer lake house in Al...

A Fine 1940s, Mid-Century Modern Academic Portrait Figure Study of a Handsome Young Male Model by Notable Chicago Artist, Harold Haydon (Am. 1909-1994). An exceptionally well execut...

For your consideration, we have a pen and ink drawing of an interpretation of The Three Graces, who strike a pose for a 1930s fashion ad. In Greek mythology, they were goddesses w...

Beautiful original drawing by American artist, Albert Sway (b.1913). Portrait of a young woman, ca. 1935. Ink on paper, measuring 8.5 x 11 inches. Signed lower right. Unframed...

A fine and detailed Art Deco pencil, black, red and white chalk portrait of a young woman by Hubert Williams. The work dates to circa 1930 and is very skilful in its execution. A bea...

A ca. 1937 watercolor Titled "Sad Girl" by Institute of Design artist Eugene Dana. Image size: 19 3/4" x 12 1/2". Matted to 24 1/4" x 18 1/4". Provenance: Estate of the artist. ...

Medium: Pastel and Watercolor Signature: Signed Lower Right Saturday Evening Post Cover, March 13th, 1937.

Date: 1930s Medium: Pastel on Thick Paper Dimensions: 30.00" x 22.00" Signature: Signed Lower Left Crandell (1896-1966) was the undisputed "artist of the stars," befriending and immortalizing Hollywood's most beautiful starlets in his portraits. Among his subjects were Bette Davis, Judy Garland, Carole...

Date: 1933 Medium: Pencil on Paper Dimensions: 16.00" x 13.00" Signature: Signed and Titled For the Broadway play "Young Sinners" Dianne starred in the play “Young Sinners” in 1933.

Art Deco "Mademoiselle X" story illustration for Vogue February 1, 1934, watercolor and ink, reverse signed in pencil "Benito for Madame X," pencil inscription "Feb.1, 1934 / Page 51 / 316," accompanied by corresponding issue of Vogue magazine...

Charcoal , signed lower right and dated 'Paris 1935' Image size: 25 x 19 inches (63.5 x 48 cm) Original oak frame An accomplished example of Russian art from the mid 20th century. ...

The technique and subject matter work well together in this loosely but masterfully rendered World War 1 romantic illustration of a Soldier and a Parisian woman. Even though this wo...

Medium: Pastel on Illustration Board Signature: Signed Lower Right Sight Size 20.00" x 28.50;" Framed 32.50" x 41.25" Cover Art for Unidentified Title Pre-code Hollywood starlet Verna Hillie is the subject of this erotically charged pastel portrait, which was the title Reel Movie Fun, a short lived wild and racy publication that merged the world of pin-up and burlesque with the envelope pushing film culture emerging from Hollywood before enforcement of the notorious Hays code put an end to overt expressions of sexuality or immorality on screen. Pastel is dated and signed on the back and the sitter is identified in the artist's hand as seen. Beautifully framed and matted behind glass in a handsome gallery frame and ready to hang. Verna Hillie was a Monograph Pictures star who appeared in The Marx brothers comedy "Duck Soup...

Lucien-Victor Guirand de Scevola (1871-1950) Portrait of a boy Signed lower left Pastel on paper 28 x 23 cm Framed : 63 x 58 cm Guirand de Scévola is particularly renowned for hi...

Street Costumes by Ruth Kreps. Signed lower right. Most likely for a book published in the 1930's about turn of the century women's fashion. "Costume Design of the Gay Nineties" T...

Octave Denis Victor Guillonnet (1872 - 1967) A young woman seated signed lower leftt Charcoal, red and white chalks on thin paper transfered on cardboard 49 x 39 cm Framed : 55.5 x ...

A wonderful and charming cover concept as an attractive young women stares at a beautiful butterfly caught in the netting of her hat. Fabry executes the work with his stylised loos...

Claire VERGEZ Red Hair Woman, 1939 Original gouache and watercolor painting Signed bottom right On heavy vellum 38 x 25.5 cm (c. 15 x 10 in) Excellent condition

Stately sanguine portrait of Leopold Hamilton Myers (Novelist) by Sir William Rothenstein (English, 1872-1945). Captured in Rothenstein's characteristic style, Myers looks directly at the viewer with a neutral expression. Although this portrait uses only two colors and minimal shading, the likeness of Myers is incredibly well captured. Leo (Leopold) Hamilton Myers (1881 – 1944) was a British novelist. Numerous examples like this one of the writer are in the Tate Museum. Initialed and dated in the lower right corner ("W.R. 1936") Inscription on verso indicating materials, subject, and artist. Presented in a new cream colored mat with foamcore backing. Mat size: 18"H x 12"W Paper size: 15.25"H x 10.75"W William Rothenstein (English, 1872-1945) was born into a German-Jewish family in Bradford, West Yorkshire. His father, Moritz, emigrated from Germany in 1859 to work in Bradford's burgeoning textile industry. Soon afterwards he married Bertha Dux, and they had six children, of which William was the fifth. Rothenstein was knighted in 1931. Rothenstein left Bradford Grammar School at the age of sixteen to study at the Slade School of Art*, London (1888-1893), where he was taught by Alphonse Legros, and the Académie Julian* in Paris (1889-1893), where he met and was encouraged by James McNeill Whistler, Edgar Degas and Henri Toulouse-Lautrec. Whilst in Paris he also befriended the Anglo-Australian artist Charles Conder, with whom he shared a studio in Montmartre. In 1893 he returned to England to work on "Oxford Characters" a series of lithographic* portraits. In Oxford he met and became a close friend of the caricaturist* and parodist Max Beerbohm, who later immortalised him in the short story Enoch Soames (1919). During the 1890s Rothenstein exhibited with the New English Art Club* and, in 1900, won a silver medal for his painting The Doll's House at the Exposition Universelle. In 1898 he co-founded the Carfax Gallery in St. James' Piccadilly with John Fothergill. During its early years the gallery was closely associated with such artists as Charles Conder, Philip Wilson Steer, Charles Ricketts and Augustus John. It also exhibited the work of Auguste Rodin, whose growing reputation in England owed much to Rothenstein's friendship and missionary zeal. The gallery was later the home for all three exhibitions of The Camden Town Group*, led by Rothenstein's friend and close contemporary Walter Sickert. Rothenstein is best known for his portrait drawings of famous individuals and for being an official war artist in both World War I and World War II. He was also a member of the International Society of Sculptors, Painters & Gravers. The style and subject of his paintings varies, though certain themes reappear, in particular an interest in 'weighty' or 'essential' subjects tackled in a restrained manner. Good examples include Parting at Morning (1891), Mother and Child (1903) and Jews Mourning at a Synagogue (1907) - all of which are owned by the Tate Gallery. The National Portrait Gallery owns over two hundred of his portraits. In 2011 the BBC and the Public Catalogue Foundation began cataloguing all of his paintings in public ownership online. Between 1902 and 1912 Rothenstein lived in Hampstead, London, where his social circle included such names as H.G.Wells, Joseph Conrad and the artist Augustus John. Amongst the young artists to visit Rothenstein in Hampstead were Mark Gertler...

Writing Man is an original drawing realized by Alberto Ziveri in the 1930s. Ink on paper. Hand-signed. In good conditions with slight foxing. The artwork is represented through d...

Work on paper Black wooden frame with glass pane 53 x 35 x 1.5 cm

'Soldiers Playing Cards', watercolour and gouache on art paper, by Yves Brayer (1939). Such an atmospheric image, this stunning depiction by celebrated F...

Composition  is a drawing in pen on paper, realized by Alfredo Mezio in 1934 for the magazine "Il Selvaggio", Year XI, p. 46. The artwork is depicted skillfully through confident an...

Unidentified Artist, "Untitled: 1930s Drawing of a Seated Woman", Signed Figurative Pencil Drawing on Paper, 21 x 13.88, Early 20th Century, 1936 Colors: Black and White *Unknown Artist signature...

" Femme de profil au téléphone " .pen , India ink and wash paper . signed Jean and dated . executed in 1930 . original drawing certified by Madame Annie Guedras .

Illustration is an original drawing in china ink applied on paper realized by Italian artist Bruno Angoletta. Passepartout: 49 x 34 cm. The artwork is in a good condition except f...

This high-fashion illustration was most likely created between 1938 and 1940 for an inside editorial in a major newspaper, such as Vogue or McCall's. It showcases Ruth Grafstrom's d...

Presenting a rare, early original drawing, "The French Model", by American artist Robert McIntosh(1916-2010) McIntosh was extremely prolific and exhibi...

Portrait is an artwork realized by the french Artist Jacqueline Barbet (1902-1975), in 1938. Pencil, pastel and charcoal rawing on paper. Hand-signed and dated in pencil in Roman nu...

Lina – Pocasset August 6, 1934 Signed in pencil, u.r.; Also titled and dated in pencil, l.r. Graphite on paper 10.25 x 14.5 inches, sheet This work is offered by CLAMP in New Yor...

Stately portrait of George Arliss by Ivan Opffer (Danish, 1897-1980). Mr. Arliss is depicted wearing his signature monocle, looking directly at the viewer. Although this piece appears to be done rapidly, there is a clear confidence in Opffer's work - he was an accomplished portrait artist - and the resemblance to the subject is unmistakable. George Arliss (born Augustus George Andrews; 10 April 1868 – 5 February 1946) was an English actor, author, playwright, and filmmaker who found success in the United States. He was the first British actor to win an Academy Award – which he won for his performance as Victorian-era British prime minister Benjamin Disraeli in Disraeli (1929) – as well as the earliest-born actor to win the honour. He specialized in successful biopics, such as Disraeli, Voltaire (1933), and Cardinal Richelieu (1935), as well as light comedies, which included The Millionaire (1931) and A Successful Calamity (1932). Signed and dated "Ivan Opffer 1934" in the lower right. Titled "Mr. Arliss" in the lower left. Presented in a new off-white mat with foamcore backing. Mat size: 22"H x 16"W Art size: 17.5"H x 12"W Ivan Opffer (Danish, 1897-1980) was born in Nyborg, Denmark, on June 4, 1897, to a family of Danish scholars and journalists. His brother was Emil Opffer, a Danish merchant seaman and journalist who was known for his relationship with American writer Hart Crane. Ivan was raised in Mexico City and New York, where his anarchist father was the editor of a radical Danish-language newspaper. His involvement in painting and drawing began at an early age. At a summer workshop, he met and studied drawing with Winslow Homer, then went on to study at the National Academy of Design and the Art Students League of New York. When the US entered World War I, Opffer was one of the members of the American Army Camouflage Corps, headed by Homer Saint-Gaudens (whose mother was a relative of Winslow Homer), the son of Augustus Saint-Gaudens. As a camoufleur, Opffer served with other artists and architects, some of whom became well-known, including Barry Faulkner, Sherry Edmundson Fry, Kimon Nicolaides, Robert Lawson, Abraham Rattner, Kerr Eby, and others. It was this same unit, while still in training in at Camp American University in Washington DC, that launched a camp newspaper called The Camoufleur. Only three issues were published before the unit’s deployment to France in late 1917. In the October 31 issue, a satirical portrait by Opffer of Homer Saint-Gaudens (titled “Our Boss”) was published on page 5. After the war, Opffer returned to New York, where he became known for his caricatures of leading Modern writers, among them James Joyce, Edgar Lee Masters, Siegfried Sassoon, George Bernard Shaw, Carl Sandburg, G.K. Chesterton, and Thomas Mann. In the years between the wars, Opffer married Betty à Beckett Chomley, and settled in Paris, where he was a student at the Academie Julliard. He also lived in London and Copenhagen, where his drawings were frequently published in newspapers and magazines. With the outbreak of World War II, he and his family returned to New York and lived in Greenwich Village. Among his friends in that era were William Butler Yeats, F. Scott and Zelda Fitzgerald...

The Letter F is a drawing artwork realized by Alexandre Lagrant in the early 20th Century Watercolor drawing on paper. The state of preservation is good.

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1930, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

Study for an Illustration of "Il Selvaggio" is an original Pencil Drawing realized by Mino Maccari in 1930/1940s. Good condition on a brown paper, except for a missing corner. No ...