1930s Portrait Drawings and Watercolors

Allan Rohan Crite: 1910-2007. Well listed and important African American artist. He was born in Ne Jersey but moved at a young age to Massachusetts....

Caricatures is a beautiful black China original drawing on ivory-colored paper, made by the Swedish illustrator and reporter Adolf Reinhold Hallman arou...

The Caricature is an original drawing pencil realized by a Italian Anonymous artist. Dated 1936 Sheet dimension: 23.5 x 32.5 cm Hand-signed "Nisco" on the lower right and dated 193...

A fine and detailed Art Deco pencil, black, red and white chalk portrait of a young woman by Hubert Williams. The work dates to circa 1930 and is very skilful in its execution. A bea...

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1931, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

Lina – Pocasset August 6, 1934 Signed in pencil, u.r.; Also titled and dated in pencil, l.r. Graphite on paper 10.25 x 14.5 inches, sheet This work is offered by CLAMP in New Yor...

A fine large charcoal and pencil drawing by British listed artist James Stroudley. Executed in 1930, it is a stunning example of a 1930s Art Deco portrait. Very strong and bold, it d...

This original illustration, titled "Cops at Ease in the Muster Room of a Station," accompanied the article Nineteen Thousand Cops published in the July 1939 issue of Fortune Magazine. This issue was dedicated to the city of New York and included a total of ten paintings by Riggs for this article on New York City's police department. Robert Riggs was a gay artist.

Samuel Wood Gaylor (American, 1883 - 1957) Untitled (Woman in Mirror), 1930 Watercolor on paper Sight size: 14 1/4 x 10 1/4 in. Framed: 20 3/4 x 16 1/4 in...

Children Sledding, Women's World Magazine Cover, December 1939 Signed lower center image watercolor, gouache, pencil, and wash on paper

Portrait of a young girl with a styled hair cut. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire col...

Konstantin Andreevich Somov (Russian 1869-1939), Young Man Reclining (Boris Snezhkovsky), 1931, Sanguine and pastel on paper, signed and dated (twice) (lower right), 32cm x 48cm, (46...

Naturalistic portrait of a french woman with a styled hair cut. The work is signed and dated by the artist. The paper is not framed. Many others are available. Please inquire to buy the entire collection. Artist Biography: Emile Lejeune...

Teaching Drawing to Children is a drawing artwork realized by Alexandre Lagrant in the early 20th Century. Pencil and ink drawing on paper. The state of preservation is good with s...

Bernard Fleetwood-Walker RA RWS (1893-1965) Study for Mr and Mrs R. H. Butler and Their Daughters, c. 1932 Graphite on paper, mounted to card Signed centre left 53 x 42.8 cm.; (within frame) 77.6 x 62.8 cm. Provenance: The artist’s studio, 1965 (no. 523); Private Collection, United Kingdom. Dated to c. 1932, the present drawing belongs to a series of preparatory studies for Mr and Mrs R. H. Butler and Their Daughters (1932), a large family composition...

Bernard Fleetwood-Walker RA RWS (1893-1965) Study for Mr and Mrs R. H. Butler and Their Daughters, c. 1932 Graphite and coloured graphite on paper, mounted to card Signed centre right 42.6 x 53 cm.; (within frame) 66.7 x 75.7 cm. Provenance: The artist’s studio, 1965 (no. 521); Private Collection, United Kingdom. Dated to c. 1932, the present drawing belongs to a series of preparatory studies for Mr and Mrs R. H. Butler and Their Daughters (1932), a large family composition...

Figure of Woman is a Pen Drawing realized by Mino Maccari (1924-1989) in 1935s. Hand-signed on the lower margin. Good condition on a little yellowed paper. Mino Maccari (Siena, 1...

Bernard Fleetwood-Walker RA RWS (1893-1965) Study for Mr and Mrs R. H. Butler and Their Daughters, c. 1932 Graphite on paper, mounted to card 55.5 x 77.7 cm.; (within frame) 80.1 x 99.8 cm. Provenance: The artist’s studio, 1965 (no. 524); Private Collection, United Kingdom. Dated to c. 1932, the present drawing belongs to a series of five known preparatory studies for Mr and Mrs R. H. Butler and Their Daughters (1932), a large family composition...

Simkhovitch was one of America's great success stories at the time of World War II as Life Magazine did a big story on this artist. This marvelous sketch is an example of the joy ...

This work is accompanied by a Photo-certificate and essay from Ralph Jentsch who will include it in his forthcoming catalogue raisonné Signed lower right. Estate stamp on verso....

Study for an Illustration of "Il Selvaggio" is an original Pencil Drawing realized by Mino Maccari in 1930/1940s. Good condition on a brown paper, except for a missing corner. No ...

Woman with child in Marocco is an original blue china ink drawing realized by Helen Vogt in 1930s. The state of preservation is very good. Not signed. Stamp of the artist on th...

Portrait is an original pencil drawing on brown-colorated paper, realized by Mino Maccari. In very good conditions. Hand-signed on the lower left margin in pencil. This artwork i...

Portrait is an original modern artwork realized by an Anonymous Artist in 1930. Original watercolor drawing on Ivory paper. Not signed. This artwork represents a portrait of a man...

Bernard Fleetwood-Walker RA RWS (1893-1965) Study for Mr and Mrs R. H. Butler and Their Daughters, c. 1932 Graphite, coloured graphite and wash on paper, mounted to card 64.5 x 74.5 cm.; (within frame) 87.4 x 91.8 cm. Provenance: The artist’s studio, 1965 (no. 525); Private Collection, United Kingdom. Dated to c. 1932, the present drawing belongs to a series of preparatory studies for Mr and Mrs R. H. Butler and Their Daughters (1932), a large family composition...

Souvenir de Bonheur is an original modern artwork realized the 1930s. Original black China ink on paper. The work is an Italian postcard; on the back...

Portrait of Ardengo Soffici is an original drawing in China ink and watercolor on paper realized in 1938 ca by Mino Maccari (1898-1989). Hand-signed lower left. In good conditions...

Figure is an original drawing in pencil on paper realized by an artist of the XX century. The state of preservation of the artwork is good and aged with signs of the time a small cu...

Figure is an original drawing in pen on paper, realized by Alfredo Mezio in 1930. Hand-signed on the lower right. The status of preservation good and aged except for some rips and ...

Framed Cuban Artist/Caricaturist Conrado Walter Massaguer presents Hollywood star Adolphe Menjou in a satirical dual portrait. In the foreground, the subject is seen in a dapper top hat, tux, fashionable cigarette and boutonnière, and is shown as being the epitome of being stylishly debonair. To make a larger point about this subject, Massaguer paints a cast shadow of Menjou as a burning red devil who studies his alter ego from above. Keeping with the artist's sarcasm, we see the good and bad in one image. Works by Massaguer are rare and this work is in keeping with his signature style. This work was most likely done on assignment for Life Magazine, Cosmopolitan, The New Yorker or Vanity Fair. Signed upper right. Inscribe lower right. Titled on verso. Unframed, Slight bend to board; toning to board; scattered faint foxing; pin point abrasions to margins, not affecting image. 19-1/2 x 15-1/8 inches board size. Conrado Walter Massaguer y Diaz was a Cuban artist, political satirist, and magazine publisher. He is considered a student of the Art Nouveau. He was the first caricaturist in the world to broadcast his art on television.He was first caricaturist to exhibit on Fifth Avenue. He was the first caricaturist in the world to exhibit his caricatures on wood. He, and his brother Oscar, were the first magazine publishers in the world to use photolithographic printing. Self portrait of Conrado Walter Massaguer, depicted on a carrousel ride, with the devil over his left shoulder and an angel over his right. (1945) He created the magazine Social with his brother Oscar to showcase Cuban artistic talent. The duo later created the magazine Carteles, which became for a period the most popular magazine in Cuba, which was purchased by Miguel Ángel Quevedo in 1953. In his life, he met and drew caricatures of Franklin D. Roosevelt, Walt Disney, Albert Einstein, the King of Spain, and many others.[ In sum total, he was the author of more than 28 thousand caricatures and drawings.Ernest Hemingway once had to refrain himself from punching Massaguer in the face after the artist drew an unflattering caricature of him. The dictator Gerardo Machado, however, did not punch Massaguer for his own unflattering caricature - he had the artist deported. He was one of the most internationally renowned Cuban artists of his day, and his art is still regularly featured in galleries across the Western Hemisphere and Europe. Early life Massaguer was born on October 18, 1889, in Cárdenas, Cuba.[In 1892, his family moved to Havana. When the Cuban War of Independence broke out, Massaguer's family escaped the country. From 1896 to 1908, he lived in Mérida, Mexico. However, during this time, his parents enrolled him in the New York Military Academy, where he stayed during school years. In 1905, after graduating the military academy, he briefly attended the San Fernando school in Havana, where he was tutored by Ricardo de la Torriente and Leopoldo Romañach. In 1906, less than a year later, he returned to the family home in Mexico. Career as artist Early career While living in Yucatán, Mexico, Massaguer published his first caricatures in local newspapers and magazines. These included La Campana, La Arcadia, and the Diario Yucateco. In 1908, he moved back to Havana. After returning to the island in 1908, Massaguer began mingling with Havana's aristocratic circles, forming close friendships with some of the city's most powerful and influential men, as well as winning the favor of many women who were quickly charmed by him. Massaguer, largely self-taught, honed his style using the avant-garde techniques he studied from the European and American magazines that were widely available in Cuba at the time. Cover of the immensely popular Cuban magazine El Figaro, drawn by Massaguer in 1909. This cover depicts two bumbling, incompetent American tourists to the island. He started drawing for El Fígaro, and was featured prominently on the cover in 1909. After two years of refining his craft, Havana announced a poster contest aimed at attracting North American tourists to stay in the city during the winter months. Notable figures like Leopoldo Romañach, Armando Menocal, Rodríguez Morey, Jaime Valls, and others also entered the competition. The jury was particularly impressed by the modern execution and creative solution of one piece, signed by Massaguer, who was relatively unknown at the time. The jury deliberations caused a great controversy.[5] The prize was ultimately awarded to the Galician painter Mariano Miguel, who had recently married the daughter of Nicolás Rivero, the wealthy owner of the conservative newspaper Diario de la Marina. Although Massaguer received only an honorable mention, the fraud scandal caused such an uproar that his name quickly entered the public spotlight, and he became an overnight sensation. In 1910, he became co-owner of the advertising agency Mercurio, with Laureano Rodríguez Castells. At Mercurio, he led the Susini cigar campaign, and earned substantial wealth. Massaguer has been described as a restless man, in both mind and body.After earning enough money from his art to begin traveling, he was almost always doing so. He constantly traveled between New York City and Havana, Mexico and France, Europe and the Americas. In 1911, his reputation among the Havana socialites solidified when he organized his own first public caricature exhibit, and also the first Caricature Salon ever held in the Americas, hosted at Athenaeum of Havana (the Ateneo), and the Círculo de La Habana. Other exhibitors here included Maribona, Riverón, Portell Vilá, Valer, Botet, Barsó, García Cabrera, Carlos Fernández, Rafael Blanco, and Hamilton de Grau. "Messaguer Visits Broadway." Caricatures of theatrical and literary figures. Elsie Janis, Raymond Hitchcock, S. Jay Kaufman (columnist), Ibanez, author of The Four Horsemen, and Frances White In 1912, in the New York American Journal, he published his first Broadway drawings. From 1913 to 1918, he was an editor for Gráfico. Social Main article: Social (magazine) Cover of the magazine Social, July 7, 1923 In 1916, he created the magazine Social with his brother, Oscar H. Massaguer. Social's contributors included Guillén Carpentier, Chacón y Calvo, Enrique José Varona and others.Social has been described as Massaguer's great love in the magazine industry, and was the property that historians say he cared the most about. Social was an innovative magazine, being the first magazine in the world to use a modern printing process called photolithographic printing. Social set cultural trends, not only in the fashion of Cuba, but in art, politics, and Cuban identity.[11] Social catered to a certain aesthetic in Cuba - that of the sophisticated elite socialite - but Massaguer would also use this magazine to ridicule and jibe against that same class of society when he found their personalities worthy of his contempt. In Social, readers could find a variety of content, including short stories, avant-garde poetry, art reviews, philosophical essays, and serialized novels, as well as articles on interior design, haute couture, and fashion. Occasionally, the magazine also featured reports on sports such as motor racing, rowing, tennis, and horse riding.The cultural promotion efforts of both Massaguer and Emilio Roig de Leuchsenring are evident in the magazine. Notably, this period overlaps with their involvement in the Minorista Group, which was then at the forefront of the country's intellectual life.[5] Many contributors were devoted members of the group, leading some experts to consider Social as the cultural voice of the Minoristas. One of the features of Social magazine was its section called "Massa Girls," which was a play on his own name, and pronounced with a glottal 'g' in a similar fashion to the letter in Massaguer.[12] Massaguer drew women as independent and free-thinking, and never drew the woman celebrity as a caricature of herself, but as a free agent surrounded by caricatures.[11] However, Massaguer himself has been described as a womanizer in his personal life, and hesitant to fully embrace every facet of women's liberation. In 1916, he also established la Unión de Artes Gráficas and the advertising agency Kesevén Anuncios.[9] The art critic Bernardo González Barroa wrote: “Massaguer has solved the problem of working hard, living comfortably off what his art produces and not missing any artistic, sporting or social event. His broad, childish laugh, of a carefree individual who carries his luck hidden in a pocket, appears everywhere for the moment, disguising the pranks of pupils that lurk, mock and, finally, flash with satisfaction at finding the characteristic point after having analyzed a soul... Massaguer's personality is beginning to solidify now. He has been the best-known and most popular caricaturist for a long time, but his technique had not reached the security, the mastery of values that he presents in his latest works, which is very natural and explainable”[5] Carteles Main article: Carteles Cover of the magazine Carteles, November 29, 1931 In 1919, Massaguer and his brother created the magazine Carteles.[9] Carteles gained the widest circulation of any magazine in Latin America, and the most popular magazine in Cuba for a time, until that title was claimed by Revista Bohemia. Carteles remained in print until July 1960.This magazine showcased Cuban commerce, art, sports, and social life before the revolution. In 1924, Carteles took a more political turn, with articles criticizing Gerardo Machado's government. it became a prime example of the humor and graphic design employed by artists like Horacio Rodríguez Suria and Andrés García...

Theo Meier (1908-1982) “A Balinese woman with offerings” Signed, dated '36 and annotated Mankok (the name of the sitter) lower left Sanguine on paper, measures: 57 x 41.5 cm In a handmade and hand painted frame with address: Max Kno¨ll, Herberggasse 4/1, Basel. Provenance: Private collection, Basel (acquired directly from the artist) Private collection, London Note: Theo Meier was born in Basel, where he attended art school and became a successful portrait painter. However, after visiting an exhibition in Basel of Tahitian paintings by Paul Gaugin, he decided to follow in Gaugin’s footsteps and go to the South Pacific. To finance his voyage, he founded a club in which every member pledged a monthly sum in return of which they could choose one of Meier’s paintings upon his return. In 1932, at the age of 24, he embarked on his voyage to the South Sea. In Tahiti, he certainly discovered the beauty of the colours of the tropical world but the simplicity of the inhabitants, he had seen in Gaugin’s paintings turned out to be more in the artist’s fantasy than in reality. He returned to Basel but in 1935 again was on his way to the South Sea. In 1936 he arrived in Bali, planning to stay there for two or three weeks, but thirty years later he was still there. In Bali “a delirium laid hold of me which even today has not subsided”, he was to write much later. The present drawing was made during his first “delirius” year in Bali. In Bali, he settled and found inspiration and friendship with other artists including Walter Spies...

This drawing (colored pastels on paper, 26 x 23 cm) depicts a woman in profile with blond hair worn in the short wavy bob cut typical of the fashion of the period, wearing eye-catchi...

Pierre Olivier DUBAUT (1886-1968) Head studies of a horseman, Geoffrey Larcher, 1936 Signed lower center Watercolor, black and red chalks and pencil on paper 22 x 27.5 cm Titled a...

Artist: Emmet Edwards Title: Eleanor Medium: Watercolor on paper, signed, dated, and titled in pencil Image Size: 21 x 14 inches Frame Size: 28.5 x 21.5 inches

Street Costumes by Ruth Kreps. Signed lower right. Most likely for a book published in the 1930's about turn of the century women's fashion. "Costume Design of the Gay Nineties" T...

Hildegard Anna Augusta Elisabeth Freiin Rebay von Ehrenwiesen, known as Baroness Hilla von Rebay or simply Hilla Rebay was the co-founder of the Museum...

Disegno fronte retro matita su carta, 330 x 240 mm. Su un lato, in verticale, è raffigurato un nudo femminile seduto in un ambiente domestico, colto nell'atto di voltarsi verso lo s...

Pencil on paper 32.5 x 23.5 cm. The subject is a double study of a female nude. It's signed at the bottom right, "U. Capocchini". Ugo Capocchini was an Italian artist. He won many ...

Initialed lower right: "M.L.". Estate stamp verso, lower left: Lucille Deming Lewis Collection. Inscribed verso, lower left: "LDL-803". In fine condition.

A wonderful and charming cover concept as an attractive young women stares at a beautiful butterfly caught in the netting of her hat. Fabry executes the work with his stylised loos...

Date: 1936 Medium: Pastel Dimensions: 14.00" x 18.00" Signature: Unsigned Original cover artwork for Smith & Street's Picture Play Magazine, April 1936 by Tatiana Fall.

ALEXANDER EVGENEVICH IACOVLEFF (YAKOVLEV) 1887-1938 Saint Petersburg 1887-1938 Paris (Russian) Title: Portrait of a Girl, 1934 Technique: Ori...

Presenting an original large pen and ink drawing by Hungarian/American artist Karoly Fulop. "Bell Ringers", is an original pen and ink d...

A number of years ago, we acquired the balance of a Northern California estate of artist Thelma Terrell. Terrell lived in Oakland and was an illustator and commercial graphic artist. This male...